THE ESSENCE OF THE CONCEPT OF "GROUP PORTRAIT" AND THE TYPOLOGY OF THE GENRE OF GROUP PORTRAIT

This article is devoted to identifying the uniqueness of the works of the genre "group portrait" by etymological research of the concept "group portrait", identifying the typology of this genre, exploring the traditional possibilities of its systematization in order to comprehensively consider the essence of the group portrait in the research tradition. The aim of the study is to deepen the understanding of the genre of group portrait and its specific features. The methodological bases of the research are the basic categories of the theory of reflection of G. V. F. Hegel, the basic principles of the synthetic concept of the ideal by D. V. Pivovarov, the theory of fine art by V. I. Zhukovsky, N. P. Koptseva, as well as general scientific empirical and theoretical research methods.

ВЗАИМОДЕЙСТВИЕ АДРЕСАТА ХУДОЖЕСТВЕННОЙ КРИТИКИ И ПРОИЗВЕДЕНИЯ ИЗОБРАЗИТЕЛЬНОГО ИСКУССТВА

The object of this scientific research is art criticism, the subject is the interaction of the addressee of art criticism and a work of fine art. The aim is to study the relationship between the addressee of art criticism and a work of fine art. The conceptual analysis of the concept of "art criticism" is given, the features and structure of the text of art criticism are considered. The conceptual basis for the study was the key provisions of the theory of reflection by G.V.F. Hegel, the basic principles of the synthetic theory of the ideal D.V. Pivovarov and the concept of ideal formation, the main provisions of the theory of fine art by V.I. Zhukovsky and N.P. Koptseva. A peculiar result of scientific research is the fixation of the characteristics of various addressees of the text of art criticism ("viewer" and "artist") and the specifics of their relationship with a work of fine art through the study of the text of art criticism

THEORETICAL, APPLIED AND SYNTHETIC METHODS OF STUDYING CULTURE AS A SOCIO-ANTHROPOLOGICAL SYSTEM

The article provides an overview and offers a classification of modern methodological approaches in the field of cultural studies. The article helps to choose an appropriate methodological strategy for conducting cultural research. Cultural studies methods are classified into three types: theoretical, applied and synthetic. The article discusses the specificity, advantages and disadvantages of such methods as field research, an interdisciplinary approach involving sociological analysis, archaeological analysis, art analysis, psychological experiment for cultural studies, and also considers the methodology of structuralism, functionalism, hermeneutics and linguocultural studies.

SOCIAL SYSTEMS, MODELS, TRANSFORMATIONS: ANALYSIS OF THEORETICAL APPROACHES

This article aims to consider key concepts and models from the theory of social systems that can be used as a theoretical basis for conducting cultural and anthropological research. Based on the analysis of a number of authoritative sources, attention was focused on the activity approach, which takes into account the role of the elements of the system (a person, specific communities and groups) in its functioning and change. In addition, the issue of the dynamics of social systems of different types (classical, nonclassical and postclassical) was analyzed, which allows you to pay attention to the transformations taking place in a modern multicultural urban society or the traditional society of an ethnic village, to identify their regularity, to fix the direction. Also in this work, models of social transformations in culture are considered - Westernization, destabilization, assimilative-religious, and in our opinion the most effective is the modernization-traditionalist model, the elements of which contribute to the preservation of traditional value dominants and allow you to develop a program for the sustainable development of a state, region or small territory in the global world.

CONCEPTS "NATION", "NATIONALISM", "NATIONAL STATE" AS ELEMENTS OF A MODERN PROJECT

The article is devoted to an analytical review of scientific research literature on the problems of defining the concepts of "nation", "nationalism", "nation state" as basic for understanding the essence of the project of modernity in the XXI century. The aim is to fix the content of the terminological apparatus on the problems of the national and to align the research priorities in accordance with the modern trends of the globalizing world. The study identifies the relevance of the topic research, reveals the technologies for constructing the concept of "nation" in foreign scientific research of the 19th - 20th centuries, analyzes the concepts of "nationalism" and "nation state" in the context of a modern project.

HOBBIT PLAYERS: DEVELOPMENT OF ROLE- PLAYING GAMES IN KRASNOYARSK REGION (1980-1990)

Local history as a kind of public history is gaining more and more popularity among researchers every year, because awareness of local historical experience is a tool for regional and personal self-identification, a way to define oneself, one’s uniqueness in the large multicultural world. Based on the study of the role-playing movement, it is possible to trace not only any peculiarities of the Krasnoyarsk cultural processes, but also to understand what influence the events of the “big” history had on the local history of the development of the role-playing movement in the Krasnoyarsk Territory in a specific cultural and historical period. The aim of the study is to reconstruct significant cultural events that contributed to the creation of the role movement, the influence of the socio-cultural environment on the role movement in the region, as well as to record the events characteristic of this subculture through the analysis of interviews with people participating in these events. The object of the study is the role-playing movement of Tolkienists in the Krasnoyarsk Territory, while the subject of the history (interviews) of informants who stood at the origins of the role-playing movement in the Krasnoyarsk Territory in the 1980s-90s. To conduct the study, the following tasks were set: conducting an interview with participants in the role movement as a subculture characteristic of the Soviet period in the history of the culture of the Krasnoyarsk Territory, and interpreting the received empiric material and identifying the features and trends in the development of the role movement subculture.

РЕПРЕЗЕНТАЦИЯ ПОНЯТИЯ «СОЦИУМ» В РУССКОЙ ЖИВОПИСИ БЫТОВОГО ЖАНРА XIX ВЕКА

The aim of the study is to reveal the ways of representing the concept of “society” in the works of the genre art in the Russian painting of the 1860-1870s. The research is carried out using the method of philosophical and art history analysis of works of fine art. The main object of the study is the painting “Rural procession on Easter” by Vasiliy G. Perov. The study describes the specific features of the genre art in the Russian painting of the 19th century. The research shows how works of the genre art realize their didactive and educating functions. A theoretical analysis of the concepts of “everyday life”, “being”, “society” made it possible to conclude how genre painting of the 19th century models both an ideal person who is in co-existence with the absolute spirit, and a person who is far from the ideal. In the research the authors reveal two worldview models that developed in Russian painting in the 1860-1870s: a model of a perfect human being and a model of a person who is mired in everyday life. The study proves that the latter human model is represented in index signs of characters that worship only material values. The study investigates the versatility of the pictorial model of the Russian society, represented not only as a community absorbed in the routine of the everyday life, but also as a group of people whose life is elevated upwards to the true existence. The research has resulted in the typology of characters of paintings of the genre art, where the type of the character depends on the model of the society represented by the work of art. In its conclusion the study discloses two models of representing the society in Russian painting of the genre art in the 19th century. According to the first model, the everyday principle acts as an absorber of being. The second model represents a society in which everyday life manifests true existence, in harmony with nature and filled with the divine essence.

CULTURAL CONTINUITY OF THE KHAKASOV (ON THE EXAMPLE OF WEDDING TRADITIONS)

The study is devoted to identifying the level of cultural continuity of the Khakass people on the territory of the Republic of Khakassia using the example of wedding traditions. At the moment, in the conditions of the modern world, namely urbanization and globalization, it is becoming increasingly difficult for peoples to preserve their traditions that determine the individuality of each ethnic group. In such conditions, the folk culture with each generation can be forgotten, which also faced the Khakass, whose native language is forgotten, and many national holidays go into the background. To find out how important it is for these people to preserve their native traditions, an online survey was conducted using a questionnaire through a Google form. 30 Khakassians aged 18 to 50 years old (where the average age was 34), living in the central and southern parts of Khakassia, took part. In total, 21 women and 9 men participated (70% and 30%, respectively). Thanks to the survey, it was possible to identify a fairly high level of cultural continuity of the Khakass people. The absolute number of respondents consider it important to preserve national traditions. The survey was based on the wedding characteristics of the Khakass people, so 89.6% were able to give specific examples of traditions. Among the respondents, 83.3% of the weddings were held with elements of Khakass traditions, or they are only planning to introduce these elements for a future wedding. This indicates that many Khakass in practice observe and honor wedding traditions, thereby preserving and passing on this knowledge to the next generations. From the study it became clear that traditions are observed more in villages (72.2%) than in cities (27.8%).

CRITICAL TEXTS OF ART JOURNALS AS A TOOL FOR SOLVING THE PROBLEMS OF RELATIONSHIP OF THE VIEWER AND THE WORK OF FINE ARTS

The object of this scientific research is art criticism in art magazines, the subject is the text of art criticism as a tool for solving problems of the relationship between a work of art and the viewer. The aim is to study journal art criticism as a tool for solving problems of the relationship between a work of art and the viewer. The analysis of the concepts of "art criticism" and "critical texts about art" is given in order to understand the essential features of art criticism and the specifics of its texts. The conceptual basis for the study was the key provisions of the theory of reflection by G.V.F. Hegel, the basic principles of the synthetic theory of the ideal D.V. Pivovarov and the concept of ideal formation, the main provisions of the theory of fine art by V.I. Zhukovsky and N.P. Koptseva.

ABOUT THE INTERNATIONAL SCIENTIFIC AND PRACTICAL CONFERENCE «ETHNIC MIGRATION IN CENTRAL SIBERIA IN THE XX-XXI CENTURIES: EXPERIENCE AND PROSPECTS»

In the city of Krasnoyarsk on November 26-28, 2020, the IV International Scientific and Practical Conference «Ethnic Migration in Central Siberia in the XX-XXI Centuries: Experience and Prospects» was held, in which more than 250 participants (together with Internet users) from different regions and foreign countries. Among the participants are representatives of the scientific and expert community, government bodies and national and cultural associations. During the discussions, the most acute issue was the need for the prompt adoption of laws in the field of socio-cultural adaptation and integration of foreign citizens of the Russian Federation.