scholarly journals Buffoonery in the Speech of the Character and the Issue of Historical Form in the Novel The Winter of Our Discontent by J. Steinbeck

Author(s):  
Kapitalina V. Sinegubova ◽  
Anastasia A. Aksenova

The intention is to explain some aspects of hybridization of language consciousness in this literary work. The aim of the study is to clarify the issue of a word in the novel, which was updated by M.M. Bakhtin. The general thesis is that the tendency to hybridization explains the juxtaposition of serious and funny within the characters utterance: the border between prosaic reality and the characters own world is found precisely when he turns to jokes. The speech of the character indicates a tendency to aestheticize the household environment. This trend leads to a high-intensity hybridization of everyday words and Holy Scripture . The novel The Winter of Our Discontent is more than a didactic literary work and reveals some features of the picaresque novel, but the necessary feature of the picaresque novel is the first-person narrative. Instead of this form of narration the character and the narrators points of view are brought closer together in the novel by J. Steinbeck. The literary work with the features of the picaresque novel remains multidimensional and does not reduce only to one of the existing novel forms, and typologically is rather anti-picaresque. The characters buffoonery gives him the right to detachment, due to which the skewed nature of other characters in the novel is overcome. The language hybridization in this work plays a key role in understanding of the novel.

2014 ◽  
Vol 43 (2) ◽  
Author(s):  
Helen de Hoop ◽  
Lotte Hogeweg

AbstractFor this study we investigated all occurrences of Dutch second person pronoun subjects in a literary novel, and determined their interpretation. We found two patterns that can both be argued to be functionally related to the de-velopment of the story. First, we found a decrease in the generic use of second person, a decrease which we believe goes hand in hand with an increased distancing of oneself as a reader from the narrator/main character. Second, we found an increase in the use of the descriptive second person. The increased descriptive use of second person pronouns towards the end of the novel is very useful for the reader, because the information provided by the first person narrator himself becomes less and less reliable. Thus, the reader depends more strongly on information provided by other characters and what these characters tell the narrator about himself.


Author(s):  
E.V. Gerasimenko

This article reveals the definition of “narration”, which is closely related to such categories as “narrator” and “types of narration”. The characteristics that influence the types of narration are analyzed. Scientists pay attention to the narrator’s awareness, his/her presence in the novel, his/her attitude to other characters, and according to that identify the types of the narrator. The form and type of narration of the modern American novel “Gone Girl” by G. Flynn influences the creation and revealing of heros’ images. The narrators describe the same events from their own points of view. The first person narrative, as a rule, creates an atmosphere of confidential conversation; however, the opposite perception is formed through the type of narration chosen by the author from the first person of two unreliable narrators.


Worldview ◽  
1981 ◽  
Vol 24 (4) ◽  
pp. 5-6
Author(s):  
Samuel Hux

Granted the great Spanish reactionary thinker Juan Donoso'Cortes was defending the absoluteness of royal decree when he characterized “discussion” as “the universal dissolvent” that “has destroyed your adversaries, and will destroy yourself” and announced, “As to me, I am resolved not to tolerate it.” But since a politics without public deliberation makes the sense of a religion without prayer or a literature deficient in the rhythms of thought, and since he was writing in 1851 (ironically about the same time that Herman Melville was discussing practically everything in Moby Dick), his words have been intruding on my reading the last few weeks. Donoso-Cortes's fame, if he has any, rests in part on Pius IX having borrowed some of his points of view in writing the Syllabus of Errors. Were Vladimir Nabokov, quirky genuis, to compile a syllabus, one error would be the discussion of “general ideas” by literary critics, another the discussion of Big Topics by characters in a novel. Mary McCarthy is resolved not to tolerate the intolerance, pushy mensch that she is, and claims the right “granted to the Jewish novel” and “never conceded to us goys“—that is, “to juggle ideas in full view of the public.”


This research article focuses on the theme of violence and its representation by the characters of the novel “This Savage Song” by Victoria Schwab. How violence is transmitted through genes to next generations and to what extent socio- psycho factors are involved in it, has also been discussed. Similarly, in what manner violent events and deeds by the parents affect the psychology of children and how it inculcates aggressive behaviour in their minds has been studied. What role is played by the parents in grooming the personality of children and ultimately their decisions to choose the right or wrong way has been argued. In the light of the theory of Judith Harris, this research paper highlights all the phenomena involved: How the social hierarchy controls the behaviour. In addition, the aggressive approach of the people in their lives has been analyzed in the light of the study of second theorist Thomas W Blume. As the novel is a unique representation of supernatural characters, the monsters, which are the products of some cruel deeds, this research paper brings out different dimensions of human sufferings with respect to these supernatural beings. Moreover, the researcher also discusses that, in what manner the curse of violence creates an inevitable vicious cycle of cruel monsters that makes the life of the characters turbulent and miserable.


2019 ◽  
Vol 49 (2) ◽  
pp. 276-289
Author(s):  
Naoise Murphy

Feminist critics have celebrated Kate O'Brien's pioneering approach to gender and sexuality, yet there has been little exploration of her innovations of the coming-of-age narrative. Creating a modern Irish reworking of the Bildungsroman, O'Brien's heroines represent an idealized model of female identity-formation which stands in sharp contrast to the nationalist state's vision of Irish womanhood. Using Franco Moretti's theory of the Bildungsroman, a framing of the genre as a thoroughly ‘modern’ form of the novel, this article applies a critical Marxist lens to O'Brien's output. This reading brings to light the ways in which the limitations of the Bildungsroman work to constrain O'Brien's subversive politics. Their middle-class status remains an integral part of the identity of her heroines, informing the forms of liberation they seek. Fundamentally, O'Brien's idealization of aristocratic culture, elitist exceptionalism and ‘detachment of spirit’ restricts the emancipatory potential of her vision of Irish womanhood.


Imbizo ◽  
2020 ◽  
Vol 11 (2) ◽  
Author(s):  
Adetunji Kazeem Adebiyi-Adelabu

Sello Duiker’s The Quiet Violence of Dreams offers an extensive treatment of homosexuality, a preoccupation which, until recently, is rare in black African fiction. On this account, as well as its depth and openness, the work has attracted some critical attention. It has been read from a masculinity perspective, as a coming-out novel, as a national allegory, as a work that challenges the notion of fixed sexuality, as a work that normalises same-sex sexuality, and so forth. Unlike these studies, this article examines the representation and disquisition around same-sex preference in the novel, with a view to demonstrating how some myths about homosexuality are exploded in the groundbreaking work, and showing that the narrative could also be apprehended as intellectual advocacy for the right to same-sex orientation.


2014 ◽  
pp. 111-119
Author(s):  
Aleksandra Komandera

The paper discusses the theme of wandering in the novel by French author André Dhôtel. The protagonist of Le Mont Damion, Fabien Gort, is not a typical vagrant, as he is a member of an intellectual and quite rich family. However, because of his strong absent-mindedness and strangeness, Fabien is unable to find a place in social structures. People’s hostility leads him to many wanderings and unexpected encounters which influence his existence. The novel seems to be also a generic wandering, as it possesses some features of picaresque novel, adventure novel, initiation story and fairytale fantasy.


2020 ◽  
Author(s):  
Andrés Herane-Vives

BACKGROUND “Short-term” samples are not the most appropriate for reflecting Chronic Cortisol Concentration (CCC). Although hair is used for reflecting the systemic cortisol level over “long-term”, its use appears clinically problematic. Local stress and non-stress related factors may release a circumscribed cortisol secretion that is accumulated in hair. Non-stressful earwax extraction methods may provide a more accurate specimen to measure CCC. OBJECTIVE Correlate cortisol levels using hair, serum and earwax samples METHODS Earwax from both ears of 37 controls were extracted using a clinical procedure commonly associated with local pain. One month later, earwax from the left ear side was extracted using the same procedure, and earwax from the right ear side was comfortably extracted, using an earwax self-sampling device. Participants also provided one centimetre of hair that represented the retrospective month of cortisol output, and one serum sample that reflected the effect of systemic stressors on cortisol levels. Earwax (ECC), Hair (HCC) and Serum (SCC) Cortisol Concentration were correlated and compared. Confounders´ effect on cortisol levels were studied. RESULTS Serum showed the largest and hair the lowest cortisol concentration (p<0.01). Left-ECC was larger than Right-ECC (p=0.03). Right-ECC was the only sample unaffected by confounders (all p>0.05). Right-ECC and HCC showed the only significant association (r=0.39; p=0.03). CONCLUSIONS The self-sampling device did not represent a local stressor for the ceruminous glands. It provided the cortisol level with the least likely to be affected by confounding factors over the previous month. ECC using the novel device may constitute another accurate, but more suitable and affordable specimen for measuring CCC.


2020 ◽  
Vol 70 (4) ◽  
pp. 849-862
Author(s):  
Shagun Banga ◽  
S. Sivaprasad Kumar

AbstractIn this paper, we use the novel idea of incorporating the recently derived formula for the fourth coefficient of Carathéodory functions, in place of the routine triangle inequality to achieve the sharp bounds of the Hankel determinants H3(1) and H2(3) for the well known class 𝓢𝓛* of starlike functions associated with the right lemniscate of Bernoulli. Apart from that the sharp bound of the Zalcman functional: $\begin{array}{} |a_3^2-a_5| \end{array}$ for the class 𝓢𝓛* is also estimated. Further, a couple of interesting results of 𝓢𝓛* are also discussed.


2021 ◽  
Vol 1 (1) ◽  
pp. 8-13
Author(s):  
Patricia Wulandari

A good literary work can provide information about various kinds of community life,including life related to religiosity. Literary works are closely related to religisiutas,because of that, various works appearing showing the religiosity of society, one ofwhich is the Javanese. Modern Indonesian literary works that illustrate this are thecollection of short stories from Umi Kalsum by Djamil Suherman, the lyrical prosePengakuan Pariyem by Linus Suryadi AG, and the novel Ronggeng Dukuh Paruk byAhmad Tohari. Each of these works represents the diversity of Javanese society. Thecollection of short stories from Umi Kalsum shows the religious side of the communitycalled the santri who are so obedient in carrying out their worship. The lyrical proseof Pariyem's confession provides information on how a babu is so resigned to seeinglife, but in her soul holds the wisdom of Kejawen. Meanwhile, Ronggeng Dukuh Parukdescribes the Javanese people who worship the spirits of their ancestors. Even thoughthey have different religions, they basically want harmony. Javanese people who livein santri enjoy harmony when they live with strong Islamic values. The Javanesepeople of the Gunung Kidul area live in harmony if they are always nrimo and see lifeas it is according to its Javanese nature. The Dukuh Paruk community attainsharmony that originates from the worship of the spirit of Ki Secamenggala.


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