scholarly journals Transformation of the Historical Street settlements and Structures of the city of Jelgava / Mitau in the Post-War Years

2021 ◽  
Vol 16 ◽  
pp. 31-38
Author(s):  
Aija Ziemelniece

Jelgava, as the former capital of the Duchy of Kurzeme and the times of the province, was vividly characterized by a strong German environment, which made a financially strong contribution to the city's economic prosperity. The urban construction period of the city from the beginning of the 19th century marks 4 distinct periods: wooden settlements and buildings until the first half of the 19th century, masonry structures until 40s of the 20th century; implementation of standardised projects (large reinforced concrete panel buildings) from the 50s to the 80s of the 20th century; trends for free-planning construction in the shift of 20th / 21st centuries. The aim of the research is to evaluate the transformation processes of Katolu and Pasta streets in Jelgava urban planning space within the last century. Research assignments: comparing the change in the height, scale and structure of the historical pre-war and post-war buildings of Pasta and Katolu streets; changes in dominants of the St. John's [Sv. Jāņa] church; synthesis of preserved historical buildings in post-war settlement and construction.

Geoadria ◽  
2014 ◽  
Vol 19 (1) ◽  
pp. 101
Author(s):  
Nikola Šimunić ◽  
Ivan Brlić

The authors of the paper examine the historical and geographical aspects of the emergence, development and decline of Senj’s steam-shipping as the crucial element of the overall social and economic progress of Senj at the turn of the 20th century. At the beginning of the 19th century, owing to the special city autonomy and the modern road connections, the Port of Senj was one of the most important maritime trading centres of the Croatian Littoral and the entire Adriatic in general, and its residents were important participants in social, economic and political turmoil of that time. Steam-shipping development has surely provided the residents of Senj a good market position in the times of demanding economic circumstances. The work also analyses important causes of weakening of Senj's economy, which during the period of the Kingdom of Yugoslavia isolated the city from the dominant maritime and economic processes, thus heavily influencing the city's socioeconomic situation.


Author(s):  
Guadalupe García

The Cuban city of San Cristóbal de la Habana has been a nodal point of economic, commercial, political, and cultural exchange since its 1519 founding on Cuba’s northern shore. Residents’ decision to locate the city next to the natural deepwater harbor that became today’s harbor, illustrates the importance of geography, space, and environment in Havana’s early history. Through the distinct environs of Havana, enslaved, free black, Spanish, immigrant, criollo (and later Cuban) residents defined and gave new meaning to a geography marked by the city’s colonial origins. The end of the 19th century and early 20th century marked the end of Spanish colonialism in Cuba (1898) and the beginning of the US occupation of the island (1899–1902). The political transition solidified the importance of Havana as the economic and political center of Cuba. The city became a broker of a new set of cultural, social, and political exchanges as the country’s economic prosperity—the result of an affinity for US and global capitalist markets—also inaugurated a booming and pervasive tourist economy. Western influence and a neocolonial relationship between Cuba and the United States engendered an urban renaissance that emphasized cosmopolitanism and a dynamic, highly mobile urban population. Havana’s built environment oriented residents and visitors alike to its modern architecture, seaside resorts, and dynamic nightlife. The city’s concentration of wealth, however, underscored continued disparities between Cuba’s urban and rural populations as well as within sectors of the urban population. There is a well-developed body of scholarship that addresses the complicated history of the city, especially for the colonial period and the early 20th century. Until recently, there was a scarcity of literature on the city following the revolutionary transition of 1959. This changed, however, with the onset of the 1980s. In 1982 UNESCO declared the colonial core city of Havana a World Heritage Site. Urban renewal and preservation became topics of scholarly discussions around administrative efforts to preserve, restore, and orient the direction of the city. Then, in the early 1990s, urban development in Havana (like all development in Cuba) come to an immediate halt after the dissolution of the USSR ended Soviet subsidies and precipitated one of the worst economic disasters in Cuban history. The country’s political and economic situation and the liberalization of the economy and the growth of tourism brought an ever-increasing interest in the issues and environment of the city, with scholars taking up the now familiar themes of access to the city, political inclusion and exclusion, and urban patrimony in their scholarship. As a field of study the literature on Havana mirrors the frameworks found in the broader field of urban history. The literature breaks down into two distinct subfields; those studies that examine “the history of the city” and those that examine “histories that unfold within cities” (See Brodwyn Fisher’s article Urban History in Oxford Bibliographies). The former has long dominated the literature on Havana, and only recently has new scholarship begun to approach the city as a subject in its own right or from the vantage points of disciplinary perspectives outside of history, architecture, and planning. In this essay I have chosen to introduce readers to the vast literature that centers explicitly on the development of the city, much of which was published in Cuba from the 19th century onward. This literature forms part of a well-known cannon in Cuba (including work in the Spanish-language press produced outside of the island) but might be lesser known to non-specialists. I have also included well-established, as well as recent and emerging, works where Havana assumes a central role in the narrative. I have done this in order to broaden the categorical analysis of what constitutes a history of or about Havana. As with any bibliographic essay, I have excluded much in order to provide an overview of Havana and familiarize readers with scholars who explore thematic interests in questions of race, slavery, or culture through the social fabric of the city. Where appropriate, I have organized the essay according to time period or publication date (in order to give the reader an idea of the scholarship on colonial architecture, for example). Finally, most titles on this list can easily be placed in more than one of the categories listed in the Table of Contents; for the sake of space I have cross-listed only a few of these works, but indicated when readers might find other sections of the essay useful.


Neighborhood ◽  
2018 ◽  
pp. 36-59
Author(s):  
Emily Talen

While the opening up of the city and the loss of neighborhood identity was not universally lamented, many planners, sociologists, and social reformers reacted to the decline by trying to plan the neighborhood back into existence. Essentially the response to industrial capitalism was to apportion cities into manageable units and subunits—segmented, patterned, sorted into equal-size circles, squares, or hexagons at regular intervals, nested into hierarchical arrangements, often with mathematical precision. The quest for order and control manifested as the neighborhood unit—an urban partitioning that even ancient cities had practiced. In the 19th century, garden cities, model villages, and other idealized units were the more immediate precursors of the 20th-century version: relatively self-contained neighborhoods that had access to services, social life, and nature.


2016 ◽  
Vol 28 (1) ◽  
pp. 69
Author(s):  
Martarosa Martarosa

At the end of the 19th century and the beginning of 20th century, the city of Padang has been dubbed the metropolis of the island of Sumatera. This is because the population of the Europeans who live there is relatively higher than other cities in Sumatera. An influence of this condition appears to be the phenomenon of Western-style music which was introduced to the indigenous peoples (Bandar natives). The appropriation of this musical style from various cultures such as of Portuguese (European), Malay and Minangkabau eventually became known as Gamat. Nowadays, the well-known Gamat is part of the identity of the culture, especially for Minangkabau in the West Sumatera coastal area.


2020 ◽  
Author(s):  
Jack Fan

Abstract Because Maxwell's classical electromagnetic theory is a macro-electromagnetic theory based on the cognition of the 19th century and before the 19th century, and because the physics of the 20th century has gained new cognition in the microscopic field, considering that it is now the 21st century. Therefore, this article attempts to establish a set of micro-expression theory of Maxwell's macro-electromagnetism theory based on the new cognitions obtained at the micro-level since the 20th century, in order to promote the further development of Maxwell's classical electromagnetism theory in accordance with the cognition of the times.


2021 ◽  
Vol 4 (2) ◽  
pp. 254-264
Author(s):  
Olena Ivanenko

The purpose of the article is to find out the peculiarities of headscarves functioning in the late 19th – early 20th centuries as an element of women’s national dress, to identify general and specific characteristics of their manufacturing and methods of tying, to find out the etymology of the word "headscarf", to trace its relationship with the concept of "ubrus" and others similar in meaning. Research methodology. Using a comparative-historical method, we have explored the etymology of concepts related to Ukrainian women’s headwear. Using a historical-typological method, a cultural and art analysis of the study has been conducted. Scientific novelty. The etymology of significant concepts of Ukrainian headwear, namely "ubrus", "headscarf" and others, is thoroughly studied. Their characteristic features in different regions of Ukraine are noted. The methods of tying headscarves from the 19th to the early 20th century are analysed and presented, the characteristics of their production and distribution in the counties of Poltava province are marked. It is proved that in Poltava province at the end of the 19th century, there were two main ways of tying headscarves simultaneously: in the counties of the north-western part of the province, the method of tying a headscarf with a knot on the top of the head was common, and in the eastern part – with a knot on the neck. Conclusions. Everyday women’s headscarves were intended to cover, insulate and decorate the heads of married women. Patterned woven headscarves were distinguished by the local originality of the artistic solution. Festive headdresses of Ukrainian women differed in variety and elegance. Strict completeness is inherent in the forms of this integral part of the national costume as those that have been refining over many generations. At the end of the 19th century. the wimples, on which a lot of material was spent, were almost destroyed. Headwear of new shapes was becoming more practical, cheaper and lighter. "Starovytsky headscarves" give way to manufactured goods. At the beginning of the 20th century, headscarves became the most common headdress both in the city and in the village.


Author(s):  
Tymofii HAVRYLIV

For the first time in literary studies, a comparative analysis of the urbanistic poetry of Bohdan Ihor Antonych and Georg Heym is realized. The common and divergent in semantic codes and characteristic practices from which the poetics of both authors grows are investigated. The city is the defining topos of modernist writing and the central category of the modernist worldview. In no other epoch did the city enjoy the attention of writers as at the end of the 19th century and in the first third of the 20th century. The modern city acquires its outlines only in the middle of the 18th century, and the modernist city from the second half of the 19th century, but especially in the early 20th century through dialectical denial and overcoming the «city of enlightenment». The metaphor of the sea and the semantics of the element, usually water, characterize expressionist speech. Expressionist lyrics are imbued with apocalyptic visions. Urban modernist poetry is an extrapolation of the inner world (states of consciousness) to the outer world. Negative fascination is a defining feature of urbanistic discourse in expressionist poetry. Expressionist urbanistic lyricism is a romantic revolt against urbanization as a defining structural element of the civilizational evolution of mankind, and demonization is the main instrument of criticism of the city in expressionist lyricism. Special attention is paid to the function of memory and remembrance in big-city modernist poetry. While in Heym, a representative of early expressionism in German literature, the city appears as a topos of the apocalypse, in Antonych, the picture of the city is significantly more differentiated – and figuratively, and tonally, and substantial. The thematic blurring of Heym's urban landscapes is opposed by Antonychʼs structural urban subtopoi, the key one being the square. Antonychʼs poetics moves from the concrete to the abstract; his apocalypse is more mundane, aestheticized and playful, and the trumpets of the last day trumpet in the squares, which lovers meet. Antonychʼs city is more vitalistic than Heimʼs, even when the lyrical subject inflicts a flood on him. Not only expressionist but also formalistic and cubist melodies are heard in it. The article uses methods of textual, paratext, and contextual analysis, method of distributive analysis, method of poetic analysis, method of semantic analysis, method of stylistic analysis, method of phonological analysis, hermeneutic and post-structuralist methods. Keywords: modernism, expressionism, urbanistic lyrics, urban landscape, memory, remembrance.


2018 ◽  
pp. 39-52
Author(s):  
А. Ю. Закутня

The city as a peculiar form of social organization is interesting for the representatives of many trends of scientific research: economists, sociologists, culturologists, historians, linguists. The subject of our interest is the functioning of the Ukrainian language in the cities of Bukovyna and Galicia at the end of the 19th century — the first half of the 20th century, in the urban environment of the Ukrainian diaspora settlement. Historical and socio-political conditions of the formation of the Ukrainian city koinй as one of the preconditions for the development of Ukrainian literature (particularly in the territory of Western Ukraine) — are still one of largely unexplored problems of Ukrainian linguistics — in both theoretical and practical aspects, which predetermines the relevance of the topic of our study. The aim of this article is the analysis of Ukrainian advertising texts at the end of the 19th century — the first half of the 20th century and identification of such lexical and syntagmatic units that can be classified as elements of the city koine. To perform linguistic analysis we have involved over 80 language units (words, nominative word combinations, word variants) used for the nomination of over 30 items of commodity circulation belonging to the following lexical-semantic groups: names of clothing, footwear and other details of the wardrobe; names of household items of urban dwellers (personal use items). For every word of the aforementioned lexical-semantic groups we have provided illustrating contexts, commentaries concerning the meaning, use, origin, their record in different kinds of dictionaries, sometimes giving information from Polish lexicography, Polish and German electronic corpora. We have analyzed the names of urban life items, documented in the Ukrainian advertisement at the end of the 19thcentury — the first half of the 20th century, that certify that the majority of such names are borrowings adapted on the Ukrainian language background: from German, Polish, French, Italian, Spanish, etc. Mainly Polish and German played an intermediary role in the assimilation of these words. We believe that lexical units and nominative word combinations recorded in the advertising texts of the 19th century — the first half of the 20thcentury, may serve as a basis for the register of lexicographic works of a specialized type, for instance, the Dictionary of Ukrainian Advertisement; the Dictionary of Western Ukrainian Variants of Literary Language of the 19th century — the first half of the 20th century, etc.


Author(s):  
James DelPrince

In the third quarter of the 19th century, urban florists purchased a wide variety of cut flowers for resale. Roses and carnations were staples, and the season dictated market availability. In London, the expansion of Covent Garden in 1870 facilitated the importation of flowers from all over Europe. New York florists began to purchase flowers through wholesalers who carried stock grown in state and nearby, which was transported by train to the city and distributed to approximately 200 florist shops at the turn of the 20th century.


1970 ◽  
pp. 47-55
Author(s):  
Sarah Limorté

Levantine immigration to Chile started during the last quarter of the 19th century. This immigration, almost exclusively male at the outset, changed at the beginning of the 20th century when women started following their fathers, brothers, and husbands to the New World. Defining the role and status of the Arab woman within her community in Chile has never before been tackled in a detailed study. This article attempts to broach the subject by looking at Arabic newspapers published in Chile between 1912 and the end of the 1920s. A thematic analysis of articles dealing with the question of women or written by women, appearing in publications such as Al-Murshid, Asch-Schabibat, Al-Watan, and Oriente, will be discussed.


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