scholarly journals Ivan Jevtic’s musical universe at a crossroads of traditional and new music expression. Tendencies of changes on the example of selected works of the concert genre

Muzikologija ◽  
2017 ◽  
pp. 219-237
Author(s):  
Olivera Nikolic
Keyword(s):  
Comparative Analysis ◽  
20Th Century ◽  
New Music ◽  
Compositional Techniques ◽  
Musical Expression ◽  
Concert Music ◽  
Complete Development ◽  
Musical Heritage

Our interest in the position and significance of the concert music of Ivan Jevtic in the development of this genre in the Serbian music of the second half of the 20th century is based on several facts. Judging from the number of concerts and the variety of their stylistic, aesthetic, technical, expressive and historical qualities, Jevtic comes across as a composer who was the pioneer of several particular and general tendencies in the development of Serbian concert music, especially when we have the following in mind: his relationship to the musical heritage; his aspirations to master new contemporary tendencies; the time of general stylistic turmoil; compositional techniques etc. The comparative analysis of three concerts: Concerto for Tuba, Cello Symphony and Concerto for Viola points to the basic elements of traditional heritage, his reshaping of this heritage, as well as the elements of modern musical expression in the works of this composer. The analyzed paths of a part of his entire oeuvre do not exemplify the complete development of the concert genre in the Serbian music of the second half of the 20th century but, alongside with other important aspects such as historical, aesthetic, technical etc. they assist us in a better understanding of the tendencies in the development of this genre in Serbia, but also of the tendencies in Serbian music after 1945.

Democratic Centralisms—Plural? A Comparative Analysis of Functional Communism in the French and Italian Communist Party Federations of Var and Gorizia, 1956

2020 ◽  
Vol 53 (1) ◽  
pp. 27-54
Author(s):  
Fiona Haig
Keyword(s):  
Comparative Analysis ◽  
20Th Century ◽  
Communist Party ◽  
Internal Dynamic ◽  
Postwar Period ◽  
Internal Organization ◽  
Democratic Centralism ◽  
Pyramidal Model

Democratic centralism was the Leninist-Bolshevik pyramidal model of internal organization in operation in all communist parties for most of the 20th century. Thus far, the question of whether it functioned consistently across the non-ruling parties has not been addressed explicitly or systematically. This article examines the implementation of this essential internal dynamic in a French and an Italian communist party federation in the early postwar period. Drawing on new personal testimonies from more than 50 informants, and inedita archival evidence, this analysis reveals not only similarities but also clear functional disparities between the two cases.

John of Kronshtadt and Leo Tolstoy

2020 ◽  
Vol 102 ◽  
pp. 471-478
Author(s):  
Peter A. Shevchenko
Keyword(s):  
Comparative Analysis ◽  
20Th Century ◽  
Real Life ◽  
Leo Tolstoy ◽  
Russian Society ◽  
Common People ◽  
Religious Consciousness ◽  
The Subject ◽  
Main Components

The article provides a comparative analysis of the influence of L.N. Tolstoy and I.I. Sergiev (John of Kronstadt) on the formation of personal worldview in Russian society. The analysis is based on the testimonies of the contemporaries and the previously not reissued publication of “Novy Put” (“New Way”) journal on the subject. In the context of the declared problematics, special attention is paid to the question of transformation of religious consciousness in the course of the personality formation in relation to the period under consideration (the beginning of the 20th century). The author reveals and analyzes the main components of the life stand of Tolstoy and Father John of Kronstadt in the context of their influence on contemporaries. The results of the study allow to reveal the following antitheses that characterize Tolstoy and John of Kronstadt, respectively: doubt - faith, search for oneself – following the once chosen path, preaching of non-resistance as part of the philosophy of not-doing (not doing evil) – preaching of active upholding of faith (doing good), “simple living” – real life with and for common people.

«The Forties, Fateful…» in David Samoylov’s Poetry: a Lingvo-stylistic Analysis of Three Poems about War (To the 100th Anniversary of the Birth)

2020 ◽  
Vol 81 (3) ◽  
pp. 63-69
Author(s):  
E. A. Frolova
Keyword(s):  
Comparative Analysis ◽  
20Th Century ◽  
100Th Anniversary ◽  
Stylistic Analysis ◽  
Creative Work ◽  
Creative Activity ◽  
War Poetry ◽  
Artistic Manner ◽  
Different Levels ◽  
Linguistic Means

The article presents an analysis of three poems about war («The Tale of Our Lady and Russian Soldiers» («Slovo o Bogoroditse i Russkih Soldatah»), «The Attack» («Ataka»), «The Forties» («Sorokovye»)) written by D. Samoylov in different periods of his creative activity. On the basis of the existing research of the creative work of the famous poet of the 20th century, a multilevel characteristic of his war lyrics is given. The aim of the article is to characterize the specific features of the poetic language of such an original author by means of a lingvo-stylistic analysis of D. Samoilov’s poems, to reveal the richness and diversity of his artistic manner. The following research methods were used: analytical reading, comparative analysis, ontological method, a multilevel analysis of poetry. The author accentuates reminiscences in D. Samoilov’s war poetry, the contrast and contrast means, repetition as an artistic device, paronomasia in the stylistic mixture of linguistic means belonging to different levels. A multidimensional poet’s approach to the theme of the war is the conclusion of the article.

The role of science in the study of and response to space threats

2019 ◽  
Vol 89 (8) ◽  
pp. 777-799
Author(s):  
B. M. Shustov
Keyword(s):  
Comparative Analysis ◽  
20Th Century ◽  
21St Century ◽  
Space Debris ◽  
The Sun ◽  
National Program ◽  
Biological Hazard ◽  
Academy Of Sciences ◽  
Space Activities

During the second half of the 20th century and the beginning of the 21st century, space hazards multiplied, the most urgent of which is space debris. Professionals working in space are exposed to this hazard daily and are aware of it as a problem. Furthermore, increasing attention is being paid to the unpredictable behavior of the Sun, which produces the so-called space weather. The asteroid-comet hazard is considered as potentially having the most catastrophic consequences. No manifestations of biological hazard have yet been observed, although as space activities develop, it is becoming increasingly important. The appropriate time scale for astrophysical hazards is many millions of years, so from a practical perspective, they have no importance. This article briefly describes the main types of space hazards. The author analyzes the results of research and practical work in the field, both worldwide and specifically in Russia. Comparative analysis leads to the clear conclusion that a national program must be developed for the study of space hazards and to respond to space threats. This article is based on a report made by the author at the meeting of the Presidium of the Russian Academy of Sciences (RAS) on January 15, 2019.

The (Re)Shaping of the Israeli Sport Media: The Case of Talk-Back

2008 ◽  
Vol 1 (3) ◽  
pp. 273-285 ◽  
Author(s):  
Yair Galily
Keyword(s):  
Comparative Analysis ◽  
World Wide Web ◽  
20Th Century ◽  
World Wide ◽  
Multimedia Content ◽  
Fundamental Change ◽  
Sport Media ◽  
The World ◽  
Web News ◽  
Source Of Information

From its explosive development in the last decade of the 20th century, the World Wide Web has become an ideal medium for dedicated sports fanatics and a useful resource for casual fans, as well. Its accessibility, interactivity, speed, and multimedia content have triggered a fundamental change in the delivery of mediated sports, a change for which no one can yet predict the outcome (Real, 2006). This commentary sheds light on a process in which the talk-back mechanism, which enables readers to comment on Web-published articles, is (re)shaping the sport realm in Israeli media. The study on which this commentary is based involved the comparative analysis of over 3,000 talk-backs from the sports sections of 3 daily Web news sites (Ynet, nrg, and Walla!). The argument is made that talkbacks serve not only as an extension of the journalistic sphere but also as a new source of information and debate.

‘ROCK SPECTRALE’: THE CULTURAL IDENTITY OF THE ELECTRIC GUITAR IN TRISTAN MURAIL'S vampyr!

Tempo ◽  
2015 ◽  
Vol 69 (274) ◽  
pp. 22-32
Author(s):  
Ben Jameson
Keyword(s):  
Popular Culture ◽  
Cultural Studies ◽  
Cultural Identity ◽  
Popular Music ◽  
Musical Instruments ◽  
New Music ◽  
Electric Guitar ◽  
Concert Music ◽  
Analytical Approaches

AbstractThe electric guitar is one of the most iconic musical instruments of the twentieth and twenty-first centuries and, due to its ubiquitous use in much rock and popular music, it has developed a strong cultural identity. In recent years, as the electric guitar has become increasingly common in contemporary concert music, its cultural associations have inevitably shaped how composers, performers and listeners understand music performed on the instrument. This article investigates various issues relating to the electric guitar's cultural identity in the context of Tristan Murail's Vampyr! (1984), in the hope of demonstrating perspectives that will be useful in considering new music for the electric guitar more generally. The article draws both on established analytical approaches to Murail's spectral oeuvre and on concepts from popular music and cultural studies, in order to analyse the influence that the electric guitar's associations from popular culture have in new music.

scholarly journals Art as a Critique of Language: On the Continuity of the Tradition of the Avant-Garde Aesthetic in the Modern and the Postmodern

2007 ◽  
Vol 43 (2) ◽  
pp. 287-303
Author(s):  
Susanne Kogler
Keyword(s):  
20Th Century ◽  
Conceptual Knowledge ◽  
Aesthetic Experience ◽  
New Music ◽  
Avant Garde ◽  
Starting Point ◽  
Traditional Language ◽  
Art Philosophy ◽  
Language Of Music ◽  
The One

That art functions as a corrective to rational-scientific insights is one of the formative thoughts of art philosophy. The fact that artistic expression represents a corrective to linguistically-rationally affected insight also ranks among the constants of art philosophy in the 20th century. “Expression is the opponent of articulating something” can be read, for instance, in Adorno’s Aesthetic Theory with regards to the character of language in art and Jean François Lyotard wrote on aesthetic experience: “What happens to us is by no means something which we would have controlled, programmed or conceptually apprehended beforehand”. The uneducible, conceptually unattainable is also at the centre of current art production of the 21st century. On the basis of Lyotard’s and Adorno’s positions, the article shows that one should acknowledge a constancy of the topos of art as non-conceptual knowledge on the one hand as the continuing function of a tradition defined from the philosophical aesthetics of modernity to post-modernity and orientated on the artistic avant-garde. On the other hand and beyond this a continuous line of tradition of New Music becomes clear, leading to the expressionistic avant-garde of the 20th century which represented the starting point for Adorno’s music philosophy, through Lyotard’s focus on John Cage, up to the avant-garde of New Music in the era of post modernity. Specific features of contemporary art, such as rebellion against linguistic standards, an understanding of expressivity that opposes the traditional language of music and operates on the verge of silence, as well as the utopian vision of a modified reality which aims at transcendency enable a conception of art as non-conceptual knowledge, corresponding with the positions of art philosophy in modernity and post-modernity in important points. The relevance of focusing on this line of tradition for musicology lies in the fact that it sheds new light on the musical avant-garde and its further function and, last but not least, that it opens new perspectives in understanding contemporary artistic productions.

scholarly journals О двух ойратских списках «Наказа Манджушри» из коллекции Н. Д. Кичикова (по материалам Кетченеровского краеведческого музея)

2021 ◽  
Vol 14 (2) ◽  
pp. 347-363
Author(s):  
Delyash N. Muzraevа ◽  
Keyword(s):  
Comparative Analysis ◽  
20Th Century ◽  
Local History ◽  
The Other ◽  
Religious Texts ◽  
Buddhist Monk ◽  
Monastic Community ◽  
History Of

Introduction. The written heritage of Kalmyk Buddhist priests, their daily practices, liturgical repertoire still remain a poorly studied page in the history of Buddhism among Mongolic peoples in the 20th century. The survived collections, clusters of religious texts prove instrumental in revealing most interesting aspects of their activities, efforts aimed at preservation of Buddhist teachings, their popularization and dissemination among believers. Goals. The paper examines two Oirat copies of the Precepts of the Omniscient [Manjushri] from N. D. Kichikov’s collection, transliterates and translates the original texts, provides a comparative analysis, and notes differences therein that had resulted from the scribe’s work, thereby introducing the narratives into scientific circulation. Materials. The article describes two Oirat manuscripts bound in the form of a notebook and contained in different bundles/collections of Buddhist religious texts stored at Ketchenery Museum of Local History and Lore. As is known, the collection is largely compiled from texts that belonged to the famous Kalmyk Buddhist monk Namka (N. D. Kichikov). Results. The analysis of the two Oirat texts with identical titles — Precepts of the Omniscient [Manjushri] — shows that their contents coincide generally but both the texts contain fragmented omissions (separate words, one or several sentences) that are present in the other. At the same time, when omitting fragments of the text addressed to the monastic community, the scribe was obviously guided by that those would be superfluous for the laity. Thus, our comparative analysis of the two manuscript copies demonstrates the sometimes dramatic role of the scribe in transmitting Buddhist teachings.

scholarly journals Agrarian reforms of Russia at the turn of the XIX–XX centuries in the coverage of economists of the XX century

2021 ◽  
pp. 141-144
Author(s):  
I. K. Shcherbakova
Keyword(s):  
Comparative Analysis ◽  
20Th Century ◽  
19Th Century ◽  
Economic Reforms ◽  
Research Paper ◽  
Russian Empire ◽  
Agrarian Reforms ◽  
The Russian Empire ◽  
The 19Th Century ◽  
Different Parts

The article analyses the features of the development of agriculture in Russia at the end of the 19th century - the beginning of the 20th century. The paper studies and considers attempts to solve the agrarian issue in the specified period. The study considers the course and results of the reform of 1861, as well as economic reforms of the beginning of the 20th century. The author gives an assessment of these reforms, as well as the situation of the peasantry made by the leading economists of that time: N.D. Kondrat'ev, S.L. Maslov, A.V. Peshekhonov, A.V. Chayanov, and also analyses the measures aimed at alleviating the situation of the peasantry and solving the agrarian problems of that period. The research paper also presents a comparative analysis of the consequences of the 1861 reform, its impact on the solution of the agrarian issue in different parts of the Russian Empire, in particular in Poland after the Polish Uprising of 1863.

scholarly journals Andalucía en imágenes: un viaje en el tiempo

2014 ◽  
Vol 1 (1) ◽  
Author(s):  
Mª Elena Baynat Monreal
Keyword(s):  
Comparative Analysis ◽  
20Th Century ◽  
Selection Criteria ◽  
Tourist Attractions ◽  
Alexandre Dumas ◽  
Siglo Xix ◽  
Different Sources

ABSTRACTWe propose a trip along time in three centuries -from the 19th to the 20th century- through the image of Andalusia exported to the travelers in different support media, according to the epoch chosen: etchings in white and black, colour drawings, and paper and digitalised photographs. With this aim in mind we will make a comparative analysis between the illustrations appearing in the French Travel story about Spain by Alexandre Dumas (De Paris à Cadix), from 1847, the pictures and drawings from the book L’Espagne, los provinces du sud, de Séville à Cordoue, written by Octave Aubry and published in 1929, and, finally, the promotional photographs appearing in Andalusia’s official tourism webpage (http://www.andalucia.org/) in 2012. The analysis of the different sources aforementioned, examples from the first half of each century, will lead us to study some coincidences and differences in the image exported to foreign tourists in the different epochs as well as the different selection criteria of the tourist attractions or the prevalence or not of the stereotypes throughout centuries, among other aspects.RESUMENProponemos un viaje en el tiempo de tres siglos desde el siglo XIX hasta el XXI a través de la imagen exportada de Andalucía a los viajeros en diferentes soportes, según la época elegida: grabados en blanco y negro, dibujos en color y fotos en papel o digitalizadas. Para ello realizaremos un análisis comparativo entre las ilustraciones aparecidas en el relato de viajes francés sobre España de Alexandre Dumas (De Paris à Cadix) de 1847; las fotos y los dibujos del libro L’Espagne, los provinces du sud, de Séville à Cordoue escrito por Octave Aubry y publicado en 1929; y, para finalizar, las fotos promo-cionales aparecidas en la página web oficial de turismo de Andalucía (http://www.andalucia.org/) en 2012. El análisis de estas diferentes fuentes citadas, ejemplos de la primera mitad de cada siglo, nos servirá para estudiar algunas coincidencias y diferencias en la imagen exportada a los turistas extranjeros en las diferentes épocas así como los diversos criterios de selección de los atractivos turísticos o el mantenimiento o no de los estereotipos a lo largo de los siglos, entre otros aspectos.

Sign in / Sign up

Export Citation Format

Share Document