Gender and Genre in Pavlova's A Double Life
The literary reputation of Karolina Pavlova (1807-1893) has fluctuated considerably over the years: she was praised in the 1830s, 1840s and early 1850s, reviled in the 1860s as unprogressive and consigned to oblivion from the 1870s until her death in 1893. At the turn of the century she was rediscovered by the Russian symbolists: Poliakov, Blok and Bely praised her, and Valerii Briusov edited a two-volume edition of her work (1915). Women poets of the time, such as Cherubina de Gabriak (Elisaveta Vasil'eva), Akhmatova, Tsvetaeva and Parnok, cited her and dedicated poems to her. After the revolution Pavlova was reconsigned to oblivion. Two scholarly editions of Pavlova's poetry appeared during the Soviet period (1937 and 1964) but accompanied by introductions deploring her unprogressive views on politics and art. At best they damned her with faint praise as “not first rate but all the same somewhat noteworthy.” The ambivalent attitude toward Pavlova may have reflected a conflict between the Soviet attempt to “claim the classics for the Soviet cause” while downplaying material that could not be construed retroactively to support the Soviet regime; Pavlova was identified with the politically conservative Slavophiles. Only after she had been rediscovered in the west did positive Soviet scholarship about her begin to appear.