Mothers and Sons: Two Paintings for San Bonaventura in Early Modern Rome

2000 ◽  
Vol 53 (1) ◽  
pp. 108-132 ◽  
Author(s):  
Carolyn Valone

Portia dell'Anguillara Cesi and Margherita della Somaglia Peretti were both wealthy heiresses in late sixteenth-century Rome, and each was the patron of a fine altarpiece for the Capuchin church of San Bonaventura. Although women were widely recognized as patrons in the period, the patronage of these two paintings, which show the Virgin, saints, and the portrait of a young boy, has always been assigned to their husbands, Paolo Emilio Cesi and Michele Peretti, because the works have been related to the patrilinear, agnatic image of the early modern family, i.e., fathers and sons. Instead, the works express a bilinear, cognatic image of the family, indicating legal, economic, and affective ties between mothers and sons. Portia dell'Anguillara's will of 1587 further elucidates aspects of the bilinear family structure.

2018 ◽  
pp. 126-142
Author(s):  
Michał Kuzdak

The author discusses the topic of families, especially incomplete. The work is about the disorganization of the family structure, showing its causes and history. The article describes the dangers of modern family and relations on the parentchild line. The author refers to economic emigration as one of the reasons for the loosening of family ties and the cause of incomplete families.


2014 ◽  
Vol 29 (3) ◽  
pp. 325-347 ◽  
Author(s):  
KIM OVERLAET

ABSTRACTIn many early modern towns of the southern Low Countries, beguinages gave adult single women of all ages the possibility to lead a religious life of contemplation in a secure setting, retaining rights to their property and not having to take permanent vows. This paper re-examines the family networks of these women by means of a micro-study of the wills left by beguines who lived in the Great Beguinage of St Catherine in sixteenth-century Mechelen, a middle-sized city in the Low Countries. By doing so, this research seeks to add nuance to a historiography that has tended to consider beguinages as artificial families, presumably during a period associated with the increasing dominance of the nuclear family and the unravelling ties of extended family.


Author(s):  
Melissa Calaresu

The history of eating on the street presents particular challenges as the extant material culture is especially limited. This chapter reveals the variety of food sold on the streets of early modern Rome through the study of a series of images of street sellers printed in the late sixteenth century in response to the growing ethnographic interest of travelers to the city. This chapter turns on its head what was considered a luxury in the early modern economy as these images suggest the range of foodstuffs which cannot be simply understood as daily necessities to meet the basic nutritional needs of the city’s inhabitants such as raw cooking materials or hot fast food. Instead, these images suggest that labor-saving products such as hulled rice or even products such as sweetmeats, which were normally associated with the work of the steward of an aristocratic house and the elite “dressing” of the table, were being sold on the streets. Therefore, despite the inherent ephemerality of the act of selling and eating food and the lack of surviving material culture, these images reveal the complexity of determining social distinction through food choices in early modern Rome.


2017 ◽  
Vol 52 (2) ◽  
pp. 269-283
Author(s):  
Katarzyna Burzyńska

Abstract This article investigates the intersections between Shakespeare’s Hamlet and a popular TV series Sons of Anarchy (SOA), loosely based on the Shakespearean original. The crime drama series revolves around an outlaw motorcycle club that literally “rules” a fictional town in California like an old royal family with its own brutal dynastic power squabbles and dark family secrets. The club is governed by an unscrupulous President Clay and an equally violent, though more conflicted, Vice President Jax Teller, the son of the late President, who had died in mysterious circumstances. In the article I argue that the popularity of the series lies not in its graphic scenes of violence, over-the-top Harley chases, and sex intrigues, but rather in its Shakespearean and Renaissance structure. SOA, dubbed as “Hamlet on Harleys”1, is an appropriation rather than an adaptation of Shakespeare’s tragedy, which makes it a truly transmedial phenomenon. The article investigates a fascinating blend of seemingly marginal elements of modern American culture and the canonical British tragedy. It also addresses the connections between the lifestyles of the so called outlaw MC clubs and the early modern family structure as presented in Hamlet, focusing on the issues of power and gender relations.


2016 ◽  
Vol 10 (2) ◽  
pp. 363-388 ◽  
Author(s):  
Netanel Fisher

AbstractThe central claim of this article is that the multi-dimensional changes in the modern family structure may be explained as a manifestation of the simultaneous processes of secularization and religionization. On the one hand, the rising acceptance of secular alternatives to the traditional family structure indicates that modernization processes weaken religious behavior and authority, as the classical secularization thesis has claimed. On the other hand, ongoing loyalty to the religious family patterns, and even their relative intensification, reflect the opposite trend. Serving as a case study, the changes in the Israeli religious family structure — reflected by civil marriage, cohabitation, and out-of-wedlock children — clearly illustrate how modernization generates horizontal and vertical fragmental processes in which religion and secularism supplement as well as compete with each other, creating an increasingly divided society in which religiosity and secularism flourish side by side among various groups and within distinct realms.


2010 ◽  
Vol 63 (3) ◽  
pp. 807-849 ◽  
Author(s):  
Erin J. Campbell

AbstractThis essay examines portraits of old women that were produced for the households of the professional and elite classes in Emilia-Romagna, Lombardy, and the Veneto during the second half of the sixteenth century, when, as a result of religious and social reform, women's lives came under increasing scrutiny. By interpreting the portraits within the context of prescriptive texts on the stages of women's lives, this study argues that the portraits provide evidence for the pivotal role of old women within the moral and symbolic order of the family, as well as in the wider community beyond the home.


PMLA ◽  
1982 ◽  
Vol 97 (3) ◽  
pp. 325-347 ◽  
Author(s):  
Lynda E. Boose

Although sixteenth-century daughters were evidently an economic burden on their fathers, Shakespeare consistently depicts fathers whose love for their daughters is so possessive that it endangers the family unit. To delineate the tensions of this bond at its liminal moment, Shakespeare evokes the altar tableau of the marriage service. This paradigmatic substructure illuminates the central conflict in the father-daughter relationship: the father who resists the ritual's demands to give his daughter to a rival male destroys both his paternal authority and his family's generative future; yet the daughter who escapes without undergoing ritual severance violates the family structure and thus becomes both guiltlessly agentive in ruining her original family and tragically incapable of creating a new one. The marriage ceremony is designed to resolve this paradox. In Shakespeare's dramas, submission to this rite ensures the only possibility of freedom for the individual and of continuity for the family.


1992 ◽  
Vol 25 (1) ◽  
pp. 52-75 ◽  
Author(s):  
Joel F. Harrington

Long before Melanchthon and Erasmus drew their parallels, paternal and political authority had enjoyed a long and successful association in Greco-Roman thought. The apparent resurgence of this patriarchal metaphor in sixteenth-century European literature and polemic, however, has led some historians to suggest a more socially significant transformation in the actual legal or moral authority of one or both of these father figures. Beginning with the pioneering work of Phillippe Ariès many historians of the family, particularly Lawrence Stone, have identified the sixteenth century as a time of greater paternal authority within the household and the beginning of the modern nuclear family throughout most of Europe. Others, expanding on references by Aries and Stone to a new state paternalism, have focused on the political half of the patriarchal analogy, especially the almost ubiquitous association among sixteenth-century German authors of the Hausvater (head of the household) with the Landesvater (political ruler). For most of these scholars, paternalistic language was a natural and even necessary component of the ambitious absolutist state-building of early modern Europe.


1999 ◽  
Vol 14 (2) ◽  
pp. 191-206 ◽  
Author(s):  
RENATA AGO

In an article which recently appeared in Social History, Craig Muldrew has argued that ‘the culture of the early modern market was explicitly “moral” and not only in “severely dysfunctional years”“. During the sixteenth century, population growth brought with it a shortage of currency and a significant increase in trade through barter; moreover, the scarcity of currency produced an increase in debt or credit relations, which were based mostly on agreements that were verbal rather than written. Both tendencies were possible because the parties to credit agreements knew each other personally, and consequently believed that they could trust each other; thus, the system was held together by confidence and trust. In the course of the century, however, the increasing complexity of the market and the enlargement of exchange areas placed a strain on the ethical foundations of the market. The alteration can be demonstrated by the rapid increase in litigation over contracts and debts. Muldrew argued that markets expanded due to population growth in the sixteenth century, and that ‘increasingly complex networks of credit transactions were created’ with the result that ‘the need to maintain trust … [was] emphasized even more strongly’. But during the period the maintenance of trust occurred more and more through the intervention of a legal tribunal, while the cultural norms that directed creditor–debtor relations altered.According to Muldrew, without more complex arrangements, credit transactions can spread only in limited social environments in which the participants share some basic moral principles: people know one another, they know who can be trusted and who cannot, and they grant extensions for payments from others because at times they request them for themselves. Credit relationships are thus ‘embedded’ in a moral economy that relies on trust, and which rests on respect for agreements guaranteed by the logic of reciprocity. A growth in the number of transactions and the development of credit networks, together with the fact that these agreements are mostly oral ones, however, tends to undermine the traditional system of trust, forcing the parties to turn to civil justice more and more frequently.On the basis of the records from Roman archives (where commercial development occurred early but in a milieu in which the papacy influenced the economic culture), this study aims to show that the extension and the very existence of credit networks have to be viewed not only in the context of currency scarcity but also with regard to the peculiarities of the pre-industrial economy. To be more precise, in early pre-consumer societies where transactions were largely unwritten, litigation occurred as a way of establishing the terms of transactions.


2020 ◽  
pp. 102-109
Author(s):  
Svetlana Alekseevna Raschetina ◽  

Relevance and problem statement. Modern unstable society is characterized by narrowing the boundaries of controlled socialization and expanding the boundaries of spontaneous socialization of a teenager based on his immersion in the question arises about the importance of the family in the process of socialization of a teenager in the conditions of expanding the space of socialization. There is a need to study the role of the family in this process, to search, develop and test research methods that allow us to reveal the phenomenon of socialization from the side of its value characteristics. The purpose and methodology of the study: to identify the possibilities of a systematic and anthropological methodology for studying the role of the family in the process of socialization of adolescents in modern conditions, testing research methods: photo research on the topic “Ego – I” (author of the German sociologist H. Abels), profile update reflexive processes (by S. A. Raschetina). Materials and results of the study. The study showed that for all the problems that exist in the family of the perestroika era and in the modern family, it acts for a teenager as a value and the first (main) support in the processes of socialization. The positions well known in psychology about the importance of interpersonal relations in adolescence for the formation of attitudes towards oneself as the basis of socialization are confirmed. Today, the frontiers of making friends have expanded enormously on the basis of Internet communication. The types of activities of interest to a teenager (traditional and new ones related to digitalization) are the third pillar of socialization. Conclusion. The “Ego – I” method of photo research has a wide range of possibilities for quantitative and qualitative analysis of the socialization process to identify the value Pillars of this process.


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