The Heroic Age of Phrygia in Ancient Literature and Art

1977 ◽  
Vol 27 ◽  
pp. 117-126 ◽  
Author(s):  
Peter Carrington
Keyword(s):  
Roman Period ◽  
Asia Minor ◽  
Population Movement ◽  
Supporting Evidence ◽  
Literary Traditions ◽  
Ancient Literature ◽  
The Creation ◽  
Historical Accounts ◽  
Literary Constructions

The object of this paper is to re-examine the Greek literary traditions concerning a Phrygian migration from Europe to Asia Minor and the early movements of that people within Asia Minor, also allusions to these traditions in local legends and coin-types of the Roman period. Such archaeological and philological evidence as there may be for a migration is not considered: a superficial examination would seem to indicate that neither of these disciplines can yet suggest a clearcut picture of population movement which we can relate to that presented by the literary evidence, and I am not qualified to take part in the creation of one. Without supporting evidence from either of these disciplines it must be emphasised that the historicity of the events recorded in the traditions must remain open to doubt. The discussion that follows is concerned with the development of the traditions, especially that which we shall call the “Anatolian tradition”, as purely literary constructions, not as historical accounts.

Pedestals as ‘altars’ in Roman Asia Minor

2005 ◽  
Vol 55 ◽  
pp. 127-157 ◽  
Author(s):  
J.J. Coulton
Keyword(s):  
Roman Period ◽  
Asia Minor ◽  
Normal Type ◽  
Symbolic Value

AbstractThe Greek word bomos usually means ‘altar’, but in inscriptions of the Roman period it sometimes refers to statue bases and other forms of support, where the meaning ‘altar’ is not appropriate. Many scholars believe that in addition to its normal meaning of cult or votive altar and (by extension) funerary altar, bomos could also mean a pedestal, socle or platform in general. This paper examines the use of the term bomos in Roman Asia Minor for statue bases, for pedestals for sarcophagi, ash chests and columns, and for other structures which are not altars, concentrating particularly on their shapes. It concludes that in all these cases the element called bomos had the shape of a normal type of altar, and that in many cases (but not all) it also carried some of the symbolic value of an altar.

scholarly journals The reflection of Ivan Kotlarevsky’s stylistics in Language of Artistic prose of Pavlo Zagrebelny

2019 ◽  
pp. 66-76
Author(s):  
Natalia Holikova
Keyword(s):  
Semantic Similarity ◽  
Language Game ◽  
Literary Language ◽  
Literary Traditions ◽  
Rhetorical Figures ◽  
Creative Personality ◽  
The World ◽  
The Creation ◽  
The Individual

The article explores the intertextual interaction of stylists, who in the works of I. Kotlyarevsky and P. Zahrebelny represent the concept of «laugh culture». The linguistic and aesthetic signs in the epic burlesque-travesty poem «Aeneid» by I. Kotlyarevsky, which served as a model for the creation of expressive and pictorial means – carriers of humorous axiology in the language of a number of P. Zahrebelny's novels, are revealed. Attention is drawn to the fact that the foundations for the formation of a ridiculous culture as a genre segment of Ukrainian literature are laid in the poem «Aeneid» by I. Kotlyarevsky, which is written in a syllabic-tonic verse (iamb) – the size most appropriate for the Ukrainian language. The linguistic and literary traditions of ridicule are at the heart of the humorously narrative tonality of P. Zahrebelny's two novels – «The Lion's Heart» and «Exile from Paradise», which form the thematic-storyline. It is emphasized that the figure of I. Kotlyarevsky is a significant creative personality for P. Zagrebelny, who often appeals to the creator of the creator of Ukrainian literary language in his prose. The novelist dialogues with the artistic texts of the laughingstock, introducing meaningfully expressive fragments of them into the intersemiotic field of prose works. The intertextual interplay of linguistic components of the individual-linguistic paintings of the world of two writers can be traced in the functional and structural-semantic similarity of a number of style word, which are often the result of stylistic reception of the language game: intertext (linguocultural and ethno-language characters), literary and artistic anthroponyms, as well as words-symbols, which are functionally significant components of the peripheral-evaluative sphere. The individual and authorial rhetorical figures of P. Zahrebelny are comprehensively analyzed within the limits of linguistics, ethno-linguistics, theory of intertextuality, literary onomastics. It has been concluded that the linguistic creation of the prose contains an important humorous-axiological segment of artistic narrative, which is organically incorporated into the context of Ukrainian laugh culture.

Conclusion

2021 ◽  
pp. 126-128
Author(s):  
Ersin Hussein
Keyword(s):  
Roman Empire ◽  
Material Culture ◽  
Near East ◽  
Roman Period ◽  
Asia Minor ◽  
Collective Identities ◽  
Roman Provinces ◽  
The Subject ◽  
Cultural Networks ◽  
Written Sources

The Conclusion revisits the questions that lie at the heart of studies of the Roman provinces and that have driven this study. What is the best way to tell the story of a landscape, and its peoples, that have been the subject of successive conquests throughout history and when the few written sources have been composed by outsiders? What approach should be taken to draw out information from a landscape’s material culture to bring the voices and experiences of those who inhabited its space to the fore? Is it ever possible to ensure that certain evidence types and perspectives are not privileged over others to draw balanced conclusions? The main findings of this work are that the Cypriots were not passive participants in the Roman Empire. They were in fact active and dynamic in negotiating their individual and collective identities. The legacies of deep-rooted connections between mainland Greece, Egypt, Asia Minor, and the Near East were maintained into the Roman period and acknowledged by both locals and outsiders. More importantly, the identity of the island was fluid and situational, its people able to distinguish themselves but also demonstrate that the island was part of multiple cultural networks. Cyprus was not a mere imitator of the influences that passed through it, but distinct. The existence of plural and flexible identities is reflective of its status as an island poised between multiple landscapes

Sardis

2003 ◽  
Author(s):  
Clyde E. Fant ◽  
Mitchell G. Reddish
Keyword(s):  
Biblical Studies ◽  
Roman Period ◽  
Asia Minor ◽  
Christian Community ◽  
Ancient City ◽  
Ancient Times ◽  
Gediz River ◽  
The City ◽  
The Temple ◽  
Western Half

A city with a strong and vibrant Jewish community during the Roman period, as well as a center for the worship of Artemis and home to a significant Christian community, Sardis is an intriguing place to visit for anyone interested in biblical studies or ancient religious history. The partially restored 3rd-century-C.E. synagogue in the city is the largest known synagogue outside Palestine from ancient times. Ancient shops, a bath-gymnasium complex, and the Temple of Artemis provide glimpses of the life of this ancient city. Once the capital of the ancient Lydian Kingdom, Sardis (Sart) lies approximately 60 miles east of Izmir along the modern highway (E96/300) connecting Izmir to Ankara in the Hermus River valley (today called the Gediz River). Portions of the ruins of Sardis are situated adjacent to the highway and are easily accessible. The ancient city was built along the Pactolus River, a tributary of the Hermus, and at the foothills of the Tmolus Mountains. The city’s acropolis was strategically located atop a spur of the Tmolus Mountains. The Tmolus Mountains (or Mt. Tmolus) were, according to some ancient traditions, the birthplace of the gods Dionysus and Zeus. Sardis first came to prominence during the 1st millennium B.C.E. when it served as the center of the powerful Lydian kingdom, which encompassed most of the western half of Asia Minor. The Lydians supposedly were the first to develop a technique to dye wool and also to invent dice games, knucklebones, and other games. (Interestingly, archaeologists found a terra-cotta die in the ruins at Sardis.) Legend says that Midas, the mythical Phrygian king, was able to rid himself of his golden touch by bathing in the Pactolus River. As a result, the sands of the river turned to gold. Though legendary, this account points nonetheless to the enormous wealth enjoyed by the Lydian kingdom. The earliest Lydian rulers belonged to the Heraclid dynasty, which according to Herodotus (5th-century-B.C.E. Greek historian) lasted 505 years. They were succeeded by the Mermnad dynasty, of which the first king was Gyges (r. ca. 680–ca. 652 B.C.E.).

Woman and Arcadia: The Impact of Ancient Utopian Thought on the Early Image of America

1993 ◽  
Vol 27 (1) ◽  
pp. 1-17 ◽  
Author(s):  
Mario Klarer
Keyword(s):  
Fifteenth Century ◽  
Literary Traditions ◽  
Human Needs ◽  
Promised Land ◽  
Terra Incognita ◽  
Early Image ◽  
The Creation ◽  
Utopian Thought ◽  
The One ◽  
The Impact

With the discovery of the new continent in the fifteenth century, a number of existing literary traditions contributed to the creation of the early image of America. In particular, Utopian features were projected onto the terra incognita. The equation of the New World with the earthly paradise and the Promised Land placed America in the tradition of ancient and medieval Utopian texts. The early picture of America is an indirect continuation of an ambivalent gendered view of the world predominant in most Utopias and pastorals. On the one hand, America becomes the positive projection of a benevolent female Mother-Earth who provides for all basic human needs; on the other, a number of intimidating gendered topoi are intricately interwoven with these new territories. The “feminine” appears to be a central issue of literary as well as pictorial imagery in the first narratives on America. As early as Columbus and Vespucci, America was stylized or allegorized through female symbols and metaphors. This paper will try to show how ancient Utopian concepts such as visions of a gendered paradise, myths of Amazons and role reversals, as well as notions of “women communism” were integral components in the creation of America as a myth. They can be traced in the writings of Columbus and Vespucci as well as in the early illustrations of their books. A selection of textual samples and pictures will serve as a basis for the discussion of these inherent gender issues.

scholarly journals Σύντροφος: un Terme Technique Macédonien

2017 ◽  
Vol 13 ◽  
pp. 57 ◽  
Author(s):  
Μιλτιάδης Χατζόπουλος
Keyword(s):  
Roman Period ◽  
The Other ◽  
Asia Minor ◽  
Hellenistic Period ◽  
Philip Ii ◽  
Financial Status ◽  
Relevant Evidence ◽  
The Family ◽  
Almost All ◽  
To Receive

Σύντροφος is a term familiar to epigraphists who study Greek inscriptions of the Roman period, especially from Asia Minor, and also to epigraphists and historians of the Hellenistic period. In the former case the term applies to actual foster brothers, to wit children who have been reared together, but also to persons engaged in other forms of professional or affective relationships. Students of the Hellenistic period, on the other hand, are in disagreement. Some interpret this term as an honorific title denoting a fictitious kinship with the king, while others maintain that it qualifies persons of the same age as the king who have actually been brought up with him. The institution of syntrophoi is attested in almost all Hellenistic courts with the exception of the Ptolemies. In Macedonia the relevant evidence extends from the reign of Philip II to that of Philip V. The parallelism between courtly and civic educa- tional institutions (βασιλικοὶ παῖδες and παῖδες in the civic gymnasia, βασιλικοὶ κυνηγοὶ and civic ἔφηβοι, βασιλικοὶ νεανίσκοι and νέοι in the civic gymnasia) ought to have prepared us to expect a civic equivalent to royal σύντροφοι. Such an equivalent is now attested in Philip V’s diagramma regulating military ser- vice. It appears thus that the Macedonian “civic” syntropohoi, like the Spartan mothakes, were boys of inferior social or financial status who were raised in the family of well-to-do boys of the same age, were thus enabled to receive the same education as they in the gymnasia, and could in case of need replace their foster brothers in their miltary obligations.

Greek in Contact with Romance

2019 ◽  
Author(s):  
Angela Ralli
Keyword(s):  
Eastern Europe ◽  
Geographical Area ◽  
Roman Period ◽  
Asia Minor ◽  
Ancient Greek ◽  
South Italy ◽  
Lexical Items

In the course of its long history, Greek has experienced a particularly multifarious and profound contact with Romance, in a wide geographical area that spreads from western to eastern Europe and also covers part of the once Hellenophone Asia Minor. The beginning of this contact is difficult to delimit given that the ancestor languages, Ancient Greek and Latin, were already in interaction even before the Roman period of the Greek-speaking world. Both Greek and Romance (Italo-Romance, Gallo-Romance, Aromanian, and Judeo-Spanish) have acted as donor or recipient, depending on the specific historical and sociolinguistic circumstances. A significant number of lexical items (roots, affixes, and words) were transferred from one language to another, while phonological and structural transfers have also occurred in areas where Greek has been in constant and long contact with Romance, as for instance, in south Italy. Greek has been the basis for the formation of scientific internationalisms in Romance, and reversely it has recently adopted Romance terms and term-forming affixes.

The Comparison and Exploration of the Subject Difference between Lamentations and Lament of Capital Ying

2021 ◽  
Vol 21 ◽  
pp. 91-99
Author(s):  
Zhengyi MO
Keyword(s):  
Comparative Study ◽  
Emotional Expression ◽  
Jewish People ◽  
Literary Traditions ◽  
The Past ◽  
Axial Age ◽  
The Subject ◽  
The Creation ◽  
Development Trajectories ◽  
Subject Difference

Lamentations and lament of capital Ying are models of city lament in ancient Hebrew-and Chinese classical literary traditions respectively. A comparative study shows that there are significant subject difference between lamentations and lament of capital Ying . Lamentations is the collective works, and its compilation and inheritance function as emotional expression of sufferings of the past, present and future of the Jewish people, reflecting their infinite belief of transcendent God . In contrast, lament of capital Ying is the creation of Qu Yuan, and under the influence of the sage's commitment to the mandate of heaven by his individual virtue. The poetry expresses Qu Yuan’s personal grief through a special literary technique and its succession and experience in later generations are mainly individual. The subject difference of two poetry is a reflection of different development trajectories of the humans-transcendent relationship in Hebrew- and the Chinese civilizations of the Axial Age.

Anatolian Anthroponymy after Louis Robert … and Some Others

2013 ◽  
Author(s):  
Brixhe Claude
Keyword(s):  
Turning Point ◽  
Roman Period ◽  
Overwhelming Majority ◽  
Asia Minor ◽  
Anthropological Approach ◽  
The 1960S

Until the 1960s, two works of Johannes Sundwall were the unique repertories of the onomastics of Asia Minor. In 1963 appeared Noms indigènes de l’Asie Mineure gréco-romaine of Louis Robert, an indictment of the methods of Sundwall and invitation to rigorous philology, a turning point. For survivals from the second millennium, P.H.J. Houwink ten Cate, E. Laroche and L. Zgusta brought decisive complements. In the Roman period there occurs a ‘koinéfication’ of the name-stock of Asia Minor, with an overwhelming majority of Greek names and strong percentage of Latin. The only differences from region to region are the degree of resistance and the content of the indigenous element. Stress is laid on the need for a sociological and anthropological approach, which situates the name in society and so explains its origin and functioning: Hellenistic Pamphylia is taken as an example.

Cultural Mechanisms

2021 ◽  
pp. 71-120
Author(s):  
Christopher Coker
Keyword(s):  
Human Activity ◽  
Human Body ◽  
Video Gaming ◽  
The Creation ◽  
Historical Accounts

We have far more cultural instincts than biological ones. The human body is full of possibilities that require cultural augmentation for these to become manifest and concrete. War – like every other human activity – is fueled by a range of cultural mechanisms – the ability to spin tales of heroic actions; the creation of myths and mythical heroes; the appeal of historical accounts of battles won and lost in an afternoon. It exploits the ability of artists to ‘spiritualize away the cruelty’ of war (Nietzsche), to create an aesthetic that is most powerful in cinematic representations of it. Most recently military video – gaming has helped to distort reality by making war virtual, providing the ultimate thrill of violence as entertainment

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