Some Painters and the Counter-Reformation before 1600

1972 ◽  
Vol 22 ◽  
pp. 103-118 ◽  
Author(s):  
Ellis Waterhouse

It was not until the twenty-fifth and last session of the Council of Trent, in 1563, that the assembled Fathers made reference to the arts, and that only in very general terms: ‘The Council forbids placing in churches any image which illustrates false doctrine and can mis-lead the simple … it forbids placing in any church even if it is not subject to diocesan visitation, any unusual image, unless it has been approved by the bishop’. The Council recommended the retention of images in churches, but otherwise its decree was purely negative. It did not contemplate using religious art as one of the weapons of controversy in its war against Protestantism. That was to come later.

2021 ◽  
Vol 51 (2) ◽  
pp. 285-319
Author(s):  
Jutta Sperling

This essay investigates Benedetto Caliari's Nativity of the Virgin (1576) with its provocative and unorthodox depiction of a bare-breasted wet-nurse in the context of both Protestant and Catholic criticism of “indecent” religious imagery. Reformers on both sides drew a connection between the Virgin Mary's ostentatious display of her lactating breasts and her presumed, derided, or hoped-for miracle-working capacities or intercessory powers. In post-Tridentine Venice, several artists, including Tintoretto and Veronese, all of whom were connected to the Scuola de’ Mercanti that commissioned Caliari's painting, employed religious breastfeeding imagery in a wide array of iconographies in order to express dissent with the Counter-Reformation church's emphasis on orthodoxy. In contrast to writers, artists were able to claim a certain degree of nonconformity and freedom from prosecution. In light of Mikhail Bakhtin's concept of heteroglossia, it is argued that religious lactation imagery after Trent produced irony, parody, doubt, and dissent.


1965 ◽  
Vol 7 (4) ◽  
pp. 557-577 ◽  
Author(s):  
Kessel Schwartz

Almost from the inception of the Spanish Inquisition which sought to stifle scientific investigation and philosophical speculation while rejecting foreign ideologies, contrary currents existed in Spain. The liberal humanistic movement headed by Erasmus preached intellectual freedom and a defense of interior religión. This ideology never disappeared in Spain in spite of the formation of the Company of Jesus by Ignacio de Loyola and the efforts of Spanish theologians who promoted the Counter Reformation at the Council of Trent. Under Felipe II foreign ideas were forbidden as heretical and interpretations independent of the Church were stifled. Nevertheless, criticism of the status quo continued. Reginaldo González Montano wrote the first attack on the Inquisition, Sanctae Inquisitioms Hispanicae in 1567.


Author(s):  
Sean DeLouche

The 18th century was an era of transition for the arts and religion. Monarchs continued to commission religious art and architecture for a variety of reasons, including fulfillment of vows, expressions of faith and piety, and celebrations of dynastic power. The period saw simultaneous trends toward sumptuous decoration and sober display, as well as the rise of new artistic styles, including the Rococo, Neoclassicism, and the Gothic Revival. The Grand Tour brought many northern European Protestants to the seat of Catholicism. Protestant attitudes toward “popish” art softened in the 18th century, due in part to the increasing contact between Catholic and Protestant culture in Rome and to the perception that Catholicism was no longer a plausible threat. As the temporal and spiritual power of Rome declined in the 18th century, the papacy sought to reestablish itself as a cultural authority. The papacy embellished Rome with a number of archaeological and architectural initiatives, linking the popes with classical civilization and casting themselves as the custodians of the shared Western cultural tradition. With a growing art market and the consumer revolution, the populace had expanding access to religious imagery, from fine religious canvases collected by Catholic and Protestant elites, to reproducible prints that were available to nearly every member of society. However, the Enlightenment brought a profound questioning of religion. Religious works of art faced a loss of context in private displays and in the official Salon exhibitions, where they were intermixed with secular and erotic subjects and judged not on the efficacy of their Christian message or function but rather on aesthetic terms in relation to other works. The century ended with the French Revolution and brought violent waves of de-Christianization and iconoclasm. In order to save France’s Christian heritage, religious works of art had to be stripped of their associations with church and crown.


2003 ◽  
Vol 11 ◽  
pp. 144
Author(s):  
Eberhard Lammert

Resumo: O presente artigo contribui para uma reflexão sobre a influência da técnica sobre as artes na Era da Informatização. Desde o início da Era Industrial, nota-se a inversão gradativa de papéis entre máquina e homem: a "ascensão das máquinas" teria transformado o homem em "servo". Nem mesmo o campo das artes esteve livre dos efeitos de tal "ascensão", sobretudo no contato com os meios de comunicação de massa, como o rádio, o cinema e a televisão. Na verdade, tudo não passou de um prelúdio para o que ainda estava por vir: a informática atingiu as artes e nossa cultura fundada na tradição escrita, resultando em transformações muito mais amplas no âmbito da comunicação individual e social.Palavras-chave: arte; técnica; mediatização.Abstract: The present article brings up issues on the influence of technique on art in the Information Age. Since the beginning of the Industrial Age, there has been a progressive inversion of roles in the relation between man and machine : the "rise of machine" seems to have turned man into a "servant". Not even the field of art remained untouched by the effects of such "rise", specially in its contact with communication media like radio, cinema and television. In fact, all that was but a prelude to what was still to come: informatics reached into the arts and our writing­ based culture, causing widespread transformations in the realms of social and individual communication.Keywords: art; technique; mediatization.


Author(s):  
Д. Пол Шафер

We are going through a very challenging period in human history. Not only has the COVID-19 pandemic had a disastrous effect on people and countries in all parts of the world, but also many other dangerous and life threatening problems have to be addressed and overcome, especially the environmental crisis, huge disparities in income and wealth, systemic racism, and conflicts between different genders, groups, regions, countries, and cultures. In order to come to grips with these problems, and others, it is imperative to make transcendental and not just transformational changes in our lifestyles, values, worldviews, actions, behaviour, and ways of life. The key to this lies in creating an effective balance between materialism and spiritualism, as well as placing a much higher priority on the cultivation of spirituality in our lives in the traditional and contemporary sense. Not only will this make it possible to reduce the colossal demands we are making on the natural environment – largely because most spiritual activities are "human intensive" rather than "material intensive" and therefore don’t consume as many natural resources as most other activities – but also it will enable present and future generations to experience a great deal more exuberance, exhilaration, and ecstasy in life without having to resort to drugs and other substances and devices to create "highs" and "peak experiences" because spiritual activities achieve this naturally. Many of these activities involve participating in causes that are greater than ourselves, joining protest movements aimed at creating more equality and justice in the world, going within ourselves to discover who we really are and what we were intended to realize in life, broaden and deepen our experiences in the arts, cultures, and the cultural heritage of humankind, and engage in explorations in nature and the natural realm that are capable of bringing us into contact with the sublime and possibly even the divine.


CounterText ◽  
2015 ◽  
Vol 1 (2) ◽  
pp. 186-206 ◽  
Author(s):  
James Corby

In this essay James Corby questions the dominant future-oriented nature of the ethical turn of theory and philosophy in the final decades of the twentieth century and its aesthetic influence. Focusing in particular upon the ethical position of Jacques Derrida, Corby argues that the desire to avoid the closure of the contemporary and to preserve the possibility of difference by cultivating a radical attentiveness to that which is ‘to come’ often risks a too complete disengagement from the present, leading to an empty and ineffectual ethical stance that actually preserves the contemporary situation that it seeks to open up. Corby makes a case for this theoretical investment in the possibility of a non-contemporary (typically futural) rupture as being understood as forming part of a far-reaching romantic tradition. In opposition to this tradition he sketches a post-romantic alternative that would understand difference as an immanent, rather than imminent, matter. He argues that this should be considered congruent with a countertextual impulse oriented not towards a revelatory futurity, but, rather, towards the possible displacements, dislocations, and transformations already inherent in the contemporary. The final part of the essay develops this idea, positioning countertextuality as the articulation of alternative contemporaries. In this regard, the literature of the future is not ‘to come’, it is already here. The challenge is to recognise it as such, and this means being prepared to modify and change the conceptual apparatus that guides us in our thinking of literature and the arts.


Author(s):  
Guillermo Wilde

The Jesuits have impacted the history of colonial Latin America as have few other religious orders. Founded in 1540 by Ignatius of Loyola and a group of companions, the Society of Jesus defined its profile from the beginning as an order devoted to apostolic activity, especially through missions, and education, which led it to promote new forms of preaching and teaching. Its expansion in the world coincides with the Catholic Counter-Reformation fostered by the Council of Trent (1545–1563), in which the Jesuits had a decisive participation. The growth and expansion of the order in Latin America was rapid and continuous. The first Jesuits arrived in Brazil in 1549, in Peru in 1568, and in Mexico in 1572, and they soon became involved in the main religious, social, economic, and political activities of each region. They founded numerous colleges and residences in the most important cities and dozens of missions, or reducciones, villages among the indigenous populations living on the so-called borderlands of the colonial domains of Spain and Portugal. The several Jesuit establishments in Latin America were territorially organized into provinces, which maintained constant and fluid communication with the headquarters of the order in Rome, where its highest authority, the superior general, resided. Demands by local governments, an increase in the number of operarios, and an expansion of the political and ecclesiastical jurisdictions led to the establishment of new Jesuit provinces in the 17th century, most especially that of Paraguay, which became one of the most famous in Latin America. Each province was staffed by both priests and coadjutor brothers (lay Jesuits who had not completed their training) from different European countries, mainly Spain, as well as Creoles and mestizos born in America. Both internally and externally, the writing of documents of different types served as a central instrument of communication and government of the various Jesuit establishments. This abundance of documents produced is why the corpus of research of the Jesuit order in Latin America is profuse.


2020 ◽  
pp. 1-51
Author(s):  
Ferdinand Eibl

Chapter 1 sets out the main empirical puzzles of the book, which are (i) the early divergence of welfare trajectories in the region and (ii) their long persistence over time. Drawing on literature from authoritarianism studies and political economy, it lays out the theoretical argument explaining this empirical pattern by developing a novel analytical framework focused on elite incentives at the moment of regime formation and geostrategic constraints limiting their abilities to provide welfare. It also outlines the author’s explanation for the persistence of social policies over time and broadly describes the three types of welfare regime in the region. It sbows the limitations of existing theories in explaining this divergence and bigbligbts the book’s contribution to the literature. The theoretical argument is stated in general terms and sbould thus be of relevance to political economy and authoritarianism scholars more broadly. The chapter ends with an outline of the chapters to come.


Author(s):  
Kenneth Austin

This chapter analyzes “Counter Reformation,” a terminology that implies the developments within the Catholic Church in the sixteenth century and beyond of reactions to the Protestant challenge. It explains how historians generally prefer the term “Catholic Reformation” over Counter Reformation as it is more neutral and better able to accommodate the range of initiatives witnessed in the period. It also points out reform efforts that predate the Protestant challenge, in which a new ethos developed within the Catholic Church in the middle of the sixteenth century. The chapter talks about the fathers of the Council of Trent, who sought to address a wide range of issues relating to belief and practice. It looks at the “Tridentine” decrees that were implemented alongside various papal initiatives and efforts at the local level.


1945 ◽  
Vol 14 (2) ◽  
pp. 104-125 ◽  
Author(s):  
W. Stanford Reid

When one speaks of the Counter-Reformation in Scotland, we usually think of it as something which appeared after 1560. To do that, however, is to regard the Scottish Counter-Reformation as principally post-Reformation, and also as inspired entirely by the Council of Trent. Such an interpretation fails to take into account the very determined efforts made by the Scottish church itself to stay the spread of heretical doctrines before 1560. It fails to realize that while aided considerably by the Tridentine decisions, the Scottish Counter-Reformation was largely a native movement which had its own views of the proper methods of dealing with the growing canker in the body ecclesiastic. Thus in order to have a due appreciation of the background of the Scottish Reformation and all that it entailed, it is necessary that we should have some understanding of the forces opposing Protestant reform in Scotland before 1560. Such a background this article will endeavour to give.


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