Textual Source-Types

2022 ◽  
pp. 3-24
Keyword(s):  
Author(s):  
Oren Falk

This chapter implements the general model of violence on case studies from the history of medieval Iceland, especially the Battle of Helgastaðir (1220) and other episodes from the life of Guðmundr Arason, Bishop of Hólar (r.1203–37). It also establishes how structural analysis of sagas—using the concepts of récit, histoire, and uchronia—nuances the picture of history reconstructed from such sources, tracing the transformation of occurrences (what happened) into events (experienced manifestations of meaning). Guðmundar saga A, the main textual source consulted here, demonstrates how uchronia, the ideology of the past, enabled texts to function autonomously of authorial intent: uchronic texts may reveal truths their authors were ignorant of, let alone truths they wished to suppress. By unpacking the ways brute force inflects both the historical social contests recorded in the saga and the narrative tensions of the recording process itself, this chapter highlights the necessity of examining violence in terms of a complex negotiation of power, signification, and risk. In the course of this investigation, various details of medieval Icelandic history are filled in, deepening and qualifying the general portrayal offered in the Introduction. Readers with little background in Icelandic history are familiarized with the contours of this history, while experts find some of its truisms (such as the categorical distinction between farmers and chieftains, or the supposed uniqueness of Iceland in high medieval Europe) re-examined


2013 ◽  
pp. 13-24
Author(s):  
Michael Fishbane

This chapter opens with an essay on Midrash. It takes up the subject of Midrash from a wide-ranging perspective, and considers basic phenomenological, stylistic, and exegetical features of the subject. The chapter also aims to set the stage for the fundamental importance of Midrash in Jewish literature and culture. For rabbinic interpreters, a major moment is the closure of the scriptural canon, which establishes the principal authoritative textual source for all subsequent developments. The closure established a fixed source, so that all interpretation was to unfold through an examination of its topics and contents, a correlation of its verbal and literary features, and a filling in of legal, theological, and narrative gaps.


Author(s):  
Ivan Boserup ◽  
Thomas Riis

In the first part of this joint paper on book divisions and their ideologies in the Gesta Danorum of Saxo Grammaticus (ca. 1200), Ivan Boserup points out that the edition of Saxo published by Karsten Friis-Jensen in 2005 is the first since the discovery of the Angers fragment in 1879, which is not in any way dominated by the endeavor to use the Angers fragment as a stepping stone for radical textual criticism of the Paris 1514 edition, i.e. the Editio princeps which is our main textual source to Saxo’s work. In contrast to the 1931 edition of Jørgen Olrik and Hans Ræder, and to scholars that have postulated that the Paris edition of 1514 was more or less rewritten throughout by a medieval or renaissance editor, Friis-Jensen has defended the text of the Paris edition by showing that it coincides basically with all medieval fragments (except the Angers fragment) and with medieval quotations and paraphrases. Although agreeing with Friis-Jensen’s approach, Boserup argues that Friis-Jensen has been misled to believe that the Compendium Saxonis stems from this ‘medieval Saxo-vulgate’ rather than from the manuscript of which the Angers fragment is a part, as argued in 1920 by Emil Rathsack.According to Boserup, the recognition of the Paris 1514 edition as Saxo’s last and final version of his work invites to a reconsideration of the alternative book division found in the Compendium Saxonis and, supposedly, in its archetype, the ‘Angers manuscript’.In the second part of the paper, Thomas Riis re-visits the book divisions which he previously treated in his dissertation in 1977. Combining a close textual analysis with evidence from seals, coins, imagery, and the arengae of charters, Riis suggests that the ‘original’ book division found in the Compendium Saxonis manuscripts reflects an “aggressive” royal ideology orchestrated by archbishop Absalon in the second half of the twelfth century. In contrast, the book division of the ‘medieval Saxo-vulgate’ represented mainly by the Paris 1514 edition can be interpreted as the result of the impact on Saxo of the ecclesiastically focused ideology of Absalon’s successor as Archbishop of Lund, the renowned theologian Anders Sunesen (Andreas Sunonis).


Hinduism ◽  
2019 ◽  
Author(s):  
Marion Rastelli

The Pāñcarātra is a Hindu tradition that worships Viṣṇu as the supreme god. Its origins date back to the pre-Christian era, and certain features of it can still be found in the related Hindu-tradition of the Śrīvaiṣṇavas. Its earliest textual source, having been composed around the 3rd to the 5th century ce, is the so-called Nārāyaṇīya, which is a part of the Sanskrit epic Mahābhārata. In this text the Pāñcarātra does not yet bear the tantric features that become characteristic for the tradition as known from the Saṃhitās, which may have been composed from around the 9th century onward. The Saṃhitās are the most important texts of the tradition and are traditionally considered to have been revealed by god Viṣṇu himself. They deal with the theology and philosophy of the tradition, but most prominently with rituals. Rituals are the main means for a Pāñcarātra follower to achieve the tradition’s religious goals. As in other tantric traditions, these goals are worldly pleasures (bhukti) and liberation (mukti) from transmigration. In early Pāñcarātra Saṃhitās, rituals are to be performed by individual persons for their own benefit. In later Saṃhitās, probably due to political influences, public temple worship for the benefit of the king and the state becomes the main focus. The early extant Saṃhitās probably originate from North India, and there is evidence that Pāñcarātra was widely practiced in Kashmir. However, from perhaps the 11th century, Pāñcarātra mainly flourished in South India. The social background of Pāñcarātra followers over the centuries has not yet been investigated in depth, but we do know that the tradition’s historical development was shaped by various social groups and subtraditions, as well as their interactions, sometimes involving rivalry.


2020 ◽  
Vol 7 (2) ◽  
pp. 350-382
Author(s):  
Jessica Wiskus

In his seminal essay "Music Theory, Phenomenology, and Modes of Perception," David Lewin takes up (and works against) Husserl's phenomenology of inner time-consciousness as a means of developing his own perception-based musical analyses. My aim, in this article, is not only to show that what Lewin adopts as a theory of Husserlian time-consciousness is in direct conflict with the understanding produced by contemporary philosophers associated with the Husserl Archives, but also to argue that a better understanding of Husserlian time-consciousness enables us to imagine the ways in which phenomenological inquiry actually supports Lewin's objectives. First, I clarify the complicated history of Lewin's textual source, Vorlesungen zur Phänomenologie des inneren Zeitbewußtseins, arguing that a failure to take account of the genesis of Husserl's text brings about a concomitant misinterpretation of its philosophical content. Second, I critique Lewin's reduction of retention and protention to present contents of perceptions, demonstrating that this results in an infinite regress (or "recursive" structure, in Lewin's terms), and I show that Husserl himself avoids this by investigating the temporal flow of the subject (i. e., as a structure of transcendental subjectivity). Finally, I argue that the Husserlian framework of timeconsciousness provides a productive way to concern ourselves with the creative acts of music making that Lewin so prizes.


Landslides ◽  
2022 ◽  
Author(s):  
Thomas M. Kreuzer ◽  
Bodo Damm ◽  
Birgit Terhorst

AbstractLandslide research chiefly relies on digital inventories for a multitude of spatial, temporal, and/or process analyses. In respect thereof, many landslide inventories are populated with information from textual documents (e.g., news articles, technical reports) due to effectiveness. However, information detail can vary greatly in these documents and the question arises whether such textual information is suitable for landslide inventories. The present work proposes to define the usefulness of textual source types as a probability to find landslide information, weighted with adaptable parameter requirements. To illustrate the method with practical results, a German landslide dataset has been examined. It was found that three combined source types (administrative documents, expert opinions, and news articles) give an 89 % chance to detect useful information on three defined parameters (location, date, and process type). In conclusion, the definition of usefulness as a probability makes it an intuitive, quantitative measure that is suitable for a wide range of applicants. Furthermore, a priori knowledge of usefulness allows for focusing on a few source types with the most promising outcome and thus increases the effectiveness of textual data acquisition and digitalisation for landslide inventories.


Author(s):  
Mykola Gutsuliak

Polish and Ukrainian Poems of Lazar Baranovich in Metrical Aspect The purpose of the article is to provide a versificational analysis of poems written by Lazar Baranovich, the 17th cent. Ukrainian-Polish writer and church figure. The poems are investigated mainly in metrical aspect (partially also in stanzaic and rhyming aspects). The article shows which formal means were used frequently and which rarely. There is also an attempt to explain the motives of author’s application of a certain meter. ”Apollo’s Lute”, Baranovich’s poetry collection in Polish (1671), served to be the main textual source for the analysis.


Zograf ◽  
2018 ◽  
pp. 155-164
Author(s):  
Tsvetan Vasilev

The text presents several unpublished Greek inscriptions written on the scrolls of St. Cyriacus the Anchorite from Bulgaria. The main focus falls on an inscription from the narthex of the Rozhen Monastery (sixteenth century) and its identification; parallel inscriptions observed in Athonite monasteries are discussed too. A second group of inscriptions from Bulgaria and Macedonia are also discussed, with a stronger focus on an inscription in the church St. Apostles Peter and Paul in Veliko Tarnovo. The linguistic analysis attempts to discern the patterns by which such ascetic texts are visualized and transformed along the way from their original textual source to their final destination - the wall painting.


Author(s):  
Dirk Roorda

The text of the Hebrew Bible is a subject of ongoing study in disciplines ranging from theology to linguistics to history to computing science. In order to study the text digitally, one has to represent it in bits and bytes, together with related materials. The author has compiled a dataset, called bhsa (Biblia Hebraica Stuttgartensia (Amstelodamensis)), consisting of the textual source of the Hebrew Bible according to the Biblia Hebraica Stuttgartensia (bhs), and annotations by the Eep Talstra Centre for Bible and Computer. This dataset powers the website shebanq and others, and is being used in education and research. The author has developed a Python package, Text-Fabric, to process ancient texts together with annotations. He shows how Text-Fabric can be used to process the bhsa. This includes creating new research data alongside it, and sharing it. Text-Fabric also supports versioning: as versions of the bhsa change over time, and people invest a lot in applications based on the data, measures are needed to prevent the loss of earlier results.


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