scholarly journals Den musikalske etik

2020 ◽  
pp. 61-77
Author(s):  
Nanette Nielsen1
Keyword(s):  
Recent Literature ◽  
Film Music ◽  
Philosophical Problem ◽  
The Past ◽  
Art Form ◽  
The World ◽  
Musical Engagement ◽  
Scholarly Discourse ◽  
Insight Into ◽  
Selection Of

Music studies and philosophy have over the past few years seen increasing interaction: music scholars have found inspiration in philosophical topics and methods, and philosophers have engaged enthusiastically with the world of music, for example by using the art form to gain new insight into topics such as emotion, consciousness, and ethics. This scholarly interaction continually presents new and exciting interdisciplinary avenues through which both music studies and philosophy can develop and grow. While drawing on a selection of recent literature and approaches, this article accounts for (what I call) ’musical ethics’ and discusses what music might bring to scholarly discourse about ethics. Instead of viewing music as a philosophical ‘problem’ that needs to be solved, I suggest that a more fruitful strategy is to approach music and musical engagement as a philosophical opportunity through which we can better understand ourselves and the world around us. With a focus on examples of film music, I argue that musical ethics can uncover important facets of what it means to be both human and humane.

scholarly journals Interrogating the Founding Gestures of the New Materialism

2016 ◽  
Vol 22 (2) ◽  
Author(s):  
Dennis Bruining
Keyword(s):  
New Materialism ◽  
The Past ◽  
The World ◽  
Further Development ◽  
Selection Of ◽  
The Way

In this article, I aim to further thinking in the broadly ‘new materialist’ field by insisting it attends to some ubiquitous assumptions. More specifically, I critically interrogate what Sara Ahmed has termed ‘the founding gestures of the “new materialism”’. These founding rhetorical gestures revolve around a perceived neglect of the matter of materiality in ‘postmodernism’ and ‘poststructuralism’ and are meant to pave the way for new materialism’s own conception of matter-in/of-the-world. I argue in this article that an engagement with the postmodern critique of language as constitutive, as well as the poststructuralist critique of pure self-presence, does not warrant these founding gestures to be so uncritically rehearsed. Moreover, I demonstrate that texts which rely on these gestures, or at least the ones I discuss in this article, are not only founded on a misrepresentation of postmodern and poststructuralist thought, but are also guilty of repeating the perceived mistakes of which they are critical, such as upholding the language/matter dichotomy. I discuss a small selection of texts that make use of those popular rhetorical gestures to juxtapose the past that is invoked with a more nuanced reading of that past. My contention is that if ‘the founding gestures of the “new materialism”’ are not addressed, the complexity of the postmodern and poststructuralist positions continues to be obscured, with damaging consequences for the further development of the emerging field of new materialism, as well as our understanding of cultural theory’s past.

scholarly journals THE USES AND ABUSES OF HISTORY BY MARGARET MACMILLAN

СИНЕЗА ◽  
2020 ◽  
Vol 1 (2) ◽  
Author(s):  
Omer Merzić
Keyword(s):  
The Past ◽  
The World ◽  
Insight Into

One thing that unites all people regardless of their current place in the world is their history and their past. Another similarity that unites them is the tendency to distort the past for their own ends. Every country and every nation have their own myths which have become the cornerstone in their establishment andprogress. The misuse of history is most dominantly done by ideologies and their creators as a tool in justifying their work. The author of this book is Margaret MacMillan, who is a Canadian histo- rian most notable for her work on the Versailles conference of 1919, which she mentions more than once in this book. MacMillan’s understanding and insight into history and national iden- tity are brought out in this book, where she points out mythical roots of some of today’s most problematic national and ethnic questions.

Making History: Chan as an Art Form

2016 ◽  
Author(s):  
Alan Cole
Keyword(s):  
The Past ◽  
Art Form ◽  
Human Ability ◽  
The Everyday ◽  
The World ◽  
Everyday World

This chapter highlights several important elements at work in the process of writing history. The first thing to see is that writing history represents a doubling of reality: in addition to the everyday world that one lives in, where one's senses are engaged in a fluid and continuous manner, the writer of history works to evoke scenes and events that, though invisible, can be made to appear to the reader as integral parts of reality, albeit in the past. Put this way, one can appreciate how the skills needed to write history reflect the growing human ability to artify the world. Why this matters for understanding Chan literature is that one wouldn't be far wrong in describing Chan as a gradually solidifying set of literary gestures designed to enhance—and organize—the present, by carefully designing and curating images of an imaginary past.

Realism, Radical Constructivism, and Film History

2006 ◽  
Vol 7 (2) ◽  
pp. 187-199
Author(s):  
Nick Redfern ◽  
Keyword(s):  
Film History ◽  
Historical Knowledge ◽  
Radical Constructivism ◽  
Realist Theory ◽  
The Past ◽  
Basic Model ◽  
Art Form ◽  
The World ◽  
Nature Development ◽  
Viable Approach

As a technology and an art form perceived to be capable of reproducing the world, it has long been thought that the cinema has a natural affinity with reality. In this essay I consider the Realist theory of film history out forward by Robert C. Allen and Douglas Gomery from the perspective of Radical Constructivism. I argue that such a Realist theory cannot provide us with a viable approach to film history as it presents a flawed description of the historian’s relationship to the past. Radical Constructivism offers an alternative model, which requires historians to rethink the nature of facts, the processes involved in constructing historical knowledge, and its relation to the past. Historical poetics, in the light of Radical Constructivism, is a basic model of research into cinema that uses concepts to construct theoretical statements in order to explain the nature, development, and effects of cinematic phenomena.

Western Europe and Scandinavia

2012 ◽  
Author(s):  
Laurence Brockliss
Keyword(s):  
Government Policy ◽  
Western Europe ◽  
Visual Representations ◽  
Childhood Studies ◽  
History Of Childhood ◽  
The Past ◽  
Sharp Focus ◽  
The World ◽  
History Of ◽  
Insight Into

Childhood in western Europe is obviously a vast topic, and this entry will approach it historically and largely chronologically. The study of childhood is still relatively new, and historians have sometimes struggled to construct a history of childhood, with very few firsthand accounts and limited archives. So many children left very few traces of their lives, and historians have had to piece together their history, not from diaries or archives but from court reports, visual representations, and childcare manuals. They have had to struggle to recapture the world of childhood in eras prior to 1800, when sources are especially limited. They, like others interested in childhood studies, have had to address the issue of how to define a child and what childhood is. They have had to contemplate the different historical meanings of the word child prior to 1600 and to resist the temptation to believe that childhood has inevitably improved through the centuries. They have also had to become aware of the dangers of historicizing a phenomenon that has few stable parameters and, in some cultures, may not even exist at all. In several languages there is no word for child; even in English, the word has drastically shifted its meaning over the centuries. These shifts need to be historicized in order to see both the continuities and the discontinuities between the past and the present that suggest that childhood has always been a time of suffering; children have always been the victims of perilous disease, parental neglect, government policy, war, etc. Concurrently, children have also always been the hope of the future, the focus of special love and attention. A historical perspective on European childhoods brings this insight into sharp focus.

scholarly journals Impact of the COVID-19 pandemic on the production and sales of cars in the world

2021 ◽  
pp. 63-70
Author(s):  
Inna Shevchenko ◽  
Illia Dmytriiev ◽  
Oksana Dmytriieva
Keyword(s):  
Automotive Industry ◽  
Global Financial Crisis ◽  
Negative Consequences ◽  
Negative Effects ◽  
The Past ◽  
The World ◽  
The Global Financial Crisis ◽  
The Impact ◽  
Insight Into

Problem. The global automotive industry has already had an experience of recovery from the global financial crisis of 2008, but the pandemic crisis of 2020 is quite different in nature and pattern of progress: in recent history it has had no analogues and it will be premature to state its completion. Therefore, it is important to determine the impact of the pandemic on the production and sale of cars in order to overcome the negative consequences. To address this issue, the article identifies the sensitivity of this subsector of mechanical engineering to destructive changes in the environment; an analysis of changes in the volume of production and sales of cars by countries of the world over the past period has been made. Goal. The aim of the work is to determine the destructive consequences and trends of the COVID-19 pandemic impact on the global automotive industry, namely the production and sale of cars. Methodology. To determine the impact of the COVID-19 pandemic, a vertical and horizontal analysis of car production and sales in the world has been conducted. Results. The results of the analysis allowed the authors to group the countries of the world by the destructive effects of the pandemic crisis of 2020 for the automotive industry. Originality. The carried out classification of countries by the destructive effects of the COVID-19 pandemic provided an opportunity to gain insight into its impact on the automotive industry, in particular on the production and sale of cars. Practical value. The obtained results can be recommended to identify further ways to overcome the negative effects of the COVID-19 pandemic in the automotive industry.

scholarly journals EFFECT OF COVID-19 LOCKDOWN ON KERALA’S JOB MARKET

2020 ◽  
Author(s):  
Adil Ellikkal ◽  
S Rajamohan
Keyword(s):  
Mortality Rate ◽  
Job Loss ◽  
Nipah Virus ◽  
Demographic Characteristics ◽  
Survey Method ◽  
Job Market ◽  
The Past ◽  
The World ◽  
World Survey ◽  
Insight Into

The COVID-19 outbreak is an exact reminder that pandemic like other rarely occurring disasters have happened in the past and will continue to happen in the future. Around the globe, countries are in lockdown, and citizens are asked to maintain social distancing and stay at home. This is not first instances that Kerala is fighting against a deadly virus like Coronavirus. Earlier in 2018, Nipah virus had been identified in Kerala and they had mortality rate of 40 to 80 per cent. From previous experience, among all the states in India, Kerala was well and the best prepared to tackle the COVID-19 pandemic and has managed to flatten the curve. But COVID-19 hit Kerala very hard, because the major source of revenue comes from tourism and Non-Resident Keralites (NRK’s) remittance drastically fell down. This paper provides vital insight into the effect on COVID-19 on Kerala’s job market. The aim of this study is to find out how Kerala’s job markets are being affected by the COVID-19 pandemic. Since Malayalees are working in different countries across the world, survey method is used to collect data. The study helps us to understand the demographic characteristics of workforce in Kerala. It clearly discusses effect of COVID-19 on different sectors where of Malayalees work across the world. The study also helps to analyze the effect of COVID-19 on employability of graduates and non-graduates. Finally, this study identifies the rate of job loss due to COVID-19 lockdown during the month of June 2020.

Viability of Litchi chinensis seeds when stored in air and in water

1985 ◽  
Vol 104 (1) ◽  
pp. 247-248 ◽  
Author(s):  
P. K. Ray ◽  
S. B. Sharma
Keyword(s):  
Genetic Variability ◽  
Mangifera Indica ◽  
Litchi Chinensis ◽  
The Past ◽  
Wide Range ◽  
The World ◽  
Range Of Variation ◽  
Selection Of

India is the second largest litchi producing country in the world after China (Syamal & Mishra, 1984), yet the number of litchi cultivars grown in the country is quite small compared with mango (Mangifera indica). In mango most of the choicest Indian cultivars have been obtained from chance seedlings (Singh, 1960) grown in the past without any definite aim in mind. Litchi, as a result of crosspollination (Chaturvedi, 1965), is a highly heterozygous fruit, and as such, its seedlings, like those of mango, exhibit a wide range of variation which helps in the selection of new desired types. It has, thus, been emphasized that litchi should be grown in bulk from seeds to introduce genetic variability (Kumar & Thakur, 1981). Kadman & Slor (1974), encouraged by excellent success in grafting, have also stressed the need for raising plants through seeds for rootstocks.

The design of environmental markets: What have we learned from experience with cap and trade?

2017 ◽  
Vol 33 (4) ◽  
pp. 572-588 ◽  
Author(s):  
Richard Schmalensee ◽  
Robert N Stavins
Keyword(s):  
Pollution Control ◽  
Emission Reduction ◽  
Pollution Abatement ◽  
Cap And Trade ◽  
Environmental Markets ◽  
The Past ◽  
Individual Transferable Quota ◽  
The World ◽  
Tradable Permit ◽  
Selection Of

Abstract This article reviews the design of environmental markets for pollution control over the past 30 years, and identifies key market-design lessons for future applications. The focus is on a subset of the cap-and-trade systems that have been implemented, planned, or proposed around the world. Three criteria led us to the selection of systems for review. First, among the broader class of tradable permit systems, our focus is exclusively on cap-and-trade mechanisms, thereby excluding emission-reduction-credit or offset programmes. Second, among cap-and-trade mechanisms, we examine only those that target pollution abatement, and so we do not include applications to natural resource management, such as individual transferable quota systems used to regulate fisheries. Third, we focus on the most prominent applications—those that are particularly important environmentally, economically, or both.

African Girls' Samplers from Mission Schools in Sierra Leone (1820s to 1840s)

2010 ◽  
Vol 37 ◽  
pp. 189-245 ◽  
Author(s):  
Silke Strickrodt
Keyword(s):  
Sierra Leone ◽  
Museum Collections ◽  
Source Criticism ◽  
Mission Schools ◽  
The Past ◽  
The World ◽  
British Colony ◽  
The Usa ◽  
The Rich ◽  
Insight Into

In an article in this journal almost fifteen years ago, Colleen Kriger discussed the reluctance of historians of Africa to use objects as sources in their research. She pointed to the rich reservoir of objects “made by African hands” in museum collections around the world, which lies virtually untapped by historians. However, she also noted that while objects are “unusually eloquent remnants from the past,” they are problematic sources, presenting “special difficulties in evaluation and interpretation.”The purpose of this article is to draw attention to the existence of a number of embroidery samplers that were stitched by African girls in mission schools in the British colony of Sierra Leone in the period from the 1820s to the 1840s. So far, I have found thirteen of these samplers, which are preserved in a number of archival, private and museum collections in Europe and the USA. To historians, these pieces of needlework are of interest because they were generated by a group of people for whom we do not usually have first-hand documentary material. Moreover, they represent the direct material traces of the activity of the girls who made them, and thus appear to offer the possibility of an emphatic insight into their experience.However, these “textile documents” present serious problems of interpretation. What exactly can they be expected to tell the modern historian? In particular, how far, in fact, do they express the perspectives of the African girls who made them, as distinct from the European missionaries who directed their work? Careful source criticism and an examination of the purpose for which they were produced will help to clarify these issues.

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