scholarly journals ARTISTIC DESIGN OF A REPRESENTATIVE GROUP OF PREMISES IN PUBLIC BUILDINGS OF LVIV IN THE SECOND HALF OF THE XIX CENTURY

2020 ◽  
Vol 2020 (13) ◽  
pp. 76-86
Author(s):  
Serhii Hetmanchuk
Keyword(s):  
19Th Century ◽  
Current Trend ◽  
Impact Factors ◽  
Public Buildings ◽  
Interior Decoration ◽  
Main Factors ◽  
Characteristic Features ◽  
Xix Century ◽  
The 19Th Century ◽  
Art And Architecture

The article considers the characteristic features and distinctness of the artistic design of representative rooms of public buildings in Lviv in second half of 19th century. Traced the main factors that influenced their formation, both architecturally and artistically. Highlighted in detail the Viennese historicism and its features in interior decoration, which is had influenced and reflected to the Lviv’s public buildings. For a more detailed analysis of the artistic structure, a representative sample was made of key public buildings, both, in Lviv and their analogues in other cities of the empire. There are was included: theaters, universities, Sejms and parliaments, museums, courts and other buildings, which have a wide representative group of premises. Also highlighted there are common trends, direct and indirect quotations, both in the artistic elements and in the overall composition. In addition, was also show up the key figures in art and architecture who were active in the second half of the 19th century in Lviv who made a significant contribution to the formation of the artistic arrangements of public buildings. Instead, was indicate and considered main impact factors: administrative, cultural, artistic, social and educational. There was administrative influence, both direct and indirect. Along with funding from imperial exchequer, the facts of straight directives on the style of decoration of representative premises are known. There was also a direct influence on the formation of schools, workshops and in general on the field of architecture and art. Another important factor is that, both the elites and society was focused in the all spheres of life on the capital of the empire. Especially in the culture, architecture and art. For conclusions, in stylistic terms, the artistic design of representative public buildings in Vienna followed the pan- European tendency of historicism, but stood out in its characteristic features. Since Lviv was part of the administrative structure of the Austrian part of the empire, by analogy with the capital, it had a corresponding list of key public buildings. Comparative analysis reveals many similarities, from the layout of the premises, to the decorative and applied elements of artistic design, and in some cases there is a direct citation. Among the main factors are administrative, cultural, educational and economic, which are manifested both in the form of directives and in socio-cultural imitation the current trend at that time in architecture and art.

CAPRICCIOʼS GENRE IN MANDOLIN MUSIC AT THE END OF THE 19th – THE EARLY OF THE 20th CENTURIES (for example of the concert pieces by С. Munier)

2019 ◽  
pp. 60-71
Author(s):  
N. V. Bashmakova ◽  
K. V. Kravchenko
Keyword(s):  
19Th Century ◽  
Analytical Methods ◽  
17Th Century ◽  
Point Of View ◽  
Historical Approach ◽  
The Creation ◽  
Characteristic Features ◽  
Concert Works ◽  
In The Beginning ◽  
The 19Th Century

The purpose of this article is process of analyzing in reference to concert capriccio by C. Munier for mandolin with piano («Bizzarria», op. 201, Spanish сapriccio, op. 276) from the point of view of their genre specificity. Methodology. The research is based on the historical approach, which determines the specifics of the genre of Capriccio in the music of the late 19th and early 20th centuries and in the work of C. Munier; the computational and analytical methods used to identify the peculiarities of the formulation and the performing interpretation of the original concert pianos for mandolins with piano that, according to the genre orientation (according to the composerʼs remarks), are defined as capriccio. Scientific novelty. The creation of Florentine composer,61mandolinist-vertuoso and pedagog C. Munier, which made about 300 compositions, is exponential for represented scientific vector. Concert works by C. Munier for mandolin and piano, created in the capriccio genre, were not yet considered in the art of the outdoors, as the creativity and composer’s style of the famous mandolinist. Conclusions. Thus, appealing to capriccio by С. Munier, which created only two works, embodied in them virtually all the evolutionary stages of the development of genre. In his opus of this genre there are a vocal, inherent in capriccio of the 17th century solo presentation, virtuosity, originality, which were embodied in the works of 17th – 18th centuries and the national color of the 19th century is clearly expressed. Thus, the Spanish capriccio is a kind of «musical encyclopedia» of national dance, which features are characteristic features of bolero, tarantella, habanera, and so forth. The originality of opus number 201 – «Bizzarria», is embodied in the parameters of shaping (expanded cadence of the soloist in the beginning) and emphasized virtuosity, which is realized in a wide register range, a variety of technical elements.

THE ACTIVITY OF SAMARKAND REGIONAL STATISTICAL COMMITTEE IN SECOND HALF OF THE XIX CENTURY -EARLY XX CENTURY

2020 ◽  
Vol 12 (3) ◽  
pp. 22-29
Author(s):  
Jonibek Butaev ◽  
Keyword(s):  
19Th Century ◽  
Colonial Policy ◽  
Cultural Life ◽  
Xix Century ◽  
The 19Th Century

The article is devoted to the analysis of the activities of the Samarkand Regional Statistics Committee in the second half of the XIX -early XX centuries. Statistical committees and departments established in the second half of the 19th century in the province of Turkestan and all regions to study the socio-economic, political and cultural life of the country, compile statistical reports and collections, as well as consolidate the colonial policy of the empire. The article analyzes the data of the Statistics Committee and the Department of Samarkand region.

The challenges of the primary teachers in the XIX century: from the materials needed to teach classes to the payment of the salaries

2021 ◽  
Vol 2 (1) ◽  
Author(s):  
Simone Silveira Amorim
Keyword(s):  
19Th Century ◽  
Primary Teachers ◽  
Teaching Profession ◽  
Primary Teacher ◽  
Health Issues ◽  
Qualified Teacher ◽  
The Face ◽  
History Of ◽  
Xix Century ◽  
The 19Th Century

Different aspects impacted the work of primary school teachers in the 19th century: the lack of materials for the teaching of classes, the delay in paying salaries and the release of resources to pay the rent of the houses where the classes worked, the health issues that implied the removal of the teacher for treatment, among others. Given this context, the objective is to inform how the teaching profession was configured based on the challenges faced by primary teachers in the 19th century. As a research in the field of History of Education, newspapers and official communications will be taken as sources, being analyzed from the conceptions of configuration and representation. It is possible to perceive that the profession of primary teacher was configured in the face of challenges and confrontations, corroborating the construction of the representation of the qualified teacher in the 19th century.

Liability of minors in russian criminal law practice XVIII — first half of XIX century

2020 ◽  
Vol 2020 (12-3) ◽  
pp. 242-249
Author(s):  
Alexander Sergeev ◽  
Ekaterina Bratukhina ◽  
Irina Kushova ◽  
Dmitriy Ovsyukov
Keyword(s):  
Juvenile Offenders ◽  
19Th Century ◽  
Criminal Law ◽  
Criminal Responsibility ◽  
Age Of Onset ◽  
Historical Aspects ◽  
Definition Of ◽  
Xix Century ◽  
The 19Th Century

The article examines the historical aspects of the evolution of the legislative definition of the age of onset of criminal responsibility and the specifics of sentencing juvenile offenders in the 18th and first half of the 19th century.

scholarly journals THE PROBLEM OF STUDYING OF THE APPLIED ART OF ARTSAKH OF THE 19TH CENTURY ON THE PAGES OF THE EASTERN ARMENIAN ERIODICAL PRESS

2021 ◽  
Vol 4 (10(74)) ◽  
pp. 4-7
Author(s):  
M. Harutyunyan
Keyword(s):  
19Th Century ◽  
Middle Ages ◽  
Scientific Research ◽  
Scientific Article ◽  
Color Structure ◽  
Applied Art ◽  
Technical Mastery ◽  
Xix Century ◽  
The 19Th Century

Thus, our scientific research led to the conclusion that the applied art which originated in the previous centuries continued to develop along with other branches of the culture of Artsakh in the second half of the XIX century and the beginning of the XX century.  In this scientific article, we have presented mainly the following branches of the applied arts of Artsakh: carpet weaving, handicrafts, embroidery, silversmithing, pottery. We have mainly presented interesting information about the branches of the applied art which were covered in the periodicals of the second half of the XIX century and the beginning of the XX century. Noting about the carpet weaving of Artsakh, we emphasized that the carpets of that region of Artsakh stood out with their color structure, richness of ornaments, technical mastery. We highlighted the role of handicrafts in the life of Armenian women, emphasizing that this form of the applied art was developed in Artsakh in the Middle Ages. In this article, we also presented a number of pottery samples found during excavations by foreign archaeologists. 

scholarly journals Research of the History of Inter-Religious Relations in Ukraine in the Kyiv Theological Academy (Second Half of the 19th – Beginning of the 20th Century)

2021 ◽  
Vol 8 ◽  
pp. 60-79
Author(s):  
Luidmila Pastushenko
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Legal Aspects ◽  
Systematic Analysis ◽  
Literary Traditions ◽  
The Social ◽  
Academic Researchers ◽  
History Of ◽  
Characteristic Features ◽  
The 19Th Century

The article presents the first attempt of a complete and systematic analysis of historic and theological publications of teachers and pupils of the Kyiv Theological Academy in the second half of the 19th – beginning of 20th century in the field of studying the history of relations of Catholicism and Protestantism with Orthodox on the Ukrainian lands. The specifics of Kyiv academic historians studies was determined by the social and-political circumstances in the middle of the 19th century and denoted by an attempt to comprehend this issue in the perspective of the history of interconfessional relations of two Western Christian traditions with the eastern tradition of Orthodoxy in the historical gap of the 16th – 17th centuries – the period of the largest confrontation in confessional relations in Ukraine. The author clarifies the characteristic features of researching the question of inter-confessional interaction in the 15th – 17th centuries, which are expressed in attempts to describe the coexistence of three denominations as multidimensional and provoking а variety of different interpretations. Historical studies present the attempt to show confessional interaction in the political and legal aspects and to provide historical interpretations to the ground of philosophy of history. The article proves the tendency of Kyiv academic researchers to move away from the established Russian historiography of the 19th century view at confessional relations in Ukraine through the prism of hard confrontation and outline in religious life Ukraine conditions and circumstances of inter-confessional dialogue. Also, historians in their studies repeatedly note the significant educational and outlook influence of Western Christian denominations on the formation of educational, cultural, theological, literary traditions in Ukraine.

scholarly journals Prerequisites for the Formation and Development of Professional Music Education in Russia

2021 ◽  
Vol 20 (2) ◽  
pp. 105-112
Author(s):  
Marina V. Pereverzeva ◽  
◽  
Elena A. Meleshkina
Keyword(s):  
Theoretical Analysis ◽  
Music Education ◽  
19Th Century ◽  
Home Education ◽  
Pedagogical Model ◽  
The Subject ◽  
Main Factors ◽  
The 19Th Century ◽  
Scientific Pedagogical

The subject of the study is the process of formation and development of music education in Russia on the basis of the traditions of home education of children in noble families and higher classes of tsarist Russia. The activation of performing and composer art has become one of the prerequisites for the development of professional music education in Russia. Another prerequisite was domestic music, which became widespread in aristocratic houses. The work carries out a historical and theoretical analysis of the origin of the pedagogical model of music education in pre-revolutionary Russia at the beginning of the 19th century and determines the main factors that led to the formation of professional music education in Russia on a solid scientific, pedagogical and socio-cultural basis, established in the country during the 17th and 18th centuries.

Romantic Style in American Music and Its Place in Courses of Disciplines of Universities of Culture and Art

2020 ◽  
Vol 19 (4) ◽  
pp. 220-227
Author(s):  
M.G. Kruglova ◽  
Keyword(s):  
19Th Century ◽  
American Music ◽  
American Composers ◽  
Musical Thinking ◽  
Romantic Music ◽  
The Usa ◽  
Creative Experience ◽  
Characteristic Features ◽  
The 19Th Century ◽  
Professional Disciplines

in the development of American music of the 19th century, researchers find stylistic trends in romanticism. During this period, the characteristic features of national musical thinking and the features of the composer’s work of US composers manifest themselves. A similar thing was observed in European music of the same century: the Polish national composer school was formed in Chopin’s works, Liszt embodied the features of Hungarian music, Grieg – Norwegian, etc. Since the beginning of the 19th century, American composers have been passionate about European romantic trends, but at the same time they have gone and developed along their special path. The influence of Schubert, Schumann, Mendelssohn is felt in the works of American composers of the mid-19th century, in the literature of the USA romanticism manifested itself much earlier, and its development was peculiar and special due to the ethnic and historical development of the country. However, all these most important historical pages still remain almost without the attention of scholars, researchers, and are also absent from the courses of music history not only colleges, but also universities of art culture. In this work, an attempt is made to outline ways to master the artistic and creative experience of composers of the USA of the 19th century in the process of studying professional disciplines by students of universities of culture and art and at the same time enriching the scientific experience of musicology with new discoveries in the field of American romantic music.

CULTURE OF TURKISTAN IN THE SECOND HALF OF THE XIX CENTURY

2021 ◽  
Vol 4 (7) ◽  
pp. 15-22
Author(s):  
Zebiniso A. Akhmedova ◽  
Keyword(s):  
19Th Century ◽  
Social Economic ◽  
Diplomatic Relations ◽  
Political Situation ◽  
Cultural Life ◽  
The Social ◽  
Before And After ◽  
Xix Century ◽  
The 19Th Century ◽  
The Military

The article analyzes the culture of Turkestan in the second half of the 19th century. The social, economic, politicaland cultural life of Bukhara during the Mangit dynasty is revealed. Clarified trade and diplomatic relations between Bukhara and Russia.On the basis of the works of Ahmad Donish, the economic and political situation in Bukhara, as well as relations with neighboring countries, are studied. The author draws attention to the military-bureaucratic colonial system of tsarism in Turkestan and reveals the reasons for the emergence of ideas of national liberation in the country. Examples are used to analyze the life of Bukhara before and after the invasion of tsarism

Responsibility for offenses in the customary law ideas of the don Cossacks in the second half of the 19th century

2020 ◽  
Vol 2020 (12-2) ◽  
pp. 233-251
Author(s):  
Sergey Krasnov
Keyword(s):  
Ethnic Identity ◽  
19Th Century ◽  
Customary Law ◽  
Historical Reconstruction ◽  
Xix Century ◽  
The 19Th Century ◽  
First Time

In this publication, the author conducts a specific historical reconstruction of the customary law ideas of the Don Cossacks about the responsibility of the perpetrators of the offenses committed by them in the second half of the XIX century in order to establish what actually, despite the ethnic identity and features of bringing these persons to various types of punishment under customary law, was the basis for the occurrence of a particular type of responsibility and constituted its essence. For the first time, the author proposes to consider of thecustomary representations of the Don Cossacks about responsibility for offenses through the concept of abuse of their duties (obligations) to the Don Cossack communities by all, without exception, members of communities and in various spheres of their life.

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