scholarly journals HOW TO GO BEYOND THE WALLS OF THE ACADEMY AND RETURN?

Author(s):  
Piotr Fereński

Город как одно из важнейших явлений современного глобализированного мира является предметом исследования различных научных дисциплин. Это важный феномен для изучения истории цивилизации, процессов урбанизации, развития архитектуры, взаимоотношений между пространственным планированием и религиозными и политическими идеями, для исследования социальных и экономических изменений, городского образа жизни, истории искусства, а также для критики современного искусства. Элементарный анализ города присутствует также в области литературоведения, исследований звука и перформанса, психологии (восприятие пространства и его свойств), педагогики, политологии (с интересом к теме прямой демократии или же городских движений). Вопросы оптимизации моделей функционирования города важны для департаментов, ориентированных на транспорт и инфраструктуру (водоснабжение, газ и т. д.), а также подземное строительство (автостоянки, гаражи, тоннели, метро). В проектировании «умного города» участвуют и информатика, занимающаяся процессом создания новых коммуникационных технологий, и факультеты биологии или охраны окружающей среды, которые ведут исследовательскую и дидактическую деятельность в области «прикладной экологии» – отношений, возникающих между средой, непосредственно окружающей человека, и природой. Сегодня технологические инновации и творческая сила культуры являются ключом к развитию города. Однако что это значит для представителей гуманитарных наук? Какую пользу они могут принести в этой области? Городское пространство может быть показано ими как неоднородное место, полное постоянной напряжённости, столкновений, круговорота значений, ценностей, представлений, а также как область значительных социальных экспериментов. Я воспринимаю человеческие практики и человеческое творчество как то, что постоянно подвергается трансформации и постоянно требует новых прочтений. В своих поисках я часто выхожу за стены Академии и пытаюсь ощутить характер города, ощутить его пространство всеми своими чувствами. Я непосредственно наблюдаю образ жизни жителей, их повседневные практики. Я слушаю, что они говорят, и читаю, что они выражают на стенах домов. Это своеобразное блуждание по городу имеет целью запечатлеть то, что видно, а также то, что остаётся для нас на первый взгляд недоступным. Это собрание заметок, попытка визуальной и аудиозаписи окружающего мира, которые я затем пытаюсь структурировать и интерпретировать. Однако нам, академикам, нужно как экспертам «выходить» в город и по-другому – мы должны выступать в общественных дебатах и влиять на решения различных муниципальных учреждений, оказывать влияние на местную политику. Такова и дискуссия о роли университета в формировании городского пространства и жизни в городе.The city as one of the most important phenomena of the modern globalized world is the subject of investigations of various scientific disciplines. It is important phenomena for studies on the history of civilization, on urbanization processes, on the development of architecture, on the relationships between spatial planning and religious and political ideas, for studies on social and economic changes, for studies on urban ways of life, studies on the history of art, as well as critique of contemporary art. There are also elementary analyzes of a city in the field of literary studies, sound studies, performance studies, psychology (the perception of space and its properties), pedagogy, political science (interested in direct democracy or even urban movements). The issues of optimization of models of the city’s functioning are important for departments oriented on transport and infrastructure (water, gas etc.), as well as underground construction (car parks, garages, tunnels, metro). Informatics dealing with the process of creation of new communication technologies is involved in the design of “smart city”. The faculties of biology or environmental protection conduct research and didactic activities in the field of “applied ecology” – relations that occurring between the human environment and nature. Today technological innovation and creative power of culture are the key to the development of the city. However, what does it mean for the representatives of humanities? What can they bring to it? The city space then appears as a heterogeneous place, full of constant tensions, collisions, circulation of meanings, values, representations, as well as the field of great social experiments. I perceive the human practices and creations as something that is a subject to constant transformation and that constantly requires new readings. In my search, I often go beyond the walls of the academy and try to sense the character of the city and experience its space with all my senses. I keenly observe the ways of life of the inhabitants, their daily practices. I listen to what they say and read what they manifest on the walls of buildings. This peculiar wandering around the city is aimed at capturing what is visible, but also at reaching what remains inaccessible to us at first glance. It is a collection of notes, it is an attempt at visual and audio recording of the surrounding world, which I then try to structure and interpret. However, as experts, we academics need to “go out” to the city also in a different way – we must take the floor in public debates and have an influence on the decisions of various municipal institutions, have an impact on local politics. There is a discussion about the role of the university in shaping urban space and life in the city.

Author(s):  
Carlos Machado

This book analyses the physical, social, and cultural history of Rome in late antiquity. Between AD 270 and 535, the former capital of the Roman empire experienced a series of dramatic transformations in its size, appearance, political standing, and identity, as emperors moved to other cities and the Christian church slowly became its dominating institution. Urban Space and Aristocratic Power in Late Antique Rome provides a new picture of these developments, focusing on the extraordinary role played by members of the traditional elite, the senatorial aristocracy, in the redefinition of the city, its institutions, and spaces. During this period, Roman senators and their families became increasingly involved in the management of the city and its population, in building works, and in the performance of secular and religious ceremonies and rituals. As this study shows, for approximately three hundred years the houses of the Roman elite competed with imperial palaces and churches in shaping the political map and the social life of the city. Making use of modern theories of urban space, the book considers a vast array of archaeological, literary, and epigraphic documents to show how the former centre of the Mediterranean world was progressively redefined and controlled by its own elite.


2021 ◽  
Vol 6 (3) ◽  
pp. 133-145
Author(s):  
Sema Tuba Özmen ◽  
Beyza Onur

Architecture, which is associated with the practice of producing space, has always rendered the powers and ideologies visible. This study investigates the government houses in the 19th century Ottoman State with regard to the notions of power and ideology and focuses on the Government House of Safranbolu. It is known that, in the specified period, government houses were important ideological interventions to urban space. This study aims to address the ideological context of the Safranbolu Government House, which is positioned with the ideal of the state. Based on this, first, the urban history of Safranbolu was examined. The importance of Safranbolu Government House in the history of the city, its relationship with the city, its ideological message to the city-dwellers and its architectural style were analyzed through a method based on archival research. All government houses of the period are the artifacts of urban-spatial structures and their architectural style as well as a shared ideology. Safranbolu Government House, which is one of the structures symbolizing the Ottoman State, was also built with a similar ideological consideration. Thus, the readability of the dominant ideology through the production style of Safranbolu Government House, one of the final period architectural artifacts of the Ottoman State, was verified.


Author(s):  
Jacob Kreutzfeldt

Street cries, though rarely heard in Northern European cities today, testify to ways in which audible practices shape and structure urban spaces. Paradigmatic for what Gilles Deleuze and Felix Guattari call ‘the refrain’, the ritualised and stylised practice of street cries may point at the dynamics of space-making, through which the social and territorial construction of urban space is performed. The article draws on historical material, documenting and describing street cries, particularly in Copenhagen in the years 1929 to 1935. Most notably, the composer Vang Holmboe and the architect Steen Eiler Rasmussen have investigated Danish street cries as a musical and a spatial phenomenon, respectably. Such studies – from their individual perspectives – can be said to explore the aesthetics of urban environments, since street calls are developed and heard specifically in the context of the city. Investigating the different methods employed in the two studies and presenting Deleuze and Guattari’s theory of the refrain as a framework for further studies in the field, this article seeks to outline a fertile area of study for sound studies: the investigation of everyday refrains and the environmental relations they express and perform. Today changed sensibilities and technologies have rendered street crying obsolete in Northern Europe, but new urban ritornells may have taken their place.


Author(s):  
Paulo Cruz Terra ◽  
Marcelo de Souza Magalhães

The city of Rio de Janeiro underwent profound changes between 1870 and the early 20th century. Its population grew dramatically, attracting migrants not only from abroad but also from other regions of Brazil. It also expanded significantly in size, as the construction of trolley and railway lines and the introduction of real estate capital powered the occupation of new areas. Meanwhile, urban reforms aimed at modernization transformed the social ways in which urban space was used. During this period, Rio de Janeiro went from being the capital of the Brazilian Empire to being the capital of the Brazilian Republic. It nevertheless maintained its position as the cultural, political-administrative, commercial, and financial center of the country. Against this backdrop of change, the city was an important arena for the political struggles that marked the period, including demonstrations in favor of abolition and the republic. Rio de Janeiro’s citizens were not inert during this period of transformation, and they found various ways to take action and fight for what they understood to be their rights. Protests, demands, petitions, and a vibrant life organized around social and political associations are examples of the broad repertoire used by the city’s inhabitants to gain a voice in municipal affairs. Citizens’ use of public demands and petitions as a channel to communicate with the authorities, and especially with city officials, shows that while they did not necessarily shun formal politics, they understood politics to be a sphere for dialogue and dispute. The sociocultural history of Rio de Janeiro during this period was therefore built precisely through confrontations and negotiations in which the common people played an active role.


Author(s):  
Elena L. Iakovleva

The relevance of the research topic is due to the interest in urban space and its cultural and symbolic meaning. The city, perceived as a text, helps in interpreting to understand its specifics and represent it at different levels, which increases, among other things, its tourist attractiveness. The purpose of the study is to analyze the metaphor of Kazan-a woman through the prism of the gastronomic culture of the Tatars. Materials and Methods of Research. The methodological basis of the research consists of the cosmosophical ideas of G. D. Gachev, as well as the books of K. F. Fuchs, K. Nasyri, F. Ibragimova, S. Lutfullina, in which there are characteristics of the gastronomic culture of the Tatars. In the original metaphor, analyzed from the point of view of G. D. Gachev’s cosmosophy, where Kazan represents the Cosmos, and a woman represents Psyche, a missing link is found – the Logos. It is this link that, while remaining an open structure, accommodates various spheres of manifestation of the national mind in the field of culture and art, which helps to identify the feminine qualities of the city when interpreting the metaphor. Results. A stable association associated with Kazan is its Tatar national cuisine. This is no coincidence. The very history of the city according to some extant legends and legends is associated with the cauldron, which is a mandatory attribute of the cuisine. Despite the primacy of the man in the family, the mistress of the kitchen is a woman. It is on her that a huge number of duties are assigned to prepare food and create a spiritual atmosphere during the meal. Gastronomic culture, acting as a Logo, allows us to identify such qualities of Kazan, interpreted as an image of a woman-hostess, as hospitality, cordiality, respect, sensitivity, creativity, rationalism, skillful and careful handling of products. Discussion and conclusion. Clarification of the meaning of the Kazan-woman metaphor requires further study. At the same time, other spheres of culture and various texts of art can act as Logos.


2018 ◽  
Vol 16 (1-2) ◽  
pp. 142-176 ◽  
Author(s):  
Denise Aigle

AbstractShiraz is distinguished from other cities due to its reputation as the city of saints and poets, as previously emphasised in the title of Arberry’s book of 1960: “Shiraz, Persian City of Saints and Poets”. In textual sources, the city is the “Fortress of saints” (burj al-awliyā’). Shiraz owes its sanctity to the many mausoleums dedicated to the descendants of ‘Alī b. Abī Ṭālib (and Šāh-i Čirāġ), as well as famous mystics such as Šayḫ Kabīr (d. 371/982) and Rūzbihān Baqlī (d. 606/1209). The poets Sa‘dī (d. 691/1292) and Ḥāfiẓ (d. 792/1390) celebrated Shiraz as the city of roses and nightingales. Their sanctuaries, which still the object of pious visits, accentuate the “capital” of city’s sacrality.After reconstructing the urban space in which the sacred buildings are located, the purpose of this paper is to show how the specific sanctity of the city emerged from the textual sources. Two major texts addressing the sanctity of Shiraz date from the eighth/fourteenth century. In the Šīrāz-nāma (completed in 744/1343), Ibn Zarkūb unfolds the history of the city and speaks of its merits. In Šadd al-īzār (ca. 791/1389), a guide for pilgrimage to Shiraz’s seven cemeteries, Junayd Šīrāzī describes the ritual geography of the city. He notes the places where the Shirazis are buried, thus establishing the symbolic presence of the deceased among the living. Alid shrines in particular thus contributed to the “capitalisation of the sacred” in Shiraz.


2019 ◽  
Vol 4 (1) ◽  
pp. 15
Author(s):  
I. Ilham

This article describes modernity in the city of Makassar during the New Order era. The meaning of modernity in this article was a modern idea or thought in the form projects of development (modernization) which the state tries to control. The control of the State is manifested in the form of uniformity and mobilization of development projects by the city government. The main impact that arises from the process is problems of urban, environment of the urban physical and social life of population of the city. This study uses the approach of the history of the city. The data used came from archives, newspapers, magazines, and results of interviews. This study shows that uniformity and mobilization of urban development modernity projects touch the lowest level, especially in the regulation and use of urban space and in the activities of urban residents. At the same time, the control and influence of the private sector increasingly determines the use of space. A predetermined city plan often can not work because it gets intervention from the interests of the private sector. In this conflict of interests, various "disappointments" arose in the attempt to modernize urban space. In urban areas, problems arise in structuring cities and social life which are vulnerable as an impact of an increasingly widespread modernization project. On the other side, the livelihood sources of some urban residents such as the informal sector are increasingly marginalized and have no support from the city government.


Author(s):  
Gregory J. Snyder

This chapter offers a brief history of the subculture and introduces readers to skateboarding practices. There is a detailed description of tricks and a discussion of how skateboarding forces a reexamination of classic urban sociology by focusing on the specific history of the growth of Los Angeles. In doing so we come to appreciate not only how skateboarding changes one’s perception of urban space, but also how skaters’ cognitive maps of the city offer a critique of classic Chicago School sociology.


TERRITORIO ◽  
2011 ◽  
pp. 91-94
Author(s):  
Katia Szymcazak

The reunification of the two cities of Berlin was accompanied by radical economic changes, such as the end of state subsidies for citizens in the eastern and western parts and a slow collapse of industry and an economy in free fall led to an increase in unemployment rates. The urban fabric of Berlin still shows the signs of this collapse today, with its urban fabrics and open spaces which need to be joined together. Densely urbanised parts of the city are located in the middle of huge open spaces and tracts of abandoned land. The uncertainty and openness of these abandoned spaces helped to generate a culture during the 1990s and the early 2000s, unique of its kind, of informal and temporary uses, which has developed mainly outside the rules and norms of conventional urban planning. In this context the Berlin group Raumlaborberlin recounts the history of a decade of projects in residual spaces, abandoned buildings and on the physical and mental margins, as methods for reuse and re-appropriation.


Author(s):  
N.A. Balakleets ◽  

This article examines the transformation of urban space in the context of war. Cities, designed as strongholds of security and order, throughout the history of mankind have been constantly involved in hostilities, serving as a tempting target for military strategists. It is substantiated that the urban space in the conditions of modern war, which has acquired a total character, cannot be free from military risks and threats. The article explicates and characterizes the topological models of military cities: the city under siege; the bombed city; the city on the territory of which the hostilities are taking place; the occupied city.


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