scholarly journals EARLY CRIMEAN KHANATE SETTLEMENTS AS THE PRECURSORS OF THE TOWN OF BAKHCHYSARAI

2021 ◽  
Vol 6 (3) ◽  
pp. 42-48
Author(s):  
Ramazan Alchikov ◽  
◽  
Zarema Nagayeva ◽  

Introduction: This paper analyzes the formation and development of major medieval settlements that emerged in the 14th–16th century within the boundaries of the modern Bakhchysarai. We studied written and archaeological sources to examine the evolution and structure of these settlements, and provide a general overview of the surviving architectural ensembles and landmarks. Bakhchysarai, the former capital of the Crimean Khanate, is one of those Crimean settlements where the medieval planning structure of the old town and the original organic links to the natural landscape survive to this day. Purpose of the study: We aimed to identify the historical background and specifics of how the Old Town and the surrounding historical complexes formed in Bakhchysarai. Our research involved examining historical, archaeological, and contemporary scientific sources and written media, as well as selecting and analyzing theoretical works, normative documents, and architectural designs relevant to the subject at hand. When making a systemic summary of the data that we examined, we used the following methods: structural and functional analysis, synthesis, deduction, generalization, and the comparative historical method. Results: Our findings show that, at the early stages of statehood in the Crimean Khanate, several settlements thrived in the region: Eski Yurt, which started out as a cultural, administrative, and economic hub and eventually became a major religious center; Qırq Yer, an ancient fortified cave settlement that survived into the early 20th century; and the Salacık settlement at the foot of Çufut Qale, which became the most direct precursor of the new capital in Bakhchysarai. The ruins of these settlements are part of the modern Bakhchysarai’s cultural heritage; they lie within its boundaries and greatly influence its modern appearance.

2021 ◽  
Author(s):  

In Dutch East India, photographic documentation for antiquities was as up-to-date as in Europe that was developed in the last half of the 19th century. Photography became a tool for archaeological surveys which resulted in thousands of enormous resources. In this paper, the historical background regarding how these old photographs were collected and how the material circulated within archaeological activities will be elaborated. The timeline studied is limited to pre-independence Indonesia with the subject mostly focused on Hindu-Buddhist remains. The method used is literature review of both relevant new publications as well as significant old publications. Its turns out that photographic surveys of archaeology in Indonesia during the colonial period developed from early archaeological activities into systematic institutional programs. The qualities of photography were appreciated in miscellaneous application and offered substantial benefits. Photography became a documentation medium, publication complementary, archive, and object representation and substitution. This historical background of photography in the context of Indonesian archaeology marks the significant value of these photographs so that it can be the foundation of preservation for the future. Di Hindia Belanda, dokumentasi fotografis pada tinggalan purbakala sangat mutakhir sebagaimana di Eropa yang dikembangkan sejak paruh terakhir abad ke-19 M. Fotografi menjadi perangkat untuk survei arkeologi yang menghasilkan ribuan sumber daya. Dalam tulisan ini, latar belakang sejarah terkait pengumpulan foto lama tersebut serta penggunaannya dalam berbagai aktifitas arkeologi akan dijabarkan. Lini masa yang dikaji dibatasi pada Indonesia pra-kemerdekaan dengan subjek yang berfokus pada tinggalan Hindu-Buddhis. Metode yang digunakan adalah kajian pustaka, baik terbitan terbaru yang relevan maupun terbitan lama yang penting. Ternyata survei fotografi pada arkeologi Indonesia selama periode kolonial berkembang sejak aktifitas arkeologis yang masih dini hingga menjadi program institusi yang sistematis. Kualitas fotografi juga diapresiasi dalam beragam penerapan serta menawarkan manfaat yang substansial, Fotografi menjadi media dokumentasi, pelengkap publikasi, arsip, serta representasi dan substitusi objek. Latar belakang sejarah fotografi dalam konteks arkeologi Indonesia semacam ini menjadikan nilai penting dari foto-foto tersebut sehingga dapat dijadikan fondasi dalam pelestarian untuk masa depan.


Author(s):  
Aleksey A. Streltsov ◽  

The article considers the main aspects of word-fusion, which is a means of word-building that has become popular in the last few decades. As a result, many scientific papers appeared whose authors are quite often not familiar with each other’s findings. That is why we aimed to highlight the major challenging aspects as well as little-known aspects of word-fusion and to present the main results obtained by researchers. We have shown that word-fusion has been in use at least since the 16th century, and not only in the English language. Now words derived according to the pattern are found in many languages of Continental Europe (German, French, Italian, etc.) and presumably existed in some languages, that are now extinct. There is a considerable number of literature on the subject that first appeared in the early 20th century, whereas in this country it happened half a century later. However, there were no less than ten theses, defended by Soviet and Russian linguists indicating a relatively high level of scrutiny. Nowadays, practically everyone recognizes the fact, that word-fusion is a separate productive word-building means used not only for word-play but also for term-building, and nomination of new objects and phenomena, mostly hybrid ones. As far as there is still no universally accepted term for the word-formation means in question, we propose “blending” which is mostly used by foreign and many Russian scholars, or “word-fusion” which is brief and semantically transparent.


2021 ◽  
Vol 8 ◽  
pp. 163-209
Author(s):  
Henryk Gmiterek

Rozwój badań nad zachowanymi księgami metrykalnymi (urodzeń, zawieranych małżeństw i zgonów) ma pierwszorzędne znaczenie nie tylko dla uszczegółowienia ustaleń genealogicznych poszczególnych rodów czy rodzin, ale przede wszystkim dla pogłębienia wiedzy o lokalnych społecznościach i zachodzących w ich obrębie procesów społecznych. Uprzystępnienie w różnych formach badaczom tej kategorii masowych źródeł historycznych może się w dłuższej perspektywie przyczynić do wyraźnego poszerzenia naszej wiedzy o różnorodnych zjawiskach demograficznych i stosunkach społecznych w obrębie żyjących przed wiekami pokoleń. Słowa kluczowe: Narol, parafia Narol, szlachta województwa bełskiego, genealogia The Extant Entries from the Narol Parish Records of the 17th – 18th Century The parish in Narol was established by Florian Łaszcz Nieledewski in 1595, in a village existing from the mid-16th century, near which he founded the town of Florianów (now Narol) in 1592. Visitations by bishops of Chełm, in whose dioceses Narol was located, confirm that the parish records (births, marriages) were kept from the very beginnings of the parish but in the autumn of 1648 they were destroyed during the Cossack-Tatar invasion (most probably burnt). The new records were kept from 1650. In the early 20th century they were seen in the Narol church by Karol Notz, famous in Galicia (Eastern Europe) for making inventories of historic relics. In 1914, the parish books were burnt during the fire of the town and the church. Their only known traces, discussed in the present publication, are excerpts/copies made in the mid-19th century by Ludwik Zieliński, which mostly refer to the noble families connected with Narol. The overwhelming majority of the 546 extracts are birth entries, only 29 being records of marriages.


2014 ◽  
Vol 80 ◽  
pp. 33-65 ◽  
Author(s):  
Catherine J. Frieman

Flint daggers are a well-known and closely studied category of artefact found throughout western Europe during the final centuries of the Neolithic and the earliest phases of metal use. They are widely linked to the adoption of metal objects and metallurgy – in many cases being described as copies of metal daggers. In Britain, several hundred flint daggers have been recovered from a variety of contexts, among the best known of which are a handful of rich Beaker single inhumation burials. The British flint daggers were of great interest to early archaeologists, and were the subject of several publications in the early 20th century, most notably the seminal 1931 typochronology and catalogue by W.F. Grimes. However, despite 80 years of evolution in our understanding of the British Early Bronze Age, Beaker burials, European flint daggers, and lithic technology in general, little further attention has been accorded to the British flint daggers. This paper returns to the flint daggers deposited in British contexts. It proposes a new classification for British daggers, distinguishing between those probably produced in Britain and those brought in from elsewhere on the continent. It further examines thechaîne opératoirefor these daggers based on their final form as no production locales are yet known and examines in detail the choices made in their deposition, not just in funerary contexts but on dry land and, most importantly, in wet contexts. Finally, it proposes a sequence of development for British flint daggers which links them technologically and morphologically to lanceolate Scandinavian daggers in circulation in the Netherlands. It is suggested that people in south-east Britain knowingly played up this Dutch connection in order to highlight a specific ancestral identity linking them directly to communities across the Channel.


Schulz/Forum ◽  
2018 ◽  
pp. 85-100
Author(s):  
Stanisław Rosiek

But which Drogobych? There are many of them. Certainly it is not the town which now belongs to Ukraine. One may easily go there for a tourist trip. What is at stake in this game – the game of aspects, views, and images – is not the Drogobych that is actually accessible, but the one that is probably gone forever no longer to be found. In that Drogobych, of the cinnamon shops, Schulz was born and lived. Can we still have any access to it? The safest and the shortest way to Drogobych runs through Cinnamon Shops. Schulz’s drawings and graphic works, where the town is always the setting, may be of some help, too. But there is also another way, through collecting documents and meticulous reconstructing of the place (and time). It is taken by these travelers who are passionate collectors of postcards and photos. Each town has its visual conventions beyond which it is hard to reach. The more often towns and cities are photographed – Paris is a good example – the more prevalent and permanent visual schemas become. The spectator must abandon them to see the place with an unprejudiced eye. Also the official photos of Drogobych from the early 20th century show some kind of excess of the visible. Yet it is enough to change perspective, reduce the distance or enlarge the background and suddenly the official locations may reveal their private atmosphere.


2014 ◽  
Vol 35 (1) ◽  
Author(s):  
Jock M. Agai

Literatures concerning the history of West African peoples published from 1900 to 1970 debate�the possible migrations of the Egyptians into West Africa. Writers like Samuel Johnson and�Lucas Olumide believe that the ancient Egyptians penetrated through ancient Nigeria but Leo�Frobenius and Geoffrey Parrinder frowned at this opinion. Using the works of these early�20th century writers of West African history together with a Yoruba legend which teaches�about the origin of their earliest ancestor(s), this researcher investigates the theories that the�ancient Egyptians had contact with the ancient Nigerians and particularly with the Yorubas.Intradisciplinary and/or interdisciplinary implications: There is an existing ideology�amongst the Yorubas and other writers of Yoruba history that the original ancestors of�the Yorubas originated in ancient Egypt hence there was migration between Egypt and�Yorubaland. This researcher contends that even if there was migration between Egypt and�Nigeria, such migration did not take place during the predynastic and dynastic period as�speculated by some scholars. The subject is open for further research.


2019 ◽  
Vol 68 (4) ◽  
pp. 22-34
Author(s):  
Tatiana Portnova

This article is concerned with the ratio of plastic arts as exemplified by sculptural works depicting dances of the early 20th century. Special attention is paid to the Greek motives in the Russian art of this period, which became the subject of inexhaustible aesthetic and artistic interest. The representation of ancient dance motifs, their figurative image and the nature of antiquity in sculptural plastics, various approaches to the interpretation of ancient plots and themes, the role and significance of the “antique” component in their artistic structure are considered in the article. The study of multi-level interactions between sculpture and dance in the context of antiquity calls for a comprehensive approach, including historical-cultural, theoretical-analytical and comparative-typological methods. Relating to ancient Greek images, ballet images of S. Konenkov, M. Ryndzyunskaya, N. Andreev, V. Vatagin, V. Beklimishev and S. Erzya provide a purely individual, unique and peculiar vision of dance corresponding to the ancient era. The categories and expressive means of dance were simultaneously analyzed close to the sculptural style of the masters because they are difficult to be divided methodologically and exist as an established artistic system. The concepts of “plastic expressiveness” in relation to the dancers imprinted in sculptures were interpreted. Analyzing the museum materials and sculptures depicting the dancing process, it was concluded that the ancient influence of plastic images on structural and genre determinants may vary.


Diachronica ◽  
2014 ◽  
Vol 31 (3) ◽  
pp. 299-336 ◽  
Author(s):  
Mikyung Ahn ◽  
Foong Ha Yap

This paper examines the development of five hearsay evidential markers in Korean, namely, tako, tamye, tamyense, tanun and tanta, and traces their extended pragmatic functions in discourse. We first identify their functions over time, from Middle Korean to Modern and Contemporary Korean, then quantitatively analyze the usage frequency of these functions, diachronically from the 16th century to the early 20th century using the UNICONC historical corpus, and synchronically in present-day Korean using the Sejong contemporary written and spoken corpus. From a pragmatic perspective, we examine how Korean speakers use these hearsay evidential markers to convey the interpersonal and intersubjective stances of interlocutors in natural conversations. Based on the differential rates of grammaticalization of these markers, and on their usage frequency, we also examine the relationship between evidentiality marking and finiteness; more specifically, we analyze the sequences and mechanisms of change whereby different types of non-finite evidential structures develop into finite evidential constructions. Our findings have broader theoretical and crosslinguistic implications for understanding the mechanisms of insubordination, whereby dependent structures become independent, and whereby lexically transparent constructions develop into grammaticalized markers of speakers’ stance.


Tempo ◽  
1993 ◽  
pp. 15-24 ◽  
Author(s):  
Raymond Head

The subject of modernism in early 20th-century British music is rarely examined: partly because it is often thought that British composers were not interested in the Modern Movement before World War I, and partly because in discussing Modernism (a convenient umbrella term for the whole cultural avant-garde whose components included Expressionism, Futurism, Primitivism and Surrealism) one must be prepared to engage subjects which, in this country, are normally considered Verboten. There is no doubt, for instance, that the development of the Modern Movement on the Continent was partly inspired by a widespread awareness of Theosophy, and the interest, which it encouraged, in such esoteric areas as Indian philosophy and astrology. In this article I want to look at this aspect of Modernism in relation to Gustav Hoist, and especially in The Planets (1914–16): his, and British music's, first striking testament to the Modernist outlook. The very bases of this work are Hoist's understanding of astrology, his friendships of the time, and his Theosophical upbringing.


2005 ◽  
Vol 133 (S1) ◽  
pp. S35-S36
Author(s):  
PAUL FINE

This paper [1] is a milestone in the literature on infectious diseases. To put it in context, we recall that the late 19th century saw the construction of the germ theory, and its ultimate acceptance by the medical profession. The massive research effort led by Pasteur and Koch and their followers demonstrated a variety of infectious agents, catalogued their properties, and traced their pathogenesis in infected hosts. An understanding of the behaviour of infections in populations came only later, in the early 20th century, exemplified in the work of Ross on malaria [2], which was extrapolated to all infections in his ‘theory of happenings’ [3], and of Hamer on measles [4]. But there remained a tension between those who viewed infections from the perspective of the laboratory, with its emphasis upon biological properties, and those who viewed disease from the perspective of population statistics [5], which lent itself to more abstract and mathematical descriptions of epidemiological patterns. Fierce battles were waged between these disciplines, as between Almroth Wright and Karl Pearson on the subject of typhoid vaccination [6, 7].


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