BAHASA TUBUH: TANDA DALAM SISTEM KOMUNIKASI

1970 ◽  
Vol 4 (2) ◽  
pp. 224-234
Author(s):  
Arif Hidayat

Body language as a system of marking and communications to create action, require more interpretation forthe purpose can be achieved. From the standpoint of semiotic and communicative action, every communicationreceived by others, then there will be certain impacts that occur, depending on the power of interpretation. Making of thesemiotics of body language and focus on how the message being abstracted by the receiver. Body language as amessage with a set of symbols that can be verbal communication, can not be understood properly without any expressionthat is formed based on mythology. The existence of this mythology helps to understand the body language in the realm ofa specific code that has been universally believed.

2021 ◽  
Vol 46 (2) ◽  
pp. 271-279
Author(s):  
Joanna Orzechowska

The article presents the issue of non-verbal communication from the perspective of translation and teaching a foreign language. The research is based on an experiment conducted among Russian students at the University of Warmia and Mazury, whose task it was to analyze data from Krystyna Jarząbek’s Dictionary of the Body Language of Polish People, from which about 30 unknown or unintelligible units of non-verbal communication were selected. The data show that body language, including gestures, is culture-rooted, and confirm that non-verbal means play a significant role in communication. This is why the author of the article believes it to be justified to introduce elements of non-verbal communication into teaching foreign languages and to compile bilingual dictionaries of body language.


2021 ◽  
Author(s):  
Vaidehi Raipat

Space truly becomes a place not merely because of the built and the unbuilt that design it, but also because of the way its users use it, behave around it, interact with it, and interact with each other in it. Space that surrounds every individual, in which an individual exists, interacts and performs, is known as “Human Space”. Organization of the Built environment around the users within their ‘human space’ is known as “Spatial Order” which is the key to formulation of non-verbal communication. Non verbal communication refers to the body language an individual adopts in order to convey a message to the fellow users of the space. This Non-verbal language subsequently becomes the basis of verbal communication that lays the foundation of Human Behavior within a particular spatial order.


2020 ◽  
Vol 10 (2) ◽  
pp. 189
Author(s):  
Khalid Wahaab Jabber ◽  
Aymen Adil Mahmood

This study investigates non-verbal communications used by an Iraqi speaker to transfer meaning to a Chinese speaker and vice versa. Different situations, from Chinese environment, have been chosen and analyzed according to the body language movements. The study found out that although the two languages, Iraqi Arabic and Chinese, are differentiated in verbal languages; the two speakers can communicate and understand each other nonverbally. It is also evidence that non-verbal communication between the Iraqi and Chinese speakers is somewhat similar in spite of their two differentiated cultures, they could understand each other’s facial expression, gestures, proxemics, haptics, and Tactile.


Non-verbal speech is a kind of metaphorical colouring of verbal language as it can give the language rich emotional substance as well as to pass the information that word function is not able to give. The metaphor is reflected not only in language but also in thinking and acting. The determination of gesture as the first metaphor is actual in the process of studying the non-verbal language meaning and role in culture, communication and self-knowledge. The metaphor predestination expressed via the gesture or body language consists in transition the hidden internal content of information. Gesture as the first metaphor equivalent creates the effect of maximum presence. Such gestures can be called ontological that means transferring the sense and meaning of event and entitled to be brightly emotionally coloured that makes them universal and clear for any language culture representative. Equivalent gestures are the reflection of that first natural language first people talked before the verbal language barrier appeared. The metaphorical gesture as the most important element of somatic language becomes the important factor in the process of communication allowing to understand the inner spiritual world of communicator. Gesture basis as the first metaphor is the archaic conscience. Gesture as the conscience of the first metaphor allows to discover the psychological and biological elements of anthropology. The body language was the natural language of communication. Imitating the nature and many natural phenomena the human being was understood by all his tribe members. Codified gesticulation as the prototype of metaphorical somatic language is imprinted in painting where artist by means of portrayed gestures transferred not only the human being spiritual state but also the spirit of the age. The gesture metaphoric is inherent in national culture. Knowing the national character it is not difficult to recognize the ethnical origin of communicator via gesture communication. The national metaphoric of gesture language is attributed to historic and cultural processes which determine the worldview and communication style. However in case of body and gesture language expression in national character their culture conditionality and dissimilarity should be pointed out. The gesture basic purpose in communication is the manifestation and presentation of human being inner world and spiritual condition. One of gesture functions as the first metaphor is its symbolism. The gesture language semiology is present in different spheres of communicative process: from the professional gestures symbols up to domestic ceremonial esthetics. Gestures-symbols are divided into universal for all the cultures and specific ones which are understood only by certain subculture as the language of hidden information. Gesture as the first metaphor serves to universalization of non-verbal communication and encourages the communication enriching and gives it colouring, emotionality and the unity of perception of transmitted information.


Author(s):  
Hirotaka Osawa ◽  
◽  
Jun Mukai ◽  
Michita Imai ◽  

We propose an anthropomorphization framework that determines an object’s body image. This framework directly intervenes and anthropomorphizes objects in ubiquitous-computing environments through robotic body parts shaped like those of human beings, which provide information through spoken directions and body language. Our purpose is to demonstrate that an object acquires subjective representations through anthropomorphization. Using this framework, people can more fully understand instructions given by an object. We designed an anthropomorphization framework that changes the body image by attaching body parts. We also conducted experiments to evaluate this framework. Results indicate that the site at which an anthropomorphization device is attached influences human perception of the object’s virtual body image, and participants in experiments understood several instructions given by the object more clearly. Results also indicate that participants better intuited their devices’ instructions and movement in ubiquitous-computing environments.


2021 ◽  
Vol 1 (1) ◽  
pp. 8
Author(s):  
Dewi Kurniawati ◽  
Ambrosius Purba ◽  
Nur Siti Fatimah

The majority of studies have found that aerobic exercise can reduce the increment of triglyceride postprandial in plasma. Therefore, the author is doing this research to know the difference of triglyceride concentration in plasma between-group who joint high impact exercise and group who joint body language exercise after given the same amount and dietary composition which had done high impact and body language exercise before. Twenty men (19-39 years old) did high impact or body language exercises for 1 hour. Two hours later, they were given dietary composition with carbohydrates 60% and fat 25%. Then the triglyceride postprandial concentrations were measured 3, 5, and 6 hours after the given dietary food. The result showed that the triglyceride concentration of high impact group was higher than body language group 3 hours after given dietary food (122.167 ± 17.11627 vs 111.67± 7.86554 mg/dL) and there was no difference between the high impact and body language group 5 hours (96.167 ± 7.25029 vs 94.0 ± 16.66133mg/dL) and 6 hours after given dietary food (77.5 ± 8.8261 vs 78.167 ± 14.27469 mg/dL).In conclusion, the triglyceride concentration of the high impact group was higher than the body language group 3 hours after given the same amount and dietary composition. But, there was no difference between triglycerides concentration of body language group and high impact group 5 and 6 hours after given the same amount and dietary composition which had done high impact and body language exercise before.


2020 ◽  
pp. 1-15
Author(s):  
Anna Bishop ◽  
Erica A. Cartmill

Abstract Classic Maya (a.d. 250–900) art is filled with expressive figures in a variety of highly stylized poses and postures. These poses are so specific that they appear to be intentionally communicative, yet their meanings remain elusive. A few studies have scratched the surface of this issue, suggesting that a correlation exists between body language and social roles in Maya art. The present study examines whether one type of body language (hand gestures) in Classic Maya art represents and reflects elements of social structure. This analysis uses a coding approach derived from studies of hand gesture in conversation to apply an interactional approach to a static medium, thereby broadening the methods used to analyze gesture in ancient art. Statistics are used to evaluate patterns of gesture use in palace scenes across 289 figures on 94 different vases, with results indicating that the form and angling of gestures are related to social hierarchy. Furthermore, this study considers not just the individual status of each figure, but the interaction between figures. The results not only shed light on how gesture was depicted in Maya art, but also demonstrate how figural representation reflects social structure.


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