scholarly journals Community and the Individual: A Note on Rohinton Mistry's Family Matters

2019 ◽  
Vol 7 (4) ◽  
pp. 12
Author(s):  
P. Eshwara Murthy
Keyword(s):  
Human Nature ◽  
Urban Poor ◽  
Modern Society ◽  
Family Values ◽  
The Novel ◽  
Human Beings ◽  
Rohinton Mistry ◽  
Family Politics ◽  
The Status ◽  
The Individual

Rohinton Mistry was born in 1952 in Mumbai, but settled in Canada, is a well known contemporary postcolonial writer. His novels portray modern India, focusing on conflicting situations and redemptive moments. His works Such a Long Journey (1991) A Fine Balance (1996) and Family Matters (2002) emphasize poverty, corruption and injustice intertwined with humour and tragic beauty highlighting the perception of life of the urban poor. Mistry uses both myriad and mixed experiences of a particular family to present the brokenness of modern society which is compounded by various and different memories and feelings. The paper throws light on community and the individual in Family Matters, it was published in 2002, and is Mistry’s third novel.  It has been rightly acclaimed as a masterpiece and also shortlisted for Man Booker Prize in 2003.  The writer’s humanity and compassion towards human beings relations and problems have been delicately portrayed. Rohinton Mistry’s Family Matters focuses upon the problems of un- belongingness and preservation of family values. The novel reveals the mutual equation of family members and family politics in the post modern society. The novelist delineates the importance of belongingness and preservation of family values through the most trustworthy institution named family and reflects the psychological stance of the members of family towards their aging and dying elders. The novel is a representation of harsh realities and selfish human nature of the characters who expresses the status of an individual in relation to family, community and society.

PERUBAHAN NILAI BUDAYA MINANGKABAU DALAM NOVEL TENGGELAMNYA KAPAL VAN DER WIJCK KARYA HAMKA DAN NOVEL BULAN SUSUT KARYA ISMET FANANY (KAJIAN PERBANDINGAN)

Jurnal KATA ◽  
2018 ◽  
Vol 2 (2) ◽  
pp. 336
Author(s):  
Yulia Pebriani
Keyword(s):  
Modern Society ◽  
Local Culture ◽  
The Novel ◽  
Next Generation ◽  
The Status ◽  
Symbolic Leadership ◽  
Cultural Shifts ◽  
Time Lead

<em>Local culture is very diverse Indonesia became an honor and challenge to maintain and inherited to the next generation. Local Indonesian culture is very proud because it has a very varied diversity and unique. As time, lead to changes in lifestyle a more modern society. As a result, people will prefer the new culture that may be considered more practical than the local culture. Views on kinship, treasures, and wander in the novel Tenggelamnya Kapal Van Der Wijck Hamka works and novels Bulan Susut works Ismet Fanany changes and cultural shifts. Kinship, treasures, and wander in the novel Sinking Ship Van Der Wijck Hamka's work is described explicitly, whereas kinship, treasures, and wander in the novel Month Losses Ismet work Fanany described implicitly. Changes in people's lives has implications for social Minangkabau culture in Minangkabau society. A leadership that is both functional mamak transformed into symbolic leadership. Mamak originally as straps tribesmen, has changed the status and intrinsic meaning.</em>

History and Systems of Critical Psychology

2021 ◽  
Author(s):  
Thomas Teo
Keyword(s):  
Psychological Theory ◽  
Critical Psychology ◽  
Human Beings ◽  
Strong Basis ◽  
Psychological Practice ◽  
The Status ◽  
Critical Approaches ◽  
The Individual ◽  
Many Sources ◽  
The Relationship

Critical psychology comprises a broad range of international approaches centered around theories and practices of critique, power, resistance, and alternatives of practice. Although critical psychology had an axial age in and around the 1970s, many sources can be found decades and even centuries earlier. Critical psychology is not only about the critique of psychology, which is a broader historical and theoretical field, but about doing justice in and through theory, justice with and to groups of people, and justice to the reality of society, history, and culture as they powerfully constitute subjectivity, as well as the discipline and profession of psychology. Doing justice in and through psychological theory has a strong basis in Western critical approaches, representing a privileged position of reflection in Euro-American research institutions. Critical psychologists argue that traditional psychology is missing its subject matter and hence is not doing justice in methodology, and its practices of control and adjustment are not doing justice to the emancipatory possibilities of human agency or human science. Critical psychologists who are attempting to do justice with and to human beings are not neglecting the onto-epistemic-ethical domain, but are instead focusing on people, often marginalized or oppressed groups. Critical psychologists who want to do justice in history, culture, and society have argued that traditional psychological practice means adaption and adjustment. This means that not only subjectivity, but also the discipline and profession of psychology need to be connected with contexts. Psychologists have attempted to conceptualize the relationship between society and the individual, as well as the ability of humans not only to adapt to an environment but to change their living conditions and transform the status quo. This conceptualization also means providing concrete analyses of how current society, based in neoliberal capitalism, not only impacts individuals but also the discipline of psychology. Despite the complexities of critical psychology around the world, critical psychologists emphasize the importance of reflexivity and praxis when it comes to changing the conditions of social reality that create mental life. Given that subjectivity cannot be limited to intra-psychological processes, critical psychologists attend to relational and structural societal realities, requiring inter- and transdisciplinarity in the discipline and profession.

Is Aristotle an Archimedean Naturalist?

2019 ◽  
pp. 53-79
Author(s):  
Sylvia Berryman
Keyword(s):  
Human Nature ◽  
Human Beings ◽  
Natural Justice ◽  
The Status ◽  
Relationship Of

This chapter examines the evidence of the ethical treatises regarding Aristotle’s use of the appeal to human nature to provide substantive guidance or justification for the demands of ethics. The so-called function argument, the notion that human beings have a natural direction of development, and the references to natural virtue or natural justice are canvassed as possible grounds for believing that Aristotle was an Archimedean naturalist about ethics. The status and relationship of the various ethical treatises is also discussed, together with the place of ethics within the hierarchy of sciences, as necessary background to the examination of Aristotle’s views.

Discourse and symbol in Le Minh Phong’s novel The Path

2020 ◽  
Vol 65 (8) ◽  
pp. 98-108
Author(s):  
Linh Phan Trong Hoang
Keyword(s):  
Modern Society ◽  
The Novel ◽  
Artistic Style ◽  
Study Results ◽  
The World ◽  
Vietnamese Literature ◽  
The Status

Following Mikhail Bakhtin’s poetics, the article approaches Le Minh Phong’s novel The Path from two characteristics including discourse and symbolization. The writer created the coexistence and dialogue between two symbols of awareness and body and used it to present the understanding of people’s lives in modern society. Surrounded by irrational taboos, people fell into the status of losing their voice power. Regaining that lost power, as for the character by Le Minh Phong, is a hopeless path. Hence, the world in the novel exhibited gloom, tearfulness, blood and death, along with the sound of screams, profanity and curses. With the achieved study results, the article contributes to assert Le Minh Phong’s position as a typical artistic style of contemporary Vietnamese literature.

scholarly journals Pyotr Chardynin’s The Idiot as a Phenomenon of Creative Reinterpretation of Dostoevsky’s Novel

2019 ◽  
Vol 11 (4) ◽  
pp. 34-42
Author(s):  
Anastasia Ryabokon’
Keyword(s):  
Film Adaptation ◽  
The Novel ◽  
Human Beings ◽  
National Cinema ◽  
Garden Of Eden ◽  
Human Personality ◽  
The World ◽  
The One ◽  
The Individual ◽  
Main Protagonist

The essay explores the artistic and expressive features of the world's first film adaptation of Dostoevsky's novel The Idiot, directed in 1910 by Pyotr Chardynin. The author substantiates the degree of influence of one of the most important philosophical concepts of the novel that of a split in the human personality on Russian national consciousness at the beginning of the 20th century. The analysis of the figurative system of the film shows that its semantics and the images of its characters were ahead of its time and, therefore, deserve closer critical attention.In the The Idiot the idea of Dostoevsky about a human beings separateness in the world is revealed in the four main characters Prince Myshkin, Parfyon Rogozhin, Nastasya Filippovna and Aglaya who are not complete, full-fledged personalities but separate components of a harmonious human personality. These characters, like puzzle pieces, possess mutually complementary qualities. Thus, Prince Myshkin, the bearer of the highest spirituality, is contrasted with the earthly and passionate Rogozhin. And the images of Nastasya Filippovna and Aglaya are connected, respectively, with the images of Heavenly Love and Earthly Love. If the characters of the novel could unite with each other in love and harmony, the world would get a complete harmonious person, like the one created by God for the Garden of Eden. However, such a merger seems impossible within the limits of earthly existence. In Dostoevsky's novel the individual parts of the soul could not unite into a harmonious whole. Egoism, passion, pride and imperfection of human nature do allow the protagonists to unite and lead them towards personal disintegration.In Russian national cinema, Dostoevskys idea of human beings separateness undergoes a number of transformations. The changes introduced by Pyotr Chardynin into the film adaptation of the novel mostly relate to the image of the films main protagonist Nastasya Filippovna, whom the filmmaker associates with a dying Russia. Chardynin also transforms other protagonists. Prince Myshkin is the only carrier of the highest spirituality, while Nastasya Filippovna, Aglaya and Rogozhin are earthly and passionate. At the end of the film, Nastasya Filippovnas murderer Rogozhin, dressed in a Russian folk costume, sobs at the bedside of the dead tsarina, while heavenly prince Myshkin who was not accepted by her in her lifetime, comforts the sinner. Chardynins film transforms the idea of a split in the human personality into the idea of the Russian separateness from God, the internal split within the Russian world and, as a consequence, that worlds inevitable death.

scholarly journals Indices of Bad Governance by African Political Leaders: The Case Study of Central African Republic, Democratic Republic of the Congo and Uganda

2021 ◽  
Vol 4 (1) ◽  
pp. 1506-1514
Author(s):  
Blaise Ngambinzoni Kombeto ◽  
Romain Bakola Dzango ◽  
Modeste Ndaba Modeawi ◽  
Gédéon Bongo Ngiala ◽  
Muhammad Ridwan ◽  
...  
Keyword(s):  
Democratic Republic ◽  
Modern Society ◽  
The Novel ◽  
Political Leaders ◽  
The People ◽  
Democratic State ◽  
Republic Of The Congo ◽  
The Government ◽  
The Individual

Marcel SONY LabouTansi, the author of the novel "The Shameful State", denounces the dictatorial system often practiced by most African leaders in the management of the "res publica". He paints the barbarity of man in relation to his fellow man. It also presents the duality between the traditional society characterized by democracy, peace ... and the modern society based on dictatorship in which the government behaves as a state, as absolute master, and the governed in the eternal "- mute", "voiceless". It invites the recipients to renounce to the bad principle in order to establish democracy, a system that respects the individual freedom of the people, that of human rights, of professional promotion for the harmonious development of a sovereign and democratic State. The novel "The Shameful State" unfolds the spiral of the unpleasant reign of a megalomaniacal, criminal and lustful president, Colonel Martillimi Lopez, who "shamefully" manages power and ends with the crying and gnashing of his constituents' teeth. After having committed: pedophilia, adultery, assassination of opponents, he was deposed by his relatives who created an insurrection and was forced to hand over power to civilians to return to his native village.

Human Nature and Human Science

2017 ◽  
Author(s):  
Kristin Gjesdal
Keyword(s):  
Human Nature ◽  
Human Science ◽  
Human Being ◽  
Human Beings ◽  
Johann Gottfried Herder ◽  
Middle Point ◽  
Language And Culture ◽  
The Individual ◽  
The Church

It is difficult to accept that Johann Gottfried Herder (1744–1803), an influential philosopher of history, language, and culture, was a prolific preacher and clergyman. His apparent Spinoza connection, his agreement with the pre-critical Kant, and his alleged naturalism seem to contradict his unquestioning acceptance of God. But when the human being is considered as the middle point a reconstruction of Herder devoid of this dichotomy is possible. Herder’s religious anthropology understands human beings both as historical and religious beings, which gives rise to his rejection of Christianity in its actuality as the sole future religion. The church raised itself above the individual and destroyed religions, cultures, and languages, whereas Herder’s notion of human religion—for him a universal concept—allows individual nations, cultures, languages, and religions to remain particular. Central for the argument are Herder’s Christliche Schriften (1793–8), the Ideen (1801–4), and the Adrastea (1801–4).

scholarly journals Artistic image of a modern Japanese woman in the anime film “Paprika” directed by Satoshi Kon

2021 ◽  
pp. 46-57
Author(s):  
Vera Sergeevna Moiseenko
Keyword(s):  
Japanese Society ◽  
Modern Society ◽  
Japanese Woman ◽  
The Novel ◽  
Traditional Values ◽  
Western Influence ◽  
Female Image ◽  
The Status ◽  
Artistic Image

Cross-cultural communications prompted the international popularity of the Japanese original genre of anime. It has become the translator of not only the Japanese mentality and traditional values to the West, but also demonstrates the changes taking place in Japan. The analysis of artistic image of the anime heroine Atsuko Chiba (Paprika) is the goal of this research. Noticeable changes in the status of women in Japanese society are observed only since the middle of the XX century, which immediately found reflection in Japanese cinematography. The use of empirical and comparative methods allow establishing that the changes taking place in Japanese traditional society changes retain the national peculiarities. The anime film &ldquo;Paprika&rdquo; directed by Satoshi Kon, which is based on the eponymous novel by Yasutaka Tsutsui, reflects the transformation of the role of women in modern society. The novelty of this work lies the fact that this article analyzes the virtually unstudied topic of the artistic imagery in anime and the structure of modern female image therein. The images of Atsuko Chiba and Paprika, translated from the novel to anime, indicate the changes that took place in the Japanese society in the late XX &ndash; early XXI century, and namely the female image that gives a better perspective and sense of such changes. Despite the Western influence upon the traditional Japanese society and transition of the country into the new level of development, did not hinder the preservation of national peculiarities that are based on the century-old traditions and Japanese mentality.

scholarly journals Conditio humana

2018 ◽  
Vol 57 (1-2) ◽  
Author(s):  
István Dobos
Keyword(s):  
Human Nature ◽  
Human Existence ◽  
Human Being ◽  
The Novel ◽  
Human Beings ◽  
Binary Oppositions ◽  
Conditio Humana

So far, this piece by Dezső Kosztolányi has not been analyzed from the aspect of biopoetics. The novel seeks to answer the query whether we are able to transcend the framework of interpreting ourselves that is traditionally available for us and move to the level of other relationships of existence (present in the vegetable or animal kingdoms, or in nature) in this effort. In Aranysárkány [verbatim: golden dragon], the eponymous creature is neither a human being, nor an animal, but a model of a mythological beast, which the characters seem to personify in various ways. Its role in the book is to gradually undermine the anthropological conviction that considers human beings to be the opposite of animals. according to this latter assumption, our absolute superiority in this respect is guaranteed by our intellect, willpower, morality, and the use of language. The novel suggests that the differences and discrepancies that separate us from animals and other natural creatures are much more complex and the essence of human existence cannot be defined or pinpointed through simple binary oppositions. it is the act of being addressed by the imaginary gaze of the golden dragon and the effort of embedding the interpretation of the experience of this encounter into the image perceptible about human nature that provide the perspectives and angles of comprehension which may justify the possibility of approaching Kosztolányi’s Aranysárkány from a bio-poetic aspect.

scholarly journals Social Status Retention in the Beyond: the Phobia of Man

2021 ◽  
Vol 2 (4) ◽  
pp. 37-45
Author(s):  
Gideon Imoke Emeng
Keyword(s):  
Social Status ◽  
Belief System ◽  
Social Institutions ◽  
Traditional Religion ◽  
Human Beings ◽  
Religious Activities ◽  
Life After Death ◽  
The Status ◽  
The Individual ◽  
The Right

Religions include the participation of a community of people who have a common spiritual belief system. It is possible to connect one's own spiritual views with those of others via different religious activities. As a result of social interaction, personal ideas may be shaped and deepened. Both religious ideas and human transpersonal experiences may convey the core of human existence. Religious ideas about life after death may affect how individuals conduct their lives in the here and now. This paper argues that human beings have the inborn drive for statuses. All religions of the world placed serious priority on them, so much: in the ranking of adherents and in the hereafter. Other social institutions see the necessity in statuses placements to enhance productivity, efficiency, proficiency, and profitability. Man in his imagination and realization of this, concludes that the right place to acquire the status is here on earth as the springboard to that of the beyond. He gets it first and this will be maintained in the beyond. By the beyond here we mean abodes after the earthly life. Christianity calls them paradise and hell, likewise Islam and Buddhism describe it as Nirvana. African Traditional Religion mentioned it as the home of the ancestors and the dead. Hinduism has its own as the several reincarnations where the individual soul strives to unite with the supreme Reality also called Brahman. This paper investigates Social Status in the Beyond.

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