scholarly journals Representasi Dalam Hikayat Siti Mariah Versi Surat Kabar Bintang Timur

ATAVISME ◽  
2007 ◽  
Vol 10 (1) ◽  
pp. 95-107
Author(s):  
Dwi Susanto
Keyword(s):  
The Self ◽  
Human Relation ◽  
The Other ◽  
Gender Relation ◽  
Colonial Power ◽  
Story Telling ◽  
Space And Time ◽  
And Gender ◽  
Gender Images

The HSM BT indicated of the Self and the Other relation that was complex. The complexity could be seen at the character of representation. The phenomenon of representation was showed within ambivalence, hybrid, floating of identity, and hazy. The play and strategy were done in orde to get space and free from shackling and shadows of colonial power and bias. Strategy and representation of story telling, narrator position, identity political, and gender relation was to the be way to reach and change colonial bias. This paper aims to expose the power and domination of colonial space and time. This paper also shows colonial zone. This paper used postcolonial paradigm in particular representation the Self and the Other. This paper had concluded that the power and shadows of colonial always get space and time at relation and aspect human relation, gender, images, identity, etc. Each of way to avoid colonial shadows and bias always followed by another colonial of ways. The tone heterogeneity and plurality were taken as tolls to repress and lie of freedom way the Other

scholarly journals A comparison of self-esteem between patients undergoing fixed orthodontic treatment, to those not receiving orthodontic treatment

2021 ◽  
Vol 7 (4) ◽  
pp. 112-115
Author(s):  
Maleeha Majid ◽  
◽  
Maliha Jamshaid ◽  
Ghina Rizwan ◽  
Zarnab Rizwan ◽  
...  
Keyword(s):  
Sample Size ◽  
Orthodontic Treatment ◽  
Self Esteem ◽  
The Self ◽  
The Other ◽  
Treatment Need ◽  
The Past ◽  
Group A ◽  
And Gender ◽  
Group B

Objective: Comparison of the self-esteem between patients undergoing fixed orthodonticc treatment in the past 6 months or more, to those not receiving orthodontic treatment or the time passed since the commencement of their treatment has been less than six months. Materials and methods: The participants of this study were divided into two groups, group A and group B. The sample size of each group was 75 making the total 150 aged between 16 to 25 years. The malocclusion severity was assessed with the index of orthodontic treatment need aesthetic component (IOTN-AC) which was 6 or more for both groups. Group A involved patients currently receiving no orthodontic treatment or the time elapsed since the start of the treatment was less than 6 months. Group B on the other hand, comprised of patients undergoing orthodontic treatment in the past 6 months or more. Questionnaires were administered among both group A and group B where self-esteem was measured using the Rosenberg Self-esteem (RSE) Scale. Independent Sample T test was applied on both of these variables. Results: The results did not show any statistically significant association between self-esteem and “the time elapsed since the start of the treatment”. Likewise, the additional factors i.e., Age, Education and Gender too had no impact on the Rosenberg score. Conclusion: No association was found between selfesteem of the patients undergoing fixed Orthodontic treatment, to those not receiving it

Perceiving and Remembering Affordances for Others Are Continuous Processes

2018 ◽  
Vol 65 (6) ◽  
pp. 385-392 ◽  
Author(s):  
Jeffrey B. Wagman ◽  
Brandon J. Thomas ◽  
Dawn M. McBride
Keyword(s):  
Lower Order ◽  
The Self ◽  
The Other ◽  
Clear Distinction ◽  
Continuous Processes ◽  
Space And Time

Abstract. In information-based approaches, affordances are perceived by detecting information that specifies an animal–environment fit, not by combining perceptions of constituent lower-order properties. Given that detection of such information necessarily occurs over space and time, there is no clear distinction between perception and memory. Rather, perceiving and remembering are continuous processes. Whereas previous research has investigated the continuity of perceived and remembered affordances for the self, we did so with respect to perceived and remembered affordances for others. Participants reported remembered maximum reaching height and remembered anthropometric properties of another person. Remembered maximum reaching height was not reducible to a combination of remembered anthropometric properties. Moreover, remembered maximum reaching height scaled to the reaching ability of the other person and not to that of the perceiver. Both results are consistent with an information-based perspective on perceiving and remembering affordances and demonstrate a continuity between perceiving and remembering affordances for others.

Representations of American Indians and the Irish in educational reports, 1850s–1920s

2002 ◽  
Vol 33 (129) ◽  
pp. 33-51 ◽  
Author(s):  
Michael C. Coleman
Keyword(s):  
American Indians ◽  
Inverse Image ◽  
The Self ◽  
Self Control ◽  
The Other ◽  
Colonial Power ◽  
Complex Process ◽  
Noble Savage ◽  
Individual Needs

Modern colonialism, writes Gyan Prakash, ‘instituted enduring hierarchies of subjects and knowledges — the colonizer and the colonized, the Occidental and the Oriental, the civilized and the primitive, the scientific and the superstitious, the developed and the underdeveloped’. Such dichotomies ‘reduced complex differences and interactions to the binary (self/other) logic of colonial power’, and colonial rulers ‘constituted the “native” as their inverse image’. Such perceptions of difference as ‘other’ expressed what ‘civilized’ Westerners believed themselves not to be — but also what they feared they might become, should they lose rational self-control. The ‘other’, writes Eva Kornfelt, ‘threatens the integrity of the self by offering alternative, unrealized, and suppressed possibilities’. As shown by Western fascination with the ‘noble savage’, this process could sometimes produce positive representations. Yet even these expressed the needs of the perceiver rather than the reality of the perceived. ‘Othering’, then, is a complex process, one implying deep cultural and individual needs, which may occasionally result in accurate representations, but more often produces self-justifying positive/negative dichotomies.

scholarly journals East and West in Zakia Khairhoum's the End of My Dangerous Secret

2021 ◽  
Vol 3 (4) ◽  
pp. 73-82
Author(s):  
Youssef EL KAIDI
Keyword(s):  
Arab World ◽  
Point Of View ◽  
The Self ◽  
The Other ◽  
Self And Other ◽  
Sexuality And Gender ◽  
History Of ◽  
And Gender ◽  
Cultural Reality ◽  
History Of Literature

Literature is an arena for cross-cultural representation par excellence. It is in the literature that images produce an awareness of the Self and Other, and of the Here and the Elsewhere, however small that awareness maybe. The accounts of many canonical literary figures in the history of literature featured portrayals and descriptions of radically different people and customs, exotic lands, and far-off places where everything is outlandish and anomalous. Literary representation, therefore, plays a pivotal role in shaping perception, creating historical and textual monoliths, stereotypes, and essentialization about ethnic minorities, race, sexuality, and gender. This article investigates the politics of representation of the Self and the Other in Zakia Khairhoum’s novel The End of My Dangerous Secret (Nihayat Sirri L’khatir, 2008) from a postcolonial feminist’s point of view. I argue that Khairhoum does not only shatter the foundations of patriarchy in the Arab world but also undermines and subverts Western colonial discourse and its claim of supremacy. The novel foregrounds a different pattern of representation that has not yet been sufficiently investigated, which is the denigration of both the Self and the Other and the quest for a third cultural reality that is defined in terms of gender equality, justice, human rights and democracy.

旅行，為了轉瞬即逝的希望：試析錢鍾書《圍城》中的旅行書寫

2021 ◽  
Vol 26 (26) ◽  
pp. 001-012
Author(s):  
蔣小虎 蔣小虎
Keyword(s):  
Travel Writing ◽  
Cultural Influence ◽  
The Self ◽  
The Other ◽  
Space And Time ◽  
Scant Attention ◽  
Chinese Intellectuals ◽  
Fortress Besieged

<p>錢鍾書的《圍城》因其獨具一格的行文、諷刺和暗喻而聞名於世，該小說對中日戰爭初期的中國文人進行了辛辣且幽默的嘲諷及批評。然而，截至目前，學界鮮少討論錢鍾書在《圍城》中的旅行書寫。傳統上，旅行往往被視為是一個文化影響、發現他者及自我的過程；極端情形下，旅行甚至是征服的開始。本文認為，錢鍾書通過旅行的情節，揭露了人性的黑暗面，例如自大、虛偽、貪婪和算計，而這些陰暗面的存在無關種族、性別、階級、教育或地區。《圍城》的男主角方鴻漸本就是一個自卑且悲觀的人，經過數次旅行之後&mdash;&mdash;從歐洲到上海、從上海到湖南、從湖南回到上海，他的這些性格特徵愈發明顯。他的一生是由一個接一個的圍城所構成，而從此圍城到彼圍城的旅途給了他短暫的可以喘息的時間和空間，這些旅行也給了他轉瞬即逝的虛假希望，那便是，他在下一站將迎來更好的機遇。</p> <p>&nbsp;</p><p>Famous for its masterful diction, satire, and metaphor, Qian Zhongshu’s Fortress Besieged is a sharp, humorous, and sarcastic criticism of Chinese intellectuals at the beginning of the Sino-Japanese War. Until recently, scant attention was paid to Qian’s travel writing in this novel. Travel is traditionally considered a process of cultural influence, the discovery of the other and the self or, radically, the beginning of conquest. This essay argues that Qian adopts the plot of travel to display a bleak picture of humanity, filled with pretentiousness, hypocrisy, greed, and manipulation, the existence of which is not impacted by race, gender, class, education, or region. For the novel’s protagonist Fang Hongjian, his habitual low-esteem and pessimism become more explicit after his several trips from Europe to Shanghai, from Shanghai to Hunan, and from Hunan back to Shanghai. His life consists of besieged fortresses one after another. The journey from here to there gives him temporary space and time for breathing, as well as a false and fleeting hope that he will have better chances in the next stop.</p> <p>&nbsp;</p>

Imagining Space and Time in Kenneth Slessor’s “Dutch Seacoast” and Joan Blaeu’s Town Atlas of The Netherlands: Maps and Mapping in Kenneth Slessor’s Poetic Sequence The Atlas, Part Three

2014 ◽  
pp. 29-54
Author(s):  
Adele J. Haft
Keyword(s):  
The Netherlands ◽  
Golden Age ◽  
The Self ◽  
The Other ◽  
Space And Time ◽  
Complex Relationships ◽  
The Mind ◽  
Idealistic View

“Dutch Seacoast” by the acclaimed Australian poet Kenneth Slessor (1901–1971) is thecenterpiece of The Atlas the five-poem sequence opening his 1932 collection Cuckooz Contrey. Like the other four poems, “Dutch Seacoast” pays tribute to cartography’s “Golden Age,” Toonneel der Steden van de vereenighde Nederlanden being the poem’s epigraph and the title that Joan Blaeu gave to one of two volumes comprising his Town Atlas of the Netherlands (1649). While focusing on Blaeu’s exquisitely ordered map of Amsterdam, Slessor suggests that he is gazing at the map described by his poem and invites us to consider how poets and cartographers represent space and time.An intensely visual poet, Slessor was also attracted to lyrical descriptions of objects: his inspiration for “Dutch Seacoast” was a particularly poetic, but sparsely illustrated, catalogue of maps and atlases. After reprinting the poem and describing its reception, my paper traces the birth of “Dutch Seacoast” (and The Atlas generally) in Slessor’s poetry notebook, the evolution of the poem’s placement within the sequence, and the complex relationships between the poem, the catalogue, and Blaeu’s spectacular atlas. Comparing Blaeu’s idealistic view of Amsterdam with that city’s dominance during the Dutch“Golden Century,” Slessor’s darker obsessions with the poem’s ending, and his “other countries of the mind” with his native Australia, we come to understand why “Dutch Seacoast” remained for the self-deprecating poet one of his eight “least unsuccessful” poems.

scholarly journals Identity, Life History and Commitment to Welfare

2006 ◽  
Vol 35 (4) ◽  
pp. 689-704 ◽  
Author(s):  
PAUL HOGGETT ◽  
PHOEBE BEEDELL ◽  
LUIS JIMENEZ ◽  
MARJ MAYO ◽  
CHRIS MILLER
Keyword(s):  
Life History ◽  
Life Histories ◽  
Identity Theory ◽  
The Self ◽  
The Other ◽  
And Gender ◽  
Welfare Workers

Using detailed extracts from two life histories, this article examines the nature of the personal identifications that often underpin the commitment of welfare workers to their jobs. We explore the paradox that it is those identifications such as class and gender, mediated through individual biography, that fix the ‘self as object’ and that also provide us with the resources for self-transformation. In this respect, the article not only throws light upon the psychical and emotional roots of commitment to the other, but also upon some of the impasses ‘identity theory’ currently finds itself in.

scholarly journals Street-Level Actors, Migrants, and Gender: Dealing With Divergent Perspectives

2021 ◽  
pp. 009539972110314
Author(s):  
Katerina Glyniadaki
Keyword(s):  
Public Administration ◽  
Target Population ◽  
The Self ◽  
The Other ◽  
Street Level ◽  
Gender Perspectives ◽  
Migration Crisis ◽  
And Gender ◽  
European Migration ◽  
Discretionary Behavior

According to the citizen–agent paradigm, the way street-level bureaucrats view their target population shapes their discretionary behavior. Applying this in the context of the so-called “European Migration Crisis,” this article investigates how street-level actors make sense of their migrant clients and how these conceptual understandings of the “Other” shape their discretionary behavior. Focusing on the divisive issue of gender identities and beliefs, or gender perspectives, this research combines ideas from public administration and social psychology. It shows that street-level actors’ discretionary behavior depends on whether they see the Self-Other difference as fixed or changeable, and as hierarchically organized or not.

scholarly journals Dancing in the Dark: Immersion and Self-Reflexivity in Nancy Huston's Danse noire

2018 ◽  
Vol 57 (3) ◽  
pp. 298-310
Author(s):  
Diana Holmes
Keyword(s):  
The Other ◽  
Narrative Form ◽  
The Novel ◽  
Story Telling ◽  
Space And Time ◽  
Other Hand

Nancy Huston's Danse noire (2014) is a formidably complex novel: multilingual, composed throughout of three connected but separately told stories, highly self-reflexive in its intra-diegetic presentation of the narrative as film scenario and its use of capoeira as framing device and analogy. Some critics and readers have found this intricate structure excessive and confusing. This article, on the other hand, situates the novel within Huston's distinctive project as a contemporary French novelist who is as committed to immersive story-telling as she is to self-aware celebration of narrative form. It argues that Danse noire demonstrates fiction's power to carry us in imagination through space and time and into the subjective worlds of others, even as it invites awareness of narrative form itself. Moreover, this combination of entrancing story-telling and self-reflexivity is central to what Huston convincingly maintains is the ethical function of the novel.

Self-Compassion and Quality of Life in Adults Who Stutter

2020 ◽  
Vol 29 (4) ◽  
pp. 2097-2108
Author(s):  
Robyn L. Croft ◽  
Courtney T. Byrd
Keyword(s):  
Quality Of Life ◽  
Social Connectedness ◽  
The Self ◽  
Future Research ◽  
Self Compassion ◽  
Adults Who Stutter ◽  
And Gender ◽  
Relationship Of ◽  
The Impact

Purpose The purpose of this study was to identify levels of self-compassion in adults who do and do not stutter and to determine whether self-compassion predicts the impact of stuttering on quality of life in adults who stutter. Method Participants included 140 adults who do and do not stutter matched for age and gender. All participants completed the Self-Compassion Scale. Adults who stutter also completed the Overall Assessment of the Speaker's Experience of Stuttering. Data were analyzed for self-compassion differences between and within adults who do and do not stutter and to predict self-compassion on quality of life in adults who stutter. Results Adults who do and do not stutter exhibited no significant differences in total self-compassion, regardless of participant gender. A simple linear regression of the total self-compassion score and total Overall Assessment of the Speaker's Experience of Stuttering score showed a significant, negative linear relationship of self-compassion predicting the impact of stuttering on quality of life. Conclusions Data suggest that higher levels of self-kindness, mindfulness, and social connectedness (i.e., self-compassion) are related to reduced negative reactions to stuttering, an increased participation in daily communication situations, and an improved overall quality of life. Future research should replicate current findings and identify moderators of the self-compassion–quality of life relationship.

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