scholarly journals Citraan Perlawanan Simbolis Terhadap Hegemoni Patriarki Melalui Pendidikan dan Peran Perempuan di Arena Publik dalam Novel-Novel Indonesia

ATAVISME ◽  
2010 ◽  
Vol 13 (2) ◽  
pp. 243-256
Author(s):  
Wiyatmi Wiyatmi

Penelitian ini bertujuan mengungkap gambaran perlawanan simbolis terhadap hegemoni patriarki melalui pendidikan dan peran perempuan di arena publik dalam novel-novel Indonesia dengan kritik sastra feminis. Untuk mencapai tujuan tersebut, secara purposif dipilih sejumlah novel periode 1920 sampai 1980-an yang secara intens mengangkat isu pendidikan bagi perempuan dan peran perempuan di ranah publik. Hasil penelitian menunjukkan adanya perlawanan terhadap hegemoni patriarki dalam bentuk perjuangan para perempuan untuk mendapatkan kesempatan menempuh pendidikan yang masih digunakan untuk mempersiapkan tugas-tugas domestiknya, sebagai ibu rumah tangga (Azab dan Sengsara dan Sitti Nurbaya), pendidikan bagi perempuan yang mempersiapkan dirinya ke dalam pekerjaan di sektor publik, terutama sebagai guru (Layar Terkembang, Kehilangan Mestika, Widyawati, dan Manusia Bebas), yang dilanjutkan dengan masuknya perempuan terpelajar tersebut dalam organisasi perempuan untuk memperjuangan emansipasi perempuan dan perjuangan menuju kemerdekaan Indonesia (Layar Terkembang, Manusia Bebas, dan Burung-burung Manyar). Abstract: This study is aimed at exposing the depiction of symbolic resistance of patriarchal domination through education and the role of women in public domain and in the novels of Indonesia by feminist literary criticism. To achieve these objectives, a number of novel from 1920 until 1980s that raised the issue of intensive education for women and the role of women in the public domain were purposively selected. The result shows the resistance to the hegemony of patriarchy in the form of women’s struggle to get a chance to still use their education to prepare for domestic tasks, as housewives (Kehilangan Mestika and Sitti Nurbaya), education for women who are preparing themselves to work in a public sector, primarily as a teacher (Layar Terkembang, Kehilangan Mestika, Widyawati, and Manusia Bebas), continuing with the entry of women educated in women’s organizations to women’s emancipation and the struggle towards independence of Indonesia (Layar Terkembang, Manusia Bebas, and Burung-burung Manyar). Key Words: symbolic resistance, patriarch, novel

2021 ◽  
Vol 7 (1) ◽  
pp. 32-44
Author(s):  
Helmi Setiawan ◽  
Anwar Efendi

This research is descriptive qualitative research using the feminist literary criticism approach. The subject of this research are three novels by Okky Madasari which are titled: 1) Maryam, 2) 86, and 3) Entrok. The technique of data collecting used in this research is to study the library read the note, conducted by reading carefully and repeated thoroughly and classifying the data obtained based on women’s image. Analyzing data in this research use the descriptive qualitative method. The research finding in the form of physical women’s image, the image of women’s psychic and the role of women consisting of domestic and public areas. Domestic roles include as a child, wife, and mother. The role of women in the public domain consists of the educator, economic, and social movement sectors.


2019 ◽  
Vol 14 (3) ◽  
pp. 353
Author(s):  
Moh Muzakka

The purpose of this study is to find Rhoma Irama's views on the role of women in the public sector in the lyrics of the song he wrote in the 1980s, namely "Women's Emancipation". To study Rhoma Irama's view, structural and feminism studies are used. Based on structural studies, the lyrics to the song "Emansipasi Wanita" are very aesthetic because they are built by strong sound elements and proper diction. With that strength, Rhoma Irama managed to convey her expression about her anxiety about the role of women in the public sector. In the lyrics that confuse nature and gender it is revealed that if the role of women in the public sector is very dominant, then the position of the patriarchy will be threatened and family life will also be damaged.


2019 ◽  
pp. 70-80
Author(s):  
Lucia Carminati

Zaynab al-Ghazālī (1917-2005) is regarded as a pioneering figure in the field of women’s preaching and religious teaching in Egypt. Her story, however, remains largely undocumented. In Western scholarship, al-Ghazālī has often been framed in terms of a contradictory figure, whose own choices flagrantly undercut her statements on the role of women in Islamic society. Trying to go beyond this type of appraisal, her writings are analyzed in order to question whether or not Zaynab al-Ghazālī’s intellectual genealogy should be understood within the context of her considerable exposure to a well-developed discourse of women’s rights at the turn of the twentieth century. Indeed, she made available to Muslim women a particular field of arguments, while foreclosing for them certain possibilities for action. Overall, her statements and choices in life need to be read as a function of her historical and geographical context and her positioning needs to be framed within the consciousness on the role women had come to play in the public domain.


Author(s):  
Giuseppe Ferraro

- The essay deals with the most controversial issues of the so-called "Brunetta law of delegation", which aims at reforming the regulation of employment in the public sector. Taking into consideration the numerous requests for a review of the sources of regulation in this field, the reform strengthens the role of statutes, while decreases the role of collective bargaining, especially at the local level. The reform intervenes on the sensitive relationship between political and administrative power as well, in order to enhance management independence and to invest management with responsibility to reach efficiency and productivity, even through a stronger use of disciplinary measures. Public administration transparency and accountability is another important issue of this reform. In particular, the aim is to get involved citizens and customers in the first hand through measures - even at the judicial level - which might boost the most inefficient and uncommitted sectors. From a general perspective, this reform is noteworthy as it tries to introduce elements of renewal and to upgrade the public sector. Nevertheless, the proposed measures seem rough and not well-assessed, leading to solutions that often appear demagogic and unable to introduce elements of concrete renewal.Key words: Employment in the Public S ector; Collective Bargaining; Management; Transparency; Incentives; Sanctions.Parole chiave: Lavoro pubblico; Contrattazione collettiva; Dirigenza; Trasparenza; Incentivi; Sanzioni.


2021 ◽  
Vol 14 (2) ◽  
pp. 220
Author(s):  
Islahuddin Islahuddin ◽  
Ku-Ares Tawandorloh ◽  
Halimoh Ha

The Image of Women in The Folklore of Putri Kemang: Feminist Literary Criticism Studies ABSTRAKCerita rakyat Putri Kemang merupakan cerita rakyat yang menggambarkan perjuangan seorang putri untuk dirinya dan dalam memerintah kerajaannya. Penelitian ini bertujuan untuk mendeskripsikan teks-teks yang membicarakan tentang citra perempuan dalam cerita rakyat Putri Kemang dengan menggunakan pendekatan kritik sastra feminis. Sumber data penelitian adalah cerita rakyat Putri Kemang. Teknik pengumpulan data dilakukan dengan teknik pembacaan dan pencatatan. Teknik analisis data yang digunakan adalah deskriptif kualitatif dengan referensi keilmuwan kritik sastra feminis. Hasil penelitian menunjukkan bahwa citra perempuan yang terdapat dalam cerita rakyat Putri Kemang, yaitu: 1) persamaan pendidikan; 2) kemandirian perempuan; 3) kemampuan membuat keputusan; 4) kebebasan memilih pasangan; dan 5) kepemimpinan perempuan. Selain itu, didapatkan hasil penelitian yang menunjukkan bahwa citra perempuan dalam cerita rakyat Putri Kemang senada dengan pandangan kritik sastra feminis yang memiliki tujuan diperolehnya perlakuan yang lebih baik bagi perempuan, ditingkatkannya kedudukan dan peranan perempuan untuk membentuk masyarakat yang lebih adil dan setara dengan laki-laki.Kata kunci: citra perempuan, cerita rakyat, Putri Kemang, kritik, sastra feminisABSTRACTThe folklore of Putri Kemang is a folklore which describes the struggle of a princess for herself and govern her kingdom. This study aims to describe the texts in discussing the image of women in the folklore of Putri Kemang by using the feminist literary criticism approach. The data of the research is folklore of Putri Kemang. The data are collected through reading and noting. The data are analised by using the qualitative descriptive technique with a reference feminist literary criticism. The results of the research show that image of women in folklore of Putri Kemang are: 1) equality of education; 2) independence of women; 3) decision-making ability; 4) freedom to choose a partner; and 5) women leadership. In addition, the results of study indicates that the image of women found in the folklore of Putri Kemang was in line with the views of feminist literary criticism which aimed at obtaining better treatment for women, increasing the position and role of women to build fair society and equal to the men.Keyword: Women image, folklore, Kemang Princess, criticism, feminist literary


Author(s):  
Yuliia Lysanets

The aim of the research is to develop the typology and examine the features of women’s representations in the US literary works, focused on medical problematics.The research methodology is based on the application of modern literary studies in the fields of narratology, receptive aesthetics and literary hermeneutics. The paper analyses the author’s intentions and the role of the reader’s reception of medical discourse through the prism of gender studies and feminist literary criticism. We analyse the semi-autobiographical prose works by the American writers: “The Snake Pit” (1946) by Mary Jane Ward, “The Bell Jar” (1963) by Sylvia Plath, and “Prozac Nation” (1994) by Elizabeth Wurtzel. The theoretical significance of the research consists in the disclosure of women’s representations in the American literary and medical discourse in the diachronic focus. We examine the role of women as physicians, the peculiarities of representing women as nurses, as well as the narrative role of women as patients. The research is the first scientific attempt to examine the peculiarities of narrative representation of women in the literary and medical discourse of the US prose. The research demonstrates the transformation of women’s representations in the analysed novels, which directly reflects the emancipation tendencies over the course of the 20th century. These changes are naturally displayed in the narrative configuration of the prose works under consideration. The study of medical problems in a literary work through the prism of narratology and receptive aesthetics reveales the author’s intentionality and dimensions of the reader’s reception, as well as enables us to re-consider the socio-cultural phenomena, such as illness and health, norm and pathology. The results of the study will improve the content of training courses in the world literature and form a methodological basis for the development of special courses, theme-based seminars and academic syllabi.


2019 ◽  
Vol 15 (2) ◽  
pp. 147
Author(s):  
Norhadi Norhadi

<p><strong><strong>Abstract:</strong> </strong>The role of women is no longer associated with their nature as housewives, but has developed to work in the public sector, this research method is qualitative descriptive research. The focus of the research is the people in Saliki Village. The data used are primary data sources and secondary data. Data collection using field research consists of observation, interviews, and documentation. Qualitative analysis techniques of Miles Huberman and Saldana.The perception of the people in Saliki Village provides positive things and supports women working as laborers on oil palm plantations, with the aim of helping the family economy, time to gather and interact with limited communities and social activities are not always time, but still maintained relationships and good friendship with community in Saliki Village. The role of women in the public sector is well run and in the domestic sector remains responsible as a housewife.</p><p><strong><br /></strong></p><p><strong>Abstrak</strong><strong>: </strong>Peran perempuan tidak lagi dikaitkan dengan kodratnya sebagai ibu rumah tangga, tapi telah berkembang untuk bekerja di sektor publik, metode penelitian ini adalah penelitian deskriptif kualitatif. Fokus penelitian yaitu masyarakat di Desa Saliki. Data yang digunakan adalah sumber data primer dan data sekunder. Pengumpulan data mengunakan penelitian lapangan terdiri dari observasi, wawancara, dan dokumentasi. Teknik analisis kualitatif Miles Huberman dan Saldana. Persepsi masyarakat di Desa Saliki memberikan hal positif dan mendukung perempuan bekerja menjadi buruh di perkebunan kelapa sawit, dengan tujuan untuk membantu ekonomi keluarga, waktu berkumpul dan berinteraksi dengan masyarakat terbatas dan kegiatan sosial tidak selalu ada waktu, tetapi tetap terjaga hubungan dan silaturahmi yang baik dengan masyarakat di Desa Saliki. Peran perempuan di sektor publik dijalankan dengan baik dan di sektor domestik tetap bertanggung jawab sebagai ibu rumah tangga.</p>


LITERA ◽  
2015 ◽  
Vol 14 (1) ◽  
Author(s):  
Else Liliani

AbstractThis study aims to describe identities, roles, and gender relations in children’s novels.The data sources were six children’s novels published by Dar! Mizan.The six novels werepurposively selected. The data were collected by repeatedly reading the novels, recorded,and classified based on the problem formulation categories. They were analyzed usingthe framework of feminist literary criticism, namely woman as a reader. The results ofthe study are as follows. First, gender equality has not been manifested because there isstill gender identity stereotyping. Characters with two identities, feminine and masculine,are described as weird characters. Second, there is inequality in the distribution of genderroles. Female characters have roles in public and domestic sectors and male charactersplay roles in the public sector only. Third, existing relations show varied but recognizablepatterns. The relations are manifested in different forms depending on contexts, sexes,ages, social classes, cultures, and descendant factors.


2016 ◽  
Vol 15 (1) ◽  
pp. 51
Author(s):  
Leny Nofianti

The productive role that is often referred to the role of the public sector by women are in formal or informal sectors. Women working in the public sector generally have an education that tend to be high. Women want to realize the education she receives in terms of work. Women apply that knowledge in work. Work is an achievement to be able to improve the lives of humans. This paper analyzes how the role of women working in the public sector and the problems they face with multiple roles. Gender issues that arise in the formal sector is that most women are in the lower position rather than men.


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