scholarly journals La modernidad entumecida. Sobre la crítica de Adorno al serialismo

2012 ◽  
Vol 18 (1) ◽  
Author(s):  
Esteban A. Juárez
Keyword(s):  
New Music ◽  
The Political ◽  
Theodor Adorno ◽  
Serial Music ◽  
Political Justification ◽  
Post War ◽  
The Way

RESUMENEl artículo se propone registrar los puntos principales de la controvertida relación que Theodor Adorno mantuvo, entre 1950 y 1966, con los jóvenes músicos reunidos en torno a los Cursos Internacionales para la Nueva Música realizados en Darmstadt. Se expondrá el modo en que en la música serial, a pesar de su progresismo, que el filósofo medía por el trato con la modernidad radical representada por la escuela vienesa de Schönberg, resonaban elementos que neutralizaban las fuerzas productivas de la nueva música. Al final se elucidará la justificación política que acompañaba a los síntomas estéticos de envejecimiento que Adorno atribuía al círculo de compositores de postguerra.PALABRAS CLAVEADORNO, ESTÉTICA NEGATIVA, RACIONALIZACIÓN, ARTE AUTÓNOMO,MÚSICA SERIALABSTRACTThe paper proposes to record the main points of the controversial relationship Theodor Adorno held, between 1950 and 1966, with the young musicians gathered around the International Courses for the New Music performed in Darmstadt. Here is presented the way in which in serial music, despite its progressivism, which the philosopher measured in the treatment with the radical modernity represented by the Viennese School of Schönberg, resounded elements that neutralized the productive forces of the new music. Finally, I intend to elucidate the political justification that accompanied the aesthetics symptoms of aging that Adorno attributed to the circle of post-war composers.KEYWORDSADORNO, NEGATIVE AESTHETICS, RATIONALIZATION, AUTONOMOUS ART, SERIAL MUSIC

scholarly journals Nazione e Stato nella storia d'Italia

2010 ◽  
Author(s):  
Sandro Rogari
Keyword(s):  
Twentieth Century ◽  
Civil Society ◽  
First World War ◽  
The State ◽  
The Political ◽  
World War ◽  
The First World War ◽  
Post War ◽  
First World ◽  
The Way

The book delineates the emergence of a unitary state from the bedrock of a nation formed over centuries. It retraces the major advances in the integration between the state and civil society achieved in the first fifty years after unification, and the disastrous consequences wrought by the First World War and by Fascism. It underscores the way in which the post-war democratic revival rewound the virtuous process of construction of a state capable of expressing the Italian "plural nation". Despite this, it also stresses the way in which the ethical deterioration and the corruption of the political and administrative class that came to a head during the last twenty years of the twentieth century have again brought to the fore the problem of the construction of shared institutions.

The Ideology of the Regional State

2018 ◽  
Author(s):  
Andrea Gamberini
Keyword(s):  
The Political ◽  
Political Body ◽  
Regional State ◽  
Political Justification ◽  
Traditional Sense ◽  
The Way

This chapter analyses the way in which the Visconti justified their seigneury and their expansionist policies on an ethical and political level. They attempted to set themselves up as paladins in the war against tyranny—now seen not in its traditional sense as one of the degenerate forms of government, but as a division of the political body, a prime cause of war and an obstacle to peace. Through this intrepid conceptual twist, pro-Visconti circles were thus notably successful in deflecting any delegitimizing accusation away from their masters, while at the same time elaborating an ethico-political justification for their expansionism: a first glimpse, here, of the ideological foundations of the regional state.

scholarly journals Challenging Parties and Anti-Fascism in the Name of Democracy: The Fronte dell'Uomo Qualunque and its Impact on Italy's Republic

2016 ◽  
Vol 26 (1) ◽  
pp. 69-84 ◽  
Author(s):  
PEPIJN CORDUWENER
Keyword(s):  
Political Ideology ◽  
Democratic Legitimacy ◽  
Political Crisis ◽  
The Political ◽  
Political Movement ◽  
Post War ◽  
The Impact ◽  
The Relationship ◽  
Second World ◽  
The Way

AbstractThis article studies the political ideology of the Italian political movement Fronte dell'Uomo Qualunque in the light of the problems of party democracy in Italy. The movement existed only for a few years in the aftermath of the Second World War, but the impact of its ideology on post-war Italy was large. The article argues that the party's ideology should be studied beyond the anti-fascist–fascist divide and that it provides a window onto the contestation of party politics in republican Italy. It contextualises the movement in the political transition from fascism to republic and highlights key elements of the Front's ideology. The article then proceeds to demonstrate how the movement distinguished itself from the parties of the Italian resistance and advocated a radical break with the way in which the relationship between the Italian state and citizens had been practiced through subsequent regimes. The way in which the movement aimed to highlight the alleged similarities between the fascist and republican political order, and its own claim to democratic legitimacy, constitute a distinct political tradition which resurfaced in the political crisis of the 1990s.

Nazistowski mord na Żydach w prasie polskich komunistów (1942–1944).

2006 ◽  
pp. 54-75
Author(s):  
Klaus Peter Friedrich
Keyword(s):  
Shared Responsibility ◽  
The Political ◽  
Right Wing ◽  
Social Democrats ◽  
The Social ◽  
The Government ◽  
Post War ◽  
Polish Government ◽  
The Right ◽  
Political Right

Facing the decisive struggle between Nazism and Soviet communism for dominance in Europe, in 1942/43 Polish communists sojourning in the USSR espoused anti-German concepts of the political right. Their aim was an ethnic Polish ‘national communism’. Meanwhile, the Polish Workers’ Party in the occupied country advocated a maximum intensification of civilian resistance and partisan struggle. In this context, commentaries on the Nazi judeocide were an important element in their endeavors to influence the prevailing mood in the country: The underground communist press often pointed to the fate of the murdered Jews as a warning in order to make it clear to the Polish population where a deficient lack of resistance could lead. However, an agreed, unconditional Polish and Jewish armed resistance did not come about. At the same time, the communist press constantly expanded its demagogic confrontation with Polish “reactionaries” and accused them of shared responsibility for the Nazi murder of the Jews, while the Polish government (in London) was attacked for its failure. This antagonism was intensified in the fierce dispute between the Polish and Soviet governments after the rift which followed revelations about the Katyn massacre. Now the communist propaganda image of the enemy came to the fore in respect to the government and its representatives in occupied Poland. It viewed the government-in-exile as being allied with the “reactionaries,” indifferent to the murder of the Jews, and thus acting ultimately on behalf of Nazi German policy. The communists denounced the real and supposed antisemitism of their adversaries more and more bluntly. In view of their political isolation, they coupled them together, in an undifferentiated manner, extending from the right-wing radical ONR to the social democrats and the other parties represented in the underground parliament loyal to the London based Polish government. Thereby communist propaganda tried to discredit their opponents and to justify the need for a new start in a post-war Poland whose fate should be shaped by the revolutionary left. They were thus paving the way for the ultimate communist takeover

Leone de' Sommi and Jewish Theatre in Renaissance Mantua

2009 ◽  
Vol 29 (2) ◽  
pp. 5-19
Author(s):  
Donald Beecher
Keyword(s):  
Sixteenth Century ◽  
The Political ◽  
Complex Relationship ◽  
Social Negotiations ◽  
Renaissance Artist ◽  
The Way

This is a study of a Renaissance artist and his patrons, but with an added complication, insofar as Leone de' Sommi, the gifted academician and playwright in the employ of the dukes of Mantua in the second half of the sixteenth century, was Jewish and a lifelong promoter and protector of his community. The article deals with the complex relationship between the court and the Jewish "università" concerning the drama and the way in which dramatic performances also became part of the political, judicial and social negotiations between the two parties, as well as a study of Leone's role as playwright and negotiator during a period that was arguably one of the best of times for the Jews of Mantua.

“I'd make thee eat the mischief thou hast vented”: Discourse of Law in Ben Jonson's Catiline His Conspiracy

2017 ◽  
Vol 24 (1) ◽  
pp. 22-45
Author(s):  
Akihiko Shimizu
Keyword(s):  
Early Modern ◽  
Political Discourse ◽  
Legal Discourse ◽  
The State ◽  
The Political ◽  
State Of Emergency ◽  
Gunpowder Plot ◽  
Effective Use ◽  
Legal Procedures ◽  
The Way

This essay explores the discourse of law that constitutes the controversial apprehension of Cicero's issuing of the ultimate decree of the Senate (senatus consultum ultimum) in Catiline. The play juxtaposes the struggle of Cicero, whose moral character and legitimacy are at stake in regards to the extra-legal uses of espionage, with the supposedly mischievous Catilinarians who appear to observe legal procedures more carefully throughout their plot. To mitigate this ambivalence, the play defends Cicero's actions by depicting the way in which Cicero establishes the rhetoric of public counsel to convince the citizens of his legitimacy in his unprecedented dealing with Catiline. To understand the contemporaneousness of Catiline, I will explore the way the play integrates the early modern discourses of counsel and the legal maxim of ‘better to suffer an inconvenience than mischief,’ suggesting Jonson's subtle sensibility towards King James's legal reformation which aimed to establish and deploy monarchical authority in the state of emergency (such as the Gunpowder Plot of 1605). The play's climactic trial scene highlights the display of the collected evidence, such as hand-written letters and the testimonies obtained through Cicero's spies, the Allbroges, as proof of Catiline's mischievous character. I argue that the tactical negotiating skills of the virtuous and vicious characters rely heavily on the effective use of rhetoric exemplified by both the political discourse of classical Rome and the legal discourse of Tudor and Jacobean England.

What is a Complex? Freudian Resistances

2018 ◽  
Author(s):  
Simon Morgan Wortham
Keyword(s):  
Value Theory ◽  
Theory And Practice ◽  
The Political ◽  
Industrial Complex ◽  
Military Industrial Complex ◽  
Noam Chomsky ◽  
Cultural Legacy ◽  
Contemporary Science ◽  
The Common ◽  
Post War

This chapter evaluates the question of the ‘complex’ in a range of scientific, political and psychoanalytic contexts, asking not only where lines of connection and demarcation occur among specific distributions of meaning, value, theory and practice; but also probing the psychoanalytic corpus, notably Freud’s writings on the notion of a ‘complex’, in order to reframe various implications of the idea that this term tends to resist its own utilisation as both an object and form of analysis. This section establishes connections between three sets of theoretical questions: the common practice of describing modernity and its wake in terms of a drive towards increasing complexity; the meaning and cultural legacy of phrases such as ‘military-industrial complex’ and sundry derivations in the political sphere; and the intricacies and ambiguities subtending the term ‘complex’ within psychoanalytic theory. As a concept that Freud both utilised and repudiated, the provocative power of the term ‘complex’ is linked to the way it thwarts various attempts at systemization (providing nonetheless an apparatus of sorts through which contemporary science, Slavoj Žižek, Noam Chomsky, Freud, Eisenhower, and post-war politics can be articulated to one another).

The Political Theology of Schelling

2016 ◽  
Author(s):  
Saitya Brata Das
Keyword(s):  
Martin Heidegger ◽  
Jacques Derrida ◽  
Political Theology ◽  
The Political ◽  
Franz Rosenzweig ◽  
Political Works ◽  
The Way

This book rigorously examines the theologico-political works of Friedrich Wilhelm Joseph von Schelling, setting his thought against Hegel's and showing how he prepared the way for the post-metaphysical philosophy of Martin Heidegger, Franz Rosenzweig and Jacques Derrida.

The Unassailable Self: Freud's Image Among Post-war American Intellectuals

2017 ◽  
Vol 19 (1) ◽  
pp. 55-75 ◽  
Author(s):  
Katherine Jenness
Keyword(s):  
World War Ii ◽  
Cold War ◽  
External Force ◽  
Sigmund Freud ◽  
Human Being ◽  
World War ◽  
The Us ◽  
Post War ◽  
The Cold War ◽  
The Way

This paper explores the way American intellectuals depicted Sigmund Freud during the peak of popularity and prestige of psychoanalysis in the US, roughly the decade and a half following World War II. These intellectuals insisted upon the unassailability of Freud's mind and personality. He was depicted as unsusceptible to any external force or influence, a trait which was thought to account for Freud's admirable comportment as a scientist, colleague and human being. This post-war image of Freud was shaped in part by the Cold War anxiety that modern individuality was imperilled by totalitarian forces, which could only be resisted by the most rugged of selves. It was also shaped by the unique situation of the intellectuals themselves, who were eager to position themselves, like the Freud they imagined, as steadfastly independent and critical thinkers who would, through the very clarity of their thought, lead America to a more robust democracy.

Menelaah Lebih Dekat “Post Factual/Post Truth Politics, Studi Kasus Brexit” (Analsis Resensi Media)

2017 ◽  
Vol 1 (1) ◽  
Author(s):  
Eko Wahyono ◽  
Rizka Amalia ◽  
Ikma Citra Ranteallo
Keyword(s):  
United States ◽  
Mass Media ◽  
New Media ◽  
The United States ◽  
The Political ◽  
Political Struggle ◽  
The Real ◽  
The Mass Media ◽  
The Uk ◽  
The Way

This research further examines the video entitled “what is the truth about post-factual politics?” about the case in the United States related to Trump and in the UK related to Brexit. The phenomenon of Post truth/post factual also occurs in Indonesia as seen in the political struggle experienced by Ahok in the governor election (DKI Jakarta). Through Michel Foucault's approach to post truth with assertive logic, the mass media is constructed for the interested parties and ignores the real reality. The conclusion of this study indicates that new media was able to spread various discourses ranging from influencing the way of thoughts, behavior of society to the ideology adopted by a society.Keywords: Post factual, post truth, new media

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