scholarly journals METODE PENCIPTAAN BIDANG SENI RUPA: Praktek Berbasis Penelitian (practice based risearch), Karya Seni Sebagai Produksi Pengetahuan dan Wacana

CORAK ◽  
2015 ◽  
Vol 4 (1) ◽  
Author(s):  
Maria Magdalena Nuning. W.
Keyword(s):  
Research Method ◽  
Work Of Art ◽  
Artistic Creation ◽  
Practice Based Research ◽  
The Creation ◽  
Science Production

Every science in fact has its own paradigm, even in a science also can be developedsome approaches and methods. The method that used and developed in a creation as much aspossible should be in according the object to be studied. In addition the science actuallydinamic, constantly evolving, follow the civillization and the advancement of science world.In academic realm, especially in the field of artistic creation, a person scientificallyresponsible for the work he/she created. The same thing also applied for usage anddevelopment of a model and research method that will be applied to a case of art creations. Asfar the process could be scientifically explained; systematics in a report in form of thesis ordissertation.In art cretions, works that created won’t have any value when there is no narrativebehind the work. This narration can be story behind that creation, note, data, the experimentresults, exploration that processed into supporting part of the creation of a masterpiece. Keywords: creation method, Ilmiah, Practice based research, artist, work of art, audience,science production.  Setiap ilmu pengetahuan pada hakikatnya memiliki paradigmanya masing-masing,bahkan dalam suatu ilmu dapat pula dikembangkan beberapa pendekatan dan metode.Metode yang digunakan dan dikembangkan dalam suatu penciptaan sebisa mungkin harussesuai dengan objek yang akan diteliti. Selain itu ilmu pengetahuan sebenarnya bersifatdinamis, senantiasa berkembang, mengikuti peradaban dan kemajuan dunia pengetahuan.Dalam ranah akademis, khususnya dalam bidang penciptaan seni, seseorang memilikitanggang jawab secara ilmiah atas karya yang diciptakannya. Hal yang sama berlaku bagipenggunaan dan pengembangkan suatu model dan metode penelitian yang akan diterapkanpada sebuah kasus penciptaan sebuah karya seni. Sejauh proses tersebut dapat dijelaskansecara ilmiah, sistematis dalam sebuah laporan berbentuk tesis maupun disertasi.Dalam penciptaan seni, karya yang diciptakan tidak akan memiliki nilai (value) ketikatidak ada narasi di balik karya tersebut. Narasi ini dapat berupa cerita dibalik karya tersebut,catatan, data-data, hasil eksperimen, eksplorasi yang diolah menjadi bagian pendukung dariterciptanya sebuah karya. Kata kunci: Metode penciptaan, Ilmiah, Practice based risearch, seniman, karya seni, audiance,Produksi pengetahuan.

scholarly journals KUDA-KUDA PENCAK SILAT DALAM PENCIPTAAN TARI JI KARYA GALUH PUSPITA SARI PADA TAHUN 2018 DI GEDUNG TEATER BESAR ISI SURAKARTA

2020 ◽  
Vol 18 (2) ◽  
pp. 131-139
Author(s):  
Galuh Puspita Sari ◽  
Matheus Wasi Bantolo
Keyword(s):  
Action Research ◽  
Research Method ◽  
Research Process ◽  
Contemporary Dance ◽  
Dance Music ◽  
Binary Opposition ◽  
Practice Based Research ◽  
The Creation ◽  
Evaluation Techniques ◽  
Basic Motion

JI Dance Works is a new choreography work that departs with the basic motion of horses on the Pencak Silat as well as the phenomenon of binary opposition in life in which two things both have the meaning of balance in his achievements. The problem that will be discussed in this research is how the concept of binary opposition and Pencak Silat in the creation and how to form the dance works. To outline the creation problem using the concept of Alma M. Hawkins strengthened by the creation of contemporary dance according to Matheus Wasi Bantolo and the cultivation of Pencak Silat moves to dance according to Mathias Supriyanto. This writing and assessment use practice based research method with qualitative basis of interpertative destriptif, with participant action research process. The process of creation in JI dance Works is based on Observation, improvisation, composition and evaluation techniques. JI Dance works in a pair of choreography with a fighting theme As the concept of binary opposition in the life and the design of the basic motion of horses in the Pencak Silat as a source of the idea of creation and combined with the concept of binary opposition as inspiration by taking the essence of balance of both things t Telecast. The motion developed through the basic motion of horses, styles, and also the Kembangan (art of fighting) is found in the PSHT Pencak Silat College. Developing the basic motion of Pencak Silat into the dance by searching for similarities, from the shape of horses to Pencak Silat with the shape of the climb on the dance that was given the science of choreography such as levelgiving, volume, and the creation of the atmosphere in the dish Combined with the possibility of dance music and the Nglambari. Keywords: kuda-kuda Pencak Silat, JI dance, binary opposition.

scholarly journals A New Study on the Contemporary Aesthetics based on the “Applied Ontology” Theory of Roger Pouivet

2020 ◽  
Vol 12 (6) ◽  
Author(s):  
Hoda Zabolinezhad ◽  
◽  
Parisa Shad Qazvini
Keyword(s):  
Research Method ◽  
Art World ◽  
Work Of Art ◽  
Applied Ontology ◽  
Contemporary Work ◽  
Virtual Documents ◽  
Research Questions ◽  
The Creation ◽  
Art Experts

This article, based on Roger Pouivet’s “Applied Ontology” Theory, studies the effect of Warhol’s Brilloo soap boxes. The work was challenged at the time of its performance and could not convince the art world of accepting it, as an artwork. The research questions of this article are: 1. In the contemporary period, what aesthetic criteria turn a human work into an artwork? 2. According to Pouivete’s “Applied Ontology” Theory, how and with what approach is contemporary work of art considered as the personal symbolism of the artist and how is the governing aesthetics read? The hypothesis of the article is that the work of art in any way includes formal and content symbolism. Basically, in the contemporary period, the artist’s personal symbolism plays a finishing role in the creation of the artwork by mixing with already known collective symbols in a culture. The result suggests that in Contemporary Aesthetics, a work is recognized as a work of art when it is debated and exchanged without the need for consensus among art experts. The research method of this article is analytical-qualitative which has been done by collecting library information and virtual documents.

How To Write A Narration

2019 ◽  
Vol 7 (4) ◽  
pp. 43-49
Author(s):  
Katyaa Nakova-Tahchieva
Keyword(s):  
Research Paper ◽  
Fifth Grade ◽  
Artistic Creation ◽  
Creation Process ◽  
Literature Education ◽  
The Creation ◽  
Education Process

The present work is part of a research paper for which I extend my heartfelt thanks to Assoc. Prof. Dr. Valko Kanev. It examines some specifics of the artistic creation process that lead to the creation of one of the types of written student texts - the narration. Its variations - "narration by imagination" and "narration by set supports" are regulated in the new fifth grade curriculum. The requirements for writing a narration and the exemplary thematic curriculum of optional literature classes in the 7-tgrade have proven to be applicable in the literature education process.

Kaki Manusia Sebagai Objek Estetik Penciptaan Fotografi Seni

2014 ◽  
Author(s):  
Dira Herawati
Keyword(s):  
Social Situation ◽  
Work Of Art ◽  
Social Phenomena ◽  
Aesthetic Object ◽  
Human Foot ◽  
Works Of Art ◽  
The Social ◽  
The Creation ◽  
Art Photography ◽  
Artistic Images

Accountability report is a written description of creative experiences as an artist or a photographer of aesthetic exploration efforts on the image and the idea of a human as a basic stimulant for the creation of works of art photography. Human foot as an aesthetic object is a problem that relates to various phenomena that occur in the social sphere, culture and politics in Indonesia today. Based on these linkages, human feet would be formulated as an image that has a value, and the impression of eating alone in the creation of a work of art photography. Hence the creation of this art photography entitled The Human Foots as Aesthetic Object  Creation of Art Photography. Starting from this background, then the legs as an option object art photography, will be managed creatively and systematically through a phases of creation. The creation phases consist of: (1) the exploration of discourse, (2) artistic exploration, (3) the stage of elaboration photographic, (4) the synthesis phase, and (5) the stage of completion. Methodically, through the phases of the creative process  through which this can then be formulated in various forms of artistic image of a human foot. The various forms of artistic images generated from the foots of its creation process, can be summed up as an object of aesthetic order 160 Kaki Manusia Sebagai Objek Estetik Penciptaan Fotografi Seni in the photographic works of art. It is specifically characterized by the formation of ‘imaging the other’ behind the image seen with legs visible, as well as of the various forms of ‘new image’ as a result of an artistic exploration of the common image of legs visible. In general, the whole image of the foot in a photographic work of art has a reflective relationship with the social situation, cultures, and politics that developed in Indonesian society, by value, meaning and impression that it contains.Keywords: human foots, aestheti,; social phenomena, art photography, images

SERGEY PROKOFIEV’s PETER AND THE WOLF THROUGH AN INTERMEDIAL LENS

Mousaion ◽  
2015 ◽  
Vol 33 (2) ◽  
pp. 140-154
Author(s):  
Elma De Kock
Keyword(s):  
Research Method ◽  
Theoretical Foundation ◽  
Original Music ◽  
Folk Tale ◽  
Sergey Prokofiev ◽  
Poetic Text ◽  
Practice Based Research ◽  
The Media ◽  
Artistic Product

Peter and the wolf is an intermedial work based on a folk tale originally written and composed by the Russian composer Sergey Prokofiev in 1936 (Hanson and Hanson 1964). Since few recent adaptations of the work in Afrikaans exist, a combined intermedial project was undertaken to recreate the work using practice-based research. The stages of this research method have brought forth a poetic text, the realisation of the original music, illustrations, and a voice artist to read the created text. To accomplish the final artistic product, it was important to obtain a theoretical foundation of practice-based research, intermediality, adaptation and the different media involved in the created word. The intermedial effects between the different media in the project provided the results of the study, stemming not only from the readers’ simultaneous experiences of the media as they read or listen to the work but, as it also became clear, from the mutually complementary effects between the different media of which their combination provided a richer final product.

PENTINGNYA PENDIDIKAN UNTUK TANAMKAN SIKAP TOLERAN DI MASYARAKAT

2019 ◽  
Author(s):  
Muawanah
Keyword(s):  
Qualitative Research ◽  
Multicultural Education ◽  
Professional Education ◽  
Research Method ◽  
Qualitative Research Method ◽  
Education Management ◽  
The Creation

The purpose of applying education to instill tolerance in society is to form citizens who can realize a common civilization in the life of nation and state, and able to create Indonesian people as a whole. Education is one way to instill tolerant. As for efforts education to instill tolerant attitude in society through: 1) multicultural education and character; 2) education with national insight; and 3) professional education management. The method used in this writing is a qualitative research method descriptive library studi. Expected with education so the community can respect the diversity and eliminate suspicion and discrimination so that the creation of a tolerant society.

scholarly journals Grounded Theory: A Methodological Approach Congruent with Tourism Research

2020 ◽  
Vol 12 (4) ◽  
pp. 839-859
Author(s):  
Stela Cristina Hott Corrêa ◽  
◽  
Marlusa de Sevilha Gosling ◽  
Keyword(s):  
Grounded Theory ◽  
Research Method ◽  
Methodological Approach ◽  
Integrative Review ◽  
Research Methodologies ◽  
Substantive Theory ◽  
Tourism Research ◽  
Early Stages ◽  
Similarities And Differences ◽  
The Creation

Grounded Theory emerged as an appropriate research method for extracting from data concepts organized around basic categories that once integrated establish a substantive theory about the phenomenon. Internationally, Tourism researchers have been using Grounded Theory in their research, but in Brazil it has been scarcely used. Thus, this paper aims to present the foundations of Grounded Theory showing the similarities and differences between its three versions, and to point out how this methodology is used in Tourism research. This work is bibliographic making an integrative review of the theory. Grounded Theory has been shown to be appropriate for studying tourist experience, but its use may be expanded as it may be associated with other research methodologies such as ethnography, favoring the creation of substantive tourist theories or simply the appropriation of a theme in the early stages of the research.

scholarly journals Me gustan tus ojos miopes (o del diálogo con Hélène Cixous para llevar al cuerpo, a la literatura, a la vida)

La Palabra ◽  
2014 ◽  
pp. 143
Author(s):  
Andrea Paola Vargas Quiroz
Keyword(s):  
Key Words ◽  
Comparative Method ◽  
Maurice Blanchot ◽  
Helene Cixous ◽  
Work Of Art ◽  
The Unconscious ◽  
Artistic Creation ◽  
Embodiment Theory

El objetivo de este artículo es mostrar que la postura escritural de Hélène Cixous como práctica de la miopía, constituye el fundamento para la postura estética de la escritura del ver no viendo, cuyo efecto refractario fecunda la creación artística. El método comparativo pone en contacto el nacimiento de laescritura por la miopía, la epistemología desde el cuerpo de Ellie Epp (2005) y la naturaleza de la obra de arte de Maurice Blanchot (2012). Se concluye que para anclar la postura del ver no viendo de los artistas, es necesario mantener un equilibrio miope entre lo inconsciente y lo consciente en su relación con el lenguaje, el sujeto y la vida.Palabras clave: escritura, creación ar tística, miopía, epistemología desde el cuerpo.AbstractThe objective of this article is to demonstrate the writing position of Hélène Cixous as a myopic practice, which constitutes the foundation for an aesthetic of writing as seeing without seeing. The comparative method puts into contact the birth of writing through myopia, embodiment theory byEllie Epp (2005) and the nature of the work of art by Maurice Blanchot (2012). It is concluded that in order to root the position of seeing without seeing of artists, it is necessary to maintain a myopic equilibrium between the conscious and the unconscious, in its relation to language, subjectivity andlife. Key Words: Writing, artistic creation, myopia, embodiment.

scholarly journals SANKSI KERJA SOSIAL, SEBUAH ALTERNATIF PENALISASI TERHADAP PELANGGARAN LALU LINTAS DI KOTA PAREPARE

2019 ◽  
Vol 2 (2) ◽  
pp. 102-128
Author(s):  
Firmansyah
Keyword(s):  
Social Work ◽  
Research Method ◽  
Field Survey ◽  
Legal Issues ◽  
Library Research ◽  
Litigation Process ◽  
Traffic Violations ◽  
The Creation ◽  
The Right ◽  
The Impact

Social work sanctions is an alternative in handling traffic violations without going through a litigation process, this research aims; First, to find out the right strategies related to social work sanctions. Second, to find out the factors that influence the implementation of social work sanctions and finally to find out the impact of the application of social work sanctions. The research method used is a socio-normative research method. Data collection techniques for library research and interviews. The results of this study indicate that the strategies is used in implementing social work sanctions are; Field survey, socialization Collaborate with the police to conduct sweeping on the object of research, carry out social / social work sanctions and install stickers to control and there needs to be a conscious area or traffic order. namely the existence of the concept of ultimum Remedium. It’s mean that criminal is the last step and the Discretion is a power or authority that is carried out based on the law for consideration and belief and emphasizes moral considerations rather than legal considerations. The inhibiting factors are; Written rules or regulations / substances that do not yet exist, lack of socialization and legal culture or attitudes of both the community and the police are still low regarding legal issues. Finally, the impact of the implementation is the creation of rules or laws that specifically regulate the issue of social work sanctions. The next thing is the creation of the Community Police Concept

scholarly journals WAGNER - MITO E IMAGINAÇÃO NA ARTE TOTAL

2020 ◽  
Vol 13 (1) ◽  
pp. 101
Author(s):  
Paulo Alexandre Castro
Keyword(s):  
Essential Elements ◽  
Total Work ◽  
Work Of Art ◽  
The Creation

The purpose of this brief essay is to outline what can be considered the combination of two essential elements in the realization of Wagner's works: the strength of the myth's plot and the imaginative process in the creation of the artwork. However, it is not a simple presentation of these elements, but how Wagner, when wishing to create the total work of art, is guided by a phenomenological thought.

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