scholarly journals Penyuluhan Seni Gamelan Dukuh Kadireso

2020 ◽  
Vol 1 (1) ◽  
pp. 66-73
Author(s):  
Setyawan Jayantoro
Keyword(s):  
Cultural Heritage ◽  
The Arts ◽  
Reading Music ◽  
Youth Community ◽  
Intensive Teaching

Berawal dari pelaksanaan KKN, penulis menjumpai dan merintis terbentuknya kelompok gamelan di Dukuh Kadireso. Pada pengabdian ini, penulis berfokus pada kurangnya apresiasi pada warisan budaya dan kembali melakukan penyuluhan dengan metode pembelajaran langsung: teknik tiap ricikan, membaca notasi, dan praktik bersama. Materi yang diberikan diharapkan dapat membantu konsistensi kelompok gamelan ini untuk dapat beraktivitas secara mandiri. Hasil dari pengabdian ini adalah tercapainya penguasaan materi pada Gangsaran dan Lancaran "Ayo Kanca Nabuh Gamelan" serta terbentuknya komunitas diskusi kesenian di Karang Taruna Dukuh Kadireso.The writer is exposed to the community of Kadireso village started from an undergraduate field program, in which the writer met and started a gamelan (traditional Javanese music instrument) group. In this opportunity, the writer focuses in the community’s lack of appreciation for the cultural heritage and reintroduces the gamelan workshop through an intensive teaching sessions: technique in each ricikan (stanza), reading music notes, and communal practices. The material given are hoped to be able to lead them into consistency and to engage in the activity independently. Results of this workshop shows that the group is now able to master the beginner drill of Gangsaran and Lancaran: “Ayo KancaNabuh Gamelan” and is able to solidify the arts discussion community in Kadireso village youth community.

scholarly journals [Implementation of Arts Policy in The State of Kelantan from 1990 to 2015: Analysis According to Siasah Syar‘Iyyah] Pelaksanaan Dasar Kesenian di Negeri Kelantan dari Tahun 1990 Hingga 2015: Analisis Menurut Siasah Syar ‘Iyyah

2018 ◽  
Vol 17 (1) ◽  
pp. 87-102
Author(s):  
Mohd Asri Che Ibrahim ◽  
Shukeri Mohamad
Keyword(s):  
Cultural Heritage ◽  
State Government ◽  
Islamic Law ◽  
The State ◽  
Cultural Performance ◽  
Arts Policy ◽  
Actual Position ◽  
The Arts ◽  
Political Perspective ◽  
And Control

This study was conducted to determine the actual position of political syar'iyyah from the perspective of Islam and its practices in the context of the state of Kelantan, especially in the field of art and entertainment. The study also followed up with the state government and police of the arts, as well as reforms carried out from 1990 to 2015. The focus of this research focuses on the application of the basic arts and entertainment through the enforcement of the Control of Entertainment and Places of Entertainment 1998, Cultural Performance Guidelines (entertainment) Act 1998 and Control of Entertainment Enactment 2003, which became the main purpose of the exercise of political syar'iyyah. Analysis carried out on the action and reform the state government to the arts by syar'iyyah political perspective. The study employs a library and analysis of official documents such as circulars, news, enactment and guidelines issued by the state government. The study found that ijtihad and reforms undertaken during the period managed to bring about change and give the benefit to the community in Kelantan. It is hoped that this study can contribute to the enrichment of the cultural heritage of the Malay Muslims in accordance with the tenets and formation syar'iyyah political capital of the arts and entertainment that coincide with Islamic law. We hope this study will help art researchers in the future. Keywords: Siasah syar'iyyah, Arts, Policy, Kelantan, Entertainment     Artikel ini bertujuan membincangkan konsep siasah syar‘iyyah, sejarah perkembangan kesenian, polisi kerajaan Kelantan terhadap siasah syar‘iyyah dan pelaksanaannya di negeri Kelantan. Secara khusus, fokus kajian ini dilakukan bermula semasa pemerintahan TGNA pada tahun 1990 sehingga sekarang. Kajian berbentuk analisis dokumen ini bersandar kepada pemerhatian terhadap dokumen rasmi kerajaan seperti surat pekeliling, warta, enakmen dan garis panduan yang dikeluarkan oleh kerajaan Kelantan. Selain itu, data-data kajian juga turut disokong oleh pelbagai literatur lain seperti buku-buku ilmiah serta    wacana-wacana ilmiah yang berkaitan.  Hasil kajian mendapati tindakan dan pembaharuan yang dilakukan oleh kerajaan Kelantan dalam bidang siasah syar’iyyah adalah berdasarkan al-Quran dan al-Sunnah serta ijtihad. Terdapat beberapa pembaharuan yang dianggap sebagai pra syarat untuk mengadakan sesuatu persembahan kesenian serta beberapa contoh perubahan dalam kesenian yang dipersembahkan di Kelantan selepas tahun 1990 hingga sekarang telah menunjukkan perubahan yang sangat ketara. Pelaksanaan dasar kesenian dan hiburan ini berjaya memberi kemaslahatan kepada rakyat, dan dalam masa yang sama ia juga berjaya mempertahankan beberapa nilai kesenian lama yang tidak bertentangan dengan Islam. Selain itu terdapat juga beberapa persembahan kesenian yang diberi roh Islam dari sudut pelaksanaannya untuk menjadi santapan hiburan terhadap masyarakat. Kajian ini menyumbang kepada pengkaryaan khazanah seni dan hiburan Islam, menjadi model terhadap pelaksanaan hiburan dan selain itu ia dapat membantu para pengkaji seni untuk menambahkan ilmu dalam bidang kesenian Islam.   Kata kunci: kesenian, hiburan, enakmen, ijtihad dan maslahah

Facilitating Access to Indian Cultural Heritage

2010 ◽  
pp. 235-251
Author(s):  
Ramesh C. Gaur
Keyword(s):  
Open Access ◽  
Cultural Heritage ◽  
Policy Framework ◽  
Individual Level ◽  
Art Objects ◽  
The Arts ◽  
Private And Public ◽  
Rare Books ◽  
Access Rights ◽  
Ownership Rights

It is estimated that India possesses more than five million manuscripts on varied subjects lying scattered or fragmented in India and foreign collections. This invaluable and unique pool of knowledge is under threat. Recognizing the need to encompass and preserve this knowledge resource and to make these accessible to scholars and researchers, Kala Nidhi Division of Indira Gandhi National Centre for the Arts (IGNCA) initiated a microfilming of manuscripts programme of private and public institutions in 1989. IGNCA has, so far, microfilmed over 250000 manuscripts in 20,600 microfilm rolls, out of that 14,400 rolls have been digitized. National Mission for Manuscripts (NMM) established in February 2003 seeks to unearth and preserve the vast manuscript wealth of India. The digitization of over 25000 manuscripts under NMM, IGNCA and also under project mode by Cultural Informatics Laboratory (CIL), IGNCA makes largest repository of copies of manuscripts at IGNCA. Besides, IGNCA is also having a unique collection of 2500 rare books, about 1,0,5000 slides, 2000 paintings, 3000 photographs, more than 3000 hours of video recordings, art objects, 10 personal collections of eminent scholars such as Dr. Suniti Kumar Chatterjee, Prof. Hazari Prasad Dwivedi, Dr. Kapila Vatsyayan and Prof. Maheswar Neog, photo documentation work on Rock Art, and various museums in India etc. Many of these collections such as rare books, photographs etc are well covered and some are not covered under copyright laws. However, there are issues such as ownership rights, permission rights and access rights etc, which do not allow open access to these collections. As per the existing arrangements, consultation to all collections at IGNCA is allowed to all, 25% copies of the material are also allowed on cost basis. However, to get a copy of the material, user need to approach the concerned library (from where the copies have been obtained) to seek permission. This chapter attempts to describe factors considered as hindrance to providing access to Indian cultural heritage material. Lack of proper policy guidelines especially on copyright issues and intellectual property rights concerning both cultural heritage materials in original as well as in digital form are an obstacle. Open access initiatives worldwide are advocating access to even current information. Cultural heritage belongs to the humanity worldwide, therefore, access should be given to all. These issues, which may not be solved at individual level or institutional level, require debate, deliberations and formulation of policy framework at the highest level.

scholarly journals SENI TATAH SUNGGING DESA KEPUHSARI SEBAGAI WARISAN BUDAYA DI KABUPATEN WONOGIRI [The Arts of Tatah Sungging Kepuhsari Village As A Cultural Heritage in Wonogiri Regency]

2018 ◽  
Vol 9 (2) ◽  
pp. 215-228
Author(s):  
Lilyk Eka Suranny
Keyword(s):  
Cultural Heritage ◽  
Qualitative Method ◽  
Cultural Preservation ◽  
Educational Values ◽  
Economic Values ◽  
Artistic Value ◽  
The Arts ◽  
Wayang Kulit ◽  
Descriptive Qualitative

The art of puppet making known in the community with tatah sungging art. In current society the tatah sungging art increasingly marginalized by the development era. This study used descriptive qualitative method. Initially tatah sungging art in the Kepuhsari village carried by a puppeteer named Ki Guno Wasito which was later revealed to posterity who subsequently developed in the community of Kepuhsari village. Tatah sungging art in the making of the puppet is a combination of the tatah (chisel) and sungging (coloring). The values contained in the tatah sungging art that is the economic values, moral / educational values, cultural and artistic value, historical value and cultural preservation. This values are deeply embedded in society  ABSTRAKSeni pembuatan wayang dikenal dimasyarakat dengan seni tatah sungging. Dalam masyarakat saat ini seni tatah sungging semakin terpinggirkan akibat perkembangan jaman. Penelitian ini bertujuan untuk mendeskripsikan mengenai sejarah perkembangan seni tatah sungging di Desa Kepuhsari, teknologi pembuatan wayang kulit serta nilai-nilai yang terkandung dalam seni tatah sungging tersebut. Penelitian ini menggunakan metode deskriptif kualitatif. Awalnya seni tatah sungging di Desa Kepuhsari dibawa oleh seorang dalang bernama Ki Guno Wasito yang kemudian diturunkan ke anak cucunya dan selanjutnya berkembang di masyarakat Desa Kepuhsari. Seni tatah sungging dalam pembuatan wayang merupakan perpaduan dari tatah (pahat) dan sungging (mewarnai). Nilai-nilai yang terkandung dalam seni tatah sungging yaitu nilai ekonomi, nilai moral/edukatif, nilai seni dan budaya serta nilai historis dan pelestarian budaya. Nilai-nilai tersebut melekat dalam kehidupan bermasyarakat.

scholarly journals Spread the Voice! Digital Social Platforms as Conveyors of Innovation of Cultural Heritage in Europe

2021 ◽  
Vol 13 (22) ◽  
pp. 12455
Author(s):  
Mauro Baioni ◽  
Federico Ceschel ◽  
Paola Demartini ◽  
Lucia Marchegiani ◽  
Michela Marchiori ◽  
...  
Keyword(s):  
Cultural Heritage ◽  
Stakeholder Engagement ◽  
Future Research ◽  
Engagement Strategies ◽  
Marginalized Groups ◽  
The Arts ◽  
Exploratory Approach ◽  
Social Innovations ◽  
Key Dimensions

Digital social platforms (DSPs) are increasingly used to boost participation while giving a space for collaboration to wider audiences and marginalized groups of stakeholders. Considering that in the cultural heritage (CH) sector they are used as a possible booster of stakeholders’ participation and to foster innovation in practices related to CH management, the object of this study is to assess the stakeholder engagement strategies adopted by DSPs for CH from a network engagement perspective. The study takes stock of the main DSPs for CH in Europe and analyzes them through four key dimensions that distinguish different stakeholder engagement strategies (diffusion, accessibility, interactivity, and influence) to identify the alternative approaches to sustainable development based on social innovations adopted via these platforms. Following an exploratory approach, the research also delves into a specific case study (SoPHIA DSP), to deepen the understanding of if and how DSPs foster knowledge sharing among the different actors involved in a cultural project. Ultimately, this research provides a snapshot of the state of the arts on the literature and practices on DSPs, and outlines directions for future research, requesting for a longitudinal perspective to the framework and a vertical focus for consolidating the engagement strategies variables.

scholarly journals CHANGING SOCIAL VALUES AND MUSIC

2015 ◽  
Vol 3 (1SE) ◽  
pp. 1-2
Author(s):  
Suvarna Tawse
Keyword(s):  
Cultural Heritage ◽  
Social Life ◽  
Social Values ◽  
Social Value ◽  
Human Society ◽  
Special Effect ◽  
The Arts ◽  
Complex Emotions ◽  
The Social ◽  
Musical Traditions

Music is a symbolic symbol of artistic achievements and musical traditions of human society. Music is considered as the social cultural heritage of society.When memories, anxiety, malice, mental tension, emotion and complex emotions make social life monotonous and rooted, then the arts especially the music arts have a special effect on the social value of society. संगीत मानव समाज की कलात्मक उपलब्धियों एवं सांगीतिक परम्पराओं का मूर्तिमान प्रतीक है।संगीत समाज की सामाजिक सांस्कृतिक विरासत मानी जाती है।जब स्मृतियाँँ,चिन्ता,द्वेष,मानसिक तनाव,आवेष तथा जटिल भावना,सामाजिक जीवन को नीरस तथा जड़ बना देती है तब कलाएँ विषेषकर संगीत कला समाज व्यक्ति के सामाजिक मूल्य पर विषेष प्रभाव डालती है।

The Academic Theaters and the Fate of Soviet Artistic Pluralism, 1919-1928

Slavic Review ◽  
1992 ◽  
Vol 51 (3) ◽  
pp. 389-410 ◽  
Author(s):  
Richard G. Thorpe
Keyword(s):  
Cultural Heritage ◽  
Old Regime ◽  
Avant Garde ◽  
Central Topic ◽  
The Arts ◽  
Soviet Theater ◽  
The Revolution

While many studies of the early Soviet theater have focused upon its proletarian or revolutionary stages, in the polemics of that era a central topic of dispute was the so-called academic stage. The academic theaters of Moscow and Petrograd, which included the former imperial theaters as well as select representatives of the pre-revolutionary private stage, most notably the Arts and Kamernyi theaters, had no lack of critics or enemies in the years after October. The former court theaters were attacked as politically dangerous relics of the old regime, their artists were envied for their material privileges and status, their large budgets were coveted by less generously funded workers' and avant-garde stages, their art was condemned as conservative and out of harmony with the revolution and socialism. For Commissar of Education Anatolii Lunacharskii, however, these theaters were academies which would both preserve the best of the pre-revolutionary cultural heritage and provide standards of technical excellence against which more innovative theaters could be measured.

scholarly journals Creating Crystal Experiences MIR talks to Alexander Linder, Director Corporate Consumer and Market Insights (CCMI), Daniel Swarovski Corporation AG

2012 ◽  
Vol 4 (2) ◽  
pp. 52-57
Author(s):  
Christine Kittinger-Rosanelli
Keyword(s):  
Cultural Heritage ◽  
Central Europe ◽  
World Today ◽  
Everyday Lives ◽  
The Arts ◽  
The World ◽  
Corporate Consumer

Abstract This issue’s interview leads us into the radiant world of crystals and glamour. For more than a century, Swarovski has been generating radiance through precision cutting technology and the virtuous handling of light. The company’s richness of expression is rooted in the cultural heritage of Central Europe and its flair for forging links between the arts, science, and business. Throughout the world today, the name Swarovski stands for craftsmanship, meticulousness, quality, and creativity. Alexander Linder, Director of Corporate Consumer and Market Insights, shares with us how the Swarovski company “adds sparkle to people’s everyday lives”, a promise Swarovski aims to deliver to its consumers.

Sign in / Sign up

Export Citation Format

Share Document