scholarly journals EUROPE IN OUR BLOOD... About the Nadezhda Venediktova`s book Caesar and Venediktova. Cultural excavations

2021 ◽  
Vol 5 (4) ◽  
pp. 206-208
Author(s):  
M. V. Silantyeva
Keyword(s):  
World Literature ◽  
European Countries ◽  
Walk Away ◽  
The West ◽  
Late Autumn ◽  
French Enlightenment ◽  
Hands On ◽  
The World ◽  
Binary Oppositions ◽  
Way Of Thinking

Cultural Excavations by Nadezhda Venediktova were published in late autumn 2021, at the time most suitable for philosophical speculations. This way of thinking brings us close to a collapse that might equally turn out productive or catastrophic. Its anaemic academic manner stands out among full-blooded well-crafted literature of saturated and inspiring reality. Pandemic or not, we seek to know whether there is a need to distinguish between various cultures if at the end of the day people are still people. The author does not provide the answer but rather invites us to join a sophisticated mental game in fine textual decorations. And readers will walk away a little confused about simplicity of binary oppositions, and straightforwardness of the logic that a bored visitor so happily lays their hands on, eager and happy to get down to work. The book evolves around the topic of meeting thyself in different cultural surroundings. Sunlit essays bear the imprint of the bitter rationalism of the French enlightenment coupled with a weathered love of personal presence in the world. In her latest work, Nadezhda Venediktova ‘ambitiously comments on life’s creative abilities’. Vivid sketches entitled Passions for Europe may take place by a nameless lake in Zurich but remind readers of Michel Houellebecq’s concrete jungle, of Spengler’s mathematics. But nothing here speaks of The Decline of the West, under the author’s thoughtful gaze Europe comes to life fresh and real — a proverbial sphynx with its intriguing riddles. The author’s underworld meetings with the world literature alternate with colorful Italian landscapes. Vibrant images of friends are so true to life that remind of the immortality of soul. The soul of Europe is truly immortal and found across the continent — Italy, Britain, Austria, Germany, France, Greece, Switzerland, Spain — gave their name to the chapters but cannot be reduced to a dusty catalogue. Nadezhda Venediktova presents European countries through effortless florid metaphors. This what happens when Europe looks into the author’s soul, though it might look otherwise from an outside perspective.

Comparing Comparisons: Political Implications of Different Notions of Difference

2016 ◽  
Vol 13 (1) ◽  
pp. 7-26
Author(s):  
Glenn Odom
Keyword(s):  
Cultural Studies ◽  
World Literature ◽  
The West ◽  
Political Debates ◽  
Political Implications ◽  
The World ◽  
Critical Attention ◽  
David Damrosch ◽  
Location Point

With the rise of the American world literature movement, questions surrounding the politics of comparative practice have become an object of critical attention. Taking China, Japan and the West as examples, the substantially different ideas of what comparison ought to do – as exhibited in comparative literary and cultural studies in each location – point to three distinct notions of the possible interactions between a given nation and the rest of the world. These contrasting ideas can be used to reread political debates over concrete juridical matters, thereby highlighting possible resolutions. This work follows the calls of Ming Xie and David Damrosch for a contextualization of different comparative practices around the globe.

scholarly journals World Studies and Relational Comparison

PMLA ◽  
2015 ◽  
Vol 130 (2) ◽  
pp. 430-438 ◽  
Author(s):  
Shu-Mei Shih
Keyword(s):  
World Literature ◽  
World Music ◽  
The West ◽  
World Cinema ◽  
The World

A new kind of world studies is emerging. This is a world studies 2.0, since some forms of world studies, such as world literature, world music, and world cinema, have existed for some years in the humanities. These categories have been more narrowly defined and refer to literature, music, and cinema from places other than the West—that is, “the rest,” as seen from the West. In this vein, world literature has sometimes been euphemistically called “literature of the world at large,” conjuring a chase, if only halfhearted, after a world that somehow slipped away: at large.

scholarly journals Reception aesthetics in Vietnam

2013 ◽  
Vol 16 (2) ◽  
pp. 47-57
Author(s):  
Hieu Van Do
Keyword(s):  
World Literature ◽  
National Identities ◽  
The West ◽  
Local Literature ◽  
The World ◽  
Western Theory ◽  
Literature Theory ◽  
Effective Use ◽  
Important Basis ◽  
Reception Aesthetics

Reception aesthetics is a theory of literature which has exerted major impacts throughout the world from the late 1960s to the late 1980s in the West, espacially dymanically in China from the 1980s of the 20th century to the first decade of the 21st century. In Vietnam, although this theory was born quite early (1985), its mark is still not deeply engraved; thus a lot of potentials not having been discovered and utilized. Recreating the complete appearance of reception aesthetics in Vietnam and explaining the cause of that appearance is an important basis for discussion about the reception of foreign theory. How to make Vietnam literature theory integrated and successfully communicated with the world literature theory? How to make the most effective use of the Western theory in solving problems of the local literature? How to build a firm theory background imbued with national identities in the context of globalization? etc. are the author’s issues of great concerns.

scholarly journals THE PRINCIPLES OF ARTISTIC UNITY IN THE BOOKS BY Y. MORITS IN THE 2000S

2018 ◽  
pp. 178-183
Author(s):  
O. N. Vladimirov
Keyword(s):  
World Literature ◽  
Recent Decade ◽  
Current Paper ◽  
Universal Principle ◽  
Artistic Integrity ◽  
The World ◽  
Binary Oppositions ◽  
Poetic Vision ◽  
Different Levels

The current paper features the principles of artistic integrity in the books by Y. Morits published in the 2000s («Лицо», «Таким образом», «По закону – при- вет почтальону», «Рассказы о чудесном», «Сквозеро», «Ванечка» etc.). These works reveal such powerful semantic pairs as word and graphics, child and adult, temporal and eternal etc. They go back to the archetypal, mythological binary oppositions that are the results of cognition and methods of orientation and harmonization. In Moritz’s oeuvre these paired combinations display the author’s individual poetic vision of the world. The recurring motives of duplicity (duality) are connected with these binaries. The ratio of the components of these combinations is subdued to the universal principle for Morits’s oeuvre, i.e. the principle of anamorphosis (alternation, overflowing, reflection). This principle is embodied on different levels in her books and her ouevre in general. The complication of the principles of artistic integrity in Morits’s works created in the recent decade involves the deepening and widening of the contextual relations between these books, as well as with her previous works and with Russian and world literature and history in general.

Prevalence of Suicidal Ideation in Sri Lanka

Crisis ◽  
2010 ◽  
Vol 31 (1) ◽  
pp. 30-35 ◽  
Author(s):  
Sudath Samaraweera ◽  
Athula Sumathipala ◽  
Sisira Siribaddana ◽  
S. Sivayogan ◽  
Dinesh Bhugra
Keyword(s):  
Suicidal Ideation ◽  
Sri Lanka ◽  
General Population ◽  
Suicide Attempts ◽  
National Average ◽  
The West ◽  
Suicide Methods ◽  
Suicide Rates ◽  
Completed Suicide ◽  
The World

Background: Suicidal ideation can often lead to suicide attempts and completed suicide. Studies have shown that Sri Lanka has one of the highest rates of suicide in the world but so far no studies have looked at prevalence of suicidal ideation in a general population in Sri Lanka. Aims: We wanted to determine the prevalence of suicidal ideation by randomly selecting six Divisional Secretariats (Dss) out of 17 in one district. This district is known to have higher than national average rates of suicide. Methods: 808 participants were interviewed using Sinhala versions of GHQ-30 and Beck’s Scale for Suicidal Ideation. Of these, 387 (48%) were males, and 421 (52%) were female. Results: On Beck’s Scale for Suicidal Ideation, 29 individuals (4%) had active suicidal ideation and 23 (3%) had passive suicidal ideation. The active suicidal ideators were young, physically ill and had higher levels of helplessness and hopelessness. Conclusions: The prevalence of suicidal ideation in Sri Lanka is lower than reported from the West and yet suicide rates are higher. Further work must explore cultural and religious factors.

Psychology from Egyptian, Arab, and Islamic Perspectives

1997 ◽  
Vol 2 (4) ◽  
pp. 356-365 ◽  
Author(s):  
Fouad A-L.H. Abou-Hatab
Keyword(s):  
Professional Identity ◽  
21St Century ◽  
The West ◽  
Islamic Perspective ◽  
National Heritage ◽  
Western Psychology ◽  
The World ◽  
The One

This paper presents the case of psychology from a perspective not widely recognized by the West, namely, the Egyptian, Arab, and Islamic perspective. It discusses the introduction and development of psychology in this part of the world. Whenever such efforts are evaluated, six problems become apparent: (1) the one-way interaction with Western psychology; (2) the intellectual dependency; (3) the remote relationship with national heritage; (4) its irrelevance to cultural and social realities; (5) the inhibition of creativity; and (6) the loss of professional identity. Nevertheless, some major achievements are emphasized, and a four-facet look into the 21st century is proposed.

Searching for new Sources of growth. Are the Developing Countries Catching up with the Developed ones?

2015 ◽  
pp. 30-53
Author(s):  
V. Popov
Keyword(s):  
Developing Countries ◽  
Western Europe ◽  
Gdp Per Capita ◽  
The West ◽  
Catching Up ◽  
The Us ◽  
The World ◽  
Economic Divergence ◽  
Per Capita ◽  
Relative Standing

This paper examines the trajectory of growth in the Global South. Before the 1500s all countries were roughly at the same level of development, but from the 1500s Western countries started to grow faster than the rest of the world and PPP GDP per capita by 1950 in the US, the richest Western nation, was nearly 5 times higher than the world average and 2 times higher than in Western Europe. Since 1950 this ratio stabilized - not only Western Europe and Japan improved their relative standing in per capita income versus the US, but also East Asia, South Asia and some developing countries in other regions started to bridge the gap with the West. After nearly half of the millennium of growing economic divergence, the world seems to have entered the era of convergence. The factors behind these trends are analyzed; implications for the future and possible scenarios are considered.

Indonesian Literature’s Position in World Literature

TEKNOSASTIK ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 1
Author(s):  
Dina Amelia
Keyword(s):  
World Literature ◽  
The Other ◽  
National Literature ◽  
Western World ◽  
The World ◽  
The One ◽  
The Voice

There are two most inevitable issues on national literature, in this case Indonesian literature. First is the translation and the second is the standard of world literature. Can one speak for the other as a representative? Why is this representation matter? Does translation embody the voice of the represented? Without translation Indonesian literature cannot gain its recognition in world literature, yet, translation conveys the voice of other. In the case of production, publication, or distribution of Indonesian Literature to the world, translation works can be very beneficial. The position of Indonesian literature is as a part of world literature. The concept that the Western world should be the one who represent the subaltern can be overcome as long as the subaltern performs as the active speaker. If the subaltern remains silent then it means it allows the “representation” by the Western.

Experiment role in the world music (based on the «The Road» album of the Ukrainian «Dakha Brakha» band)

2018 ◽  
pp. 215-227
Author(s):  
Iia Fedorova
Keyword(s):  
Folk Music ◽  
World Music ◽  
The Other ◽  
Modern Music ◽  
Musical Practice ◽  
The Road ◽  
Music Practice ◽  
The World ◽  
Binary Oppositions ◽  
Musical Practices

The main objective of this study is the substantiation of experiment as one of the key features of the world music in Ukraine. Based on the creative works of the brightest world music representatives in Ukraine, «Dakha Brakha» band, the experiment is regarded as a kind of creative setting. Methodology and scientific approaches. The methodology was based on the music practice theory by T. Cherednychenko. The author distinguishes four binary oppositions, which can describe the musical practice. According to one of these oppositions («observance of the canon or violation of the canon»), the musical practices, to which the Ukrainian musicology usually classifies the world music («folk music» and «minstrel music»), are compared with the creative work of «Dakha Brakha» band. Study findings. A lack of the setting to experiment in the musical practices of the «folk music» and «minstrel music» separates the world music musical practice from them. Therefore, the world music is a separate type of musical practice in which the experiment is crucial. The study analyzed several scientific articles of Ukrainian musicologists on the world music; examined the history of the Ukrainian «Dakha Brakha» band; presented a list of the folk songs used in the fifth album «The Road» by «Dakha Brakha» band; and showed the degree of the source transformation by musicians based on the example of the «Monk» song. The study findings can be used to form a comprehensive understanding of the world music musical practice. The further studies may be related to clarification of the other parameters of the world music musical practice, and to determination of the experiment role in creative works of the other world music representatives, both Ukrainian and foreign. The practical study value is the ability to use its key provisions in the course of modern music in higher artistic schools of Ukraine. Originality / value. So far, the Ukrainian musicology did not consider the experiment role as the key one in the world music.

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