scholarly journals Концепция Си Цзиньпина "сообщество единой судьбы человечества" – вклад в творческое развитие марксизма в XXI веке

2020 ◽  
pp. 104-112
Author(s):  
A. V. Boyarkina ◽  
V. F. Pecheritsa
Keyword(s):  
Political Culture ◽  
Cultural Values ◽  
Point Of View ◽  
Marxist Theory ◽  
New Era ◽  
Effective Development ◽  
The Ancient Chinese ◽  
Chinese Political Culture ◽  
Relationship Of ◽  
Structural Methods

. Концепция Си Цзиньпина "сообщества единой судьбы человечества" (СЕСЧ) является одной из главных философско-дипломатических стратегий КНР в новой эпохе. Цель статьи – показать, каким образом "сообщество единой судьбы человечества" связано с древнекитайскими концепциями политической культуры и марксистской философией. Использованы исторический и структурный методы политологии. Новизна ис- следования состоит в том, что СЕСЧ творчески развивает теорию марксизма, которая отражает взгляд на мир и человечество с точки зрения стран и народов, их культуры и религии. Проанализирована взаимосвязь марксистской теории с политической культурой Китая, основанной на традициях, китайских историко-культурных ценностях. Историко-культурное наследие Поднебесной обогащает и современную политическую культуру Китая, роднит её с марксизмом. Xi Jinping’s concept a community with a shared future for mankind is one of the significant Chinese philosophical and diplomatic strategies in the new era. The purpose of the article is to show how a community with a shared future for mankind is bound with the ancient Chinese concepts of political culture and Marxist philosophy. The authors use the historical and structural methods of political science. The novelty of the study is that the concept creatively develops Marxism, which reflects a view of the world and humanity from the point of view of countries and peoples, their culture and religion. There has been analyzed the relationship of Marxist theory with the political culture of China, based on Chinese traditions, historical and cultural values. The Chinese concept of a community with a shared future for mankind, enriched by Marxist principles, shows the interconnectedness and interdependence in the effective development of large and small countries, opens up the ways of resolving conflicts peacefully for the peoples and governments of various states, leads humanity to a universal prosperity. Chinese historical and cultural heritage enriches the modern Chinese political culture and makes it similar to Marxism.

scholarly journals Chinese researchers on philosophy and culture ground of Xi Jinping’s concept of a community with a shared future for mankind

2020 ◽  
Vol 3 ◽  
pp. 128-140
Author(s):  
A. V. Boyarkina
Keyword(s):  
Political Culture ◽  
21St Century ◽  
Point Of View ◽  
Global Environment ◽  
Marxist Philosophy ◽  
Xi Jinping ◽  
Methods Of Analysis ◽  
The World ◽  
National Congress ◽  
Structural Methods

The concept of Xi Jinping "a community with a shared future for mankind" put forward at the 18-th National Congress in 2012, is one of the main Chinese philosophical and diplomatic strategies in the 21st century. The purpose of the article is to analyze Chinese academics’ ideas on philosophical and cultural ground of "a community with a shared future for mankind". The historical and structural methods of analysis are used. The novelty of the study is that the concept, in the author’s opinion, creatively develops Marxism, which reflects a view on the world and humanity from the point of view of countries and peoples, their culture and religion. The concept is focused on improving the life of mankind and preserving global environment. The author shows that this concept is bound with the ancient strategies of political culture and Marxist philosophy.

The Concept of cultural values from the Philosophical point of view

2021 ◽  
pp. 105-109
Author(s):  
A.V. Grishchuk ◽  
Keyword(s):  
Cultural Values ◽  
Intercultural Communication ◽  
Social System ◽  
Point Of View ◽  
The Social ◽  
Development Of Language ◽  
The Individual ◽  
Relationship Of ◽  
The Relationship

The article describes the meaning of the philosophical category of “values”, its integration with culture, the role and significance of cultural values, the formation of a culture of being, examples of interpretations of philosophers of the 19th and 20th centuries are given. The categories of objects that are cultural values are highlighted. Also, the article discusses in detail the axiological approaches in philosophy and highlights several facts that deserve special attention. While working with this article, we come to the conclusion that the “Axiological Turn” describes in great detail the relationship of people, both just one-on-one with each other, and with a group, with society. The key moment in this event is the development of such forms of thinking inherent in culture and man, which will help maintain good relationships with the environment, with nature, with society. The “axiological turn” helps people to understand the importance of feeling a part of society and how important the development of language is as a means of intercultural communication. “Axiological turn” describes culture as an integral composite phenomenon, consisting of independent elements, but related to each other. All these elements are characteristic of any group of people and are one of the main sources of communication, self-identification and also the integration of the individual into the social system.

POLIVARIABILITY OF THE BASTARD MOTIF IN THE SHORT STORIES BY GUY DE MAUPASSANT: CHARACTER IN SEARCH OF SELF-IDENTIFICATION

2018 ◽  
pp. 20-27
Author(s):  
Oksana Galchuk
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Social Institutions ◽  
Point Of View ◽  
Guy De Maupassant ◽  
Traditional Values ◽  
The Social ◽  
Role Of It ◽  
Structural Methods

The theme of illegitimacy Guy de Maupassant evolved in his works this article perceives as one of the factors of the author’s concept of a person and the plane of intersection of the most typical motifs of his short stories. The study of the author’s concept of a person through the prism of polivariability of the motif of a bastard is relevant in today’s revision of traditional values, transformation of the usual social institutions and search for identities, etc. The purpose of the study is to give a definition to the existence specifics of the bastard motif in the Maupassant’s short stories by using historical and literary, comparative, structural methods of analysis as dominant. To do this, I analyze the content, variability and the role of this motive in the formation of the Maupassant’s concept of a person, the author’s innovations in its interpretation from the point of view of literary diachrony. Maupassant interprets the bastard motif in the social, psychological and metaphorical-symbolic sense. For the short stories with the presentation of this motif, I suggest the typology based on the role of it in the structure of the work and the ideological and thematic content: the short stories with a motif-fragment, the ones with the bastard’s leitmotif and the group where the bastard motif becomes a central theme. The Maupassant’s interpretation of the bastard motif combines the general tendencies of its existence in the world’s literary tradition and individual reading. The latter is the result of the author’s understanding of the relevant for the era issues: the transformation of the family model, the interest in the theory of heredity, the strengthening of atheistic sentiments, the growth of frustration in the system of traditional social and moral values etc. This study sets the ground for a prospective analysis of the evolution the bastard motif in the short-story collections of different years or a comparative study of the motif in short stories and novels by Maupassant.

Online Relationship Marketing to Customer Loyalty Based on Signaling Theory (Evidence of Bank Customers in Indonesia)

2020 ◽  
Vol 11 (1) ◽  
pp. 127-127
Author(s):  
Wenny Pebrianti ◽  
Wenseslaus Tanwira ◽  
Ahmadi
Keyword(s):  
Relationship Marketing ◽  
Customer Loyalty ◽  
Financial Services ◽  
Signaling Theory ◽  
Cellular Communication ◽  
Place And Space ◽  
New Era ◽  
Online Trust ◽  
Marketing Activities ◽  
Relationship Of

The internet has changed people's way of life, especially in dealing a transaction. Indonesian banking entered a new era since 2000 when banks in Indonesia began implementing electronic banking or e-banking systems. Integrating cellular communication technology and banking financial services is changing people's lifestyles to be more flexible in making it easier for users to access banking financial services without being hindered by time, place and space. The same integration also occurs in relationship marketing strategies and cellular communication technologies that make it easy for companies to be able to reach and provide the best service to their consumers. This study wants to reveal the relationship of interactivity and engagement which is an activity of Online Relationship Marketing at a bank to be able to understand consumers in order to create customer loyalty with online trust as mediation.Based on the above background, the problem in this study is "Does Online Relationship Marketing activities such as engagement and interactivity affect customer loyalty either through online trust as mediation or not?" Keywords: engagement, interactivity, online trust, customer loyalty, signaling theory

THE GENDER IMPLEMENTATION OF THE “POWER” FRAME IN SHAKESPEARE’S TRAGEDY “MACBETH”

2020 ◽  
Vol 6 (2) ◽  
pp. 19-36
Author(s):  
Ekaterina A. LOBANOVA
Keyword(s):  
Main Idea ◽  
Point Of View ◽  
Integrative Approach ◽  
Discursive Analysis ◽  
Historical Text ◽  
Gender Characteristics ◽  
And Gender ◽  
Linguistic Methods ◽  
Relationship Of ◽  
The Relationship

This article studies the cognitive features of the “power” frame and its gender implementation in the historical tragedy by W. Shakespeare “Macbeth”. Here, the author examines the concepts of “frame” and “gender” in linguistics, studying different approaches to their definition. The relevance of this work is determined by the close attention of the contemporary linguistics to these concepts, as well as their place in the contemporary academic paradigm. The academic affirmation of the “frame” and “gender” concepts designates a new step in understanding the ways and peculiarities of the language interaction, consciousness, and culture, and, consequently, it shows new aspects of the relationship of linguistics with other sciences. Nevertheless, the problems of both frame and gender are not yet fully understood. This study allows describing in detail the essence of the frame “power” and showing its meaning, use, and ways of its gender implementation in fiction, which explains the novelty of this article. The study’s methodology is based on the cognitive-discursive analysis of the text, as well as on an integrative approach to the discourse study, which combines methods of both cognitive and gender linguistics, as well as the discourse analysis. Common research methods were used along with private linguistic methods. The application of cognitive-discursive analysis has significantly increased the depth of understanding of the “power” frame that dominates Shakespeare’s historical tragedy. This historical text presents the central theme of political tragedy: the overthrow of the rightful ruler and the usurpation of power. The motive for the seizure of power forms a thematic core and is presented from the usurpers’ point of view. In this article, the author observes the gender shift and duality of the female and male beginnings: Shakespeare puts the female protagonist, hungry for power, among men, thus the images of Lady Macbeth and her husband come into conflict with the gender characteristics attributed to them. The play clearly traces the main idea of Machiavellianism: the goal justifies the means. The results conclude that the “power” frame is the leading one in Lady Macbeth’s monologue, thus setting one of the main themes of this tragedy.

The Study of Chinese Political Culture

1966 ◽  
Vol 18 (3) ◽  
pp. 503-524 ◽  
Author(s):  
John W. Lewis
Keyword(s):  
Political Culture ◽  
Cross Section ◽  
Scholarly Publication ◽  
Communist China ◽  
The Individual ◽  
Chinese Political Culture

These seven recent works typify a cross section of scholarly publication on the Chinese People's Republic, its history, present operation, and prospects. Taken together, they provide the basis for some remarks on the study of Chinese “political culture.” Rather than attempt a full review of the individual works, this brief article will examine some of their assumptions and indirectly comment on the literature they represent. Each book reflects a prodigious scholarly effort and has received in various other journals a complete appraisal of its intellectual value. In general it may be fairly said that these volumes do not constitute significant breakthroughs of knowledge. They do, however, bring together and analyze important bodies of data on Communist China.

scholarly journals TEMA CINTA DALAM NOVEL SHIOSAI KARYA MISHIMA YUKIO

IZUMI ◽  
2017 ◽  
Vol 6 (1) ◽  
pp. 45
Author(s):  
Zaki Ainul Fadli ◽  
Nur Hastuti
Keyword(s):  
Literary Work ◽  
Major Theme ◽  
Mishima Yukio ◽  
Relationship Of ◽  
Structural Methods

This paper is titled Theme of Love in Mishima Yukio’s Shiosai. The purpose of writing is to reveal the major themes in Mishima Yukio's Shiosai and its relationship to other structures, especially figures and characters, plots and backgrounds. The analysis uses structural methods that have the concept that in a building of a literary work consists of interrelated and inseparable structures. The results of this paper indicate that the theme of love is a major theme that is evidenced by the correlation and relationship of love problems with other structures, especially figures and characterizations, plot, and background.

scholarly journals Edogawa Rampo’s short story Kagami Jigoku: A Structural Study

KIRYOKU ◽  
2020 ◽  
Vol 4 (1) ◽  
pp. 7-17
Author(s):  
Yuliani Rahmah
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Japanese Society ◽  
Modern Technology ◽  
Point Of View ◽  
The Other ◽  
Cultural Aspects ◽  
Analysis Process ◽  
Structural Methods ◽  
Modern Era

The purpose of this research is to analyze the intrinsic elements found in the short story Kagami Jigoku by Edogawa Rampo. By using structural methods the analysis process  find out the intrinsic elements which builds  the Kagami Jikoku short story. As a result it is known that the Kagami Jikoku is a short story with a mystery theme as the hallmark of Rampo as its author. The characteristic of this short story can be seen from the theme which raised the unusual obsession problem of the main characters. With the first person point of view which tells in unusual way from the other short stories, the regression plot in Kagami Jikoku is able to tell the unique phenomenon of Japanese society and its modern technology through elements of place, time and socio-cultural aspects of Japanese society in the modern era

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