scholarly journals PENERAPAN METODE DIAGRAM SEBAGAI BAHASA PADA TRANSFORMASI GUBAHAN MASSA RUANG SOSIAL INTERKULTURAL SEBAGAI TEMPAT KETIGA DI KELURAHAN SELONG

2020 ◽  
Vol 2 (2) ◽  
pp. 1587
Author(s):  
Rivanto Rivanto ◽  
Suwardana Winata
Keyword(s):  
Social Distance ◽  
Performing Arts ◽  
Social Space ◽  
Transformation Process ◽  
Mass Composition ◽  
Shape Transformation ◽  
Diagram Method ◽  
The People ◽  
The Social ◽  
Space Project

Intercultural Social Space is a space that designed in response to the social distance that occurs in the Selong Village, Kebayoran Baru, South Jakarta. It's located on Senopati street. Demographically, this site divides the dominance of function and figures within the area. This increasing the social distance between the neighborhood and the character of the people who have the cultural diversity. So, this needs a space as a dwelling in the area.  So that, it increase relations and social interactions activities between neighborhood in the Selong Village. This project was designed for a space that facilitate the ongoing social interaction activities between neighborhood in the Selong Village. Performing arts is used as a program, whether it's for learning or for watching theatre , dance or music performances. Which, indirectly will bring up the method of trialogical learning of interactions that occur between figures in the Intercultural Social Space. The performing arts program was appointed as a concept of shape transformation. Specifically, the ballet that is used as a medium for the formation of mass compositions. This because, dance in the design project program is the basis of the performing arts, namely motion. Ballet used as a form of medium shape transformation because ballet is a dance that influences other dances globally and it's related to intercultural issues. The motion in the dance is translated into Laban notation, then it's deconstructed, superimposed, and it's adjusted with the program, to get a mass composition that has a suitability of sturdiness, and the success of the building in fulfilling the function of it's activities, as well as it's aesthetics. Therefore, the diagram method is used to facilitate the delivery of information from the elaboration of the shape transformation process that occurs in the Intercultural Social Space project as a third place in Selong Village.Keywords: dance; demographic; diagram; dwelling; neighborhoodAbstrakRuang Sosial Interkultural merupakan suatu wadah yang dirancang sebagai respon dari adanya jarak sosial yang terjadi di Kelurahan Selong, Kebayoran Baru, Jakarta Selatan. Lokasi tapak perancangan berada di jalan Senopati. Secara demografis, jalan ini “membagi” dominasi fungsi dan figur di dalam kawasan tersebut. Hal ini membuat jarak sosial yang semakin meningkat antar neighborhood dengan karakter masyarakat yang memiliki keberagaman budaya. Sehingga, diperlukannya suatu wadah sebagai dwelling pada kawasan tersebut. Agar, meningkatnya relasi dan kegiatan interaksi sosial antar neighborhood di Kelurahan Selong. Proyek ini dirancang sebagai wadah yang memudahkan berlangsungnya kegiatan interaksi sosial antar neighborhood di Kelurahan Selong. Media seni pertunjukan digunakan sebagai program, baik itu pembelajaran maupun menyaksikan pertunjukan teater, tari maupun musik. Dimana, secara tidak langsung akan memunculkan metode pembelajaran trialogis dari interaksi yang terjadi antar figur di dalam Ruang Sosial Interkultural. Program seni pertunjukan diangkat sebagai konsep transformasi bentuk. Yaitu, tarian balet yang digunakan sebagai media pembentukan komposisi massa. Hal ini dikarenakan, tarian dalam program proyek perancangan menjadi dasar dari program seni pertunjukan, yaitu gerak. Tarian balet digunakan sebagai media transformasi bentuk dikarenakan balet menjadi tari yang berpengaruh pada tarian lain secara global dan kaitannya dengan isu interkultural. Gerak dalam tarian diterjemahkan kedalam notasi laban, kemudian dilakukan dekonstruksi, superimposisi, dan penyesuaian dengan program, hingga mendapatkan komposisi massa yang memiliki kesesuaian kekokohan, keberhasilan bangunan dalam memenuhi fungsi kegiatannya, serta aspek keindahannya. Oleh karena itu, metode diagram digunakan untuk mempermudah penyampaian informasi dari proses transformasi bentuk yang terjadi pada proyek Ruang Sosial Interkultural sebagi tempat ketiga di Kelurahan Selong.

scholarly journals Kesantunan dalam Ritual Pernikahan Masyarakat Hindu-Bali; Kajian Etnopsikolingustik Religius

2020 ◽  
Vol 4 (1) ◽  
pp. 51
Author(s):  
Kadek Devi Kalfika Anggria Wardani
Keyword(s):  
Social Distance ◽  
The People ◽  
Observation Methods ◽  
The Social ◽  
Politeness Strategies ◽  
Hindu Community ◽  
The Difference ◽  
Traditional Marriage ◽  
The Relationship ◽  
Speech Situation

The study which is descriptive qualitative in nature, aims to investigate preference of politeness strategies by Balinese Hindu-community in traditional marriage ritual. Data was collected using interview and observation methods. Based on the results of data analysis, this research shows that the form of politeness that arises can be seen in terms of place, time, to the leaders of the people, during preparation, implementation, disclosure of the relationship with the Almighty, and after the completion of the ritual. The different forms of politeness that emerge can be seen from the use of Balinese in various levels which are adjusted to the social distance and speech situation. Besides being seen from the use of language, linguistic politeness is also evident from the attitude, intonation, and tone of the speaker. The difference in the form of politeness is intentionally raised to cause certain psychological impacts on the interlocutor.

Marriage, Social Distance and the Social Space:

Sociology ◽  
2003 ◽  
Vol 37 (3) ◽  
pp. 397-411 ◽  
Author(s):  
Kenneth Prandy ◽  
Paul Lambert
Keyword(s):  
Social Distance ◽  
Social Space ◽  
The Social

Support for conditional unemployment benefit in European countries: The role of income inequality

2018 ◽  
Vol 29 (4) ◽  
pp. 498-514
Author(s):  
Renzo Carriero ◽  
Marianna Filandri
Keyword(s):  
Income Inequality ◽  
Social Distance ◽  
Public Support ◽  
Welfare Recipients ◽  
Unemployment Benefit ◽  
The People ◽  
The Social ◽  
European Values ◽  
Country Analysis ◽  
The Unemployed

This article investigates attitudes towards the conditionality of benefits targeted to a specific needy group, the unemployed, and analyses their relationship with the structure of income inequality. The focus is on the deservingness of welfare recipients. The public seems to use five criteria to define deservingness and, consequently, the conditionality to which public support is subjected: need, attitude (i.e. gratefulness), control (over neediness), reciprocity (of giving and receiving) and identity, that is the similarity or proximity between the providers of public support (the taxpayers) and the people who should receive it. People’s willingness to help depends on how close they consider benefit recipients to be to themselves (i.e. the extent to which they belong to the same in-group). The identity criterion is the main object of our investigation. We argue that the operation of this criterion at the micro-level can be affected by macro-level variables. Specifically, we focus on different measures of the structure of income inequality which are indicators of the social distance between welfare recipients and taxpayers. Based on data from three waves of the European Values Study (1990–2008) collected in 30 countries, the study offers a comparative and longitudinal analysis. The picture emerging from the within-country analysis – which removed much of the between-country heterogeneity − shows that when the social distance grows, it is more difficult for the majority of citizens (upper and middle classes) to identify with the unemployed.

scholarly journals Pilar-Pilar Eksistensi Dan Keberlanjutan Kampung Kramat: Kampung Tematik Di TPU Kasin Kota Malang

2019 ◽  
Vol 4 (2) ◽  
pp. 58
Author(s):  
Antonio Heltra Pradana
Keyword(s):  
Social Life ◽  
Phenomenological Approach ◽  
Transformation Process ◽  
The Other ◽  
The People ◽  
The Social ◽  
Life Pattern ◽  
The Village ◽  
The Way

Di Kota Malang terdapat kampung tematik di TPU Kasin yaitu kampung Kramat.Kampung ini telah ada sejak 50 tahun lalu dan dulu dikenal sebagai kampung pelarian. Tujuan dari penelitian ini adalah untuk mencari tahu tentang pola kehidupan social masyarakat Kampung Kramat, dengan mendalami hal-hal terkait cara masyarakat kampung Kramat bertahan hidup ditengah-tengah lingkungan pemakaman, pola hubungan antara masyarakat yang satu dengan yang lain di Kampung Kramat, proses transformasi Kampung Kramat dari Kampung pelarian menjadi Kampung tematik dan basis keberadaan dan keberlanjutan Kampung Kramat. Metode yang digunakan dalam penelitian ini adalah deksriptif-induktif-kualitatif dengan pendekatan fenomenologi. Pendekatan ini digunakan untuk menggali konsep warga Kampung Kramat bertahan hidup dan cara mereka mempertahankan kampungnya hingga sekarang menjadi kampung tematik. Hasilnya, kampung dapat bertahan keberadaannya karena memiliki konsep meruang-berkehidupan yang kontekstual-kompleks. Konsep-konsep ini menjadi pilar-pilar penyokong keberadaan dan keberlanjutan Kampung Kramat. Adanya studi ini diharapkan dapat menjadi pertimbangan khusus mengenai arahan pemberdayaan kampung kota melalui konsep tematik agar dapat lebih mengena dan berdaya guna. Khususnya bagi kampung yang terletak di area pemakaman. Abstract:  In Malang regency, there is a thematic village in TPU Kasin namely Kramat Village. This village has existed since 50 years ago and was once known as an escape village. The purpose of this research is to find out about the social life pattern of the people of Kampung Kramat, by exploring the things related to the way the village of Kramat survive amid the  funeral environment, the pattern of relationship between Community that is one with the other in Kampung Kramat, the transformation process of Kampung Kramat from the runaway village becomes the thematic village and base of the existence and sustainability of Kampung Kramat. The method used in this research is a-inductive-qualitative dexsriptif with a phenomenological approach. This approach is used to excavate the concept of villagers survive and the way they defend their village is now a thematic village. As a result, the village can survive its existence because it has a contextual-complex living concept. These concepts are the pillars of the existence and sustainability of Kampung Kramat. The existence of this study is expected to be a specific consideration of the direction of empowerment of village city through thematic concept to be more effective and effective. Especially for the village located in the burial area.

scholarly journals Social reproduction of generations in the face of digital challenges

2021 ◽  
Vol 273 ◽  
pp. 10022
Author(s):  
Oleg Sirotkin ◽  
Raisa Chumicheva ◽  
Irina Kulikovskaya ◽  
Liudmila Kudinova
Keyword(s):  
Cultural Values ◽  
Inclusive Education ◽  
Social Reproduction ◽  
Social Space ◽  
Historical Memory ◽  
Modern Society ◽  
Virtual Space ◽  
The People ◽  
The Social ◽  
Intergenerational Ties

The article describes the global processes that are transforming the world (migration and integration processes, inclusive education, digitalization of education, socio-psychological gap between generations, etc.). Global tendencies have changed the social space of people's life - “cultural gaps”, “social bottom”, “spiritual crisis of parent-child relations and intergenerational ties”, etc. have appeared, as modern challenges of society, affecting the social reproduction of generations. The problem of social reproduction, the significance of which is associated with the need for the development of sociality, the construction of the social world in the event chronotope, has been actualized; preservation of the social and historical memory of the people, the self-identity of the national community, the “core” of the spiritual image of the nation, etc. A powerful challenge in modern society is digitalization, which has changed the forms of communication and social roles, created a new virtual space for self-presentation, self-expression, while the risk is the loss of cultural identity, blurring the lines between generations, etc. The article presents the mechanisms of integration of traditional and digital technologies of social reproduction of generations, the difference of which lies in the actualization of children's interest in the historical and cultural values of the people, in the organization of joint activities to create virtual historical museums, etc. Social reproduction of generations is a complex and long-term process, the success of which depends on the unity of activities in the professional, parenting and children's community.

scholarly journals Gündelik Nesnenin Sanatsal Dönüşümü: Sıradan Nesnelerin Sanat Eserine Dönüşüm Süreci Üzerine Sosyolojik Bir Değerlendirme / Artistic Transformation of Casual Objects: A Sociological Evaluation on the Process of Transformation of Ordinary Objects into Art

2018 ◽  
Vol 7 (5) ◽  
pp. 524
Author(s):  
Hasan Sankır
Keyword(s):  
Social Context ◽  
Social Space ◽  
Active Role ◽  
Transformation Process ◽  
Ordinary Object ◽  
Ordinary Objects ◽  
Cultural Character ◽  
Art Objects ◽  
The Social

<p><strong>Abstract</strong></p><p>All products in the art field have a cultural character and reflect the characteristics of the social space in which they are situated. Objects have no meaning in their own rights and all objects, including art objects, acquire its meaning through social construction. In this respect, the meaning of artwork is symbolic and conceptual. The purpose of this work is to reveal how and by what conditions ordinary objects are transformed into artworks by artists. It is aimed to determine which social mechanisms take place in the process of artistic transformation of objects and what the role of social space and artists is in the construction and operation of these mechanisms. For this purpose, the study is composed of two parts. In the first part, how social context of an artwork is being constructed and according to this context how an object and space acquire artistic meaning have been set forth through semiotics approach. In the second part, an approach to the artistic transformation of an ordinary object through the role of artist and construction of social context with the examples selected from the art history have been put forward. In this section, the "bed" was chosen as the ordinary object and a discussion was made about the transformation process of the bed into a work of art through the work of Tracy Emin's "My Bed". As a result of the study, it was understood that ordinary objects have their own unique cultural spaces, and that they have an active role in the social context in which these objects have their meaning. Through the action of the artist towards an artistic goal, it has been specified that at the end of processes such as the removal of an ordinary object from the cultural space and its isolation from its functions, it is possible to change its social context and corresponding meaning. After this process, it has become possible to evaluate the object as an art work with the expansion of its meaning by turning it into an indicator.</p><p><strong>Öz</strong></p><p>Sanat alanındaki tüm üretimler kültürel bir nitelik taşır ve içerisinde yer aldığı sosyal alanın karakteristiklerini yansıtırlar. Nesnelerin kendi başına anlamları yoktur ve sanat nesneleri de dahil her türlü nesne anlamını toplumsal inşa süreciyle kazanır. Bu bakımdan sanat eserinin anlamı sembolik ve kavramsaldır. Bu çalışmanın amacı sıradan nesnelerin sanatçılar tarafından sanat eserine nasıl ve hangi koşullarda dönüştürüldüğünün ortaya konmasıdır. Nesnelerin sanatsal dönüşümü sürecinde hangi sosyal mekanizmaların yer aldığı ve bu mekanizmaların inşası ve işleyişinde sosyal mekânın ve sanatçının rolünün ne olduğunun belirlenmesine yöneliktir. Bu amaçla çalışma iki kısma ayrılmıştır. Birinci kısımda sanat alanında bir nesnenin sosyal bağlamının nasıl inşa edildiği ve bu bağlama göre nesnenin ve mekânın nasıl sanatsal bir anlam kazandığı göstergebilim yaklaşımı üzerinden ortaya konulmuştur. İkinci kısımda ise sanat tarihinden seçilen örneklerle sosyal bağlamın inşası ve sanatçının rolü üzerinden sıradan bir nesnenin sanatsal dönüşümüne yönelik bir yaklaşım ortaya konulmuştur. Bu kısımda sıradan nesne olarak “yatak” seçilmiş ve Tracy Emin’ in “My Bed” (benim yatağım) isimli çalışması üzerinden yatağın sanat eserine dönüşüm sürecine yönelik bir tartışma gerçekleştirilmiştir. Çalışmanın sonucunda sıradan nesnelerin kendilerine özgü kültürel mekânlarının olduğu ve bu mekânların nesnelere yönelik anlamın ortaya çıkmasını sağlayan sosyal bağlamın inşasında etkin bir role sahip olduğu anlaşılmıştır. Sanatsal bir hedefe yönelmiş olan sanatçının eylemselliği aracılığıyla sıradan bir nesnenin kültürel mekânı dışına çıkartılması ve işlevlerinden soyutlanması gibi süreçler sonucunda sosyal bağlamının ve buna bağlı olarak anlamının değiştirilmesinin mümkün olduğu belirlenmiştir. Bu süreç sonrasında nesnenin göstergeye dönüşerek anlamının genişlemesiyle birlikte sanat yapıtı olarak değerlendirilmesinin imkanlı hale geldiği görülmüştür.</p>

scholarly journals Penciptaan Pertunjukan Teater Banowati Sang Pelakor Sebuah Implementasi metode Penyutradaan Augusto Boal

2019 ◽  
Vol 16 (1) ◽  
Author(s):  
Wahid Nurcahyono
Keyword(s):  
Performing Arts ◽  
Social Phenomenon ◽  
Augusto Boal ◽  
Work Of Art ◽  
Social Barriers ◽  
Political Reality ◽  
The People ◽  
Mutual Awareness ◽  
The Social ◽  
The Mind

A work of art should not only be a means to entertain, but can be broader and penetrate political and social barriers. Call it Augusto Boal, a Brazilian man who grew up in Rio de Janeiro. he experimented where he suggested different actions for the characters in the show who were subjected to oppression, and the actors who played the characters then made audience suggestions. With the experiments he did, he was able to uncover the thoughts of the people to the deepest niches that were often not spoken verbally about the position of those who were oppressed by the social and political reality in their place. Through this kind of theater, it would be interesting if the writer tries to reveal a social phenomenon that has multiple interpretations about who is blamed if there is a case of infidelity. With this kind of theater, the audience as well as the actors will be aware of the background or motivation of someone in the position of the victim or those who take advantage. This time's creation was intended to explore the possibility of the function of a show in people's lives. Problems that were originally complicated and tended to be deadlocked to be solved by playing theater directly. What needs to be considered for the creators of performing arts is that art is able to provide its own offer to communicate openly and break down the dividing walls of the mind in a segmented society so as to provide mutual awareness. Keyword : Theater, Opressed, Comunication, Awareness

scholarly journals Social Distancing Detection Using Open CV and Yolo Object Detector

2021 ◽  
Vol 7 (01) ◽  
pp. 93-95
Author(s):  
Akanksha Shukla, IshaniGarkoti, Amisha Mittal Binit Choudhary and Dr. Preety Verma Dhaka
Keyword(s):  
Social Distance ◽  
Video Stream ◽  
Public Places ◽  
Social Distancing ◽  
Human Contact ◽  
The People ◽  
The Social ◽  
The World ◽  
Entire World

Lately, social distancing has become a trending term, more because of the COVID-19 pandemic that has affected the entire world causing more than 1 million deaths. The world we lived in a few months prior is completely different from what it is now.The lack of any antidotes and the absence of immunity, capable of fighting off the virus has made humans more undefended. Hence, Social Distancing is the only best option for us to protect ourselves from diseases, not limited to COVID-19, that may be transmitted through human contact. Social distancing is a technique that may be used to reduce the rate of new cases during a pandemic outbreak. This publication is focusing on surveillance of public places and detecting whether the people are maintaining social distancing or not. It explains the development of technology through the use of AI-based procedures to detect whether the social distancing norm is followed or not, in any public video stream. The software embedded can distinguish between a person maintaining social distance (marked green) and a person who is not (marked red) and will also keep a count of incidents where social distancing was not followed.

scholarly journals ‘Enemies of the people’: Populism and the politics of (in)security

2019 ◽  
Vol 5 (1) ◽  
pp. 5-24
Author(s):  
Thorsten Wojczewski
Keyword(s):  
Social Space ◽  
Popular Sovereignty ◽  
Discursive Practice ◽  
The People ◽  
The Social ◽  
Theoretical Assumptions ◽  
Politics Of Fear ◽  
The Relationship ◽  
Referent Object

AbstractPopulists are on the rise across the globe and claim to speak on behalf of ‘the people’ that are set against the establishment in the name of popular sovereignty. This article examines how populist discourses represent ‘the people’ as a referent object that is threatened and the form and implications of this populist securitisation process. Drawing on securitisation theory and poststructuralism, the article understands populist securitisation as a discursive practice that propagates a politics of fear, urgency, and exceptionality in order to mobilise ‘the people’ against a ‘dangerous’ elite and normalise this antagonistic divide of the social space. While the proposed theoretical framework aims to clarify the relationship between poststructuralist and securitisation theory and capture the nexus between populism and security, the case of populism broadens the scope of potential subjects of security and poses important challenges to existing theoretical assumptions about security as something designated by states’ representatives and ‘security experts’. The article develops and illustrates its arguments with a case study on the (de)securitisation moves in the populist discourse of Donald Trump.

scholarly journals KAWASAN RELIGIUS DAN PRODUKSI RUANG DI LINGKUNGAN MASJID PATHOK NEGARA PLOSOKUNING YOGYAKARTA

2018 ◽  
Vol 13 (01) ◽  
pp. 21
Author(s):  
Rahmadi Agus Setiawan
Keyword(s):  
Social Space ◽  
Religious Studies ◽  
Social Production ◽  
Production Of Space ◽  
Islamic Studies ◽  
Religious Rituals ◽  
The People ◽  
The Social ◽  
Strong Relation ◽  
The Relationship

Study of religion and territory (space) is a new phenomenon in recent dec­ades along with the tendency of religious studies that change from normative to con­tex­tual approach. Plosokuning village as a religious area becomes research ob­ject that examines the relationship between religion and space. Furthermore, this re­search will explore how this religious region is formed and how it affects the beha­vior of the people in this village.This study uses a social theory known as the production of space proposed by Henri Lefebvre. In this theory, space is a social production, and always related to the social reality that surrounds it. Space never existed and manifested itself or held itself. In other words space has a historical dimension that helped shape it. The social space also influences the way of thinking and acting of society that exists in the space, as well as uses as control and domination.From the historical approach, it is found that the religious area of Plosokun­ing is a product of the palace (kraton Yogyakarta) that makes Plosokuning as a mutihan area (place of worship). This religious area is intended as a bastion of the spirituality of the palace and the implementation of the royal philosophy known as Kiblat Papat Lima Pancer. In this philosophy, the palace is in the middle and sur­rounded by a spiritual fortress in the form of four Pathok Negara Mosques, one of which is the Pathok Negara Mosque in Plosokuning.The religious area of Plosokuning, which is a palace product, has an influ­ence on the Islamic religiosity of the Plosokuning community. This religious beha­vior can be proved by the emergence of cultural products, both tangible and intangi­ble cultures. Tangible cultures are like the emergence of some boarding schools (pesantren), some musholla (small mosques), Muslim housing, and majelis ta'lim (place for Islamic studies). While intangible culture such as the emergence of Is­lamic art, religious rituals, as well as Islamic religious norms in society. Plosokun­ing as religious area continues to be inherited from generation to generation by continu­ing to revive the Islamic culture, both tangible and intangible culture.The study of the Plosokuning community also shows a strong relation be­tween religious space and the behavior of the people. By the existing of the reli­gious area,  so the sacred character of religion becomes strong in the environment of Pathok Negara Mosque Plosokuning. As a sacred area, it becomes a shame (ta­boo) when people conduct behavior or actions that violate Islamic norms and tradi­tions. The social function of this religion is also reinforced by giving social sanc­tions for people who violate the teachings of Islam. Keywords: Islam, production of space, sacred, Yogyakarta.

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