scholarly journals THE ILLUSION OF WILLY LOMAN’S IN ARTHUR MILLER’S DEATH OF A SALESMAN

2019 ◽  
Vol 7 (2) ◽  
Author(s):  
Irwan Sumarsono
Keyword(s):  
Main Character ◽  
Psychological Approach ◽  
Literary Works ◽  
Death Of A Salesman

This study discusses the illusion and explains the conditions that lead the main character, Willy Loman to be in illusion. The analysis will be focused on the characterization of Willy Loman, his marriage with Linda Loman, his relationship with his sons, Biff and Happy. The analysis also focuses on the illusion of Willy Loman by discovering why he cannot face the reality and   what the effects to his life. To analyze these problems, the writer uses the psychological approach since psychology and literary works cannot be separated.

scholarly journals A PSYCHOLOGICAL ANALYSIS OF THE MAIN CHARACTER IN MARSIRAJI THAHIR’S KABAR BUNGA

Lire Journal ◽  
2019 ◽  
Vol 3 (2) ◽  
pp. 147-164
Author(s):  
M Afifulloh
Keyword(s):  
Psychological Aspects ◽  
The Novel ◽  
Main Character ◽  
Psychological Approach ◽  
Female Characters ◽  
Literary Works ◽  
Psychological Analysis ◽  
The Impact

This paper aims to describe the female characters in the novel Kabar Bunga by Marsiraji Thahir, the conflicts and its causes, and the impact of the conflicts experienced by women in the novel Kabar Bunga by Marsiraji Thahir. This novel is examined by a psychological approach in literature, a literary approach that emphasizes the psychological aspects of the types and laws of psychology that can be applied to literary works. The data is qualitative since the purpose of this research is to explain or describe the phenomena of the researches deeply. The data were obtained by categorizing all the related dialogues in the story, then psychologically analyzed. Triangulation was used to validate the data.  After finishing all the steps of analyzing data, the interpretations were made based on the data and the theory. The results of the research were, psychologically, the main character in this novel is described as a person who often feels worried, frightened, keeping the reality up, and she is burdened by the problems faced. This portrayal is the representation of Wulan as a woman and woman emotionally and mentally is depicted as a weakness persona without having the ability to solve the problems.

scholarly journals Perubahan Karakter Rangga Sebagai Salah Satu Bentuk Proses Kreatif Mira Lesmana Dalam Film Ada Apa dengan Cinta 2 (2016)

2018 ◽  
Vol 13 (2) ◽  
pp. 107
Author(s):  
Sugeng Nugroho ◽  
Danissa Dyah Oktaviani
Keyword(s):  
Character Development ◽  
Main Character ◽  
Psychological Approach ◽  
Great Opportunity ◽  
Basic Character ◽  
Structure Dynamics ◽  
Story Character

Mira Lesmana, produser terkemuka Indonesia, membuat gebrakan dengan meliris dan menulis sendiri cerita film Ada Apa dengan Cinta 2. Kekuatan film ini tidak semata-mata bersandar dari sekuel sebelumnya, namun juga dikemas dengan aliran cerita yang menarik. Alur menggantung pada sekuel sebelumnya merupakan peluang besar untuk mengembangkan kreatifitas. Bentuk kreativitas Mira Lesmana dalam menulis cerita film ini adalah untuk mengubah karakter utama, Rangga. Karakter Rangga sengaja dibuat berbeda didasari tokoh Cinta. Perubahan karakter Rangga terjadi pada awal dan akhir cerita. Perubahan karakter Rangga dapat dilihat dari ekspresi, dialog dan tanggapan dari orang lain mengetahui sehingga dapat diketahui perubahan karakter dasar (karakter tokoh 3D) adalah fisiologis, sosiologis, dan psikologis. Perubahan karakter Rangga dapat diketahui melalui pendekatan psikologi yang didalamnya memuat karakterisasi tokoh, kostelasi tokoh, dan konsepsi tokoh. Melalui pendekatan tersebut akan nampak struktur, dinamika, dan perkembangan tokoh Rangga sehingga dapat diketahui perubahan karakter Rangga yang berdampak pada kehidupannya dalam film ini. Mira Lesmana, Indonesia's leading producer, made a breakthrough by writing  story itself and released the film “What’s Up with Love? 2”. The strength of the film is not simply leaning on the previous sequel, but also packed with interesting stories flow. Flow hang on previous sequel is a great opportunity to develop creativity. Mira Lesmana form of creativity in the writing of this movie is to change the main character, Rangga. Characters of  Rangga deliberately made different based on the character of Cinta. Rangga character changes occur at the beginning and end of the story. Character of Rangga change can be seen from the expression, dialogue and feedback from others to know that it can be seen changes in the basic character (characters 3D) is a physiological, sociological, and psychological. Rangga character change can be known through the psychological approach which includes the characterization of the figures, kostelasi character, and character conception. Through this approach would seem the structure, dynamics and character development that can be known Rangga character changes that have an impact on life in this film.

scholarly journals The Analysis of Sociopath of Louis Bloom’s Character in Nightcrawler

2016 ◽  
Vol 6 (2) ◽  
pp. 139
Author(s):  
Yuli Angraini
Keyword(s):  
Main Character ◽  
Psychological Approach ◽  
Literary Works ◽  
Movie Script

The writer chose one of literary works—film entitled “The Analysis of Sociopath of Louis Bloom’s Character in Nightcrawler” to be anlyzed. The writer interested to analyze the main character in this film—Louis who used all people around him for the sake of his own intention. He even did not care if people whom he used finally dead. He even recorded the murded scene as calm as it was nothing just casual events that could happen anytime. The purpose of this study was  to analyze the types of sociopath character in Louis Bloom and to describe how it can affect his perspective towards his goal. The method of this study was a descriptive. The writer watched Nightcrawler movie to observe the main chharacter and he manipulated people to smooth his way. The writer also read the movie script to understand Louis’ character deeper.To analyze the sociopath of main character, the writer used the psychological approach of Grossman’s theory of psychoanalysis Keywords:  sociopath character and psychological approach

scholarly journals AN AMBITION ANALYSIS REPRESENTED BY THE MAIN CHARACTER IN PERFUME: THE STORY OF A MURDERER

2019 ◽  
Vol 7 (1) ◽  
pp. 1
Author(s):  
Relita Moputi ◽  
Dahlia Husain
Keyword(s):  
Qualitative Method ◽  
Real Life ◽  
Literary Work ◽  
Main Character ◽  
Psychological Approach ◽  
Literary Works ◽  
Human Psychology ◽  
And Behavior

Literary works are the reflection of real life. Movie is a literary work that tells a story by using some conflict. The character in a movie usually describes the human psychology and behavior. Ambition is one of human psychology. This research discusses about the ambition of the main characters in Perfume: the Story of a Murderer. This movie tells about the ambitious the main character to make a perfume by killed 26 victims. He has an ambition to fulfill their psychogenic needs. The fulfillment of psychogenic needs that is experienced by the main character on the movie is analyzed in Henry Murray's The Need Theory of Personality. This research is conducted by using the qualitative method. This research uses psychological approach to analyze the fictitious of the main character. The result from this study is that the ambition has the causes and the effects.Keywords: Movie, Psychogenic needs, Ambition, Psychological Approach.

scholarly journals AN ANALYSIS OF DEPRESSION ON THE MAIN CHARACTER KYLE KINGSON ON THE BEASTLY FILM

Kodifikasia ◽  
2014 ◽  
Vol 8 (1) ◽  
Author(s):  
Wiwin Widyawati
Keyword(s):  
Literary Criticism ◽  
Daily Activity ◽  
Main Character ◽  
Psychological Approach ◽  
Literary Works ◽  
Symptoms Of Depression

Abstract:This research is a literary criticism which uses psychological approach. It employs a literary criticism because the writer conducts discussion of literary works which is related with the personality of the main character in the Beastly film namely Kyle Kingson. The findings showed that there are five symptoms of depression from the main character Kyle Kingson namely, (1) feeling sad or unhappy, (2) loss of interest or pleasure daily activity that be loved before, (3) easy to be angry or easy to be offended, (4) difficult to take decision, less to concentrate, (5) feeling worthless, guilty and always thinking about past failures. Moreover, Kyle can solve his depression by himself and Zola and Will make Kyle confidence with his ugly face.Keywords: symptoms of depression, character, beastly film

scholarly journals The Desperation Of Father In Great Depression Era As Seen In Arthur Miller’s The Death Of Salesman

2017 ◽  
Vol 1 (1) ◽  
pp. 117-124
Author(s):  
Sri Megawati
Keyword(s):  
Great Depression ◽  
Main Character ◽  
Psychological Approach ◽  
Literary Works ◽  
Human Psyche ◽  
Ordinary Person ◽  
Depression Era

The title of this thesis is an analysis of the ambitions and dreams of Americans in the 1920s, focusing on the analysis of a leading figure from the circle An ordinary person named Willy Loman who turned his career into a businessman (Salesman), but eventually found failure and experienced severe frustration and eventually committed suicide by crashing the car fence home.                Problems in this thesis is a problem associated with characterizations such as Willy Loman has an inner conflict between his two children Biff and Happy. In this thesis, the author uses a psychological approach. This approach saw the development of characters in literary works that are a reflection of the true human psyche. This approach also explains the character changes in the main characters.                The purpose of this study is for the reader to know the ambitions and dreams of what is in the drama of the death of Salesman, and the results obtained from this analysis is that material satisfaction greatly affects the lives of Americans especially Willy loman, the main character in this drama he Very ambitious to achieve material satisfaction such as home, money, success, wealth, honor, equality of rights so that people around him will put respect and sympathy.    

Destruction caused by greed and brutality as reflected in Shakespeare’s Macbeth: A psychological approach

2021 ◽  
Vol 2 ◽  
pp. 69
Author(s):  
Nuri Fainuddin
Keyword(s):  
William Shakespeare ◽  
Moral Values ◽  
Psychological Aspect ◽  
Main Character ◽  
Psychological Approach ◽  
Library Research ◽  
Good Deed ◽  
The Subject

Destruction Caused by Greed and Brutality as Reflected in Shakespeare’s Macbeth: A Psychological Approach becomes the title of the research. It is intended to describe the greed and brutality of the main character; the main character’s id, ego, and super ego; the catastrophe suffered by the main character, and the moral values of this drama. The subject of the research is Macbeth, a play written by William Shakespeare and the main character’s greed. The object is the psychological aspect of the main character. The research belongs to a library research since its sources are taken from books. Horney’s theory of greed is applied to analyze the data. The study found several interesting results. First, Macbeth becomes a king by murdering King Duncan (a form of Macbeth’s greed). Second, Macbeth’s brutality is shown by murdering Banquo’s and Macduff’s family. Third, Macbeth’s id is murdering the king and the followers; the ego supports the King; and the super ego cuts of the King head when Birnam wood comes. The play delivers several messages to the readers, such as those who plant will harvest and the good deed will destroy the bad deed.

scholarly journals The esteem needs in the main character of ‘Me Before You’ movie

2021 ◽  
Vol 8 (3) ◽  
pp. 1285-1298
Author(s):  
Diana Anggraeni ◽  
Herland Franley Manalu ◽  
Desty Anggraini
Keyword(s):  
Data Analysis ◽  
Self Esteem ◽  
Psychological Effects ◽  
Main Character ◽  
Descriptive Data ◽  
Literary Works ◽  
Human Needs ◽  
Different Types ◽  
The Status

Humans have gone through many incidents, both good and bad experiences, and sometimes these experiences are shared with others in the form of stories. The stories, as one of the forms of literary works, would be nothing without the created characters within them because they provide the viewers with a purpose and a reason for us to learn about what happens in the story. Besides, they act as one important element in the movie with various psychological effects. This research aims to analyze the characteristics and the hierarchy of human needs, especially esteem needs, that appear in the main character named Will Traynor in the ‘Me Before You’ movie directed by Thea Sharrock. This study uses descriptive data analysis which describes a phenomenon and the main character in the movie. The results revealed seven characters comprising the esteem needs hierarchy: sensitive, open-minded, friendly, kind, confident, humble, and stubborn. The esteem needs hierarchy is the desire to have the need to be approved, valued, and recognized to have some self-esteem. This is striking in the movie because of the status of the character, Will Traynor as a lord, and Louisa Clark who is only a maid and has no superiority over Will in her life. The findings imply the personality of humans differ in their characters and psychology as shown from the esteem needs hierarchy in Will’s personality expressing the different types of characteristics.

scholarly journals Tragedy and social drama in Arthur Miller's Death of a Salesman

2019 ◽  
Author(s):  
AWEJ-tls for Translation & Literary Studies ◽  
Tahar Bayouli ◽  
Imed Sammali
Keyword(s):  
Social Protest ◽  
Social Drama ◽  
Dramatic Form ◽  
Genre Classification ◽  
The Social ◽  
The Status ◽  
Death Of A Salesman

This paper examines the issue of genre classification in Death of a Salesman by focusing on the dialectic relation at the heart of the play’s structure between tragedy and social drama. It argues that the tragic resolution brought to the theme of social protest and the characterization of the protagonist is what gives the play its unique place as the quintessential modern tragedy. It is concluded that tragedy and the social theme are not mutually destructive in Death of a Salesman as some critics stated. Rather, they are combined to make an intense dramatic treatment of the modern American individual’s most pressing issues. Without being constrained by prescriptive standardized rules, Miller produced a dramatic form that rightly claims the status of what can be labeled a modern tragedy, appealing to modern audiences as rarely any other modern play did.

scholarly journals Possible Worlds in Translation: Coleman Barks’s Rendition of a Story from Rumi’s Masnavi

2021 ◽  
Vol 44 (3) ◽  
Author(s):  
Vahid Medhat ◽  
Hossein Pirnajmuddin ◽  
Pyeaam Abbasi
Keyword(s):  
Internal Structure ◽  
English Translation ◽  
Possible Worlds ◽  
Translation Studies ◽  
Original Text ◽  
Main Character ◽  
Source Text ◽  
Narrative Worlds ◽  
The Way

This article applies the theory of possible worlds to the field of translation studies by examining the narrative worlds of original and translated texts. Specifically, Marie-Laure Ryan’s characterization of possible worlds provides an account of the internal structure of the textual universe and the progression of the plot. Based on this account, one of the stories from Rumi’s Masnavi is compared to Coleman Barks’s English translation. The possible worlds of the characters and the unfolding of the plots in both texts are examined to assess the degree of compatibility between the textual universes of the original and the translated texts and how significant this might be. It also examines how readers reconstruct the narrative worlds projected by the two texts. The analysis reveals some inconsistencies in the way the textual universes of the original and translated texts are furnished and in the way readers reconstruct the narrative worlds of the two texts. The inability of translation to fully render the main character results in some loss in terms of the pungency and pithiness of the original text. It is also shown that the source text presents a richer domain of the virtual in comparison, suggesting a higher degree of tellability in the textual universe of the Masnavi’s narrative.

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