scholarly journals Jaspar de Isaac’s Engraving “Narcissus”: On the Sources of Konstantin Somov’s Early Art

2020 ◽  
Vol 17 (2) ◽  
pp. 164-172
Author(s):  
Anna E. Zavyalova
Keyword(s):  
18Th Century ◽  
Fine Arts ◽  
17Th Century ◽  
The State ◽  
Contextual Analysis ◽  
French Edition ◽  
State Museum ◽  
First Time ◽  
Artistic Heritage

The article reveals and introduces into scientific circulation the previously unknown artistic source of Konstantin Andreyevich Somov’s early art – Jaspar de Isaac’s engraving “Narcissus”. There is traced the course of work with this one along with other art sources (works of European masters of the 16th—18th centuries depicting hunting scenes, paintings by Antoine Watteau, Jugendstil graphics), revealed the context of reference to it, and analyzed the stylistic features of including this source in Somov’s work on the watercolor “Rest after a Walk”. These tasks are addressed in the context of the role of artistic sources from the heritage of past eras in early works of Konstantin Somov. The topic’s relevance is determined by the fact that Jaspar de Isaac’s engraving “Narcissus”, made at the very beginning of the 17th century for a French edition of the “Imagines” by Philostratus the Elder, for the first time becomes the object of research as a source of Somov’s art. The scientific novelty of the work lies in the fact that for the first time it attempts to identify (basing on a combination of formal and contextual analysis), and to use a source from the artistic heritage of France of the beginning of the 17th century in the work of K. Somov on the themes of the 18th century. The reveal of the source — the engraving “Narcissus” by J. de Isaac — made it possible to reconstruct the artist’s work on the “Rest after a Walk”. The article examines not only the sketch for this work from the collections of the Pushkin State Museum of Fine Arts, but also the drawing “A Date” from the State Tretyakov Gallery. There is stated that it is a preparatory drawing for the watercolor “Rest after a Walk”, basing on the general iconography of the watercolor, sketch and engraving “Narcissus”. The author concludes that Somov’s appeal to the engraving by J. de Isaac was not conscious, it should be attributed to the phenomenon of artistic memory, and his probable acquaintance with it had taken place before the artist left for Paris in the autumn of 1897.

Rekonstruktion des Ursprungs und Neudatierung zweier magischer Gemmen mit Hilfe einer Zauberzeichensequenz

2020 ◽  
Vol 147 (2) ◽  
pp. 153-163
Author(s):  
Kirsten Dzwiza
Keyword(s):  
Comparative Study ◽  
Fine Arts ◽  
17Th Century ◽  
The State ◽  
Roman Period ◽  
16Th Century ◽  
New Findings ◽  
State Museum ◽  
Museum Of Fine Arts ◽  
First Time

SummaryThere are only a few sequences of ancient magic signs known to us today that have been preserved on multiple artefacts. A previously unnoticed sequence of 17 signs on a gem in the Museum of Fine Arts in Vienna occurs with minor but significant variations on two other gems in the State Museum of Egyptian Art in Munich. The Viennese gem is dated to the 16th century and is documented as a drawing in a 17th century publication. The first Munich gem has been assigned to the Graeco-Roman period. The second gem, which, according to the inventory card of the museum, also belongs to the Graeco-Roman period, is published here for the first time. A comparative study of the three gems and the drawing has lead to a number of new findings, including the re-dating of the Munich gems.

scholarly journals The Interaction of the State Museum Fund and Museums of the Tatar ASSR in the 1920s

2018 ◽  
Vol 15 (6) ◽  
pp. 754-763 ◽  
Author(s):  
Natalia V. Gerasimova
Keyword(s):  
Fine Arts ◽  
The State ◽  
Public And Private ◽  
Art Collections ◽  
Art Collection ◽  
State Museum ◽  
Scientific Principles ◽  
History Of ◽  
Private Museums ◽  
First Time

The article is devoted to one of the Soviet State’s policy directions at the first stage of its existence, aimed at the preservation of cultural va­lues and the formation of museum art collections. The poorly studied question about the features of this policy implementation is revealed on the example of the TASSR (Kazan Province — before May 1920), where in the 1920s a whole network of museums was created; almost in each of them, an art department was organized. The appeal to this topic is relevant in connection with the opening of a large number of public and private museums, which face similar challenges, as well as the active scientific activities of museums to study their own collections, in the framework of creation of the State Catalogue of the Museum Fund of the Russian Federation. For the first time, the article introduces into scientific circulation a number of sources, on the basis of which the main directions of this activity, as well as the museums’ art collections themselves, are analyzed. In the TASSR, the interaction with the State Museum Fund (SMF) was carried out by the Department for Museums and Protection of Monuments of Art, Anti­quities and Nature, employees of which (P.M. Dulsky and P.E. Kornilov) were engaged not only in organization of the artworks’ transferring to museums, but also in their selection. The article states that, thanks to the SMF, the Central Museum of the TASSR had the most complete and valuable art collection, and an interesting collection was formed in the Kozmodemyansky District Museum, which was part of the Kazan Province until 1920. This study shows that the SMF was an important and effective mechanism for the implementation of state policy in the field of culture: its activities contributed to the creation of provincial museums’ collections, based on scientific principles and aimed at presenting the history of fine arts development.

scholarly journals Accounting and disciplinary methods in fishery management

2021 ◽  
Vol 34 (9) ◽  
pp. 218-249
Author(s):  
Stefania Servalli ◽  
Antonio Gitto
Keyword(s):  
Fishery Management ◽  
18Th Century ◽  
The State ◽  
Fish Stock ◽  
Control Mechanisms ◽  
Local Authorities ◽  
Local Conditions ◽  
Content Type ◽  
Papal States

PurposeThe purpose of this study is to contribute to the research related to “the interplay between accounting and the state, politics, and local authorities in the broad government and administration of food for sustainability of populations” (Sargiacomo et al., 2016). Considering contemporary examples and investigating the genealogy of an 18th-century reform of fishery management (the New Plan), the authors explore the role played by accounting and calculative practices when local authorities intervene using forms of discipline based on control systems that acted on commons (fish), people and space.Design/methodology/approachThis paper is historically grounded on archival research on a fish provisioning case during the 18th century in Ancona, an Italian town on the Adriatic coast. The investigation adopts an approach focussed on the use of disciplinary methods in the terms highlighted by Foucault. This perspective offers a lens capable of revealing the key role of accounting in a period when discipline became “general formulas of domination” (Foucault, 1977) and the Papal States were looking for food provisioning solutions (Foucault, 2007). The study highlights similarities with contemporary fishery management.FindingsThe paper shows that governability of fishery in a commons' logic is not limited by the properties of the good, but rather “it is achieved through the objects and instruments that are deployed to make it possible” (Johnsen, 2014, p. 429). It reveals forms assumed by economic calculation in different eras and their contribution in the art of governing realised by the state (Hoskin and Macve, 2016). The study unveils how accounting effectively operates using “naming and counting” activities (Ezzamel and Hoskin, 2002) based on a system of documents and accounting registers; these have a pivotal role in redefining fishery management and in keeping goods (fish) and people (fishermen) under control. The investigation also highlights the importance of properly quantifying data in fishery management, confirming the literature on the topic (Beddington et al., 2007, p. 1713). In contemporary situations, data refer to quantifying the fish stock in the sea and the consequent estimation of fish catch. In the historical investigation, although environmental protection was not an issue, quantification refers to the fish that entered the town of Ancona, whose estimation was the result of a new calculative approach adopted by local authorities facing fish needs. In addition, it offers early evidence of organised and rational-based control mechanisms that were the result of Enlightened ideas emerging in the Papal States context.Originality/valueDespite the fact that fish represent a fundamental good for governments to act on in response to a population's needs, there has been no attention paid to how governmental authorities have used disciplinary mechanisms to intervene in fishery management or the role played by accounting. This study's novelty is its investigation of fishery, using Foucauldian disciplinary methods to understand accounting's contribution in fishery governance. In addition, this investigation permits to unveil the role of accounting to support one of the main principles of the governance of commons that is represented by the congruence between rules and local conditions (Fennell, 2011, p. 11; Ostrom, 1990, p. 92).

Vexillum and Victory

1942 ◽  
Vol 32 (1-2) ◽  
pp. 92-106 ◽  
Author(s):  
M. Rostovtzeff
Keyword(s):  
Fine Arts ◽  
The State ◽  
Short Paper ◽  
State Museum ◽  
Museum Of Fine Arts

The square piece of linen cloth (pl. iv) which I propose to discuss in this note was acquired by V. S. Goleniščev in Egypt some years ago, and forms part of his splendid collection of Egyptian antiquities, which was subsequently incorporated into the Alexander III Museum of Fine Arts in Moscow, now the State Museum of Fine Arts. Years ago I reproduced and discussed it in a short paper (Monuments of Alexander III Museum of Fine Arts in Moscow iv, 1913, 149–153 (in Russian) and pl. xxiv in colour) in which I interpreted it as a military vexillum. My paper remained, however, unnoticed by students of military antiquities. For example, in 1923, so careful and well-informed a scholar as Kubitschek (P-W s.v. ‘Signa’ 2337 f.) in speaking of the inscriptions which appear on the vexilla, after quoting Cassius Dio xl, 18, and Vegetius ii, 13, says: ‘andere Bestätigungen haben wir nicht, und (fast darf man sagen: selbstverständlich) ist auch kein vexillum erhalten.’

From Research on the Literary Hermeneutics

2021 ◽  
pp. 9-84
Author(s):  
Anatoly S. Demin ◽  
Keyword(s):  
18Th Century ◽  
Literary Work ◽  
17Th Century ◽  
Foreign Affairs ◽  
16Th Century ◽  
Old Russian ◽  
Russian State ◽  
State Library ◽  
The Aesthetic

The research consists of the series of articles analyzing the pre- viously unexplored expressiveness, figurativeness, fantasy and sarcasticity of a number of Old Russian works. The first article reveals the expressiveness of the “Turkic” utterances of Afanasy Nikitin in The Journey Beyond Three Seas according to the list of the Russian State Archive of Ancient Acts (RSAAA), f. 181, no. 371 of the first quarter of the 16th century. The second article characterizes the distorted, fantastic earthly worlds depicted in the Tale of the Twelve Dreams of King Shahaisha according to the list of the Russian National Library (RNL), Kir.-Beloz., no. 22/1099 of the 1470s; in the Conversation of Three Saints according to the list of the Russian State Library (RSL), Troitsk., no. 778 of the beginning of the 16th century; in the collection of proverbs and sayings according to the list of the RSAAA, Ministry of Foreign Affairs, Moscow Main Archive (MMA), no. 250–455 of the late 17th century; in The Tale of Ersh Ershovich according to the list of Pushkin House, 1.27.105 of the late 17th — early 18th centuries; in the Bird Council according to the list of the RNL, 0.XVII.17 the mid-18th century; in the Medicine Book. How to Treat Foreigners according to the list of the RNL, Q.XVII.96, Peter’s time; in the Legend of a Luxurious Life and Fun according to the list of the RNL, 0.XVII.57 of the first quarter of the 18th cen- tury. The third article examines the aesthetic role of verses in the collections of the late 17th century: RSL, Tikhonravov, no. 233, 249, 380, 411, 499. The fourth article shows that some compilers of collections of the 17th century appreciated the visual arts of works, mostly very old (оn the example of collections of the RSL, Tikhonravov, no. 460, 384, 18, 340, 231). In two Appendices to the article are published the descriptions of the composition of the collection no. 231 and the text of the parable about the dispute of parts of the human body. In two Ap- pendices to the article, it is said about the everyday depiction of the collection of proverbs and sayings according to the list of the RSAAA, MMA, no. 250–455 of the late 17th century and on the expressiveness of articles in the miniature collection of the RSL, Bolshakov, no. 325. The fifth article points to the mocking meaning of proverbs and sayings about criminals in the same collection of the RSAAA, MMA, no. 250–455. Finally, the sixth article draws attention to the evolution of the literary work of Archpriest Avvakum from brief mentions of events to detailed stories about them (оn the material of Vita, petitions, Book of Interpretations, Book of Accusations, Write-off about the creation of man, The Lamentable Word about the death of noblewoman F. Morozova). We must warn you that the pictorial and expressive meaning of the examples and phrases quot- ed from the texts of the monuments is not thoroughly proved in this work, but is only stated. Otherwise, each example would require an independent essay on certain literary means, and the theme and composition of the work would be completely different.

Mun Sen, Yong (1896–1962)

2018 ◽  
Author(s):  
Kelvin Chuah
Keyword(s):  
World War Ii ◽  
Subject Matter ◽  
Fine Arts ◽  
Vice President ◽  
The State ◽  
Chinese Art ◽  
World War ◽  
Art Gallery ◽  
State Museum

Yong Mun Sen was a prominent watercolorist born in Sarawak, Malaysia, and is acknowledged as one of the country’s pioneer artists. His watercolor landscapes and depictions of life present visual histories of British Malaya, and his subject matter ranges from tropical scenes to farming imagery to local architecture. A self-taught painter, Mun Sen’s residence in Singapore and subsequent permanent relocation to Penang created his fruitful artistic relationships with artists based in both locations. Notably, Mun Sen went for plein air trips with his peers in Singapore and Penang, which was an art activity not previously practiced by local artists in the area but most suitable for watercolor productions. Artists active in Penang before World War II also held gatherings at Mun Sen’s photographic studio. This group of artists formed the Penang Chinese Art Club (1935) with Mun Sen serving as vice-president. Mun Sen also contributed to the formation of the Nanyang Academy of Fine Arts, Singapore (1938). As Tan Chong Guan has written, local and foreign patrons collected Mun Sen’s watercolors, including Malcolm MacDonald, the governor-general of British Malaya. Mun Sen was nationally recognized with exhibitions at The National Art Gallery of Malaysia and also the State Museum of Penang, both in 1972.

scholarly journals Akar Historis Formalisasi Hukum Islam di Nusantara

2020 ◽  
Vol 5 (1) ◽  
pp. 14-27
Author(s):  
S. Sarkowi ◽  
Agus Susilo
Keyword(s):  
Liberal Democracy ◽  
Islamic Law ◽  
The State ◽  
Contextual Analysis ◽  
Philosophical Approach ◽  
New Era ◽  
Pros And Cons ◽  
Historical Methods

This study was focused on the historical roots of Islamic law’s formalization in Indonesia. It was started from the discourse of pros and cons on which took place since the Indonesian independence, to be exacted when nine committees of BPUPKI formulated the state principles. It was continued during the Liberal Democracy era of the Old Era, New Era until Reformation. The objective of this study was to construct the historical roots of Islamic law formalization using historical methods with the philosophical approach to the contextual analysis. The results of this study show that the historical roots were started from the success of the ulama and their role, until the establishment of Islamic empires, then Islamic law was legalized in the form of legislation by adopting legal books written by the scholars. There was strong legitimacy of the role of ulama, as well as the Sultan’s commitment to governing society through the judiciary and positions of qadhi, mufti and shaykh al-Islam which become the main pillars of the Islamic formalization practice in the sultanate government in Nusantara.

Ivan Lepyokhin’s Expedition to the Middle Volga

2019 ◽  
Vol 47 (3) ◽  
pp. 111-118 ◽  
Author(s):  
A. K. Salmin
Keyword(s):  
Natural Resources ◽  
18Th Century ◽  
Military History ◽  
Team Working ◽  
Russian State ◽  
Middle Volga ◽  
State Archives ◽  
Academy Of Sciences ◽  
First Time

the 18th-century expeditions from the Academy of Sciences aimed at colonizing new territories, especially eastern, exploring their landscapes, natural resources, and inhabitants. The article focuses on the team working in the Cheremshan basin. The description of findings is arranged in five sections, following Lepyokhin’s classification: landscape, population, clothing, occupations, and rituals. For the first time, a complete, updated, and verified list of settlements visited by the expedition members is provided. The role of the Imperial St. Petersburg Academy of Sciences Director, Count Vladimir Orlov, in the organization of the expedition is described. The author disproves the opinion regarding the authorship of the anonymous article “Brief News About Simbirsk Vicegerency” published in the “Mesyatsoslov” journal in 1786. The persons to whom the article was attributed include Lepyokhin, Maslenitsky, and Ozeretskovsky, but the textological analysis of the article and of the manuscript at the Russian State Archives of Military History suggests that this is a collective digest of manuscripts by Milkovich and Maslenitsky.

scholarly journals WOMEN'S CHARITY IN EDUCATION OF UKRAINE THROUGH THE ASSESSMENT OF THE XXI CENTURY

2018 ◽  
pp. 69-83
Author(s):  
Olena Ilchenko
Keyword(s):  
18Th Century ◽  
Educational Institution ◽  
Well Being ◽  
17Th Century ◽  
The State ◽  
Material Base ◽  
Public Programs ◽  
State Of The Economy ◽  
Important Means ◽  
Charitable Activities

The article deals with the historical and pedagogical assessment of women's charitable experience in education of Ukraine in the 17th century – the last quarter of the 18th century. The parameters of the assessment of women’s charity are chosen: a) the expansion of the network of schools, improving their material base; b) the ability of schools to provide high-quality training of students; c) the level of financial security of the educational institution; d) education of spiritual and moral values of the person, the formation of their internal needs and beliefs to develop education industry is based on the principles of charity and humanity.The determining of parameters and factors has an impact on their formation when the data are taken into account. They are: the level of development of the society, socio-political conditions, the state of the economy in the country, the identified priorities in education policy, the place of the state on the international arena. In the context of the stated, the modern assessment of the experience of the charitable activities of women in Ukrainian education in the 17th century – the last quarter of the 18th century is made from positions of comprehension: 1) the spiritually-moral phenomenon; 2) the historical-pedagogical phenomenon; 3) social- public phenomenon; 4) socio-economic phenomenon.The study highlights the fact of the historical existence of women’s charitable activities as an effective tool of the development of education in Ukraine testifies to the vitality and sustainability of this phenomenon, its ability to evolve, develop adequately updated and flexibly respond to dynamic changes in the socio-economic, cultural and spiritual life of the society.According to the prognostic-projective potential of women's charity, we believe in modern conditions of entering of Ukraine into the global educational dimension, it is the charity as a socio-civic, socio-economic and professionally organized force (along with the public programs support) has become an important means of building and development of the educational sector, which provides the personal well-being of the person, the economic prosperity of the state, its power and authority.

scholarly journals The role of museums in the modern artistic process of Buryatia

2021 ◽  
pp. 32-41
Author(s):  
Т.А. Бороноева
Keyword(s):  
Cultural Values ◽  
Contemporary Art ◽  
Development Process ◽  
Fine Arts ◽  
The State ◽  
Artistic Process ◽  
Leading Role ◽  
The Republic ◽  
Geographic Remoteness

Автор рассматривает роль государственных музеев и центров современного искусства в развитии изобразительного искусства Бурятии. В частности, показано, как решаются проблемы, порожденные географической удаленностью республики от культурных столиц России и сложившимся в русле академизма стереотипом «национального своеобразия». В настоящее время в Республике Бурятия достаточно заметны признаки активного развития современного искусства, поддерживаются молодые таланты. При этом автор отмечает, что ведущую роль в сохранении, продвижении произведений изобразительного искусства и художников играют именно государственные музеи. Именно там работы художников становятся музейными предметами — культурными ценностями, имеющими значение для истории и культуры государства и обладающими особыми признаками, которые делают необходимыми для общества их сохранение, изучение и публичное представление. The author examines the role of state museums and centers of contemporary art in the development of the fine arts of Buryatia. In this development process, it is important to solve the problems generated by the geographic remoteness of the republic from the cultural capitals of Russia and the stereotype of “national identity” that has developed in line with academism. At present, signs of active development of contemporary art are quite noticeable in the republic, young talents are supported. At the same time, the author notes that it is the state museums that play the leading role in the preservation and promotion of works of fine art and artists. It is in museums that the works of artists become museum objects — cultural values ​​that are significant for the history and culture of the state and possess special characteristics that make it necessary for society to preserve, study and publicize them.

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