scholarly journals Petersburg in the creative work of Anna Ostroumova-Lebedeva

2020 ◽  
pp. 70-81
Author(s):  
Ольга Николаевна Филиппова
Keyword(s):  
Ussr Academy ◽  
The State ◽  
Artistic Expression ◽  
Living History ◽  
Main Theme ◽  
Creative Work ◽  
Full Member ◽  
Eightieth Birthday ◽  
The Third ◽  
Graphic Work

Статья посвящена творчеству народного художника РСФСР, действительного члена Академии художеств СССР, заслуженного деятеля искусств РСФСР Анны Петровны Остроумовой-Лебедевой (1871–1955). Художник большого и многогранного дарования, она оставила нам множество рисунков, черных и цветных гравюр на дереве и линолеуме, литографии и акварели. А.П. Остроумова-Лебедева сумела придать гравюре на дереве подлинную художественную выразительность. Избрав главной темой творчества изображение города на Неве, она с большим поэтическим чувством запечатлела его картины и образы, прошлое и настоящее, его вечно живую историю. Издание третьего тома «Автобиографических записок» в 1951 году совпало с восьмидесятилетием автора. Тогда же в залах Государственного Русского музея была открыта последняя прижизненная персональная выставка художницы. Автор статьи исследует воплощение образа Петербурга в графике А.П. Остроумовой-Лебедевой. The article is devoted to the work of people's artist of the RSFSR, full member of the USSR Academy of arts, honored artist of the RSFSR Anna Ostroumova-Lebedeva (1871–1955). An artist of great and many-sided talent, she left us a lot of drawings, black and color prints on wood and linoleum, lithographs and watercolors. Anna Ostroumova-Lebedeva managed to give the woodcut a genuine artistic expression. Choosing the image of Petersburg as the main theme of her work, she captured its paintings and images, past and present, its eternal, living history with great poetic feeling. The publication of the third volume of her “Autobiographical notes” in 1951 coincided with the author's eightieth birthday. At the same time, the last personal exhibition of the artist was opened at the State Russian Museum. The author of the article explores the embodiment of the image of St. Petersburg (Leningrag) in the graphic work of Anna Ostroumova-Lebedeva.

Health Informatics Education in the Third World

1989 ◽  
Vol 28 (04) ◽  
pp. 270-272 ◽  
Author(s):  
O. Rienhoff
Keyword(s):  
Developing Countries ◽  
Health Informatics ◽  
Third World ◽  
State Of The Art ◽  
The State ◽  
Collaboration Network ◽  
Educational Tools ◽  
The Third ◽  
The Third World

Abstract:The state of the art is summarized showing many efforts but only few results which can serve as demonstration examples for developing countries. Education in health informatics in developing countries is still mainly dealing with the type of health informatics known from the industrialized world. Educational tools or curricula geared to the matter of development are rarely to be found. Some WHO activities suggest that it is time for a collaboration network to derive tools and curricula within the next decade.

How to Define the Czechoslovak Underground

2018 ◽  
Vol 56 (3) ◽  
pp. 42-46
Author(s):  
Barbara Bothová
Keyword(s):  
Significant Influence ◽  
The State ◽  
Way Of Life ◽  
The West ◽  
State Security ◽  
The Third ◽  
Key Events

What is an underground? Is it possible to embed this particular way of life into any definition? After all, even underground did not have the need to define itself at the beginning. The presented text represents a brief reflection of the development of underground in Czechoslovakia; attention is paid to the impulses from the West, which had a significant influence on the underground. The text focuses on the key events that influenced the underground. For example, the “Hairies (Vlasatci)” Action, which took place in 1966, and the State Security activity in Rudolfov in 1974. The event in Rudolfov was an imaginary landmark and led to the writing of a manifesto that came into history as the “Report on the Third Czech Musical Revival.”

Subaltern Migrations and the State

2017 ◽  
Author(s):  
Philipp Zehmisch
Keyword(s):  
Final Section ◽  
Social Engineering ◽  
The State ◽  
Penal Colony ◽  
The Third ◽  
Dynamic Relationship ◽  
Historical Processes ◽  
Subaltern Agency ◽  
History Of ◽  
Media Reports

This chapter considers the history of Andaman migration from the institutionalization of a penal colony in 1858 to the present. It unpicks the dynamic relationship between the state and the population by investigating genealogies of power and knowledge. Apart from elaborating on subaltern domination, the chapter also reconstructs subaltern agency in historical processes by re-reading scholarly literature, administrative publications, and media reports as well as by interpreting fieldwork data and oral history accounts. The first part of the chapter defines migration and shows how it applies to the Andamans. The second part concentrates on colonial policies of subaltern population transfer to the islands and on the effects of social engineering processes. The third part analyses the institutionalization of the postcolonial regime in the islands and elaborates on the various types of migration since Indian Independence. The final section considers contemporary political negotiations of migration in the islands.

scholarly journals Art Criticism and the State of Feminist Art Criticism

Arts ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 28
Author(s):  
Katy Deepwell
Keyword(s):  
Women Artists ◽  
Art Criticism ◽  
The State ◽  
Art World ◽  
Feminist Art ◽  
The Gaze ◽  
The Third ◽  
Fourth Part ◽  
State Of Art ◽  
First Offers

This essay is in four parts. The first offers a critique of James Elkins and Michael Newman’s book The State of Art Criticism (Routledge, 2008) for what it tells us about art criticism in academia and journalism and feminism; the second considers how a gendered analysis measures the “state” of art and art criticism as a feminist intervention; and the third, how neo-liberal mis-readings of Linda Nochlin and Laura Mulvey in the art world represent feminism in ideas about “greatness” and the “gaze”, whilst avoiding feminist arguments about women artists or their work, particularly on “motherhood”. In the fourth part, against the limits of the first three, the state of feminist art criticism across the last fifty years is reconsidered by highlighting the plurality of feminisms in transnational, transgenerational and progressive alliances.

The Judicial Council of the State of New York; Its Objectives, Methods, and Accomnlishments. I

1941 ◽  
Vol 35 (5) ◽  
pp. 933-940
Author(s):  
Leonard S. Saxe
Keyword(s):  
New York ◽  
New York State ◽  
The State ◽  
York State ◽  
The Third ◽  
The Law ◽  
Substantive Law

The Judicial Council and Its Objectives. My assignment is to implement Professor Sunderland's brilliant primer on judicial councils by a more specific presentation utilizing the experiences of the New York State Judicial Council. Of the three elements that enter into a consideration of the judicial branch of government, the first—the substantive law, the law of rights and duties—is not within the province of the judicial council either in New York or elsewhere. The second element—the machinery of justice—is the principal field of the judicial council. If the council does its work well in that field, attention cannot fail to be focused upon the third and most important element—also part of a judicial council's problems—the judicial personnel.

A European Perspective on Religion and Welfare: Contrasts and Commonalities

2012 ◽  
Vol 11 (4) ◽  
pp. 589-599 ◽  
Author(s):  
Grace Davie
Keyword(s):  
Social Policy ◽  
The State ◽  
Comparative Perspective ◽  
European Perspective ◽  
The Third ◽  
Effective Delivery ◽  
Delivery Of Services ◽  
Do So ◽  
West European

This article places the British material on religion and social policy in a comparative perspective. In order to do so, it introduces a recently completed project on welfare and religion in eight European societies, entitled ‘Welfare and Religion in a European Perspective’. Theoretically it draws on the work of two key thinkers: Gøsta Esping-Andersen and David Martin. The third section elaborates the argument: all West European societies are faced with the same dilemmas regarding the provision of welfare and all of them are considering alternatives to the state for the effective delivery of services. These alternatives include the churches.

Latviešu metālmūzikas albumu nosaukumi

2021 ◽  
pp. 361-369
Author(s):  
Ingars Gusāns
Keyword(s):  
Current Situation ◽  
Creative Work ◽  
Distinctive Character ◽  
Literary Works ◽  
The Third ◽  
Metal Music ◽  
Local Character ◽  
The Subject ◽  
The Common

The aim of the study is to describe the titles of Latvian metal music albums, from the perspective of content, by identifying the common and distinctive character of the metallic music tradition, and perhaps even the local one. Of 241 album titles (data on Dec. 31, 2019), most are in English, some in French, Latin, Russian, some consisting of digits, and 69 titles in Latvian. These titles are the subject of the research. The main source is Encyclopaedia Metallum (www.metal-archives.com), which still does not reflect the current situation concerning Latvian metal music. Album titles in this study are viewed separately from album designs and song titles and are analysed from the perspective of content. The album title is an important part of the work that has been issued because it is an element that makes the audience/buyer pay attention to the album because it must not be forgotten that today the album is also an item that you want to sell. In general, it can be concluded that Latvian metal musicians, with their album titles in Latvian, are mostly following world trends, as evidenced by the integration in the researcher Deena Weinstein’s classification of Dionysian discourse and discourse on chaos. Most titles are more relevant to the discourse on chaos because the thematic circle of chaos is wider. Latvian mythology, along with history, is an up-to-date source for the creative work of bands that is responsible for the local feeling of the titles. A large enough number are titles that are difficult to fit in the Weinstein’s division and form the third group with philosophical titles and simply all sorts of titles. If the philosophical titles follow the world’s trends, the simple titles include the names of the events, tributes, and the titles of literary works, which give them a local character.

Aspołeczne „my”

2021 ◽  
Author(s):  
Piotr Bartula
Keyword(s):  
The State ◽  
Community Or ◽  
The Third ◽  
The Individual

ASOCIAL “WE” The problems discussed in the book are revealed by the well-known view of Aristotle that man is a cultural, social and political being: ...And he who by nature and not by mere accident lives outside the state, is either a wretch or superhuman being; he is ‘without lineage, law, hearth,‘ as denoted by Homer, because if someone is such a person by nature, he desires passionately war, being isolated, as a stone excluded from dice. Furthermore, It appears that the state is a creation of nature and most of all concerns the individual because when each person separately is not self-sufficient, he will be placed in the same relation to the state like these and other parts in relation to a whole. However, one who is unable to live in the community, or does not need it at all, being self-sufficient, such a person is not a member of the state, so he must be either a beast or god. Directed by the spirit of contrariness, I will add Friedrich Nietzsche’s comment : “Aristotle says that in order to live alone one must be either an animal or a god. The third alternative is lacking. A man must be both – a philosopher.”

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