Satirical argument in political discourse: حجاج الصورة الساخرة في الخطاب السياسي

Author(s):  
Cherif rym

The aim of this research is to identify the concept of arguments as an interactive linguistic phenomenon produced by society following a communication and intellectual revolution and the increased use of the concept of arguments more after the outbreak of the so- called "spring revolution" at all levels without exception in order to persuade and influence and reveal the hidden to the public. In particular, the political arguments originally depended on systematic and studied persuasion. But, after the revolution, there became picture arguments dependent on the mockery in which the image is used to express the idea to be communicated, which gives a new persuasive character. Thus, the research reached the following results: - That sarcasm has multiple and varied dimensions revealed by political and social articles. - The study also revealed that the arguments of satire is a creative art in which the whole complex represented in language, thought, art and philosophy is mixed. - Irony is a position on life issues, an expression of the idea and a challenge to a specific situation, especially the status of a specific issue that has a political dimension. - The results also showed that satirical images are a weapon of much resistance to corruption, as they are considered a manifestation of popular resistance and rebellion against injustice, by depicting them in a comic manner.

1991 ◽  
Vol 20 (2) ◽  
pp. 191-213 ◽  
Author(s):  
Rob Baggott

ABSTRACTThis article explores the role of political agents, institutions, circumstances, and ideas in the development of public health policies in Britain. The first part attempts to define public health. The second section of the article looks at the experience of the Victorian public health movement. The final part considers the re-emergence of the public health perspective. The underlying theme of the article is that an awareness of the political dimension, both contemporary and historical, improves our understanding of developments in the field of public health. The main conclusions reached are: first, that given the formidable political obstacles which exist, public health reform will only succeed if the reformers themselves operate with full awareness of the political dimension; second, that the modern public health debate is unlikely to be resolved in the short term.


Author(s):  
Maria José Da Silva Feitosa ◽  
Hironobu Sano

O presente estudo tem como problema de pesquisa: De que maneira a sociologia política da ação pública contribui para esclarecer as barreiras e indutores na implementação da inovação social? Para responder tal problema, esta pesquisa propõe a utilização do pentágono de políticas públicas como modelo de análise na implementação da inovação social, tendo em vista a capacidade do mesmo para análise de aspectos cognitivos dos atores, que podem contribuir para explanar a dimensão política da inovação social, a qual é tida como incógnita que demanda esclarecimento. O estudo da implementação da inovação social a partir de um modelo de análise de implementação de políticas públicas é possível porque tanto a inovação social quanto a ação pública levam em conta os quadros cognitivos decorrentes da interação e articulação de atores, aspectos subjetivos e objetivos, com foco na solução de uma questão social como a desigualdade social, a pobreza, o crime, o analfabetismo. Tanto a ação pública quanto a inovação social consideram importante a diversidade de atores e a atuação ativa destes, o empoderamento, o protagonismo dos mesmos, na busca por soluções para questões sociais. O estudo da inovação social é relevante para toda sociedade, pois é um tema que aborda questões de interesse coletivo. O presente trabalho inova na medida em que propõe que a implementação da inovação social seja analisada por meio do pentágono de políticas públicas. Palavras-Chave: Pentágono de Políticas Públicas. Inovação Social. Barreiras. Indutores. Implementação.   Abstract: The present study has the following research problem: How does the political sociology of public action contribute to clarify the barriers and dravers in the implementation of social innovation? To answer this problem, this research proposes the use of the public policies pentagon as a model of analysis in the social innovation implementation, given its ability to analyze cognitive aspects of actors, which contribute to explain the political dimension of social innovation, which is considered a unknown variable that requires clarification. The study of social innovation implementation from a model of public policy implementation analysis is possible because both social innovation and public action take into account cognitive aspects arising from the interaction and articulation of actors, subjective and objective aspects, focused on solving a social issue such as social inequality, poverty, crime, illiteracy. Both public action and social innovation consider important the diversity of actors and their active role, their empowerment, their protagonism, in the search for solutions to social issues. The social innovation study is relevant to society as a whole, as it is a topic that addresses issues of collective interest. The present study innovates in that it proposes that the implementation of social innovation be analyzed through of the public policies pentagon. Keywords: Public Policies Pentagon. Social Innovation. Barriers.  Drivers. Implementation.  


Africa ◽  
2019 ◽  
Vol 89 (2) ◽  
pp. 286-302 ◽  
Author(s):  
George Emeka Agbo

AbstractThe last decade has witnessed the ubiquitous presence of camera devices, from conventional cameras to communication gadgets (such as mobile phones, iPads and tablets), built with the capacity to produce, edit, disseminate and interact through photographs. In this article, I analyse visual materials circulated on Facebook, YouTube and Nairaland (a locally popular social-networking website used by Nigerians) to demonstrate how the ubiquity of the camera, its overt and surreptitious use, and the transformation and circulation of the resulting photographs constitute political acts in a postcolonial African context. The camera's ubiquity encompasses the increasing availability of photographic devices, but also the growing, and politically charged, inclination to put them to use, framing the world through which their users move. The production and dissemination of the resulting photograph gives it the status of an eyewitness account, amidst contestations that heighten its force as political articulation. Lastly, the ubiquitous camera is a means through which the public observes, polices and exposes the duplicity of state functionaries. The article contributes to an understanding of the ways in which digital infrastructure allows public access to the political undertaking of photography.


2020 ◽  
Vol 2020 (263) ◽  
pp. 13-18
Author(s):  
David Karlander

AbstractIn this essay, David Karlander examines what happens when concepts developed by scholars of language circulate and become embedded in policies and law. In exploring how the distinction between a “language” and a “dialect” became encoded in the European Charter for Regional or Minority Languages (ECRML), Karlander examines the consequences when applied to the status and state support of minority languages in Sweden. What counts as a language, he demonstrates, is not simply an “academic” matter. When sociolinguistics enters the public arena, it has the potential to affect the political and social standing of real communities.


2021 ◽  
Vol 1 (1) ◽  
pp. 15-27
Author(s):  
Predrag Terzić

The process of creating a modern state and forming political institutions corresponds to the process of transforming the subjects of the past into a community constituted on the principle of citizenship. The citizen becomes the foundation of the political community and the subject, which in interaction with other citizens, forms the public sphere. However, this does not mean that all members of the community have the same rights and obligations contained in the status of a citizen. Excluding certain categories of residents from the principle of citizenship raises a number of issues that delegitimize the existing order by colliding with the ideas of justice, freedom and equality. The aim of this short research is to clarify the principle of citizenship, its main manifestations and excluded subjects, as well as the causes that are at the root of the concept of exclusive citizenship. A brief presentation of the idea of multiculturalism does not intend to fully analytically explain this concept, but only to present in outline one of the ways of overcoming the issue of exclusive citizenship. In order to determine the social significance of the topic, a part of the text is dedicated to the ideas that form the basis of an exclusive understanding of citizenship, the reasons for its application and the far-reaching consequences of social tensions and unrest, which cannot be ignored.


Author(s):  
Marek Jeziński

<p>W artykule niniejszym przedstawiam polityczny wymiar muzyki popularnej w kontekście działań mitologizacji własnej twórczości przejawianych przez politycznie i społecznie zaangażowanych wykonawców z kręgu miejskiego folku i rocka, na przykładzie brytyjskiego artysty Roy’a Harpera</p><strong>Artistic Mythology on Counterculture Paths: Roy Harper</strong><p>SUMMARY</p><p>The article presents the political dimension of popular music in the context of actions meant to mythologize their own musical works by politically and socially engaged urban folk and rock performers, as exemplified by a British artist Roy Harper. The case of this performer shows that artistic mythology can be gradually constructed strictly according to the patterns taken from mythical narratives that function in all cultures in the world. It serves the specifically understood process of mythologizing the activities of an artist and the personality created by the performer. Harper’s biography is a contemporary version of the heroic myth transmitted to the public through the mass media and complemented with themes originating from folkloristic stories such as the magic fairy story. A myth like that is a certain pivot around which a mythological narrative is developed, consisting of diverse elements essential to a specific artist.</p>


2018 ◽  
Vol 4 (3) ◽  
pp. 61 ◽  
Author(s):  
Adrian Leka

The picture of recent legal developments concerning defamation in Albania is mixed. On the one hand, several criminal defamation and insult statuteshave been abolishedsince 2012, following strong lobbying of human rights organizations. On the other, the application of criminal defamation laws has not stopped, while government officials and other high profile persons have discovered the power of civil defamation claims. Faced with intense criticism, the government has tried to re-introduce the abolished criminal defamation laws and has faced the same strong opposition and international outcry. In the meantime, defamation claims or threats thereof are routinely being used against the media or against the political opponent for the only purposes of creating tension and diffusing the attention of the public. The vagueness of the laws and the inconsistencies of judicial interpretation, helped in no little measure by judicial corruption and the political control of the judiciary, have widened the gap between constitutional and international guarantees of the freedom of speech and the actual enforcement of those guarantees. This article will briefly expose the history of defamation laws in Albania, the difficulties of their application, and the status of affairs concerning defamation laws and claims.


2006 ◽  
Vol 3 (1) ◽  
pp. 1-31 ◽  
Author(s):  
CHRISTIAN J. EMDEN

Focusing on the close connection between Friedrich Nietzsche's historical thought and the discourse of German historicism in the second half of the nineteenth century, this article argues in a thick contextual reading that Nietzsche's second “Untimely Meditation,” Vom Nutzen und Nachtheil der Historie für das Leben (1874), needs to be understood as a reflection on the political dimension of historical consciousness, outlining what I shall term a “critical historicism.” In contrast to the standard emphasis on Nietzsche's presumed aestheticism, he is shown to react to rather specific developments within the contemporary intellectual context, such as the establishment of specific historical foundation myths for a new German nation state, exemplified by the public monuments and commemorations of the 1870s, the effect of such foundation myths on the political imagination of historical scholarship, and the intellectual antagonism between Basel's “antimodernism” and the German nation state.


Author(s):  
Mathieu Segers

In 1973, the United Kingdom finally became a member of the European Community, together with Denmark and Ireland. This meant the beginning of the end of any serious ambition to develop the political dimension of European integration beyond the status quo. At the same time, the integration process faced new challenges posed by the collapse of the Bretton Woods system. The Netherlands was on the brink of embarking on its happiest period in post-war Western Europe. The ‘new’ European integration that had emerged from the ashes of Bretton Woods, and would include the United Kingdom, became increasingly instrumental, focusing on the market and the management of international financial-economic and monetary affairs: things the Dutch felt they were good at.


2009 ◽  
pp. 113-136
Author(s):  
Eva Cecchinato

- The essay analyzes the recoveries of the garibaldian tradition in the period among the two world wars. The levels are manifold: the political dimension and the generational aspects, the family genealogies of the garibaldinism and the imaginary genealogies, sometimes interwoven and contrasted. Particular attention has been therefore reserved to the pages of "Camicia rossa", in which take form the perspectives and the claims of the "garibaldian fascism", but some contrasts also manifest themselves among the public use of the history promoted by the regime and the position of Ezio Garibaldi. On the long period the antifascist declination of the garibaldian tradition has in the French context its ground of fundamental development. The diplomatic relationships between Italy and France constitute the background to the dynamics in which the refugees try to create or to preserve a social and political role. The political emigration doesn't give up at all valorizing the patrimony of the Risorgimento in antifascist key. In the environment and on the pages of "Giustizia e Libertŕ" the dispute on the Risorgimento is faced in more systematic way. The recoveries of the garibaldian tradition - fascists and antifascists - concern a fundamental historical knot: the inheritance of the Great War and the choice of the Italian volunteers of the 1914. Recovering a constitutive and native aspect of the camicia rossa, the stories of the garibaldinism in this phase have therefore an international dimension and they are subscribed in a triangular perimeter that has Italy, France and Spain as vertexes.


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