scholarly journals Beyond Human to Humane: A Multispecies Analysis of Care Work, Its Repression, and Its Potential

2016 ◽  
Vol 10 (2) ◽  
pp. 199-219 ◽  
Author(s):  
Kendra Coulter
Keyword(s):  
Social Justice ◽  
Conceptual Framework ◽  
Final Section ◽  
Care Work ◽  
Human Consumption ◽  
Ethical Considerations ◽  
The Social ◽  
In The Wild

This paper approaches care work through a multispecies and interspecies lens, and challenges readers to expand both their analysis and their ethical considerations in order to include animals. First I present a conceptual framework to help illuminate and unpack the care work animals do in the wild, in homes, and in formal workplaces. I then highlight the complex ways animals’ bodies, minds, and families are involved in the production of commodities for human consumption, and the implications of such practices for animals’ own forms of caregiving. Unfortunately, the fact is that for many animals, their primary experiences of care work are its repression. As a result, in the final section, I offer food for thought about the potential for care work to not only involve more empathetic embodied interactions and labour processes, but to be a springboard for expanded visions and projects of social justice which include humane jobs and recognize that “the social” is multispecies.

An Overview of Health Disparities in the Context of Public Health Ethics

2019 ◽  
pp. 257-265
Author(s):  
Andrew W. Siegel
Keyword(s):  
Public Health ◽  
Socioeconomic Status ◽  
Social Justice ◽  
Health Disparities ◽  
Health Inequity ◽  
Public Health Ethics ◽  
Ethical Considerations ◽  
Health Ethics ◽  
The Social ◽  
The Subject

Health disparities have increasingly become an important area of examination for public health ethics. This chapter provides an overview of the ethics of health disparities, one of the dedicated sections of The Oxford Handbook of Public Health Ethics. It begins with background on health disparities and socioeconomic status, including a brief summary of some of the seminal research on the subject. It then provides an overview of the chapters in this section of the handbook, which address (1) the social determinants of health and the ethics and social justice arguments for reducing health disparities, (2) racial and ethnic health disparities, (3) some conflicts that arise between reducing health disparities and advancing population health, and (4) ethical considerations in the measurement of health inequity.

scholarly journals Recognition, collaboration and community: science fiction representations of robot carers in Robot & Frank, Big Hero 6 and Humans

2020 ◽  
pp. medhum-2019-011744 ◽  
Author(s):  
Yugin Teo
Keyword(s):  
Science Fiction ◽  
Final Section ◽  
Ethical Issues ◽  
Care Work ◽  
Television Series ◽  
The Social ◽  
Community Science ◽  
Fictional Representations ◽  
Affective Relations

In the 2010s, a small number of science fiction films and television series exploring the theme of the robot carer and how humans respond to them were released. This paper explores three works in this regard: the films Robot & Frank (dir. Jake Schreier, USA 2012), Big Hero 6 (dir. Don Hall/Chris Williams, USA 2014) and the television series Humans (UK/USA, Channel 4/AMC, 2015–2018). Examining these works with some of the ethical issues currently being discussed in the use of robot technology in care work, this paper demonstrates how they align themselves with, but also challenge some of these ideas, and ultimately direct viewers to consider their own expectations of personalised healthcare. The essay begins by examining the fears of the care industry deploying robots to replace the work of human carers, followed by a discussion of the effectiveness of robots as carers as depicted in these fictional representations, and the final section considers the social environment that these robot carers are situated in, and how the robots become a reflection of human lives and a repository of memories of affective relations. These texts suggest alternate ways of thinking about human–robot interactions and care work, advocating for a more mutually dependent and reciprocal working relationship that might lead to a better quality of care.

Bologna, My Love: Il Cinema Ritrovato

2019 ◽  
Vol 73 (2) ◽  
pp. 72-79
Author(s):  
Carla Marcantonio
Keyword(s):  
Social Justice ◽  
Fairy Tale ◽  
Large Scale ◽  
Francis Ford Coppola ◽  
The Social ◽  
Ongoing Project

FQ books editor Carla Marcantonio guides readers through the 33rd edition of Il Cinema Ritrovato Festival held each year in Bologna at the end of June. Highlights of this year's festival included a restoration of one of Vittorio De Sica's hard-to-find and hence lesser-known films, the social justice fairy tale, Miracolo a Milano (Miracle in Milan, 1951). The film was presented by De Sica's daughter, Emi De Sica, and was an example of the ongoing project to restore De Sica's archive, which was given to the Cineteca de Bologna in 2016. Marcantonio also notes her unexpected responses to certain reviewings; Apocalypse Now: Final Cut (2019), presented by Francis Ford Coppola on the large-scale screen of Piazza Maggiore and accompanied by remastered Dolby Atmos sound, struck her as a tour-de-force while a restoration of David Lynch's Blue Velvet (1986) had lost some of its strange allure.

Same Address, Different Doors: Post-Heritage Deconstruction of the Heritage Household in Upstairs Downstairs in the 1970s and 2010s

2020 ◽  
Author(s):  
William Abbiss
Keyword(s):  
Final Section ◽  
Social Structures ◽  
The Third ◽  
The Past ◽  
War Narrative ◽  
Critical History ◽  
The Social ◽  
Fourth Series ◽  
History Of ◽  
Multiple Episodes

This article offers a ‘post-heritage’ reading of both iterations of Upstairs Downstairs: the LondonWeekend Television (LWT) series (1971–5) and its shortlived BBC revival (2010–12). Identifying elements of subversion and subjectivity allows scholarship on the LWT series to be reassessed, recognising occasions where it challenges rather than supports the social structures of the depicted Edwardian past. The BBC series also incorporates the post-heritage element of self-consciousness, acknowledging the parallel between its narrative and the production’s attempts to recreate the success of its 1970s predecessor. The article’s first section assesses the critical history of the LWT series, identifying areas that are open to further study or revised readings. The second section analyses the serialised war narrative of the fourth series of LWT’s Upstairs, Downstairs (1974), revealing its exploration of female identity across multiple episodes and challenging the notion that the series became more male and upstairs dominated as it progressed. The third section considers the BBC series’ revised concept, identifying the shifts in its main characters’ positions in society that allow the series’ narrative to question the past it evokes. This will be briefly contrasted with the heritage stability of Downton Abbey (ITV, 2010–15). The final section considers the household of 165 Eaton Place’s function as a studio space, which the BBC series self-consciously adopts in order to evoke the aesthetics of prior period dramas. The article concludes by suggesting that the barriers to recreating the past established in the BBC series’ narrative also contributed to its failure to match the success of its earlier iteration.

Same Address, Different Doors: Post-Heritage Deconstruction of the Heritage Household in Upstairs Downstairs in the 1970s and 2010s

2020 ◽  
Author(s):  
William Abbiss
Keyword(s):  
Final Section ◽  
Social Structures ◽  
The Third ◽  
The Past ◽  
War Narrative ◽  
Critical History ◽  
The Social ◽  
Fourth Series ◽  
History Of ◽  
Multiple Episodes

This article offers a ‘post-heritage’ reading of both iterations of Upstairs Downstairs: the LondonWeekend Television (LWT) series (1971–5) and its shortlived BBC revival (2010–12). Identifying elements of subversion and subjectivity allows scholarship on the LWT series to be reassessed, recognising occasions where it challenges rather than supports the social structures of the depicted Edwardian past. The BBC series also incorporates the post-heritage element of self-consciousness, acknowledging the parallel between its narrative and the production’s attempts to recreate the success of its 1970s predecessor. The article’s first section assesses the critical history of the LWT series, identifying areas that are open to further study or revised readings. The second section analyses the serialised war narrative of the fourth series of LWT’s Upstairs, Downstairs (1974), revealing its exploration of female identity across multiple episodes and challenging the notion that the series became more male and upstairs dominated as it progressed. The third section considers the BBC series’ revised concept, identifying the shifts in its main characters’ positions in society that allow the series’ narrative to question the past it evokes. This will be briefly contrasted with the heritage stability of Downton Abbey (ITV, 2010–15). The final section considers the household of 165 Eaton Place’s function as a studio space, which the BBC series self-consciously adopts in order to evoke the aesthetics of prior period dramas. The article concludes by suggesting that the barriers to recreating the past established in the BBC series’ narrative also contributed to its failure to match the success of its earlier iteration.

Social Justice and Dietetic Education: Are We Preparing Practitioners to Lead?

2020 ◽  
Vol 81 (3) ◽  
pp. 120-126
Author(s):  
Jennifer Brady
Keyword(s):  
Social Justice ◽  
Education And Training ◽  
Determinants Of Health ◽  
Structural Determinants ◽  
Social Justice Advocacy ◽  
Dietetic Education ◽  
Qualitative Survey ◽  
The Social ◽  
Reflexive Practice ◽  
And Training

Purpose: To explore dietetic practitioners’ perceptions of their education and training in the knowledge, skills, and confidence to understand social justice issues and to engage in socially just dietetic practice and social justice advocacy. Methods: An online semi-qualitative survey sent to Canadian dietitians. Results: Most respondents (n = 264; 81.5%) felt that knowledge- and skill-based learning about social justice and social justice advocacy should be a part of dietetic education and training. Reasons given by respondents for the importance of social justice learning include: client-centred care and reflexive practice, effecting change to the social and structural determinants of health, preventing dietitian burnout, and relevance of the profession. Yet, over half of respondents either strongly disagreed or disagreed that they were adequately prepared with the knowledge (n = 186; 57.4%), skills (n = 195; 60.2%), or confidence (n = 196; 60.5%) to engage in advocacy related to social justice concerns. Some questioned the practicality of adding social justice learning via additional courses to already full programs, while others proposed infusing a social justice lens across dietetic education and practice areas. Conclusions: Dietetic education and training must do more to prepare dietitians to answer calls for dietitians to engage in social justice issues through practice and advocacy.

‘Everything Belongs to God’

2018 ◽  
Author(s):  
Walter Rech
Keyword(s):  
Social Justice ◽  
Public Good ◽  
Economic Inequality ◽  
Private Ownership ◽  
Social Conflicts ◽  
The Public ◽  
The Social ◽  
Wealth Redistribution ◽  
Social Teachings

This chapter examines and contextualizes Sayyid Qutb’s doctrine of property and social justice, which he articulated at a time of deep social conflicts in Egypt. The chapter describes how Qutb, along with other writers concerned with economic inequality in the 1920s–40s such as Hasan al-Banna (1906–1949) and Abd al-Razzaq al-Sanhuri (1895–1971), conceptualised private ownership as a form of power that must be limited by religious obligations and subordinated to the public good. The chapter further shows that Qutb made this notion of restrained property central to a broader theory of social justice and wealth redistribution by combining the social teachings of the Qur’an with the modern ideal of the centralized interventionist state. Arguably this endeavour to revitalise the Quranic roots of Islamic charity and simultaneously appropriate the discourse of modern statehood made Qutb’s position oscillate between legalism and anti-legalism.

scholarly journals COVID-19 and the calls of humanistic social work: Exploring the developmental-clinical social work concerns of the pandemic

2021 ◽  
pp. 002087282110079
Author(s):  
Robert K Chigangaidze
Keyword(s):  
Social Justice ◽  
Social Work ◽  
Global Health ◽  
Technological Innovation ◽  
Service Provision ◽  
Social Inequalities ◽  
Clinical Social Work ◽  
Health Community ◽  
The Social ◽  
The Face

Any health outbreak is beyond the biomedical approach. The COVID-19 pandemic exposes a calamitous need to address social inequalities prevalent in the global health community. Au fait with this, the impetus of this article is to explore the calls of humanistic social work in the face of the pandemic. It calls for the pursuit of social justice during the pandemic and after. It also calls for a holistic service provision, technological innovation and stewardship. Wrapping up, it challenges the global community to rethink their priorities – egotism or altruism. It emphasizes the ultimate way forward of addressing the social inequalities.

A Politics of Witnessing: Definitional Ceremony as Social Justice Work in Academia

2020 ◽  
pp. 194084472096820
Author(s):  
Sarah Strauven
Keyword(s):  
Social Justice ◽  
Public Engagement ◽  
Final Section ◽  
Qualitative Inquiry ◽  
Australian Case ◽  
Narrative Practice ◽  
Work First

The work outlined in this article has in part evolved as a response to Mr. Behrouz Boochani’s call to academics to engage with his work. First, I propose academics consider a form of public engagement drawn from narrative practice as social justice work in academia. In the next section, I illustrate my argument with an Australian case by discussing (a) a peaceful resistance undertaken by the refugees on Manus Island through the lens of definitional ceremony, (b) a public witnessing response by Dr. Surma to the written account of Mr. Boochani of the resistance, and (c) his reply to this act of witnessing. I complement this with my own response to both scholars on account of witnessing their exchanges. In the final section of this article, I articulate in more detail how this proposition of conceiving social justice work in academia is based on a politics of witnessing and acknowledgment. I argue that its epistemological and ontological dimensions hold promise for post-qualitative inquiry and that narrative practices more generally, can assist us in performing relationally situated research.

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