scholarly journals An Innovative Form of Access to the Cultural Heritage of Musical Theatre: A Perspective from Bulgaria

2021 ◽  
Vol 7 (1) ◽  
pp. 178-192
Author(s):  
Petar Odazhiev ◽  
Keyword(s):  
Cultural Heritage ◽  
Creative Process ◽  
Musical Theater ◽  
Digital Technologies ◽  
Musical Theatre ◽  
Multimedia Content ◽  
Virtual Museum ◽  
Current Development ◽  
Digital Collections ◽  
Internet Platform

Providing as an example the Virtual Museum of Bulgarian Musical Theatre, institutionalized as an independent and constantly evolving Internet platform at the Museum of the Bulgarian Musical Theater (MBMT), this study represents a new contribution to the application of digital technologies to management and cultural promotion. The research answers questions regarding the current development and applications of digital technologies for designing multimedia content aiming to represent cultural heritage. The results offer an original virtual museum constructing method for interactive access to archival samples of performances in the following genres: opera, ballet, operetta, and musical. Additionally, the museum offers access to a presentation of the achievements of music and stage art through permanent thematic collections of repertoire programs, up-to-date information about the creative process of artists, conductors, directors, scenographers, choreographers. Keywords: Digitization, Preservation, Cultural Heritage, Digital Collections, Musical Theatre, Opera, Ballet

scholarly journals The digitally preserved old-aged art, culture and artists

2019 ◽  
Vol 3 (2) ◽  
pp. 111-122
Author(s):  
Showkat Ahmad Wani ◽  
Asifa Ali ◽  
Shabir Ahmad Ganaie
Keyword(s):  
Cultural Heritage ◽  
Design Methodology ◽  
Digital Technologies ◽  
Study Data ◽  
Historical Events ◽  
Digital Collections ◽  
Content Type ◽  
Link Type ◽  
Historical Figures ◽  
Arts And Culture

Purpose This paper aims to explore the Google Arts and Culture platform in terms of parameters used for categorizing the digital collections by it; the total number of items and their types; top contributing artists; top ten historical events and figures; and the top ten countries having maximum artworks. Design/methodology/approach An online method was used to collect the relevant data for achieving the objectives of the study. Data were harvested from the official website of Google Arts and Culture (https://artsandculture.google.com/) during the period of 15 May to 31 May 2018, and the same was tabulated in MS Excel for analysis and interpretation. Findings The findings revealed that Google Arts and Culture includes a total of 6,272 artists, 228 media and 121 art movements. Moreover, there are a total of 641 historical movements; 6,250 historical figures; 9,692 places; 3,226 museum views; 1,702 zoom views; 39,607 featured videos; and 5,528 featured stories; 122 items organized by color and 954 organized by time. Originality/value The present study is first of its kind that focuses on exploration of diverse arts and cultural heritages of different countries and by diverse artists made visible by Google Arts and Culture initiative. It will significantly reinforce the art and cultural heritage lovers to acquire the knowledge pertinent to various types of arts and cultures that prevailed in antiquity across the globe and also make aware the conservators about how to use digital technologies for efficient preservation and visibility of unique artworks, artists and the places whom they belong.

scholarly journals From Silk to Digital Technologies: A Gateway to New Opportunities for Creative Industries, Traditional Crafts and Designers. The SILKNOW Case

2020 ◽  
Vol 12 (19) ◽  
pp. 8279
Author(s):  
Ester Alba Pagán ◽  
María del Mar Gaitán Salvatella ◽  
María Dolores Pitarch ◽  
Arabella León Muñoz ◽  
María del Mar Moya Toledo ◽  
...  
Keyword(s):  
Cultural Heritage ◽  
Creative Process ◽  
Digital Technologies ◽  
Creative Industries ◽  
Future Generations ◽  
Economic Power ◽  
Funded Project ◽  
Design Students ◽  
Communicative Power

Nowadays, cultural heritage is more than ever linked to the present. It links us to our cultural past through the conscious act of preserving and bequeathing to future generations, turning society into its custodian. The appreciation of cultural heritage happens not only because of its communicative power, but also because of its economic power, through sustainable development and the promotion of creative industries. This paper presents SILKNOW, an EU-H2002 funded project and its application to cultural heritage, as well as to creative industries and design innovation. To this end, it presents the use of image recognition tools applied to cultural heritage, through the interoperability of data in the open-access registers of silk museums and its presentation, analysis and creative process carried out by the design students of EASD Valencia as a case study, in the branches of jewellery and fashion project, inspired by the heritage of silk.

A Virtual Museum of Pompeii “ex Votos”

2020 ◽  
pp. 159-180
Author(s):  
Alessandra Cirafici ◽  
Alessandra Avella
Keyword(s):  
Cultural Heritage ◽  
Digital Technologies ◽  
Virtual Museum ◽  
Slow Process ◽  
Everyday Lives ◽  
New Generation

Safeguarding cultural heritage—preserving it from the neglect of time and abandonment—is not in itself enough that the patrimony truly constitutes a part of that slow process of identity which in its inner essence of heritage, that of inheritance, cultural heritage is called upon to participate. For this to happen, it is necessary that heritage is “accessible” in the sense that Jeremy Rifkin has attributed to this term—proposed as a “possible experience” in everyday lives. Thus, new digital technologies not only make it possible to build virtually unlimited “memory archives”, but also to access systems, with a dynamic and interactive consultation so that a new generation of ‘prosumers' (producers/consumers) of the cultural heritage can give new meaning to it. This chapter investigates the potential and meaning of these new “memory archives” through the case study of the archive of the Ex Voto of the Shrine of Our Lady of the Rosary in Pompeii and of the 'stories' that it treasures.

scholarly journals Digital Technologies in the Field of Culture: Theorizing the Issue of Digital Data and Cultural Heritage

2021 ◽  
Vol 4 (2) ◽  
pp. 195-205
Author(s):  
Viktoriia Volynetc
Keyword(s):  
Cultural Heritage ◽  
Cultural Context ◽  
Social Issues ◽  
Digital Technologies ◽  
Digital Publishing ◽  
Digital Data ◽  
Digital Collections ◽  
Heritage Sites ◽  
Recording Analysis ◽  
Visual Materials

The purpose of the research is to reveal the peculiarities of the digital collections functioning in the field of cultural heritage. Research methodology is based on the application of a systematic approach to the digitization issue’s study of cultural heritage sites and museum practice. The scientific novelty of the obtained results is the issue’s actualization of the functioning of digital collections of cultural heritage in the cultural context, the statement of the digital canon expansion in the field of cultural heritage. Conclusions. It is emphasized that the discrepancy between the scale of digitized content and the real number of non-digitized and unpublished works of culture and art raises important questions about who decides which works will be published, will enter the scientific and educational circulation, will expand the digital canon and will serve as a source of inspiration for the general public. Thus, the range of problems in the development of digital collections and digital content aggregators in the field of cultural heritage becomes evident. Digital publishing platforms should be seen as primary sources that reflect the cultural, political and social issues of the modern era and reveal ontological and epistemic gaps in the perception of cultural, ethnic and social affiliation. The analysis of conceptual and methodological approaches to the development of modern digital technologies in the field of cultural heritage, which defined the digital turn for all modern cultural processes, allows us to understand the basic patterns and trends associated with recording, analysis and transmission of cultural heritage at the present stage. Critical analysis of digital infrastructures enables the cultural study of the digital turn in the field of cultural heritage in order to identify the possibilities and limitations of digital technologies in the analysis, publication and dissemination of textual and visual materials, demonstrating works of culture and art.

scholarly journals Making the Invisible Visible: Underwater Malta—A Virtual Museum for Submerged Cultural Heritage

2021 ◽  
Vol 13 (8) ◽  
pp. 1558
Author(s):  
Timmy Gambin ◽  
Kari Hyttinen ◽  
Maja Sausmekat ◽  
John Wood
Keyword(s):  
Cultural Heritage ◽  
Public Access ◽  
Human Interaction ◽  
Underwater Cultural Heritage ◽  
Virtual Museum ◽  
Underwater Imaging ◽  
Human Occupation ◽  
The Public ◽  
3D Photogrammetry ◽  
Underwater Sites

The seabed can be considered as the world’s largest museum, and underwater sites explored and studied so far provide priceless information on human interaction with the sea. In recognition of the importance of this cultural resource, UNESCO, in its 2001 Convention on the Protection of the Underwater Cultural Heritage, determined that objects/sites should be preserved in situ, whilst also advocating for public access and sharing. The implementation of these principles is not without difficulties. Some states have opened up underwater sites to the public—mainly through diving, yet the vast majority of the world’s population does not dive. In Malta, 7000 years of human occupation is reflected in and on the landscape, and recent offshore surveys show that the islands’ long and complex history has also left an indelible mark on the seabed. Besides difficulties related to their protection and management, these sites also present a challenge with regard to sharing and communicating. Recent advances in underwater imaging and processing software have accelerated the development of 3D photogrammetry of submerged sites and the idea for a virtual museum was born. The virtual museum, UnderwaterMalta, was created out of a need to share the plethora of underwater sites located on the seabed of the Maltese Islands. A multitude of digital tools are used to share and communicate these sites, offering visitors a dry dive into submerged sites that would otherwise remain invisible to the vast majority of the public. This paper discusses the basic principle of the sharing of underwater cultural heritage and the difficulties that beset the implementation of such a principle. A detailed explanation and evaluation of the methods used to gather the raw data needed is set in the context of the particular and unique working conditions related to deep water sites. The workings of this paper are based on first-hand experiences garnered through the recording of numerous wrecks over the years and the creation and launch of The Virtual Museum-Underwater Malta—a comprehensive virtual museum specifically built for “displaying” underwater archaeological sites that are otherwise invisible to the general public.

scholarly journals A Virtual Representation of the Egyptian Cultural Heritage

2011 ◽  
Vol 2 (4) ◽  
pp. 45
Author(s):  
Fathi Saleh
Keyword(s):  
Information Technology ◽  
Cultural Heritage ◽  
Holistic Approach ◽  
Intangible Cultural Heritage ◽  
Virtual Museum ◽  
Natural Heritage ◽  
The World ◽  
Unique Experience

<p>In Egypt, the Center for Documentation of Cultural and Natural Heritage (CULTNAT) is treating cultural heritage in a holistic approach whether regarding the diversity of themes of cultural heritage or in the case of museums, the presence of objects in the different museums both within the country or abroad (a sort of global virtual museum). The establishment of CULTNAT marks a unique experience in the application of the latest innovations in the world of telecommunications and information technology towards heritage issues. CULTNAT’s main mandate is to document the various aspects of Egypt's tangible and intangible cultural heritage as well as its natural heritage.</p>

scholarly journals Social Media and Community Involvement in Museums. A case study of a local history wiki community

1970 ◽  
pp. 3 ◽  
Author(s):  
Dagny Stuedahl
Keyword(s):  
Social Media ◽  
Cultural Heritage ◽  
Web 2.0 ◽  
Community Involvement ◽  
Knowledge Creation ◽  
Digital Technologies ◽  
Local History ◽  
Historical Knowledge

The article focuses on a study of knowledge creation and organizing in a local history wiki. The background for this study was to understand how web 2.0 and social media might open new possibilities for museums to collaborate with communities and lay professionals in cultural heritage knowledge creation. Digital technologies provide tools that in many ways overcome challenges of physical collaboration between museums and amateurs. But technologies also bring in new aspects of ordering, categorizing and systematizing knowledge that illuminates the different institutional as well as professional frameworks that writing local historical knowledge into digital forms in fact represents. 

scholarly journals Sampled 3D models for Cultural Heritage: which uses beyond visualization?

2012 ◽  
Vol 3 (5) ◽  
pp. 109 ◽  
Author(s):  
Roberto Scopigno
Keyword(s):  
Cultural Heritage ◽  
Digital Technologies ◽  
3D Models ◽  
3D Scanning ◽  
High Quality ◽  
Research Results

<p>Digital technologies are now mature for producing high quality digital replicas of Cultural Heritage (CH) artefacts. The research results produced in the last decade have shown an impressive evolution and consolidation of the technologies for acquiring high-quality digital 3D models (3D scanning) and for rendering those models at interactive speed. Technology is now mature enough to push us to go beyond the plain visualization of those assets, devising new tools able to extend our insight and intervention capabilities and to revise the current consolidated procedures for CH research and management. The paper presents a few recent experiences where high-quality 3D models have been used in CH research, restoration and conservation. These examples constitutes a broad review of different uses of digital 3D<br />assets in the CH domain.</p>

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