scholarly journals The Music of Organisations: an Aesthetic Ethnography

2021 ◽  
Author(s):  
◽  
Ralph James Bathurst
Keyword(s):  
Research Methodology ◽  
Management Practice ◽  
Business Practice ◽  
Theory Building ◽  
Theoretical Underpinning ◽  
The Arts ◽  
The Aesthetic ◽  
The Moment ◽  
Fixed Structure

<p>Arts-based expressions are becoming an increasingly important for understanding and improving business practice. More specifically, drama, painting and music are all artistic tools being used as ways of helping leaders gain insights into organisational life. However, there is a gap between art as a consulting practice, and its theoretical underpinning. Organisational aesthetics is a relatively new theory of organisations that endeavours to close the gap between the theoretical underpinnings of art and its application as a consulting practice. This thesis contributes to the theory-building efforts of this rapidly expanding field by exploring and developing a novel research methodology: Aesthetic Ethnography. This method is a means whereby researchers work at the arts-business nexus to investigate the ever-changing landscape of organisational life. In order to show how this occurs, the Auckland Philharmonia is offered as an exemplar. Its developments are observed during a time of governance restructure. As an aesthetic ethnography, the case study positions the orchestra as a work of art and describes how it is intentionally presenced as an artistic piece. Its concretisation is described as a construct by both the researcher and the stakeholders within the enterprise, occurring in three ethnographic movements: Emotional Attachment, Cognitive Detachment and Integrated Synthesis. The thesis concludes that the aesthetic lens can be turned on other artistic enterprises, and indeed beyond these, to the wider organisational world. To do this, further research is proposed into the music of organisations. Specifically, it is suggested that the nature of ensemble be explored and that the artistry of composition be used as a way of further teasing out the musicality of organisational life. Furthermore, music's temporality and its reliance on both fixed structure and sensitivity to the moment make it an apt tool to reflect on management practice.</p>

scholarly journals The Music of Organisations: an Aesthetic Ethnography

2021 ◽  
Author(s):  
◽  
Ralph James Bathurst
Keyword(s):  
Research Methodology ◽  
Management Practice ◽  
Business Practice ◽  
Theory Building ◽  
Theoretical Underpinning ◽  
The Arts ◽  
The Aesthetic ◽  
The Moment ◽  
Fixed Structure

<p>Arts-based expressions are becoming an increasingly important for understanding and improving business practice. More specifically, drama, painting and music are all artistic tools being used as ways of helping leaders gain insights into organisational life. However, there is a gap between art as a consulting practice, and its theoretical underpinning. Organisational aesthetics is a relatively new theory of organisations that endeavours to close the gap between the theoretical underpinnings of art and its application as a consulting practice. This thesis contributes to the theory-building efforts of this rapidly expanding field by exploring and developing a novel research methodology: Aesthetic Ethnography. This method is a means whereby researchers work at the arts-business nexus to investigate the ever-changing landscape of organisational life. In order to show how this occurs, the Auckland Philharmonia is offered as an exemplar. Its developments are observed during a time of governance restructure. As an aesthetic ethnography, the case study positions the orchestra as a work of art and describes how it is intentionally presenced as an artistic piece. Its concretisation is described as a construct by both the researcher and the stakeholders within the enterprise, occurring in three ethnographic movements: Emotional Attachment, Cognitive Detachment and Integrated Synthesis. The thesis concludes that the aesthetic lens can be turned on other artistic enterprises, and indeed beyond these, to the wider organisational world. To do this, further research is proposed into the music of organisations. Specifically, it is suggested that the nature of ensemble be explored and that the artistry of composition be used as a way of further teasing out the musicality of organisational life. Furthermore, music's temporality and its reliance on both fixed structure and sensitivity to the moment make it an apt tool to reflect on management practice.</p>

scholarly journals MENGUNGKAP REALITAS DENGAN PROYEK SENI SEBAGAI METODE PENCIPTAAN KARYA DALAM MEA

INVENSI ◽  
2017 ◽  
Vol 1 (1) ◽  
pp. 109-127
Author(s):  
Octalyna Puspa Wardany
Keyword(s):  
Research Method ◽  
Scientific Research ◽  
Field Research ◽  
Economic Community ◽  
The Arts ◽  
Asean Economic Community ◽  
The Aesthetic ◽  
The Impact ◽  
Aesthetic Values

The implementation acceleration of ASEAN Economic Community from 2020 to be 2015 is not only impacted on economic and politic. It also brings the impact on the freedom of cultural flow. This situation then need the method and tool to creating arts which enable the artists and the actors in arts to works in other countries or places within ASEAN scope which material is the community reality as fusion form between social and cultural (in this term is arts) and also possible with other fields. Through this paper, the researcher would like to propose a method of creating artworks that is the art project which reveals the reality in community as an effort to contribute in advance and develop Indonesia arts world and unearth the arts in terms of ideas of working, creating process, and artworks. This research method is case study of Tentang Hutan Art Project of gerimisUngu Production by reference review, field research and empirical experience, observation, and interview. Based on this case, it found that (1) The Art Project is a method of creating artworks which based on currently reality in the community that is already examined using scientific research; (2) The Art Project is able to be implemented at any location, including MEA context and for any type of arts; (3) The Art Project is enable arts including their artworks become unity with the live; (4) The Art Project does not abandon the aesthetic values as the content of the artworks.

FOSTERING STUDENTS’ EXPERIENCES IN ENGLISH WRITING WITH MICROBLOGGING IN TWITTER

2019 ◽  
Vol 13 (2) ◽  
pp. 113
Author(s):  
Pham Thi Thu Hien
Keyword(s):  
Qualitative Research ◽  
Language Learning ◽  
Research Design ◽  
Research Methodology ◽  
Learning Tools ◽  
Structured Interviews ◽  
English Writing ◽  
Qualitative Research Methodology

Twitter and Microblogging are two separate entities but completes each other. Both of them can be used as language learning tools and their potential has been proved by several scholars. This study tries to examine students’ experiences in integrating microblogging with twitter. It is also study about the beneficial roles of microblogging with Twitter in language learning, its relation to writing, and its appropriateness in language learning. This study employs a qualitative research methodology, and case study as its research design. Semi-structured interviews and questionnaires were employed in this study to find out about participants' views about microblogging and Twitter. From this study, it can be concluded that the participants of the study underwent various experiences during the implementation of microblogging with Twitter. They also felt that microblogging with Twitter at some point advantages them to systematically arrange their ideas, and allows them to choose appropriate diction of their ideas. They also stated that Twitter can be an appropriate means in language learning, especially in English writing<em>.</em>

A Machine for Feeling: Ping's Posthuman Affect

2017 ◽  
Vol 26 (1) ◽  
pp. 87-102
Author(s):  
Alys Moody
Keyword(s):  
Twentieth Century ◽  
Scholarly Work ◽  
Active Involvement ◽  
Affective Quality ◽  
Contemporary Perspective ◽  
The Moment ◽  
Natural Emotion ◽  
Archival Quality ◽  
Historical Moment

Beckett's famous claim that his writing seeks to ‘work on the nerves of the audience, not the intellect’ points to the centrality of affect in his work. But while his writing's affective quality is widely acknowledged by readers of his work, its refusal of intellect has made it difficult to take fully into account in scholarly work on Beckett. Taking Beckett's 1967 short prose text Ping as a case study, this essay is an attempt to take the affective qualities of Beckett's writing seriously and to consider the implications of his affectively dense writing for his texts’ relationship to history. I argue that Ping's affect emerges from the rhythms of its prose, producing a highly ‘speakable’ text in which affect precedes interpretation. In Ping, however, this affective rhythmic patterning is portrayed as mechanical, the product of the machinic ‘ping’ that punctuates the text and the text's own mechanical rhythms, demanding the active involvement of the reader. The essay concludes by arguing that Ping's mechanised affect is a specifically historical feeling. Arising from a specifically twentieth-century anxiety about technology's tendency to evacuate ‘natural’ emotion in favour of inhuman affect, it participates in a tradition of affectively resonant but curiously blank or indifferent performances of cyborg embodiment. Read in this historical light, Ping's implication of the reader in the production of its mechanised affect grants it, from our contemporary perspective, an archival quality. At the same time, it asks us to broaden the way in which we understand the Beckettian text's relationship to history, pointing to the existence of a more complex and recursive relationship between literature, its historical moment, and our contemporary moment of reading. Such a post-archival historicism sees texts as generated by but not bound to their historical moments of composition, and understands the moment of reception as an integral, if shifting, part of the text's history.

Zygmunt Krasiński wobec sztuk pięknych / Zygmunt Krasiński and the Fine Arts

2013 ◽  
Vol 54 (2) ◽  
pp. 145-160 ◽  
Author(s):  
Olga Płaszczewska
Keyword(s):  
Fine Arts ◽  
Literary Tradition ◽  
Individual Sensitivity ◽  
What Works ◽  
The Arts ◽  
The Aesthetic ◽  
A Current ◽  
Aesthetic Preferences

Summary This is an attempt at examining Zygmunt Krasiński’s opinions and preferences with regard to the fine arts, a theme many critics believed to be missing from his writings. While putting things right, this article looks at the issues involved in his artistic choices, for example, what works or artists attracted his attention, in general, and to the point of him actually drawing on them in his own work or provoking him to some response (critical, approving, emotional, etc.). Furthermore, the article tries to explore the reasons and circumstances which may account for Krasiński’s interest in a given painting, print, or sculpture. It may have been the work’s theme as in the case of his ekphrasis of Ary Scheffer’s Dante and Virgil Encountering the Shades of Francesca and Paolo Di Rimini, where literary tradition provided the impulse, or the mode of its execution, or the personal ties with its author, or, finally, some other factors, like a current vogue or simply Krasiński’s individual sensitivity. The ultimate aim of all these inquiries is to outline Krasiński’s relationship with the arts (beaux arts) in the context of the aesthetic preferences of the epoch.

An Attempted Homicidal Cut Throat Injury: A Case Study

2020 ◽  
Vol 3 (2) ◽  
pp. 147-151
Author(s):  
Mukesh Kumar Sah ◽  
Madhu Thakur
Keyword(s):  
Physical Examination ◽  
Blood Vessels ◽  
Management Practice ◽  
Limited Time ◽  
Optimal Management ◽  
Surgical Exploration

Homicidal cut throat is an injury over the front of neck by sharp instruments with an intent of murder. The neck contains vital structures (nerves, blood vessels, airway and pharyngeal conduit) in a compact fashion that may be difficult to access for physical examination or surgical exploration in a limited time. That is why these cases create panic and pose great challenges in the management. Here is a case of an attempted homicidal cut throat injury that highlights some of the challenges encountered in the management along with discussion on the evolving knowledge of the optimal management practice.

Supplier Development at LG Electronics

2020 ◽  
Author(s):  
Hyojin Kim ◽  
Daesik Hur ◽  
Tobias Schoenherr
Keyword(s):  
Management Practice ◽  
Digital Technologies ◽  
Supply Management ◽  
Future Research ◽  
Supplier Development ◽  
Environmentally Conscious ◽  
Competitive Capabilities ◽  
The Stability ◽  
Buyer Firm

Supplier development has been a critical supply management practice since the 1990s. In many instances, it has even become imperative for buyer firms to support and prepare their supply bases for uncertain economic and market environments, socially and environmentally conscious customers, advances in digital technologies, and increasing competition. Yet, research that approaches supplier development with the objective to advance all these dimensions in an integrated fashion is scarce. This study fills this void by exploring how a buyer firm may address these emerging challenges in its supply base. Specifically, an in-depth case study of LG Electronics explores how the firm designs and operates multidimensional supplier development activities to foster the stability and sustainability of its supply base while enhancing its core suppliers’ competitive capabilities. This chapter illustrates how supplier development can be taken to the next level, presents implications for managerial practice, and outlines promising future research avenues.

Candy and Drugs for Dinner

2019 ◽  
pp. 572-588
Author(s):  
Sean Guynes
Keyword(s):  
Comic Book ◽  
Gender Politics ◽  
Media Production ◽  
Comics Studies ◽  
Contemporary Media ◽  
The Aesthetic

This chapter links the seemingly disparate but deeply interconnected discourses and practices of contemporary media production, genre, aesthetics, and comics. It offers these arguments through a case study of the popular fantasy comic book Rat Queens and in the process demonstrates the critical utility to comics studies of reading genre, aesthetics, and industry together. The chapter reads Rat Queens through Sianne Ngai’s conception of the zany, cute, and interesting, showing how each of these categories is part of the aesthetic logic of the series, while also showing how each performs or critiques the series’ (superficial) investment in gender politics and the fantasy genre.

scholarly journals APPLICATION OF DOMAIN INTEGRATED DESIGN METHODOLOGY FOR BIO-INSPIRED DESIGN- A CASE STUDY OF SUTURE PIN DESIGN

2021 ◽  
Vol 1 ◽  
pp. 487-496
Author(s):  
Pavan Tejaswi Velivela ◽  
Nikita Letov ◽  
Yuan Liu ◽  
Yaoyao Fiona Zhao
Keyword(s):  
Cross Sections ◽  
Design Methodology ◽  
Reaction Force ◽  
Integrated Design ◽  
Total Deformation ◽  
Insertion Force ◽  
Force Reaction ◽  
The Moment ◽  
Work Done

AbstractThis paper investigates the design and development of bio-inspired suture pins that would reduce the insertion force and thereby reducing the pain in the patients. Inspired by kingfisher's beak and porcupine quills, the conceptual design of the suture pin is developed by using a unique ideation methodology that is proposed in this research. The methodology is named as Domain Integrated Design, which involves in classifying bio-inspired structures into various domains. There is little work done on such bio-inspired multifunctional aspect. In this research we have categorized the vast biological functionalities into domains namely, cellular structures, shapes, cross-sections, and surfaces. Multi-functional bio-inspired structures are designed by combining different domains. In this research, the hypothesis is verified by simulating the total deformation of tissue and the needle at the moment of puncture. The results show that the bio-inspired suture pin has a low deformation on the tissue at higher velocities at the puncture point and low deformation in its own structure when an axial force (reaction force) is applied to its tip. This makes the design stiff and thus require less force of insertion.

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