scholarly journals Emancipating Space from the Conditions of Violence: The Broken Middle and Inaugurated Mourning in Israel and Palestine

2021 ◽  
Author(s):  
◽  
Jennifer Ombler

<p>Spatiality in Israel and Palestine is mired in ongoing trauma and hardened differentiation. This thesis argues that spatiality must be reconfigured in order to break from a stagnated pattern of ongoing conflict. First, border lines become increasingly rigid, and come to enact a bordering practice that radically differentiates. Second, the site of the border itself offers opportunity for political possibility. Third, the spaces of violence must be subject to a process of mourning that enables emancipation from the conditions that would support ongoing violence. I draw upon the thought of Gillian Rose to re-articulate a notion of the border as a broken middle, and to set forth an approach to the spaces of violence that incorporates them into a process of inaugurated mourning. Re-articulating the border as a broken middle enriches the field of critical border studies which seeks to expand on the notion of the border as a site of potential connectivity and political or social possibility. A Rosean approach challenges the dualisms that a hardened border represents, persistently subjecting these dualisms to interrogation that undermines their rigidity. Re-configuring the spaces of violence through a process of inaugurated mourning gives expression to grief, and disentangles the organisation of space from ongoing violence, without forgetting past suffering. An inaugurated approach seeks a fuller and self-reflective understanding of the conditions of suffering; it works against retreating into a melancholic condition that would reproduce the conditions of violence. These arguments are developed through an exposition of projects by artist Francis Alÿs, and architect/artist collective Decolonising Architecture Art Residency. Through their propositional nature, these projects illuminate the possibilities of a critical approach to the production and re-configuring of political and social space.</p>

2021 ◽  
Author(s):  
◽  
Jennifer Ombler

<p>Spatiality in Israel and Palestine is mired in ongoing trauma and hardened differentiation. This thesis argues that spatiality must be reconfigured in order to break from a stagnated pattern of ongoing conflict. First, border lines become increasingly rigid, and come to enact a bordering practice that radically differentiates. Second, the site of the border itself offers opportunity for political possibility. Third, the spaces of violence must be subject to a process of mourning that enables emancipation from the conditions that would support ongoing violence. I draw upon the thought of Gillian Rose to re-articulate a notion of the border as a broken middle, and to set forth an approach to the spaces of violence that incorporates them into a process of inaugurated mourning. Re-articulating the border as a broken middle enriches the field of critical border studies which seeks to expand on the notion of the border as a site of potential connectivity and political or social possibility. A Rosean approach challenges the dualisms that a hardened border represents, persistently subjecting these dualisms to interrogation that undermines their rigidity. Re-configuring the spaces of violence through a process of inaugurated mourning gives expression to grief, and disentangles the organisation of space from ongoing violence, without forgetting past suffering. An inaugurated approach seeks a fuller and self-reflective understanding of the conditions of suffering; it works against retreating into a melancholic condition that would reproduce the conditions of violence. These arguments are developed through an exposition of projects by artist Francis Alÿs, and architect/artist collective Decolonising Architecture Art Residency. Through their propositional nature, these projects illuminate the possibilities of a critical approach to the production and re-configuring of political and social space.</p>


2019 ◽  
Vol 8 (9) ◽  
pp. 245 ◽  
Author(s):  
Juliana España Keller

This paper asks what is the value of transforming the kitchen into a sonic performative work and public site for art and social practice. A Public Kitchen is formed by recreating the private and domestic space of a kitchen into a public space through a sonic performance artwork. The kitchen table is a platform for exploring, repositioning and amplifying kitchen tools as material phenomena through electronic and manual manipulation into an immersive sonic performance installation. This platform becomes a collaborative social space, where somatic movement and sensory, sonic power of the repositioned kitchen tools are built on a relational architecture of iterative sound performances that position the art historical and the sociopolitical, transforming disciplinary interpretations of the body and technology as something that is not specifically exclusively human but post-human. A Public Kitchen represents a pedagogical strategy for organizing and responding collectively to the local, operating as an independent nomadic event that speaks through a creative practice that is an unfolding process. (Re)imagining the social in a Public Kitchen produces noisy affects in a sonic intra-face that can contribute to transforming our social imaginations, forming daring dissonant narratives that feed post-human ethical practices and feminist genealogies. This paper reveals what matters—a feminist struggle invaluable in channeling the intra-personal; through the entanglement of the self, where language, meaning and subjectivity are relational to human difference and to what is felt from the social, what informs from a multi-cultural nomadic existence and diffractive perspective. The labored body is entangled with post-human contingencies of food preparation, family and social history, ritual, tradition, social geography, local politics, and women’s oppression; and is resonant and communicates as a site where new sonic techniques of existence are created and experiences shared.


2021 ◽  
Author(s):  
Tamara Sabarini

Through a review of theoretical literature on the topics of space, power, and identity as well as literature on the Palestinian refugee situation in Lebanon, this research paper uses a critical approach to space in order to examine how Palestinian identity is formed within the specific context of refugee camps in Lebanon. The refugee camp has been used by the Lebanese state as a disciplinary tool to contain identities, but it has also served as a site for the displaced Palestinians to construct meaningful lives and create new places and identities. This paper will specifically examine the way in which a marginalized collective identity as well as an identity of resistance has been formed and renegotiated using culture, memory, and militancy by displaced Palestinian refugees living within the boundaries of camps in Lebanon.


2018 ◽  
Vol 10 (1) ◽  
pp. 37-46
Author(s):  
Mateja Kurir

Can architecture become a site of resistance to the machinery of estrangement and alienation? The German philosopher Theodor Adorno found art, where he included specific forms of architecture, to be the only exit from the dominance of machinery of the total system. If architecture in Adorno's philosophy could, with its negative position, step behind the screens into an autonomous art, the French philosopher and sociologist, Henri Lefebvre, developed a more radical notion: the distinctive scenery of architecture, everyday life, is intensely subjected to alienation. As much as Lefebvre puts focus on abstract and social space as a specific production of social relations, he also argued that every architecture is a priori ideological. Introducing the status architecture was given by Adorno and Lefebvre in the age of the birth of neoliberalism, thus paralleling the concepts of cultural industries with arts, social with abstract space, the paper outlines the basic entry point of two distinctive representatives of NEO-Marxism into architecture, in order to suggest an epistemology of architecture, which starts at a foremost critical point.


Author(s):  
Lorrie Palmer

This chapter examines the chase sequences in Tomorrow Never Dies (1997) and in Skyfall (2012) in order to argue that 007’s varying relationships with women of color may be seen through the Otherness evoked by the Eastern bazaar: a site of visuality and mobility as well as a social space where both hybrid identity and cultural tourism are made visible. The earlier film (with Pierce Brosnan and Hong Kong action star, Michelle Yeoh) reflects what Mikhail Bakhtin casts as carnival, where inverted roles challenge social and cultural norms. In contrast, the later Bond (with Daniel Craig and a new Moneypenny, Naomie Harris), regresses to the Orientalist expression of an East-West relationship predicated on the colonial exercise of power based on exclusion and domination.


2019 ◽  
Vol 38 (2) ◽  
pp. 287-305 ◽  
Author(s):  
Chiara Brambilla ◽  
Reece Jones

This article advances the understanding of borders with respect to their epistemological, ontological, and empirical intersections with violence and conflict, which remain understudied within critical border studies. Specifically, the article explores the potential of recent interdisciplinary research on the border–migration nexus to find critical resources that might foster a better understanding of the complex relationships between borders, violence, and conflict. From this viewpoint, the border is not only a site of the founding violence of the sovereign power, but borders – reconceived as borderscapes – can also be regarded as a site of generative struggles where alternative subjectivities and agencies could be shaped. The article concludes with a call for an applied, committed, and engaged research capable of recovering its inherently political dimension moving towards a ‘politics of hope’ and beyond the simplistic yet dominant interpretations of the border–violence–conflict intersections, which are trapped in the ‘politics of fear’.


2021 ◽  
Vol 90-91 ◽  
pp. 43-58
Author(s):  
Gloria M. Colom Braña

The carport, a nondescript functional space within a majority of Puerto Rican houses, often accommodates different social practices throughout the year. Daily household activities such as laundry and childcare often take place in the carport, but it is also a site for landmark events such as birthdays, social gatherings, and Christmas parties. Designed exclusively for car storage, the carport is often used for everything but the car. In order to understand how this space came to be repurposed, this article focuses on the history of the introduction of the car and carport in Puerto Rico. The transformation of a single-use space into an all-purpose space with distinct cultural signifiers happened soon after the spread of the carport. The history of the colonial relationship between the United States and Puerto Rico is tied to the story of changes to the North American house form, particularly the most utilitarian spaces within the domestic sphere. The carport reflects the dreams and illusions of upward mobility and how that came crashing down in a seemingly economic free fall that began roughly in 2007 and has continued spiraling out of control.


Author(s):  
Mari Armstrong-Hough

This chapter presents a discussion of the book’s theoretical framework and central argument, arguing that the everyday practice of biomedicine and the social process of biomedicalization rest on the foundations of relatively widely shared narratives within communities. As these narratives and narrative fragments are accessed selectively and deployed with creativity and contradiction, the transformations social scientists call biomedicalization are necessarily inflected and informed by their sociocultural context through what is available from the cultural repertoire or “tool kit” and how those cultural materials are deployed. As a result, biomedicalization does not eradicate diversity in “things medical,” but rather produces it. The following chapters explore this argument empirically, organized in descending order of imagined social space: world, nation, exam room, and home. Each is a site at which the meaning of the diabetes epidemic is imagined, negotiated, contested, and reimagined.


2019 ◽  
Vol 18 (1) ◽  
pp. 53-80
Author(s):  
Charles Burdett ◽  
Alessandra Ferrini ◽  
Gaia Giuliani ◽  
Marianna Griffini ◽  
Linde Luijnenburg ◽  
...  

This Roundtable on Visuality, Race and Nationhood in Italy brings together scholars from the arts, humanities and social sciences to discuss historical constructions of Italian whiteness and national identity in relation to the current xenophobic discourse on race and migration, stressing their rootedness in as yet unchallenged modern notions of scientific racism. Building on postcolonial historian and anthropologist Ann Laura Stoler’s definition of the colonial archive as a ‘site of knowledge production’ and a ‘repository of codified beliefs’ in Along the Archival Grain: Epistemic Anxieties and Colonial Common Sense (2009: 97), the discussants conceive the archive as a multi-layered, collective repository of aspiration, dominance, desire, self-aggrandizement and fear through which the development of society’s self-image can be revealed but also – through a systematic and critical approach to the (visual) archive of coloniality – contested. Based on the analysis of visual cultures (photographs, news footage, advertisements, propaganda, fiction film, etc.) the Roundtable addresses and connects wide-ranging issues such as: the gaze from above and below in colonial-era ethnographic film; the depiction of migration in the Far Right’s rhetoric; representations of fears and fetishisms towards Others in Federico Fellini’s work; and the exploitation of the colonial past in the Italy–Libya Bilateral Agreements on migration. The Roundtable was organized in response to the surge in xenophobic violence sparked by the Italian Parliamentary elections of March 2018 and to mark the publication of Gaia Giuliani’s monograph Race, Nation, and Gender in Modern Italy: Intersectional Representations in Visual Culture (2018).


2006 ◽  
Vol 13 (1) ◽  
pp. 13-39
Author(s):  
Pierre Bourdieu

Pierre Bordieu: The Economic Field The aim of this article is to construct an economic theory that is close to the practical logic of the agents. Bourdieu’s concept of habitus allows one to replace the rational agent of economic theory with a more realistic account of economic practice. This article contributes to restoring economics to its true nature as an historical science by giving economic theory an anthropological foundation. To do so requires that the market be regarded as a social and historical construction, i.e. as a field of forces, in which a specific struggle takes place. The structure of the economic field is defined by the distribution of different forms of capital, and economic strategies are circumscribed by this structure. As a site of struggle or competition in which prices are used as weapons in company strategies, the economic field is highly dynamic. Technological capital often plays an important role in the subversion of the established hierarchies, especially when innovation results in redefinition of the borders between fields. However, companies are fields in themselves, i.e. sites for internal struggles, which contribute to their strategies. And too, a company’s strategies depend on the relation between its position in the field of production and the position of its clients in social space.


Sign in / Sign up

Export Citation Format

Share Document