scholarly journals Density and Desire: Toward's New Zealand's peculiar urban dream

2021 ◽  
Author(s):  
◽  
Vanessa Coxhead
Keyword(s):  
New Zealand ◽  
Social Characteristics ◽  
Public And Private ◽  
The Public ◽  
Social Patterns ◽  
Thin Walls ◽  
Exciting Opportunity ◽  
Alternative Vision ◽  
The Social ◽  
The Future

<p>Density and Desire explores changes in the social organisation of New Zealand, the notion and use of the home, the contribution of dwellings in our cities and an alternative vision for the future dwelling.  New Zealand is experiencing a period of rapid transformation that is changing the way we live, work and socialise, as well as our sense of cultural identity. Our population is becoming dramatically more diverse, more urban, and of very different age and family profiles, creating demand for a wider range of housing options that can adapt to changing social patterns. For these reasons and more, we face new questions about living in a community, of dwelling diversity, of promoting sociability, and of creating conditions for neighbourliness.  The move towards higher density living in New Zealand’s major cities provides an exciting opportunity for architecture. There is an urgent need to build dwellings and this thesis argues that apartments are a necessary part of our future. However, there is a certain stigma attached to apartment dwelling as ‘second best’ — if you can’t afford a house, you’ll settle for an apartment. The romance of the ‘Quarter-Acre Pavlova Paradise’ (Mitchell) is traded in for a plot peppered with horror stories: paper-thin walls, shoebox-sized ‘chicken coop’ confinement, lack of flexibility, onerous body corporate rules… the list could go on, and it does. The research benchmarks itself against the quantity and the quality of the single detached dwelling on a quarter-acre block both as a spatial measure and the representation of home. By asking ‘how many more dwellings can we get on that space’ and ‘what is the notion of home in the future’, it seeks to resolve some of the problems associated with our initial round of higher density.  Domestic architecture can be defined as a system of relationships between oppositions — this thesis explores these relationships through three strategies: Hybrid, Separations & Connections, and Looseness. Each of these deals with the spatial and social characteristics of the city and the home and are used as a technique for controlling relationships at a range of scales and intimacies — from urban to interior — and as a tool for connecting or interrupting the public and private, inside and outside, and building and landscape.  Density and Desire offers a conceptual framework with a series of strategies that demonstrate the potential of the apartment building to re-define urban living and the peculiar New Zealand urban dream.</p>

scholarly journals Density and Desire: Toward's New Zealand's peculiar urban dream

2021 ◽  
Author(s):  
◽  
Vanessa Coxhead
Keyword(s):  
New Zealand ◽  
Social Characteristics ◽  
Public And Private ◽  
The Public ◽  
Social Patterns ◽  
Thin Walls ◽  
Exciting Opportunity ◽  
Alternative Vision ◽  
The Social ◽  
The Future

<p>Density and Desire explores changes in the social organisation of New Zealand, the notion and use of the home, the contribution of dwellings in our cities and an alternative vision for the future dwelling.  New Zealand is experiencing a period of rapid transformation that is changing the way we live, work and socialise, as well as our sense of cultural identity. Our population is becoming dramatically more diverse, more urban, and of very different age and family profiles, creating demand for a wider range of housing options that can adapt to changing social patterns. For these reasons and more, we face new questions about living in a community, of dwelling diversity, of promoting sociability, and of creating conditions for neighbourliness.  The move towards higher density living in New Zealand’s major cities provides an exciting opportunity for architecture. There is an urgent need to build dwellings and this thesis argues that apartments are a necessary part of our future. However, there is a certain stigma attached to apartment dwelling as ‘second best’ — if you can’t afford a house, you’ll settle for an apartment. The romance of the ‘Quarter-Acre Pavlova Paradise’ (Mitchell) is traded in for a plot peppered with horror stories: paper-thin walls, shoebox-sized ‘chicken coop’ confinement, lack of flexibility, onerous body corporate rules… the list could go on, and it does. The research benchmarks itself against the quantity and the quality of the single detached dwelling on a quarter-acre block both as a spatial measure and the representation of home. By asking ‘how many more dwellings can we get on that space’ and ‘what is the notion of home in the future’, it seeks to resolve some of the problems associated with our initial round of higher density.  Domestic architecture can be defined as a system of relationships between oppositions — this thesis explores these relationships through three strategies: Hybrid, Separations & Connections, and Looseness. Each of these deals with the spatial and social characteristics of the city and the home and are used as a technique for controlling relationships at a range of scales and intimacies — from urban to interior — and as a tool for connecting or interrupting the public and private, inside and outside, and building and landscape.  Density and Desire offers a conceptual framework with a series of strategies that demonstrate the potential of the apartment building to re-define urban living and the peculiar New Zealand urban dream.</p>

Early Debates

2018 ◽  
Author(s):  
Samuel Llano
Keyword(s):  
Eighteenth Century ◽  
Public Space ◽  
Domestic Space ◽  
Limited Resources ◽  
Public And Private ◽  
Conduct Manuals ◽  
The Public ◽  
Clear Cut ◽  
The Social ◽  
Undeserving Poor

This chapter provides an account of how organilleros elicited public anger because their activity did not fit into any of the social aid categories that had been in place since the late eighteenth century. Social aid in Spain relied on a clear-cut distinction between deserving and undeserving poor in order to rationalize the distribution of limited resources and reduce mendicancy on the streets. Organilleros could not, strictly speaking, be considered idle, since they played music, but their activity required no specific skills and was regarded with suspicion as a surrogate form of begging. The in-betweenness of the organillero caused further anger as it challenged attempts to establish a neat distinction between public and private spaces. On one hand, organillo music penetrated the domestic space, which conduct manuals of the nineteenth century configured as female; on the other, it brought women into the public space, which those manuals configured as male.

Sobre la función de los montes y su planificación

2014 ◽  
pp. 1833-1841
Author(s):  
Mikel Mari KARRERA EGIALDE
Keyword(s):  
Natural Resource ◽  
Economic Value ◽  
Forest Policy ◽  
Future Generations ◽  
Public And Private ◽  
The Public ◽  
Sustainability Criteria ◽  
Territorial Planning ◽  
The Future

LABURPENA: Gaur egun, mendien kudeaketa eta baso-politika ingurumeneko eta jasangarritasuneko irizpideetan oinarritzen dira, eta lurraldeko baliabide natural nagusiaren aprobetxamenduari buruzko erabakiak bideratzen dituzte. Hori dela-eta, lurralde-antolamendu ororen markoan, nekazaritzaren, basogintzaren eta abeltzaintzaren arloan jarduten duten eragile publiko eta pribatu guztiek egindako plangintza oinarrizkoa izango da hurrengoa bermatzeko: egun mendia behar bezala aprobetxatuz etorkizuneko belaunaldiei balio sozial eta ekonomiko bera transmititzen dien kudeaketa. RESUMEN: La gestión de los montes y la política forestal se fundamentan, actualmente, en criterios medioambientales y de sostenibilidad que dirigen las decisiones sobre el aprovechamiento del principal recurso natural del territorio. Por ello, en el marco de toda ordenación territorial, la planificación mediante la participación de todos los agentes públicos y privados que operan en el ámbito agrosilvopastoral se erige en instrumento esencial de las orientaciones garantizadoras de una gestión que, aprovechando óptimamente el monte en el presente, transmita ese mismo valor social y económico a las futuras generaciones. ABSTRACT: The management of forests and the forest policy are presently based on enviromental and sustainability criteria which are addressed to the decisions regarding the exploitation of the main natural resource of the territory. Because of it, in the framework of the whole territorial planning, the planning by the participation of all the public and private agents that operate within the agrarian, forest and herding field becomes an essential instrument of the guidelines that guaratee the management which using ideally the forest nowadays give that same social and economic value to the future generations.

scholarly journals ENTRE O PÚBLICO E O PRIVADO: O PAPEL DA MULHER NOS MOVIMENTOS SOCIAIS E A CONQUISTA DE DIREITOS NO DECORRER DA HISTÓRIA * BETWEEN PUBLIC AND PRIVATE: THE ROLE OF WOMEN IN SOCIAL MOVEMENTS AND THE CONQUEST OF RIGHTS IN THE COURSE OF HISTORY

2015 ◽  
Vol 4 (3) ◽  
pp. 50
Author(s):  
Elizabete David Novaes
Keyword(s):  
Social Movements ◽  
Political Participation ◽  
Social Movement ◽  
Social Role ◽  
Modern Science ◽  
Public And Private ◽  
The Public ◽  
Active Subject ◽  
The Social

<p><strong>Resumo:</strong> O presente artigo busca evidenciar o papel social das mulheres nos movimentos sociais promovidos no decorrer da história. Para cumprir com tal propósito, discute o caráter patriarcal da ciência cartesiana; apresenta uma reflexão acerca da articulação entre o público e privado; elabora uma revisão teórica acerca da historiografia da mulher, ressaltando a ação da mulher em diferentes momentos da história, buscando evidenciá-la como sujeito ativo, capaz de integrar o público e o privado, participando da conquista de direitos. Para enfatizar as articulações existentes entre as dimensões pública e privada, este artigo defende que historicamente a mulher politiza vias não políticas do cotidiano, atuando em movimentos sociais promotores de reivindicações e manifestações sociais, de modo a superar limites ideologicamente traçados pelo viés patriarcal da ciência moderna, de base cartesiana, atuando na luta por direitos e participação política na história.</p><p><strong>Palavras-chave:</strong> gênero; historiografia; público e privado; movimentos sociais; direitos.</p><p><strong>Abstract:</strong> This paper describes evidences of the social role of the women inside different social movements occurred during our history. It began with a discussion the patriarchal character of Cartesian science, presents reflections about the public and private articulation, a theoretical review of the women´s historiography, emphasizing their action at different times in history and trying to emphazise them as active subject which is capable to integrate the public and private, participating of the conquer their rights. To emphasize all the previous articulations between the public and private dimensions, this manuscript argues that historically women politicize daily non-political pathways. Their actuations in social movements promote the demands and social manifestations in order to ideologically overcome the limitations set by the the patriarchal bias of modern science, acting in the the fight (ou struggle) for rights and political participation in history.</p><p><strong>Keywords:</strong> gender, historiography, public and private; social movement; rights.</p>

scholarly journals Protecting the Industrial Designs of Today and the Future

2021 ◽  
Author(s):  
◽  
Vladimir Samoylov
Keyword(s):  
Virtual Reality ◽  
New Zealand ◽  
Intellectual Property ◽  
Industrial Design ◽  
Empirical Investigation ◽  
Intellectual Property Protection ◽  
The Public ◽  
Design Practices ◽  
Visual Expression ◽  
The Future

<p>This study examines and critiques New Zealand intellectual property protection for industrial designs, taking into account that many New Zealand industrial design owners outsource manufacture of their designs to China.   Industrial design, which refers to improving the aesthetics of products to increase their marketability, is evolving conceptually and practically. In New Zealand, copyright and registered design laws each protect, respectively, the visual expression and the “eye appeal” of an original design. As design practices evolve with advances in technology however, it is increasingly evident that industrial design is about more than just visual expression or “eye appeal”. Many designers are not focusing solely on product stylisation and decoration, but on the provision of a more holistic product experience for the consumer.  The development process of industrial designs from concept to marketable product is also changing, with many New Zealand industrial design owners employing increasingly efficient design development strategies. The fast-paced, cost-effective infrastructure of China is often utilised by New Zealand businesses for the manufacture of industrial designs.   This study therefore sought to determine how to appropriately protect New Zealand industrial designs, in light of: a. foreseeable advances in technology; and  b. the fact that many New Zealand industrial designs are manufactured in China.   To answer these questions, this study examined and analysed New Zealand’s copyright and registered design laws, taking into account not only existing protections, but also factors that are likely to be of significant relevance in the future, such as the impact on industrial design from developments in 3D printing and virtual reality.   The Chinese intellectual property regime for industrial designs was also examined because China is a major trading partner and often, as noted, the locus of manufacture.   The study included an empirical investigation, in the form of interviews with designers and design academics as well as legal practitioners specialising in intellectual property law. The input of the interviewees, together with the legal analysis, informed a series of suggestions and recommendations for New Zealand policy and its law-makers regarding how industrial design protection can be improved.  A key finding of this study was that existing legal protections do not appropriately protect increasingly holistic designs, as well as new types of designs emerging from developing fields such as virtual reality. In assessing the appropriateness of protection, the interests of industrial design owners were balanced against the public interest in protecting the public domain. It is suggested that to achieve equilibrium copyright law should be expanded to protect design expressions for all senses. Moreover, new categories of copyright protected works should be introduced to accommodate emerging design. The definition of design in registered design law should also be reconceptualised in order to acknowledge new types of designs and evolving design practices.  Industrial design owners who outsource manufacturing to China can protect their designs via copyright as well as design patent. However, enforcement of intellectual property protection is unsatisfactory in many areas of China. Therefore, New Zealand industrial design owners should also employ non-legal protection strategies. Interviews with successful businesses, in the course of the empirical investigation for this study, revealed that the leveraging of existing relationships of those with already established operations in China, and intentionally splitting an industrial design’s component parts for manufacture among several factories in different locations, are useful strategies to employ.</p>

scholarly journals The Social Oikos

2021 ◽  
Vol 7 (1) ◽  
pp. 20-32
Author(s):  
Michael Lee Humphrey
Keyword(s):  
United States ◽  
The United States ◽  
The Self ◽  
Ancient World ◽  
Public And Private ◽  
The Public ◽  
The Core ◽  
The Social ◽  
Nuanced Understanding ◽  
Core Points

In one of the foundational articles of persona studies, Marshall and Barbour (2015) look to Hannah Arendt for development of a key concept within the larger persona framework: “Arendt saw the need to construct clear and separate public and private identities. What can be discerned from this understanding of the public and the private is a nuanced sense of the significance of persona: the presentation of the self for public comportment and expression” (2015, p. 3). But as far back as the ancient world from which Arendt draws her insights, the affordance of persona was not evenly distributed. As Gines (2014) argues, the realm of the household, oikos, was a space of subjugation of those who were forced to be “private,” tending to the necessities of life, while others were privileged with life in the public at their expense. To demonstrate the core points of this essay, I use textual analysis of a YouTube family vlog, featuring a Black mother in the United States, whose persona rapidly changed after she and her White husband divorced. By critically examining Arendt’s concepts around public, private, and social, a more nuanced understanding of how personas are formed in unjust cultures can help us theorize persona studies in more egalitarian and robust ways.

scholarly journals The Politics of Gendered Spatializations: A Study of Cityscapes in Manu Joseph’s Novels

2020 ◽  
Author(s):  
M.S. Parvathi ◽  
Keyword(s):  
Urban Landscape ◽  
The Body ◽  
Urban Spaces ◽  
City Image ◽  
Spatial Practices ◽  
Spatial Politics ◽  
Public And Private ◽  
The Public ◽  
The Social ◽  
The City

Burton Pike (1981) terms the cityscapes represented in literature as word-cities whose depiction captures the spatial significance evoked by the city-image and simultaneously, articulates the social psychology of its inhabitants (pp. 243). This intertwining of the social and the spatial animates the concept of spatiality, which informs the positionality of urban subjects, (be it the verticality of the city or the horizonality of the landscape) and determines their standpoint (Keith and Pile, 1993). The spatial politics underlying cityscapes, thus, determine the modes of social production of sexed corporeality. In turn, the body as a cultural product modifies and reinscribes the urban landscape according to its changing demographic needs. The dialectic relationship between the city and the bodies embedded in them orient familial, social, and sexual relations and inform the discursive practices underlying the division of urban spaces into public and private domains. The geographical and social positioning of the bodies within the paradigm of the public/private binary regulates the process of individuation of the bodies into subjects. The distinction between the public and the private is deeply rooted in spatial practices that isolate a private sphere of domestic, embodied activity from the putatively disembodied political, public sphere. Historically, women have been treated as private and embodied and the politics of the demarcated spaces are employed to control and limit women’s mobility. This gendered politics underlying the situating practices apropos public and private spaces inform the representations of space in literary texts. Manu Joseph’s novels, Serious Men (2010) and The Illicit Happiness of Other People (2012), are situated in the word-cities of Mumbai and Chennai respectively whose urban spaces are structured by such spatial practices underlying the politics of location. The paper attempts to problematize the nature of gendered spatializations informing the location of characters in Serious Men and The Illicit Happiness of Other People.

Apologo. In onore di Franco Ferrarotti

2013 ◽  
pp. 127-140
Author(s):  
Mario Aldo Toscano
Keyword(s):  
Private Life ◽  
Public And Private ◽  
The Public ◽  
The Past ◽  
The Future

Starting from one of Franco Ferrarotti's latest publications Atman. Il respiro del bosco (Ed. Empiria, Rome, 2012), this essay develops on the basis of the considerations in the last sections of the text, to which we refer. The interpretation key to this note, purposefully hermeneutic though unveiled in its conclusions, relates to the return to nature. The transition from culture to nature and to the nature of the trees is not seen, in the long trajectory described by Franco Ferrarotti, as a «regression», but rather as the achievement of a wisdom able to contemplate sine ira ac studio (without anger or concern) the enormous shortfallings and decline of the public and private life in our country. The solitude of the «naturalized» thought brings a glimpse of hope, in that memory resumes its course no more towards the past but towards the future. Ferrarotti's "lessons» interpret the dramatic sequences of our history, remain in the atmospheres of thought, and are «received» as such, fertile sources of underground action.

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