scholarly journals DONGENG NUSANTARA SEBAGAI WAHANA MEMATANGKAN EMOSI ANAK DALAM BERCERITA

Paramasastra ◽  
2016 ◽  
Vol 3 (2) ◽  
Author(s):  
Restining Anditasari
Keyword(s):  
Emotional Intelligence ◽  
Fairy Tales ◽  
Emotional Development ◽  
Fairy Tale ◽  
Literary Work ◽  
Positive Influence ◽  
Story Telling ◽  
Role Of Teachers ◽  
Development Of Students

In the story telling activity, it is often encountered many children that are intelligent and brilliant performance cannot process their emotions, so that their understanding of a story that should be channeled properly through emotional intelligence are not formed. In the process of finalizing the EI of students, the role of teachers is necessary. Teachers can use fairy tales as one literary work that can be used to develop EI of students. Fairytale has the potential to contribute to the emotional development of students. This is due to the involvement of all the senses when the students are listen/read a fairy tale. In addition, the fairy tale is effectively used in order to instill the values and ethics, including empathy and sympathy learners. The usage purpose of archipelago fairytale in storytelling is to help students cultivate EI, so it can provide a positive influence on the various actions taken by the student. The content of this article is about (1) the role of teachers in telling a story, (2) the emotional development of students, (3) storytelling as a stimulation to the EI of the students, and (4) the characteristics of fairytale archipelago right to ripen the EI of students

Social and Emotional Development: The Role of Authenticity in the Psychosocial Development of Students With Gifts and Talents

2021 ◽  
Vol 44 (2) ◽  
pp. 111-114
Author(s):  
Tracy L. Cross
Keyword(s):  
Identity Formation ◽  
Psychosocial Development ◽  
Emotional Development ◽  
Well Being ◽  
Social And Emotional Development ◽  
Psychological Well Being ◽  
Social And Emotional ◽  
Development Of Students

This column explores the concept of authenticity in the psychosocial development of students with gifts and talents. The author describes how authenticity is critical to students’ psychological well-being, particularly as it relates to their identity formation.

ПОЄДНАННЯ ІНТЕЛЕКТУАЛЬНОГО ТА ЕМОЦІЙНОГО РОЗВИТКУ СТУДЕНТІВ У ПРОЦЕСІ ОСВОЄННЯ МЕТОДИКИ НАВЧАННЯ КОНКРЕТНИХ ТЕМ ШКІЛЬНОГО КУРСУ ФІЗИКИ

2012 ◽  
Vol 33 ◽  
Author(s):  
В. І. Бурак
Keyword(s):  
Key Words ◽  
Emotional Development ◽  
Intellectual Development ◽  
Role Play ◽  
Physics Learning ◽  
Physics Course ◽  
Development Of Students

У статті розкрито ефективність поєднання інтелектуального та емоційного розвитку студентів у процесі освоєння методики навчання конкретних тем шкільного курсу фізики, у тому числі засобами рольової дидактичної гри, яка проводиться під час тренувального уроку і передбачає виконання одним із студентів ролі вчителя, а іншими – ролі учнів.Ключові слова: методика навчання фізики, інтелектуальний розвиток, емоційно вмотивований розвиток.  Revealed the effectiveness of the unity of intellectual and emotional development of students in the process of developing methods of teaching specific topics of school physics course, including by means of a didactic role play, when during a training lesson, one student plays the role of the teacher and the rest - the role of students.  Key words: Physics learning, intellectual development, emotional motivated development.

The Meaning of Fairy Tale within the Evolution of Culture

2012 ◽  
Author(s):  
Jack Zipes
Keyword(s):  
Fairy Tales ◽  
Fairy Tale ◽  
Literary Tradition ◽  
French Society ◽  
French Culture ◽  
Historical Importance ◽  
English Usage ◽  
Role Of Women

This chapter focuses on the significance of Madame Catherine-Anne d'Aulnoy and the French writers of fairy tales in the 1690s. d'Aulnoy coined the term “fairy tale” in 1697, when she published her first collection of tales. But it was not until 1750 that the term “fairy tale” came into common English usage. The chapter explores the historical importance of the term “fairy tale” in greater depth by discussing the role of the fairies in d'Aulnoy's works. It also looks at how fairies were part of a long oral and literary tradition in French culture, and how d'Aulnoy's employment of fairies in her tales owes a debt to Greek and Roman myths, the opera, theatrical spectacles, debates about the role of women in French society, and French folklore.

scholarly journals Bias Gender Dalam Perbandingan Hasil Terjemahan Buku Cerita Anak Dongeng Bawang Merah Dan Bawang Putih Melalui Penerjemah Dan Google Translate

2020 ◽  
Vol 12 (2) ◽  
pp. 229-235
Author(s):  
Dwi Windah Wulansari
Keyword(s):  
Fairy Tales ◽  
Fairy Tale ◽  
Human Error ◽  
Traditional Gender Roles ◽  
Gender Biases ◽  
Patriarchal Ideology ◽  
Qualitative Descriptive ◽  
Data Source ◽  
Role Of Men

Abstrak  - Penelitian ini bertujuan untuk mencari bias gender yang terdapat pada hasil terjemahan buku cerita anak di bandingankan dengan hasil terjemahan google translate. Dalam penelitian ini menggunakan metode deskriptif kualitatif. Sumber data dalam penelitian ini adalah dongeng Bawang Merah dan Bawang Putih yang diterjemahkan dan diceritakan kembali oleh Gibran Maulana dan diterjemahkan melalui aplikasi Google Translate Hasil penerjemahan antara Google Translate dan penerjemah hampir sama yaitu mengenai nama tokoh, nama ganti orang dan nama ganti kepemilikan. Pada aplikasi Google Translate dapat melakukan kesalahan karena konteks, budaya, nama orang, dan kata ganti orang tidak dapat terbaca dalam aplikasi tersebut. sedangakan hasil terjemahan dari penerjemah mengalami human error. Penerjemah dalam buku cerita anak masih belum bisa lepas dari pengaruh ideologi patriarki yang dapat ditujukkan dalam peran gender tradisional yang digambarkan yang membuat peran laki-laki lebih unggul daripada perempuan. Kata Kunci: bias gender, cerita dongeng, google translate Abstract - This study aims to look for gender biases found in the results of the translation of children's storybooks in light with the results of the google translate translation. In this study using a qualitative descriptive method. The data source in this study is the fairy tale of Bawang Merah and Bawang Putih which were translated and retold by Gibran Maulana and translated through the Google Translate application. The results of the translation between Google Translate and the translator are almost the same, namely regarding the names of characters, people's names and ownership names. The Google Translate application can make mistakes because the context, culture, people's names, and pronouns cannot be read in the application. while the translation results from translators experienced human error. Translators in children's story books still cannot be separated from the influence of patriarchal ideology which can be shown in traditional gender roles which are described which make the role of men superior to women. Keyoword : gender bias, fairy tales, google translate

scholarly journals “Friend-or-foe” opposition and its implementation through the concepts “house” and “forest” in Russian fairy-tale discourse

2020 ◽  
Vol 18 (1) ◽  
pp. 113-125
Author(s):  
Aliaksandr V. Shakolo
Keyword(s):  
Fairy Tales ◽  
Fairy Tale ◽  
Practical Relevance ◽  
Discursive Analysis ◽  
Historical Methods ◽  
Working Out ◽  
Russian Linguistic

Researches of the discursive analysis become more and more significant sphere of linguistics. Both forest and house act as two main and never identical worlds. The fundamental conceptual opposition of fairy-tale discourse is based on the concepts of house and forest, fundamental opposite worlds. The purpose of the article is to examine the two concepts as crucial components of friend-or-foe opposition, and to reveal features of their representation in Russian linguistic culture. During the research, the author used descriptive, inductive and cultural-historical methods. The research showed that the concepts of forest and house are key components of fairy-tale discourse, have nationally specific features in Russian fairy-tales revealed in the texts. The theoretical relevance of the article lies in the fact that contributes to working out the problem of national worldview representation and Russian ethnos mentality. The practical relevance of the article consists in possibility of using its materials in the process of teaching, while compiling lectures, guides for teachers, seminars on fairy-tale discourse. A role of house and forest for Slavic people is really significant. Besides, the results of the study show the necessity of further analysis of fairy-tale discourse, more detailed description of the concepts and their comparison with the concepts of other national fairy-tales.

Totemic symbol, character of Russian tales – bear

Neophilology ◽  
2020 ◽  
pp. 164-169
Author(s):  
Coumba Cisse
Keyword(s):  
Fairy Tales ◽  
Fairy Tale ◽  
Folk Tales ◽  
Folk Belief ◽  
Ancient India ◽  
Ancient Times ◽  
Made In ◽  
Animal World

The research is about the most ancient symbolism of a bear in Russian folk tales, the analysis of the bear image anthropocentrism in these fairy tales is carried out, the results of the bear’s study as a totemic symbol and a Russian fairy tale character are presented, an attempt to prove cult significance of the bear for the society of the entire ancient Slavic ethnos and its status as an elder of the ancient Slavic ancestral family is made. In ancient times, people believed in the existence of a kinship between a human and a bear, since the behavior and appearance of a bear resembled a person more than other representatives of the animal world (this is because the Slavs were not familiar with primates, as in ancient India): according to a folk-belief, the bear loves and nurses his children, eats the same food as a man, he does not have a tail, like other animals; he walks on his hind legs and can dance, so in fairy tales he is assigned the role of a landowner and a defender. However, he is deceived in many fairy tales, because the bear is the owner, the king of the forest, so he is associated with the chief and the landowner, and according to Russian folk ideas, the chief, in fact, is more stupid than a simple man.

scholarly journals LANGUAGE AND COGNITIVE NATURE OF ORNITOLOGISM IN KAZAKH TALES

2020 ◽  
Vol 72 (2) ◽  
pp. 87-93
Author(s):  
S. Zhirenov ◽  
Keyword(s):  
Ethnic Group ◽  
Fairy Tales ◽  
Fairy Tale ◽  
Point Of View ◽  
Ethnic Culture ◽  
Linguistic Features ◽  
Cognitive Value ◽  
Ancient Times ◽  
Linguistic Aspect

The article analyzes the linguistic features of ornithologisms in Kazakh tales from a linguistic and cognitive point of view. The role of ornithologisms in the Kazakh culture is studied through the text of fairy tales, and also reflects the characteristics of the bird world in the worldview of the ethnic group. An integral part of ethnic culture are fairy tales. The texts of these tales represent a linguistic unity that reflects the characteristics of the national mentality and its cognitive features. Fairy-tale texts describe the linguistic nature of the ancient genre, which reflects the worldview, ethical traditions and lifestyle, customs and psychology of the whole nation. Tales with ornithological features are given linguistic characteristics, and their cognitive value is considered in the linguistic aspect. The article discusses the role of birds from ancient times in the life of the Kazakh people and their interaction with nature. A large number of text materials based on the linguistic materials of Kazakh fairy tales are analyzed in detail.

scholarly journals Use of works of art in the development of emotional intelligence preschool children

2021 ◽  
Vol 52 (4) ◽  
pp. 327-342
Author(s):  
Vladimir A. Chernobrovkin ◽  
◽  
Diana V. Tupikina ◽  
Yulia V. Karlova ◽  
Ekaterina V. Yakovleva ◽  
...  
Keyword(s):  
Emotional Intelligence ◽  
Preschool Children ◽  
Emotional Disorders ◽  
Fairy Tales ◽  
Social Order ◽  
Fairy Tale ◽  
Preschool Education ◽  
Educational Process ◽  
Pedagogical Practice ◽  
Works Of Art

Introduction. At the present stage, the expansion of the range of interests of preschool children is a social order of society for the preschool education system. One of the important tasks of modern education is the development of various forms of personal activity of children, including the development of emotional intelligence. Modern pedagogy faces many problems of a psychological nature. One of the most relevant is the low level of emotional intelligence development. In pedagogical practice, certain difficulties of interaction with preschoolers through the emotional-volitional sphere are noted: features of internal experiences and their influence on the behavioral sphere; a vivid expression of the emotional response; emotional disorders in the form of increased anxiety and fatigue; lack of formation of empathy and empathy; unjustified feelings of fear, etc. Materials and methods. To collect the results, we used theoretical and empirical methods: pedagogical diagnostics, observation, questionnaires, and statistical processing of the research results (Pearson's chi-squared test). The study involved teachers, masters, bachelors of the Nosov Magnitogorsk State Technical University (Russian Federation), as well as children (N = 139), parents, teachers and heads of educational organizations. The results of the study. The program was created and tested for the development of emotional intelligence using works of art, including game-fairy tales, exercises, sketches on fairy-tale plots, and advisory material; in creating and conducting generalizing diagnostics for the development of emotional intelligence, identifying new forms of educational activities and components of the educational process. The study conducted using the chi-square test showed statistical differences (p < 0,05) in the results of the diagnostic data of the ascertaining and control stages, which confirms the effectiveness of the development of emotional intelligence of preschoolers by means of artistic works and methods of fairy-tale therapy. In conclusion, the ways to optimize and solve the problems are outlined.

scholarly journals A FAIRY TALE AS A LITERARY BASIS OF CHOREOGRAPHIC WORKS

2020 ◽  
Vol 11 (87) ◽  
Author(s):  
Milena Rusanova ◽  
Keyword(s):  
Fairy Tale ◽  
Main Idea ◽  
Literary Work ◽  
Literary Genre ◽  
Complete Fusion ◽  
Special Importance ◽  
Plan Selection ◽  
Literary Images ◽  
One Act

The article examines the synthesis of literature and choreographic art. The literary work is considered in the context of the libretto of a ballet performance, special importance is given to such a literary genre as a fairy tale, the plots of which served as a source of inspiration for choreographers of different eras, different countries. The role of literature in choreographic art is determined, the literary basis in a choreographic work from the origin of ballet art to the present is investigated. A historical excursion on the interpenetration of literature and choreography, from the XIII century. to date. Literary plots and literary images have been actively used in choreographic art at all times. However, the complete "fusion" of literary work and choreographic vocabulary took place only in the XX century, with the emergence of drama. It is believed that the drama flourished in the works of J. Neumayer, a choreographer with a flair and knowledge of philology. He created a unique author's genre of literary ballet. The specificity of depicting the events of a literary work by means of expression in choreography is studied. Ballet drama, features of construction of a choreographic work on a literary plot are analyzed. The essence of the concepts plot and plot and composition is determined. In fiction, the plot is a system of events. The plot and the plot are inseparable from each other and are the basis of the composition. Composition is the structure of a work of art due to its content. As for the disclosure of the content in the choreographic work, this process occurs through the means of expression. The specifics of the choreographer's work on creating a one-act choreographic performance are revealed; the main stages of the director's work are listed, namely: the choice of a literary work and its ideological and thematic analysis; own interpretation and director's concept of the work; writing a compositional plan; selection and analysis of musical material; staging and rehearsal work. The work of modern directors, who take a fairy tale as the main idea of their choreographic work, is studied.

scholarly journals Role of Lezgin Folk Riddles in the Structure of Everyday Fairy Tales

2021 ◽  
Vol 2021 (2) ◽  
pp. 126-132
Author(s):  
Aida R. Gasharova
Keyword(s):  
Fairy Tales ◽  
Fairy Tale ◽  
Folk Art ◽  
Creative Imagination ◽  
Folk Tales ◽  
Folk Tale ◽  
Constituent Element ◽  
The Creation

The article deals with Lezgi folk riddles. They can be a constituent element of many genres of folklore, although they exist in folk art as an independent genre. The analysis is focused on folk riddles in the “fairy tale” speech, as well as the use of various kinds of “mysterious” elements in the creation of folk tales. The riddle participates in the complication of many fairy tales. The role of the riddle in a fairy tale is controversial. Basically, the function of riddles in a folk tale is entertaining, but their role in fairy tales is also very significant for the formation of the plot. Riddles are firmly entrenched in a number of fairy tales to complicate them. Both folk tales and folk riddles are metaphorical. We study the traditional plots of Lezgi folk tales, in which we find riddles. The purpose of our study is to identify the multi-aspect interdependence of the Lezgin folk riddle as a plot-forming element in various types of fairy tales. Creative imagination often introduces a riddle into the plot of social and everyday tales “about wise answers” (“about guessing”), which most often contain the origins of difficult riddle problems. The relevance of the chosen topic is due to the lack of study of this issue in the Lezgi oral and poetic creativity.

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