scholarly journals MULHERES NA POLÍTICA LEGISLATIVA: literatura, discurso e prática

Revista Foco ◽  
2017 ◽  
Vol 10 (3) ◽  
pp. 106
Author(s):  
Adller Moreira Chaves
Keyword(s):  
Discourse Analysis ◽  
Political Parties ◽  
Social Construction ◽  
Public Life ◽  
Institutional Policy ◽  
Equal Opportunities ◽  
A Posteriori ◽  
The Social ◽  
History Of ◽  
Historia De Vida

Durante as últimas décadas as mulheres têm conquistado espaços que antes eram relegadas, mudando os espaços e sendo mudadas neles. Desta forma, este artigo discute sobre o que a literatura tem dito sobre as mulheres na política institucional, comparando com práticas e discursos que circundam uma vereadora de uma cidade do interior da Bahia. Para isso, produzio os dados através de uma história de vida e de estudos documentais e bibliográficos, a priore e a posteriori. Para analisa-los foi utilizada uma análise de discurso. O trabalho constatou que apesar de conquistar diversos espaços sociais, a sociedade e os partidos políticos ainda tratam a mulher como não pertencente a política institucional, ficando apenas na retórica questões de igualdade de oportunidades e participação. Outro importante elemento que afasta as mulheres da política, é a construção social de cada uma, fazendo com que dificulte a participação delas na vida pública.   During the last decades women have conquered spaces that were previously relegated, changing spaces and being changed in them. In this way, this article discusses what literature has said about women in institutional policy, comparing with practices and discourses that surround a city councilwoman from a city in the interior of Bahia. For this, it produced the data through a history of life and of documentary and bibliographic studies, the prior and the posteriori. A discourse analysis was used to analyze them. The paper found that despite conquering several social spaces, society and political parties still treat women as not belonging to institutional policy, leaving only rhetoric issues of equal opportunities and participation. Another important element that removes women from politics is the social construction of each one, making it difficult for them to participate in public life.

scholarly journals La construcción discursiva de la identidad andaluza y la reproducción de la memoria colectiva en la serie La respuesta está en la historia / The Discursive Construction of Andalusian Identity and Collective Memory Play in the Series the Answer Lies in History

2015 ◽  
Vol 4 (1) ◽  
Author(s):  
Kamil Fleissner
Keyword(s):  
Discourse Analysis ◽  
Social Construction ◽  
Collective Memory ◽  
Critical Discourse Analysis ◽  
Collective Identity ◽  
Theoretical Approach ◽  
Critical Discourse ◽  
Discursive Construction ◽  
Television Series ◽  
The Social

ABSTRACTThis study aims to analyze the discoursive representation of andalusian collective identity and memory in the television series “La respuesta está en la historia”. I will reflect the theoretical approach of the social construction of identities and I will use the methodology of the critical discourse analysis to identify, classify and explore the basic discoursive strategies that are reproduced by the television series.RESUMENEl propósito general de este estudio es analizar la construcción discursiva de las representaciones de la identidad social y de la memoria colectiva de los andaluces en la serie “La respuesta está en la Historia”. Reflejando las explicaciones teóricas de la construcción de la identidad y los conceptos de la memoria colectiva, y usando la perspectiva teórico-metodológica del análisis crítico del discurso identifico, clasifico y exploro las principales estrategias discursivas usadas en el programa.

Introduction

2019 ◽  
pp. 1-22
Author(s):  
Ira Helderman
Keyword(s):  
Discourse Analysis ◽  
Social Construction ◽  
Religious Studies ◽  
Theoretical Level ◽  
Full Diversity ◽  
The Social ◽  
Ethnographic Observation ◽  
Mindfulness Practices ◽  
Religious Transmission ◽  
Theoretical Foundations

The Introduction begins by laying out the methodological and theoretical foundations of the book. It explains that, currently, religious studies research on this topic has been limited, only conducted on select aspects such as mindfulness practices. Methodologically, ethnographic observation and interviews add significant texture to historical and discourse analysis and reveals the full diversity of ways therapists have related to Buddhist traditions. Further, at a theoretical level, previous studies often present binary interpretations of psychotherapists’ approaches to Buddhist traditions as either cases of secularization or religious transmission. These totalizing interpretations do not take account of research on the social construction of classifications of the religious and not-religious (the secular, science, medicine, etc.). The Introduction then outlines six major sets of approaches that clinicians have taken to Buddhist traditions: clinicians (1) therapize, (2) filter, (3) translate, (4) personalize, (5) adopt, and (6) integrate those aspects of Buddhist traditions that they view to be religious. These categories, though highly artificial, are a useful method for mapping therapists’ approaches to Buddhist traditions because they illustrate how they arise out of the relational configurations clinicians believe they make between the religious and the not-religious. And yet, these configurations always prove unstable.

The History of Unreason

2021 ◽  
pp. 1-19
Author(s):  
Samuel Teague ◽  
Peter Robinson
Keyword(s):  
Mental Health ◽  
Mental Illness ◽  
Social Construction ◽  
Mentally Ill ◽  
Historical Narrative ◽  
Individual Responsibility ◽  
Socially Constructed ◽  
The Social ◽  
Health And Illness ◽  
History Of

This chapter reflects on the importance of the historical narrative of mental illness, arguing that Western countries have sought new ways to confine the mentally ill in the post-asylum era, namely through the effects of stigma and medicalization. The walls are invisible, when once they were physical. The chapter outlines how health and illness can be understood as socially constructed illustrating how mental health has been constructed uniquely across cultures and over time. To understand this process more fully, it is necessary to consider the history of madness, a story of numerous social flashpoints. The trajectories of two primary mental health narratives are charted in this chapter. The authors argue that these narratives have played, and continue to play, an important role in the social construction of mental illness. These narratives are “confinement” and “individual responsibility.” Drawing on the work of Michel Foucault and Roy Porter, the authors describe how Western culture has come to consider the mentally ill as a distinct, abnormal other.

Discourse Analysis

2021 ◽  
pp. 88-94
Author(s):  
Elisa Narminio ◽  
Caterina Carta
Keyword(s):  
Social Sciences ◽  
Discourse Analysis ◽  
Social Construction ◽  
Social Science ◽  
Spoken Language ◽  
Entry Point ◽  
The Social ◽  
The World

This chapter describes discourse analysis. In linguistics, discourse is generally defined as a continuous expression of connected written or spoken language that is larger than a sentence. However, as a method in the social sciences, discourse analysis (DA) gave rise to diatribes about where to set the borders of discourse. As language constitutes the very entry point to the world, some discourse analysts argue that all that exists acquires meaning through language. Does this mean that discourse constitutes reality? Is there anything outside text and discourse? Or is discourse one among many means of social construction? The evolution of DA in social science unearths an ontological debate between ‘realists’ and ‘nominalists’, which eventually reverberates in epistemological strategies.

scholarly journals The Social Construction of Historical Traumas: The Polish Experience of the Uses of History in an Intelligentsia-dominated Polity

2020 ◽  
Vol 28 (6) ◽  
pp. 911-931
Author(s):  
Tomasz Zarycki ◽  
Tomasz Warczok
Keyword(s):  
Social Construction ◽  
Historical Narrative ◽  
The West ◽  
Specific Nature ◽  
Polish Experience ◽  
The Social ◽  
History Of ◽  
Historical Identity ◽  
And Control

The article argues that Poland’s mainstream national historical narrative, at least as far as the last two centuries of history of the country is concerned, is full of ‘traumatic’ motives which are regularly used and developed in diverse current political and intellectual contexts. Polish history is imagined to a large extent as an endless chain of 200 years of suffering, caused, among other things, by occupations, wars and exploitation, which are usually seen as not fully recognized in other countries, in particular in the West. The article attempts first of all to explain this specific nature of Poland’s historical identity by the privileged role of the intelligentsia, understood as a specific type of elite based on possession and control of cultural capital. It reconstructs the historical rise of the intelligentsia and its impact on the mainstream narrative in question, pointing to a selective choice of potential ‘traumas’ which are assigned a national status. They may be seen as tools to build positions in what can be called the Polish ‘field of power’, to use the notion coined by Pierre Bourdieu. The particular configuration and recent history of the field of power in Poland is reconstructed in order to explain different strategies of what can be called the social and political construction of historical traumas in Poland.

scholarly journals Os Jovens e o Imaginário da Aids: notas para uma construção social do risco

2003 ◽  
Vol 4 ◽  
Author(s):  
Leila Jeolás
Keyword(s):  
Social Construction ◽  
Common Sense ◽  
Gender Relations ◽  
Individual Behavior ◽  
The Social ◽  
History Of ◽  
Cultural Symbolism ◽  
Everyday Experiences ◽  
Social Construction Of Risk ◽  
The Way

Este artigo, baseado em pesquisa sobre o imaginário da aids entre jovens, busca compreender a noção de risco como uma categoria sociocultural, cujos significados se acumulam nos conceitos de várias áreas do conhecimento e nos usos de senso comum. O perigo, o mal e o infortúnio sempre foram moralizados e politizados nas diversas culturas humanas e a história da aids não poderia ser diferente. Os simbolismos culturais sobre contágio, doenças transmitidas pelo sexo e pelo sangue e os valores atuais da sexualidade, incluindo as relações de gênero, estão presentes na forma como os jovens representam o risco do HIV. Além disso, não se pode desconsiderar a ambivalência que os riscos assumem atualmente para os jovens: alguns negados e afastados, outros aceitos e valorizados. No caso da aids, a busca pela vertigem e pelo êxtase, componentes do sexo e das drogas, distancia o discurso dos jovens sobre risco do discurso preventivo, baseado na racionalidade do comportamento individual, assumindo valores distintos ligados a experiências cotidianas. Youngsters and the imagery of AIDS: notes for the social construction of risk This article, based on research about the imagery of AIDS among youth, aims to understand the notion of risk as a social-cultural category, whose meanings are piled upon concepts of several areas of both knowledge and common sense usages. Danger, evil and misfortune have always been moralized and politicized in the different human cultures and it could not be different in the history of aids. Cultural symbolism about infection, sexually and blood transmitted diseases, as well as sexuality’s current values, including here gender relations, are present in the way the youth represents HIV´s risks. Besides, the ambivalence these risks assume for the youth nowadays cannot be disregarded: some are denied and put aside, others are accepted and valorized. In the case of AIDS, the search for vertigo and ecstasy, components of sex and drugs, distances the youth’s discourse about risk from the preventive discourse, based on the rationality of individual behavior, assuming distinct values linked to everyday experiences.

Art and its Objects: William Ivins and the Reproduction of Art

1987 ◽  
Vol 35 (1_suppl) ◽  
pp. 65-98
Author(s):  
Gordon Fyfe
Keyword(s):  
Social Construction ◽  
Social History ◽  
Visual Communication ◽  
Fine Art ◽  
Modes Of Representation ◽  
The Social ◽  
Photographic Reproduction ◽  
History Of ◽  
Art Reproduction ◽  
The Relationship

This paper is a critique of the contribution of William Ivins's Prints and Visual Communication (1953) to an understanding of the meaning of fine art reproductions. Ivins showed that photographic reproduction was constructed in relation to, and displaced, older ways of reproducing art which were carried out by handicraft engravers. His analysis alerts us to the fact that ambiguity characterized art reproduction before photographs. Art reproductions, then, were interpretations in line based on conventional modes of representation – what Ivins calls a visual syntax. In this respect he enhances our understanding of the social construction of the artist. For Ivins the social history of reproduction seems to end with the camera. This completed an individuation of creativity ushered in with the Renaissance, but which was always qualified by the interfering visual syntax of craftsmen-interpreters. It is argued that the value of Ivins's account resides in its reconstruction of the relationship between handicraft engraving, fine art reproduction and aesthetic objects that have long since slipped from our consciousness.

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