scholarly journals Participation of the Regional Control Commissions of the AUCP (B) and Bodies of Workers’ and Peasants’ Inspections of the Rabkrin in the Repressions of the Early 1930s: Archival Materials of the Kuban and Don

2021 ◽  
pp. 904-915
Author(s):  
Igor G. Ivantsov ◽  
Keyword(s):  
Local Control ◽  
Contemporary History ◽  
State Control ◽  
Krasnodar Krai ◽  
Party Organizations ◽  
History Of ◽  
Closed Door ◽  
The One ◽  
And Control

The article has been written on the basis of archival materials of the early 1930s from the Documentation Center for the Contemporary History of the Krasnodar Krai. The article discusses the policies of the party bodies of the USSR, when conducting the policy of collectivization of agriculture and liquidation of kulaks as class. There has been no detailed study of the role of the regional party and state control in collectivization, dekulakization, and grain collections (khlebozagotovki), hence the novelty of the article. Direction of the repressions and control over them was largely carried out by the bodies of party-state control: Control Commissions of the AUCP (B) and Workers’ and Peasants’ Inspections of the Rabkrin. Their activities were mostly closed-door. Collectivization management was mostly carried out by officials: communists, representatives of various party bodies and non-party organizations with prerequisite party cells and organizations. Their activity was directed and controlled by the local Control Commissions and Workers’ and Peasants’ Inspection in interaction with the OGPU, police, prosecutors, courts. They ordered to conduct collectivization and to destroy the kulaks (by means of arrest, confiscation, and deportation), while adhering to the appearance of legality, which engendered resistance and numerous violations of existing legislation. The duality of the party requirements resulted, on the one hand, in a drawn out period of repression. On the other hand, abuse that came to light was punished by means investigations, purges and checks, initiation of cases against the responsible parties, sometimes with their transfer to the prosecutor's office or court. Thus the most “zealous” were publicly punished or even repressed for their mismanagement of the party policy. Many local top men, feeling the duality and danger of their position, left their work and housing to hide away. At the same time, it turns out that the local Control Commissions and Workers’ and Peasants’ Inspection understood their role in carrying out of the activities entrusted to them and believed that they had a right to facilitate them with most severe support of the state power and without any regard to legislation. Identification, study, and introduction to the scientific use of new documentary evidence of the era allows a deeper understanding of the dramatic essence of the mass repression processes occurring in the country.

scholarly journals Urbanologia: ku odbudowie tradycyjnego miasta europejskiego — szkic krytyczny

2017 ◽  
Vol 20 ◽  
pp. 157-177
Author(s):  
Łukasz Medeksza
Keyword(s):  
Middle Ages ◽  
Contemporary History ◽  
Living Tradition ◽  
History Of ◽  
Historical Role ◽  
The One ◽  
The Relationship ◽  
Medieval Model ◽  
The Middle Ages

Urbanology: Towards a Revivalof the Traditional European Town“Urbanology” — the term used in the title of the book Towards urbanology by the architect Stanisław Lose from Wrocław — refers to his idea of “afield of knowledge whose main subject is aman in an urbanised world”. Therefore urbanology is opposed to urbanistics, which — according to Lose — is more interested in economy, transportation or spatial planning than in people. The author of Towards urbanology strongly appreciates the medieval model of town — and its more freedom-oriented, and creativity-oriented, continuation in later ages. The author is also very impressed by the historical role of christianity as the cultural integrator of urban societies. But Lose’s book is only apretext for briefly describing the contemporary history of the traditionalist current in urbanism and enthusiastic opinions about the Middle Ages expressed by such different authors as René Guénon, Peter Kropotkin or G.K. Chesterton. Nowadays the so-called neomedivalism tries to interpret the current cultural, political and administrative diversity of Europe as anew version of the multi-level and polycentric order associated with the Middle Ages. But neomedievalism and urbanistic traditionalism raise some questions — for example those about the limits of being inspired by the Middle Ages, about the economy of the neomedieval model of town or about the relationship between the notion of the so-called living tradition in urbanism and architecture on the one hand — and historical styles on the other.

NURTURING OF CHILDREN THROUGH DRAMA AND THEATRE: THE CASE OF INTWASA KOBULAWAYO PERFORMANCES

2016 ◽  
Vol 13 (2) ◽  
pp. 86-99
Author(s):  
Vimbai Moreblessing Matiza
Keyword(s):  
Political Development ◽  
Children And Youth ◽  
Main Task ◽  
Growing Up ◽  
Theatrical Performances ◽  
History Of ◽  
The One

Dramatic and theatrical performances have a long history of being used as tools to enhance development in children and youth. In pre-colonial times there were some forms of drama and theatre used by different communities in the socialisation of children. It is in the same vein that this article, through the Intwasa koBulawayo performances, seeks to evaluate how drama and theatre are used to nurture children and youth into different developmental facets of their lives. The only difference which this article will take into cognisance is that the performances are done in a different environment, which is not the one used in the pre-colonial times. Although these performances were like this, the most important factor is the idea that children and youth are socialised through these performances. It is also against this backdrop that children and youth are growing up in a globalised environment, hence the performances should accommodate people from all walks of life and teach them relevant issues pertaining to life as they live it now. Thus the main task of the article is to spell out the role of drama and theatre in the nurturing of children and youth through socio economic and political development in Intwasa koBulawayo festivals.

Features of Development of the Black Sea Village in 1920s: Materials from the Black Sea Party Obkom Fond in the Documentation Center for Contemporary History of the Krasnodar Krai

2018 ◽  
pp. 1128-1136
Author(s):  
Olga V. Bershadskaya ◽  
Keyword(s):  
Rural Communities ◽  
Black Sea ◽  
Distinctive Feature ◽  
Agricultural Production ◽  
Political Development ◽  
The Black Sea ◽  
Contemporary History ◽  
Krasnodar Krai ◽  
Geographical Environment ◽  
History Of

The article studies features of socio-economic and socio-political development of the Black Sea village in 1920s. Documents from the fond of the Black Sea District Committee (Obkom) of the RCP (b) -VKP (b) stored in the Center for Documentation of the Modern History of the Krasnodar Krai allow not only to reconstruct the developments in the Black Sea village in the NEP days, but also to understand the nature of its evolution. Uniqueness of the Black Sea village was greatly determined by its geographical environment. There had formed a sectoral makeup of agricultural production: fruit-farming, viticulture, tobacco growing. Rugged relief forced peasants to form holdings or farms; therefore rural communities were rare. Its another distinctive feature was its motley national composition. Over 50 ethnic groups inhabited the district, among most numerous were the Russians, the Ukrainians, the Armenians, and the Greeks. In the first years of the NEP, the main tasks facing district authorities were to develop ‘high-intensity’ industries and to shape local peasant farms into food base for cities and resorts. While tackling these tasks, they had to deal with shortages of land and poor communications and to bring lease relations and work-hands employment up to scratch. The situation was complicated by socio-political inertia of rural population of the district that came from the absence of community tradition. Study of the documents from the fond of the Black Sea party obkom shows that local authorities were well aware of the peculiarity of their region, but in most cases had to follow guidelines set ‘from above’ to introduce all-Russian standards.

The Rise and Fall of the French Agences de l’Eau: From German-Type Subsidiarität to State Control

2018 ◽  
Vol 04 (03) ◽  
pp. 1850013 ◽  
Author(s):  
Bernard O. Barraqué ◽  
Patrick Laigneau ◽  
Rosa Maria Formiga-Johnsson
Keyword(s):  
River Basin ◽  
River Basin Management ◽  
State Control ◽  
Integrated Water Management ◽  
Water Users ◽  
Basin Scale ◽  
History Of ◽  
Definition Of ◽  
Administrative Elites

The Agences de l’eau (Water Agencies) are well known abroad as the French attempt to develop integrated water management at river basin scale through the implementation of the Polluter Pays Principle (PPP). Yet, after 30 years of existence, environmental economists became aware that they were not implementing the PPP, and therefore were not aiming at reducing pollution through economic efficiency. Behind the purported success story, which still attracts visitors from abroad, a crisis has been recently growing. Initially based on the model of the German (rather than Dutch) waterboards, the French system always remained fragile and quasi-unconstitutional. It failed to choose between two legal, economic and institutional conceptions of river basin management. These principles differ on the definition of the PPP, and on the role of levies paid by water users. After presenting these two contrasting visions, the paper revisits the history of the French Agences, to show that, unwilling to modify the Constitution to make room for specific institutions to manage common pool resources, Parliament and administrative elites brought the system to levels of complexity and incoherence which might doom the experiment.

scholarly journals Authorial Self and Modernity as Reflected in Diaries and Memoirs. Three 19th-Century Hungarian Case Studies

2019 ◽  
Vol 9 (1) ◽  
pp. 85-97
Author(s):  
Béla Mester
Keyword(s):  
Intellectual History ◽  
Social Role ◽  
Public Intellectual ◽  
Self Reflection ◽  
Individual Character ◽  
History Of ◽  
New Type ◽  
The Moment ◽  
The One

Abstract The role of the diaries and memoirs in the process of the conscious self-reflection and their contribution to the emergence of modern individual personalities are well-known facts of the intellectual history. The present paper intends to analyze a special form of the creation of modern individual character; it is the self-creation of the writer as a conscious personality, often with a clearly formulated opinion about her/his own social role. There will be offered several examples from the 19th-century history of the Hungarian intelligentsia. This period is more or less identical with the modernization of the “cultural industry” in Hungary, dominated by the periodicals with their deadlines, fixed lengths of the articles, and professional editing houses on the one hand and the cultural nation building on the other. Concerning the possible social and cultural role of the intelligentsia, it is the moment of the birth of a new type, so-called public intellectual. I will focus on three written sources, a diary of a Calvinist student of theology, Péter (Litkei) Tóth, the memoirs of an influential public intellectual, Gusztáv Szontagh, and a belletristic printed diary of a young intellectual, János Asbóth.

More Lessons to Learn: Thomas Piketty’s Capital and Ideology and Alternative Archives of Social Experience

2021 ◽  
Vol 43 (1) ◽  
pp. 125-146
Author(s):  
Andreas Langenohl
Keyword(s):  
Economic History ◽  
International Political Economy ◽  
Democratic Governance ◽  
Liberal Democratic ◽  
History Of ◽  
The One ◽  
Historical Trajectory ◽  
Political Economic ◽  
Alternative Archives

Abstract Thomas Piketty’s Capital and Ideology has been written with the intention to offer lessons from the historical trajectory of economic redistribution in societies the world over. Thereby, the book suggests learning from the political-economic history of ‘social-democratic’ policies and societal arrangements. While the data presented speak to the plausibility of looking at social democracy, as understood by Piketty, as an archive for learning about the effects of redistribution mechanisms, I argue that the book, or future interventions might profit from integrating alternative archives. On the one hand, its current line of argumentation tends to underestimate the significance of power relations in the international political economy that continued after formal decolonization, and thus form the flip side of social democracy’s success in Europe and North America. On the other hand, the role of the polity might be imagined in a different and more empowering way, not just-as in Piketty-as an elite-liberal democratic governance institution; for instance, it would be interesting to explore the archive of the French solidaristes movement more deeply than Piketty does, as well as much more recent interventions in economic anthropology that deal with ‘economic citizenship’ in the Global South.

Liat Steir-Livny, Remaking Holocaust Memory: Documentary Cinema by Third-Generation Survivors in Israel. Syracuse: Syracuse University Press, 2019. 376 pp.

2021 ◽  
pp. 273-275
Keyword(s):  
English Language ◽  
Documentary Films ◽  
Third Generation ◽  
Holocaust Memory ◽  
Historical Film ◽  
History Of ◽  
New Ideas ◽  
The One ◽  
Changing Attitudes

This chapter assesses Liat Steir-Livny's Remaking Holocaust Memory (2019). This book is the first comprehensive English-language study of the Israeli Third-Generation engagement with the history of the Shoah in documentary films. In analyzing “how Third-Generation documentaries provide new ideas and concepts to commemorate and preserve the memory for future generations,” Steir-Livny contrasts Third-Generation documentary films with the works of second-generation directors and explores an extensive number of films in five key areas. These key areas include the role of gender; the changing attitudes toward Germany; the use and exploration of historical film footage in Third-Generation documentary films; the function of testimonies that feature in Third-Generation documentaries “in more complex ways”; and the representation of perpetrators and bystanders in Third-Generation films. Throughout her study, Steir-Livny discusses the documentaries against the background of documentary film theories, on the one hand, and Israeli/Zionist Holocaust memory, on the other.

Language Planning and Policy in Nepal

1980 ◽  
Vol 48 ◽  
pp. 71-92 ◽  
Author(s):  
Selma K. Sonntag
Keyword(s):  
Language Policy ◽  
Dominant Role ◽  
Language Planning ◽  
Underdeveloped Country ◽  
Policy Formation ◽  
Contemporary History ◽  
Language Planning And Policy ◽  
Foreign Policies ◽  
History Of

Abstract The paper is an historical account of language planning and policy in Nepal, from the period of the first unification of Nepal in the 1700's up until the present day, with comments on possible future trends. Emphasis is placed on the period after 1951, when the Rana regime was first replaced by democratic experimentation and later by monarchal rule. The language policy of this post-1951 period is illustrated in the paper by co-ordinating government reports on the education system and development projects, newspaper articles, et cetera to the contemporary history of changes in government, of political party stands, and of Nepal's foreign policies. The author analyzes and comments on this co-ordination, demonstrating how language planning and policy formation is dependent on other political policies and events of the time. The two language policy controversies used as main examples in the paper are the Nepali-Hindi controversy, and to a lesser extent, the Nepali-Newari controversy. Explanations for the dominant role of these two controversies in an underdeveloped country with over forty languages are given.

Women in Buddhism

Buddhism ◽  
2012 ◽  
Author(s):  
Kim Gutschow
Keyword(s):  
Ample Evidence ◽  
Buddhist Studies ◽  
Methodological Choices ◽  
History Of ◽  
Role Of Women ◽  
And Gender ◽  
Women And Buddhism ◽  
The One ◽  
Women In Buddhism

The very existence of a “Women and Buddhism” entry but no “Men in Buddhism” entry implies a set of methodological lacunae in Buddhist studies. On the one hand, Buddhist studies have often proceeded as if the history of men in Buddhism stands in for Buddhist history, with little effort made to mention or recover the significance of women. On the other hand, systematic methodological choices, such as the discounting of feminist analysis and the privileging of text over other sources of knowledge, have exacerbated the tendency to elide the role of women in Buddhism. This elision of women, or their marginalization, in Buddhist analyses where “man” or “male” is assumed to represent “human” has prompted a countersurge of analyses. These latter analyses have found ample evidence for the centrality of gender and women in shaping Buddhist society and soteriology. Although works are now available that cover the role of women and gender in most Buddhist eras or societies, these have only scratched the surface of an extraordinarily rich set of material and questions. It remains to be seen how well Buddhist scholarship can give gender and women their proper place in developing its central concerns.

Vietnamese Canadian Refugee Aesthetics

2019 ◽  
Author(s):  
Vinh Nguyen
Keyword(s):  
Vietnam War ◽  
Public Service ◽  
Forced Migration ◽  
Popular Media ◽  
Innocent Bystander ◽  
The Gift ◽  
History Of ◽  
The Vietnam War ◽  
The One

Vietnamese Canadian refugee aesthetics are the diverse expressions of how hundreds of thousands of refugees and their descendants experienced the Vietnam War and its aftermath. They are shaped on the one hand by a history of war in, and forced migration from, Vietnam and on the other by resettlement in multicultural Canada. Significantly, Vietnamese Canadian refugee aesthetics are produced within a distinct context of Canadian “forgetting of complicity” in the Vietnam War. A major shaping force of this aesthetics is the idea that Canada was an innocent bystander or facilitator of peace during the war years, instead of a complicit participant providing arms and supporting a Western bloc victory. This allows, then, for a discourse of Canadian humanitarianism to emerge as Canada resettled refugees in the war’s wake. Vietnamese Canadian refugee aesthetics are produced and received in relation to the enduring narrative of Canadian benevolence. In this way, they celebrate the nation-state and its peoples through gratitude for the gift of refuge. More importantly, however, they illuminate life during and in the wake of war; the personal, political, and historical reasons for migration; the struggles and triumphs of resettlement; and the complexities of diasporic existence. Refugee aesthetics are driven by memory and the desire to commemorate, communicate, and make sense of difficult pasts and the embodied present. They often take the form of literary works such as memoirs, novels, and poetry, but they are also found in community politics and activism, such as commemoration events and protests, and other popular media like public service videos. Produced by refugees as well as the state, these aesthetic “texts” index themes and problematics such as the formation of voice; the interplay between memory, history, and identity; the role of autobiography; and the modes of representing war, violence, and refuge-seeking.

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