scholarly journals Manipolazioni metasemiche del patrimonio

ARCHALP ◽  
2019 ◽  
Vol 2 NS (Issue 2 Ns, July 2019) ◽  
pp. 13-34
Author(s):  
Antonio De Rossi ◽  
Roberto Dini

The construction of a renewed habitability of the contemporary Alpine space requires a profound critical revision of the ways of looking and of the cultures concerning the theme of re-use of the built heritage. Over the last few decades, a sort of crystallization of imaginaries, operational practices and development ideas has emerged around the two terms of re-use and heritage and their ways of interaction, which today is likely to be an obstacle to the construction of new development scenarios for the Alpine region. Trying to imagine new values and meanings of the concepts of reuse and heritage, however, requires the questioning of those patrimonialization cultures that have served as the ultimate framework for the project of the Alpine space. The essay reconstructs those design processes that, starting from a renewed productive vision of the mountain, attempt today to overcome a hypostatized vision of the conventional cultural landscape produced by the patrimonialist paradigm, to embrace a transformative attitude of the heritage based on the materic character of the basic elements of the Alpine space. In particular we want to underline how the contemporary design culture in the Alps is directed to the development of synthetic languages aimed at capturing the stratified and diachronic dimension of the built landscape through metasemic cognitive and interpretative practices. It is an attitude that, against a background of the change in perspective brought about by climate change and environmental issues, allows the maximization of the opportunities and physical resources recovered in the place, perfectly in line with the aptitude for the continuous re-use of the Alpine civilizations of the past, which focuses on the awareness of participating in a constructive process of transformation of the long lasting Alpine territory.

ARCHALP ◽  
2020 ◽  
Vol 2020 (N. 4 / 2020) ◽  
Author(s):  
Kristina Dešman ◽  
Maja Ivanič

Slovenia is an alpine country: 11 percent of its territory is above 1,600 meters above sea level. The Slovenian Alps are dotted with secluded farms and clustered hamlets, and there are larger towns on the plains of the pre-Alpine regions. In the 1990s, Slovenia, together with other Alpine countries, acceded to the International Convention on the Protection of the Alps. Due to its small size, the Slovenian Alpine space is manageable, but very fragile and sensitive to various interventions, especially architectural ones. Namely, architecture directs the mentality and consciousness of people, and thus also cultural and economic development. Today, it is difficult to talk about revitalizing the Alps without mentioning tourism, which brings money to the Alpine environment and creates jobs. Unfortunately, the Slovenian alpine space is developing without a comprehensive urban and architectural development direction. Economic and tourism strategies are also vague. Individual examples of modern quality architecture are rather happy coincidence of the architect's sensitivity, experience and mastery, and the investor's cultural breadth. That is why the examples of good architectural practice that culturally and economically revive the Slovenian Alpine region and preserve its identity stand out all the more. They are distinguished by their attitude towards the environment – understanding and respect for the natural and cultural landscape, dimensions of volumes that are carefully integrated into the scenography of mountain ambiences, modern spatial design, selection of new natural materials, interpretation of traditional architectural heritage and preservation of local traditions and knowledge of our ancestors.


2005 ◽  
Vol 156 (6) ◽  
pp. 207-210 ◽  
Author(s):  
Claudio Defila

Numerous publications are devoted to plant phenological trends of all trees, shrubs and herbs. In this work we focus on trees of the forest. We take into account the spring season (leaf and needle development) as well as the autumn (colour turning and shedding of leaves) for larch, spruce and beech, and,owing to the lack of further autumn phases, the horse chestnut. The proportion of significant trends is variable, depending on the phenological phase. The strongest trend to early arrival in spring was measured for needles of the larch for the period between 1951 and 2000 with over 20 days. The leaves of the horse chestnut show the earliest trend to turn colour in autumn. Beech leaves have also changed colour somewhat earlier over the past 50 years. The trend for shedding leaves, on the other hand, is slightly later. Regional differences were examined for the growth of needles in the larch where the weakest trends towards early growth are found in Canton Jura and the strongest on the southern side of the Alps. The warming of the climate strongly influences phenological arrival times. Trees in the forest react to this to in a similar way to other plants that have been observed (other trees, shrubs and herbs).


2020 ◽  
Vol 1 (2) ◽  
pp. 176-180
Author(s):  
T. Zh. Yeginbayeva ◽  

Global processes in the musical culture of Kazakhstan are the result of the numerous events that have taken place in the country over the past 20 years. The independence of the state has become a key factor that has had a decisive impact on the economic, socio-political and cultural development of the country. We have entered a new life, which has a rich cultural heritage and was carefully preserved by our ancestors. One of the proofs is the history of Kazakh kobyz art from ancient times to the present day. Modern kobyz art is closely connected with ancient history and has a rich natural tendency for new development, based on centuries of experience. Therefore, kobyz music of the XXth–XXIst centuries absorbed the traditions of European genres and styles, and is widely used in mass music, in various directions of ethnorock, art-rock, folk and others. Two lines of development of music for kobyz and music on kobyz existed in ancient times and nowadays. From here comes the divergence of creative direction among modern composers and in ensemble performance.


Ensemble ◽  
2021 ◽  
Vol 2 (2) ◽  
pp. 123-131
Author(s):  
Sanjukta Banik ◽  
◽  
Malay Mukhopadhyay ◽  

The present paper aims to throw light on the environmental sensitivity illustrated through art on a hill signifying interface of nature and culture .Ayodhya Hill in Purulia district, displays an aspect of aesthetic attachment of humans with nature in the form of in-situ rock cut sculpture ‘Pakhi Pahar’which has transformed the bare hill into a piece of art. For the past three decades the hill has been sculpted by a group of local artists, creating around 65 birds.Even the boulders lying on the foot of the hill are sculpted, to save these fragile components of nature from stone quarrying and crushing machines which are demolishing and fragmenting the rocks and hills of the chotanagpur terrain to gather stone chips for commercial use. It may also be argued by a few ,that the natural environment of Matha range of Ayodhya Hill is infringed upon for the sake of art. The present researcher seeks to explain through empirical observation, narrative analysis and perception study of local people whether Pakhi Pahar is an “Aesthetic Regard” or “Aesthetic Affront” for nature . This paper also tries to bring in to focus the future potential of this cultural landscape in developing as a tourism site and giving employment to the local youth.


2018 ◽  
Vol 3 (4) ◽  
pp. 170 ◽  
Author(s):  
Oskar Habjanič ◽  
Verena Perko

The article deals with the relationship between the local community, museum collections, collective memory and the cultural landscape. The ICOM Code of Museum Ethics defines a museum collection as a cultural and natural heritage of the communities from which they have been derived. The collections, especially in regional museums, are inextricably linked to the community. The cultural landscape can be read also as a bridge between the society and natural environment. The cultural landscape is vitally connected with a national, regional, local, ethnic, religious or political identity. Furthermore, the cultural landscape is a reflection of the community's activities. Therefore, private collections are the foundation of the collective memory and empower museums for important social tasks. They offer an opportunity for multilayered interpretation of the past and give a possibility for museums to work on the inclusion of vulnerable groups. The collections could be a mediator and unique tool for recovering of the “broken” memory. In this way certain tragic past events, ignored or only bigotedly mentioned by history, can be re-evaluated.


ARCHALP ◽  
2021 ◽  
Author(s):  
Gordian Blumenthal ◽  
Ramun Capaul

“In the Alps, the cultural landscape changes with the way people live and act. Social structures and economic conditions shape human needs and define the appearance of the territory and landscape, contributing to the development of specific settlement and housing models, in close relationship with the place. The local typology and construction technologies, developed throughout the history, thus embody the responses to the particular local housing needs, characterizing the places according to different cultural influences. These conditions, together with the influences of the environmental and natural context, as well as the cultural aspects linked to the traditions of the local communities, today are still distinctive elements of the characterization of the villages and mountain valleys. The essay, starting from design experiences conducted personally by the architects in their region of origin – the Grisons – explores the many suggestions that the “legacy” of the different ways of building in the mountains offered for their design work. From space planning to materials, from construction solutions to typology, the architectural projects of Capaul & Blumenthal, both in the case of the recovery of the existing heritage and in the case of new buildings, seem to move from a clever re-interpretation of the complex heritage that combines savoir faire, knowledge, inspirations and materials, to seek careful answers to the current problems of the Alpine world.”


2019 ◽  
Vol 7 ◽  
Author(s):  
Dominika Kuśnierz-Krupa

This article discusses the need for social education—in this case, concerning students of the architecture and spatial management courses—on the matter of the protection of historical cities. In response to this need, the author of the article has formulated two original curricula covering this scope. They are taught at the Cracow University of Technology. The first, as a seminar, is addressed to students of the architecture course and has been named “Protection of historical cities”. The second is taught as a spatial management course in the form of design classes and has been named “Legal and social conditions in the protection of the cultural landscape”. The need to educate students of architecture and spatial management on the matter of the protection of the cultural landscape of historical cities is necessary due to the potential threat to cultural heritage that is posed by new development projects. Future architects and planners must understand the need to protect historical assets and the value of historical urban layouts and precious works of architecture. Only then will they be able to properly, correctly and responsibly practice their future profession which will include, among other things, the verification of and participation (to a varying degree) in the process of carrying out architectural and urban design projects, often in a historical environment. It should be noted that the protection of cultural heritage, including historical cities, is an important aspect of the functioning of every society, as cultural heritage is an essential factor of the life and conduct of every person. It constitutes the material and spiritual legacy of past generations, as well as the legacy of our time.


2002 ◽  
Vol 3 ◽  
Author(s):  
Gao Jianping

This paper is devoted to the discussion of Chinese aesthetics in the last two decades. In the early 1980s, there was an “aesthetic craze” in China, which endeavoured to develop the autonomy of art by breaking away from the art in the service of politics during the period of Cultural Revolution (1966-1976). This “craze” declined in the late 1980s, when people switched to the study of classic Chinese aesthetics in order to find their own cultural identity. During the early 1990s, when some scholars are interested in cultural studies, aesthetics in its narrow sense disappeared in China. In the late 1990s and the turn of the centuries, there was a sign of the revival of aesthetics. Many aestheticians tried hard to develop their studies in various fields, such as to combine aesthetics with contemporary cultural studies and to follow the new development of Western aesthetics, but, more importantly, to establish a Chinese aesthetics in the context of the development of world aesthetics.


Volume 8 of the Handbook of Advances in Culture and Psychology showcases contributions from internationally renowned culture scholars who span the discipline of culture and psychology and related disciplines and represent diversity in the theory and study of culture within psychology. The volume includes cutting-edge contributions on culture and memory, with memory as a constructive process at the intersection of person and world; culture and emotion, with emotions as dynamically and socioculturally constructed relationship engagements; culture and language, along with literacy development and impairment across cultures; the psychological foundations of rituals and how children learn and use ritual behaviors; the evolution and development of cultural-clinical psychology over the course of the past several decades; and the social-personality processes underlying multiculturalism and bicultural identity integration.


2011 ◽  
pp. 286-300
Author(s):  
Seung Baek

A growth curve of m-commerce market would be alike that of the mobile voice market or broadband internet service in the past in Korea, and then m-commerce will bring the mobile operators the second revenue. Even though, the subscribers of m-commerce are continues ascent in external appearance, in effect it is have an important problem to though revenue. In this research, after defining m-commerce market, we will discover trends based on technological, social, and politic changes and the development scenarios of m-commerce market. We reviews the technological, social, and policy changes that have occurred in Korea in order to present the mega trends that could affect the m-commerce market most significantly, by finding out the inner and outer arena trends of the m-commerce market. And then, show four scenarios: (1) Gloomy market scenario, (2) Dream market scenario, (3) Market collapse scenario, and (4) Rainbow compromise scenario. We are expected that an analysis of the trend that could create an m-commerce market in Korea and a study of the development scenarios will provide some foresight to communication service providers in Korea and overseas countries in order to cope with the future m-commerce market.


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