scholarly journals Die Zeitgenossenschaft des Alten im Engadin

ARCHALP ◽  
2019 ◽  
Vol 2 NS (Issue 2 Ns, July 2019) ◽  
pp. 51-75
Author(s):  
Hans-Jörg Ruch

The Engadinerhaus is a typical historic Engadine collective building that combines all the functions of a farm and a residence into a single housing system. It is characterized by a distribution and structural scheme organized according to certain principles that give the artifacts an imposing and severe external appearance. These are very old buildings whose matrix can be placed between the fourteenth and seventeenth centuries and which have undergone numerous transformations over time in order to adapt them to the changing needs of the agricultural world. The historical and documentary value of these important testimonies is already recognized at the beginning of the twentieth century and in 1905 the “Bündner Heimatschutz” is already promoting their protection in order to preserve their architectural and building features. The architect Hans-Jörg Ruch has recently worked on some projects for the re-functioning and restoration of these extraordinary buildings, which in some cases have kept their residential use, while in other cases they have been converted into exhibition spaces and art galleries. The buildings presented in this essay – such as the Chesa Andrea in Madulain, the Chesa Büsin in Silvaplana, the Chesa Madalena in Zuoz, the Chesa Merleda in La Punt, the Chesa Not in Tschlin and the Chesa Perini in S-Chanf – are just one selection of the works realized in Engadine by Ruch. New interior volumes, such as a “house in the house”, or even veils and walls with shapes and materials that strongly reveal their contemporaneity, are inserted in the original spaces of the old building left unaltered. These interventions show an unprecedented and original dialectic between the preservation of the materic character of the historical artifact and the unveiling of new meanings and spatiality, through architectural, constructive and material solutions affected by contemporary artistic procedure.

2020 ◽  
Vol 2020 (11) ◽  
pp. 267-1-267-8
Author(s):  
Mitchell J.P. van Zuijlen ◽  
Sylvia C. Pont ◽  
Maarten W.A. Wijntjes

The human face is a popular motif in art and depictions of faces can be found throughout history in nearly every culture. Artists have mastered the depiction of faces after employing careful experimentation using the relatively limited means of paints and oils. Many of the results of these experimentations are now available to the scientific domain due to the digitization of large art collections. In this paper we study the depiction of the face throughout history. We used an automated facial detection network to detect a set of 11,659 faces in 15,534 predominately western artworks, from 6 international, digitized art galleries. We analyzed the pose and color of these faces and related those to changes over time and gender differences. We find a number of previously known conventions, such as the convention of depicting the left cheek for females and vice versa for males, as well as unknown conventions, such as the convention of females to be depicted looking slightly down. Our set of faces will be released to the scientific community for further study.


Author(s):  
Adam J. Silverstein

This book examines the ways in which the biblical book of Esther was read, understood, and used in Muslim lands, from ancient to modern times. It zeroes-in on a selection of case studies, covering works from various periods and regions of the Muslim world, including the Qur’an, premodern historical chronicles and literary works, the writings of a nineteenth-century Shia feminist, a twentieth-century Iranian dictionary, and others. These case studies demonstrate that Muslim sources contain valuable materials on Esther, which shed light both on the Esther story itself and on the Muslim peoples and cultures that received it. The book argues that Muslim sources preserve important, pre-Islamic materials on Esther that have not survived elsewhere, some of which offer answers to ancient questions about Esther, such as the meaning of Haman’s epithet in the Greek versions of the story, the reason why Mordecai refused to prostrate himself before Haman, and the literary context of the “plot of the eunuchs” to kill the Persian king. Furthermore, throughout the book we will see how each author’s cultural and religious background influenced his or her understanding and retelling of the Esther story: In particular, it will be shown that Persian Muslims (and Jews) were often forced to reconcile or choose between the conflicting historical narratives provided by their religious and cultural heritages respectively.


Author(s):  
Charlotte Perkins Gilman

Charlotte Perkins Gilman was America's leading feminist intellectual of the early twentieth century. The Yellow Wall-Paper and Other Stories makes available the fullest selection of her short fiction ever printed. In addition to her pioneering masterpiece, ‘The Yellow Wall-Paper’ (1890), which draws on her own experience of depression and insanity, this edition features her Impress ‘story studies’, works in the manner of writers such as James, Twain, and Kipling. These stories, together with other fiction from her neglected California period (1890-5), throw new light on Gilman as a practitioner of the art of fiction. In her Forerunner stories she repeatedly explores the situation of ‘the woman of fifty’ and inspires reform by imagining workable solutions to a range of personal and social problems.


2021 ◽  
pp. 147787852199623
Author(s):  
Jon Fennell ◽  
Timothy L. Simpson

What would we have the school teach? To what end? In the name of democracy, and building on the pioneering epistemology of Michael Polanyi, Harry S. Broudy, a leading voice in philosophy of education during the twentieth century, calls for a liberal arts core curriculum for all. The envisioned product of such schooling is a certain sort of person. Anticipating the predictable relativistic challenge so much on display in our own time, Broudy justifies the selection of subject matter (and thus the envisioned character formation and cultivation of moral imagination) by reference to the authority of experts in the disciplines. This response fails to fully repel the assault, thereby revealing the need for a dimension of Polanyi’s thought whose significance exceeds even that of the epistemology that Broudy so effectively invokes.


Slavic Review ◽  
2020 ◽  
Vol 79 (3) ◽  
pp. 566-590
Author(s):  
Patryk Babiracki

Engaging with regional, international, and spatial histories, this article proposes a new reading of the twentieth-century Polish past by exploring the vicissitudes of a building known as the Upper Silesia Tower. Renowned German architect Hans Poelzig designed the Tower for the 1911 Ostdeutsche Ausstellung in Posen, an ethnically Polish city under Prussian rule. After Poland regained its independence following World War I, the pavilion, standing centrally on the grounds of Poznań’s International Trade Fair, became the fair's symbol, and over time, also evolved into visual shorthand for the city itself. I argue that the Tower's significance extends beyond Posen/Poznań, however. As an embodiment of the conflicts and contradictions of Polish-German historical entanglements, the building, in its changing forms, also concretized various efforts to redefine the dominant Polish national identity away from Romantic ideals toward values such as order, industriousness, and hard work. I also suggest that eventually, as a material structure harnessed into the service of socialism, the Tower, with its complicated past, also brings into relief questions about the regional dimensions of the clashes over the meaning of modernity during the Cold War.


2008 ◽  
Vol 3 (3) ◽  
pp. 3
Author(s):  
Robert A. Wright

Objective – The aim of this article is to present evidence based methods for the selection of chemistry monographs, particularly for librarians lacking a background in chemistry. These methods will be described in detail, their practical application illustrated, and their efficacy tested by analyzing circulation data. Methods – Two hundred and ninety-five chemistry monographs were selected between 2005 and 2007 using rigorously-applied evidence based methods involving the Library's integrated library system (ILS), Google, and SciFinder Scholar. The average circulation rate of this group of monographs was compared to the average circulation rate of 254 chemistry monographs selected between 2002 and 2004 when the methods were not used or were in an incomplete state of development. Results – Circulations/month were on average 9% greater in the cohort of monographs selected with the rigorously-applied evidence based methods. Further statistical analysis, however, finds that this result can not be attributed to the different application of these methods. Conclusion – The methods discussed in this article appear to provide an evidence base for the selection of chemistry monographs, but their application does not change circulation rates in a statistically significant way. Further research is needed to determine if this lack of statistical significance is real or a product of the organic development and application of these methods over time, making definitive comparisons difficult.


Author(s):  
С. Иконников ◽  
S. Ikonnikov ◽  
А. Блажнов ◽  
A. Blazhnov

Generalization the experience building for the cultivation of champignons shows the diversity of construction solutions. The method of layer-by-layer assembly with galvanized steel and aluminum alloy coverings is economically feasible to use in champignons of frame structural scheme, enclosing structures of industrial premises. However, the technologically required wet air conditions of the premises and aggressive gases during construction design complicate the selection of a rational type of outer layers of enclosing structures. To reveal the rational material of coverings in the production premises of champignons, corrosion tests are carried out on samples of aluminum alloys of the Al-Mg, Al-Mn, Al-Mg-Si systems, technical aluminum, galvanized steel and galvanized steel with a protective coating. The type and corrosion penetration rate are set for the exposed samples. According to the test results, suitable covering materials for various types of champignon production premises are determined


2016 ◽  
Vol 1 (2) ◽  
pp. 128-140 ◽  
Author(s):  
Cristina Capineri

Drawing on John Agnew’s (1987) theoretical framework for the analysis of place (location, locale and sense of place) and on Doreen Massey’s (1991) interpretation of Kilburn High Road (London), the contribution develops an analysis of the notion of place in the case study of Kilburn High Road by comparing the semantics emerging from Doreen Massey’s interpretation of Kilburn High Road in the late Nineties with those from a selection of noisy and unstructured volunteered geographic information collected from Flickr photos and Tweets harvested in 2014–2015. The comparison shows how sense of place is dynamic and changing over time and explores Kilburn High Road through the categories of location, locale and sense of place derived from the qualitative analysis of VGI content and annotations. The contribution shows how VGI can contribute to discovering the unique relationship between people and place which takes the form given by Doreen Massey to Kilburn High Road and then moves on to the many forms given by people experiencing Kilburn High Road through a photo, a Tweet or a simple narrative. Finally, the paper suggests that the analysis of VGI content can contribute to detect the relevant features of street life, from infrastructure to citizens’ perceptions, which should be taken into account for a more human-centered approach in planning or service management.


2018 ◽  
Vol 8 (1) ◽  
pp. 34-55 ◽  
Author(s):  
Frances Weightman

Abstract This article considers the ways in which ideas of authorship have been portrayed in the authorial prefaces (zixu) to a selection of classical Chinese tales of the supernatural (zhiguai). It posits that the authorial preface is a unique forum for exploring the interplay between the author, reader and text. Within the controversial and contested tradition of writings about strange and otherworldly phenomena, it argues that over time the zixu provided a platform for the emergence of an increasingly individualised authorial persona.


Author(s):  
Marie Audouin ◽  
Nicolas Philippe ◽  
Fabien Bernardeau ◽  
Mariann Chaussy ◽  
Sergio Pons Ribera ◽  
...  

The use of bio-based material is now widespread in insulation concrete, for example hemp concrete. The bio-based materials in concrete provide many advantages: lightness, sound and thermal insulation, hydrothermal regulation while contributing to a reduction in the environmental impact due to the carbon capture during the plant growth. The development of materials incorporating plant is therefore an important objective for the construction. The next step will be to introduce bio-based materials in structural mortars and concretes. The project FIBRABETON proposes to substitute synthetic or metallic fibers by natural fibers in screed and slab. After a selection of biomass on the resources availability, separation and fractionation are the key step in processing to obtain technical natural fibers. Bulk fiber shaping and packaging methods for easy handling and transportation are tested. Then, functionalization of technical natural fibers by physical & chemical treatments to improve the durability with cement paste is carried out. The second step concerns the introduction of treated or not treated fibers in mortar and concrete formulations. The variation of the nature of the biomass, fibers shape and dosage in concrete are studied. The workability, the compressive strength and withdrawal resistance are measured in order to obtain the best formulation parameters. The evolution of properties over time is also evaluated. The project FIBRABETON is carried out with ESTP, FRD and Vicat and is subsidized by ADEME, Grand Est region and FEDER.


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