scholarly journals COPYRIGHT FOR THE PROJECT IN ARCHITECTURAL COMPETITIONS

Author(s):  
V. Babenko ◽  
K. Davydenko

Problem statement. Works of architecture, as objects of copyright, is one of the key industries on which the economies of the countries of the modern world are based. The importance of architectural activity for the harmonious development of society is unquestioning, both from the point of view of the development of projects and the creation of structures, the cultural value of which is of a spiritual nature, and due to the functional value of architecture, includes aesthetic, social and everyday components. Copyright in architectural works is an important form of protecting and enforcing the rights of architects and neglect of this right usually leads to litigation. There is a problem of awareness of copyright issues in Ukraine, both in architectural projects and in many aspects of architectural activities, in particular, the observance of the copyright of architects when their architectural projects participate in architectural competitions. The main objective. Research of architectural works submitted to competitions as objects of intellectual property rights, study and generalization of existing rules of participation of architectural projects in architectural competitions, legality of their use by competition customers and observance of copyrights of architects, including students and masters of architecture. Conclusions. The participation of architects in architectural competitions is an extremely important issue due to the copyright of both experienced and young architects, especially if the participants in the competition are students of architectural and construction universities. The complex of copyright on the result of his creative activity in the field of architecture arises from the moment of creation of the work (including the project), regardless of whether it was completed and published or not. After the implementation of the project, the author's rights to constructed buildings, structures and other works as objects of copyright also belong to the author, if they were not transferred under the contract, as well as taking into account the law on rights to objects created by the employment contract and to order. The copyright for the project belongs exclusively to the author (authors) and is protected in accordance with the Laws of Ukraine. As we can see, the judicial and legislative systems of Ukraine allow an architect (or other copyright owner) to protect his project and rights to it, to punish those who encroach on someone else's intellectual property and to bring violators to justice. Legal protection is equal for all participants of the competition and can help young architects not only to gain experience in project development, at different stages of the competition, but also in case of victory, to further participate in its implementation, subject to compliance with the rules and conditions.

Author(s):  
Nari Shelekpayev ◽  
Aminat Chokobaeva

In his article “In Search of the Global East: Thinking between North and South”, Martin Müller offers a number of radical, although not new, insights on the role that post-socialist states presumably play in the modern world, as well as their perception, and the production of knowledge about themselves in these countries. This article is a response to Müller’s text and a reflection on the historiography of Central Asia, an integral part of the “Global East”. In the first part of this text, we analyze Müller’s own approach and explain why it is problematic from a historical point of view. In the second part, we focus on the production of “external” and “internal” knowledge about Central Asia and propose another paradigm labeled as “tactical essentialism”, which we believe best describes the production of historical narratives in the region at the moment. Despite the differences between the two concepts, it seems to us that “strategic” and “tactical” essentialism are essentially manifestations of the same process, namely, the attempts to oust the Soviet past from the ethos of post-socialist researchers (or replace it with other narratives).


Social Law ◽  
2019 ◽  
Author(s):  
D. Tihonova

The article is devoted to the definition of the concept of public-legal dispute in the field of intellectual property, taking into account the specifics of administrative and legal protection of rights in this field. To this end, the rules of procedural law relating to the definition of a public law dispute, the practice of their application, and the relevant doctrinal provisions on the legal protection of intellectual property rights are analyzed. The suitability of certain categories of such disputes to the jurisdiction of administrative courts is substantiated. The author draws attention to the fact that although the concept of "basis" and "condition" of a public-law dispute are not synonymous, it is impossible to deny that they have a large number of common features. In legal literature, the term "foundation" has become widespread, first of all, to indicate the grounds for the emergence of legal relationships. Moreover, there are two sides to this concept: material and legal basis. The legal basis includes, in particular, legal fact and the existence of a rule of law. It was also determined that the condition should be distinguished from the cause which necessarily produces a certain consequence - the legal conflict between the parties to the public-legal relations is at the heart of the public-legal dispute. From a general point of view, conflict is understood as a clash of opposing interests and views, tension and extreme aggravation of contradictions, which leads to active actions, complications, struggles, accompanied by complex conflicts. It is noted that in the case of a particular dispute, a direct condition for the emergence of public-law disputes is the conflict of not just legislative provisions, and in this case the fundamental rights of persons and the corresponding binding norms obliging the subjects of power to enter into conflict. to the administrative court for the exercise of their specific powers.


2018 ◽  
Vol 18 ◽  
pp. 206-218
Author(s):  
Irina Suslina ◽  
Valeriya Tarasova

Nowadays IT sphere all over the world experiences rapid growth. This situation also refers to the State of Israel that is considered to be one of the leaders in IT-startups and IT sphere in all. The development of IT has a great influence on economy of Israel and its economic development. Application software is usually defined as a main unit in information technologies. Therefore, legal protection of software becomes one of the most important issues regarding IT sphere. Intellectual property law in Israel is mostly based on British intellectual property law. International legislation concerning intellectual property also influences Israeli IP law. As in the majority of countries, in Israel software is considered as an object of copyright law and it is protected in compliance with its provisions. Copyright law is regulated by the Copyright Act passed the Knesset in 2007. The term of protection granted by this Act shall be the life of the author and seventy years after his death. In accordance with the main principle of copyright law, software has been protected since the moment the software was created. That means that software in Israel does not subject to registration or any other procedure of its kind. It is also possible to register a logo and a unique name of software as a trademark, and this can become a substantial addition to the law protection.


2018 ◽  
Vol 1 (1) ◽  
Author(s):  
Inggrit Fernandes

Batik artwork is one of the treasures of the nation's cultural heritage. Batik artwork is currently experiencing rapid growth. The amount of interest and market demand for this art resulted batik artwork became one of the commodities in the country and abroad. Thus, if the batik artwork is not protected then the future can be assured of a new conflict arises in the realm of intellectual property law. Act No. 28 of 2014 on Copyright has accommodated artwork batik as one of the creations that are protected by law. So that this work of art than as a cultural heritage also have economic value for its creator. Then how the legal protection of the batik artwork yaang not registered? Does this also can be protected? While in the registration of intellectual property rights is a necessity so that it has the force of law to the work produced


Chelovek RU ◽  
2020 ◽  
pp. 18-53
Author(s):  
Sergei Avanesov ◽  

Abstract. The article analyzes the autobiography of the famous Russian philosopher, theologian and scientist Pavel Florensky, as well as those of his texts that retain traces of memories. According to Florensky, the personal biography is based on family history and continues in children. He addresses his own biography to his children. Memories based on diary entries are designed as a memory diary, that is, as material for future memories. The past becomes actual in autobiography, turns into a kind of present. The past, from the point of view of its realization in the present, gains meaning and significance. The au-thor is active in relation to his own past, transforming it from a collection of disparate facts into a se-quence of events. A person can only see the true meaning of such events from a great distance. Therefore, the philosopher remembers not so much the circumstances of his life as the inner impressions of the en-counter with reality. The most powerful personality-forming experiences are associated with childhood. Even the moment of birth can decisively affect the character of a person and the range of his interests. The foundations of a person's worldview are laid precisely in childhood. Florensky not only writes mem-oirs about himself, but also tries to analyze the problems of time and memory. A person is immersed in time, but he is able to move into the past through memory and into the future through faith. An autobi-ography can never be written to the end because its author lives on. However, reaching the depths of life, he is able to build his path in such a way that at the end of this path he will unite with the fullness of time, with eternity.


Author(s):  
R. R. Palmer

In 1792, the French Revolution became a thing in itself, an uncontrollable force that might eventually spend itself but which no one could direct or guide. The governments set up in Paris in the following years all faced the problem of holding together against forces more revolutionary than themselves. This chapter distinguishes two such forces for analytical purposes. There was a popular upheaval, an upsurge from below, sans-culottisme, which occurred only in France. Second, there was the “international” revolutionary agitation, which was not international in any strict sense, but only concurrent within the boundaries of various states as then organized. From the French point of view these were the “foreign” revolutionaries or sympathizers. The most radical of the “foreign” revolutionaries were seldom more than advanced political democrats. Repeatedly, however, from 1792 to 1799, these two forces tended to converge into one force in opposition to the French government of the moment.


Upravlenie ◽  
2020 ◽  
Vol 8 (4) ◽  
pp. 116-122
Author(s):  
Sadeghi Elham Mir Mohammad ◽  
Ahmad Vakhshitekh

The article considers and analyses the basic principles and directions of Russian foreign policy activities during the presidency of V.V. Putin from the moment of his assumption of the post of head of state to the current presidential term. The authors determine the basic principles of Russia's foreign policy in the specified period and make the assessment to them. The study uses materials from publications of both Russian and foreign authors, experts in the field of political science, history and international relations, as well as documents regulating the foreign policy activities of the highest state authorities. The paper considers the process of forming the priorities of Russia's foreign policy both from the point of view of accumulated historical experience and continuity of the internal order, and in parallel with the processes of transformation of the entire system of international relations and the world order. The article notes the multi-vector nature of Russia's foreign policy strategy aimed at developing multilateral interstate relations, achieving peace and security in the interstate arena, actively countering modern challenges and threats to interstate security, as well as the formation of a multipolar world. The authors conclude that at present, Russia's foreign policy activity is aimed at strengthening Russia's prestige, supporting economic growth and competitiveness, ensuring security and implementing national interests. Internal political reforms contribute to strengthening the political power of the President of the Russian Federation and increasing the efficiency of foreign policy decision-making.


2012 ◽  
pp. 66-80
Author(s):  
Michał Mrozowicki

Michel Butor, born in 1926, one of the leaders of the French New Novel movement, has written only four novels between 1954 and 1960. The most famous of them is La Modification (Second thoughts), published in 1957. The author of the paper analyzes two other Butor’s novels: L’Emploi du temps (Passing time) – 1956, and Degrés (Degrees) – 1960. The theme of absence is crucial in both of them. In the former, the novel, presented as the diary of Jacques Revel, a young Frenchman spending a year in Bleston (a fictitious English city vaguely similar to Manchester), describes the narrator’s struggle to survive in a double – spatial and temporal – labyrinth. The first of them, formed by Bleston’s streets, squares and parks, is symbolized by the City plan. During his one year sojourn in the city, using its plan, Revel learns patiently how to move in its different districts, and in its strange labyrinth – strange because devoid any centre – that at the end stops annoying him. The other, the temporal one, symbolized by the diary itself, the labyrinth of the human memory, discovered by the narrator rather lately, somewhere in the middle of the year passed in Bleston, becomes, by contrast, more and more dense and complex, which is reflected by an increasinly complex narration used to describe the past. However, at the moment Revel is leaving the city, he is still unable to recall and to describe the events of the 29th of February 1952. This gap, this absence, symbolizes his defeat as the narrator, and, in the same time, the human memory’s limits. In Degrees temporal and spatial structures are also very important. This time round, however, the problems of the narration itself, become predominant. Considered from this point of view, the novel announces Gerard Genette’s work Narrative Discourse and his theoretical discussion of two narratological categories: narrative voice and narrative mode. Having transgressed his narrative competences, Pierre Vernier, the narrator of the first and the second parts of the novel, who, taking as a starting point, a complete account of one hour at school, tries to describe the whole world and various aspects of the human civilization for the benefit of his nephew, Pierre Eller, must fail and disappear, as the narrator, from the third part, which is narrated by another narrator, less audacious and more credible.


2020 ◽  
Vol 15 (1-3) ◽  
pp. 44-59
Author(s):  
Lidia Peneva

Crimes against marriage and family are a particular group of social relation­ships that the law has defended properly in view of the high public significance and value they enjoy. At the moment they are regulated in Chapter VI, Section I, of the specific part of the Penal Code the Repub­lic of Bulgaria. The subject matter of this Statement will, however, be the legisla­tive provisions concerning these criminal­ized acts in retrospect. The purpose of the study is to show by historical method and through the comparatively legal method the development of these criminal groups during the periods of various criminal laws in Bulgaria. This will also provide a basis for reflection on possible de lege ferenda proposals. This report from a structural point of view will be divided into three distinct points, marking each of the penal laws in the Republic of Bulgaria, which were in force before 1968.


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