scholarly journals Ukrainian Revolution of 1917—1921 in the Propaganda Discourse of the Russian Bolshevism: Tymofii Levchuk’s Film “A Kyiv Citizen” (1958)

2021 ◽  
pp. 151-169
Author(s):  
Oleksandr Khomenko ◽  
Bohdan Skopnenko

The history of cinema is one of those unique cultural phenomena, which constantly attracts the attention of researchers. This phenomenon, especially in the 20th century, determined not only the direction of aesthetic transformations of the cultural development but also had an impact on the formation of ideologies and the strengthening of political regimes. This topic is relevant because the methods of propaganda that were actively used by totalitarian regimes (including the Soviet totalitarian rule) are now actively used by the undemocratic Russian administration to achieve political goals. The construction of the “Ukrainian bourgeois nationalist” image in Soviet cinema is of special interest in the context of Russia's “hybrid warfare” against Ukraine, which continues today. The instrumental technologies of ideological manipulation used in the creation of films have shown their effectiveness in shaping the worldview of the “new Soviet man”. Forms of this type of consciousness still continue to influence the political choices of many citizens of our state. The film “A Kyiv Citizen”, studied in the article, was created in 1958 by the Ukrainian Soviet film director T. Levchuk at the Kyiv O. Dovzhenko Studio. The film is a classic example of the ideologically biased film production. On the example of this film, we can observe technological principles and constructive models used by the Soviet regime to falsify the history of Ukraine in the 20th century, in particular the events of the Ukrainian revolution of 1917–1921. In the film “A Kyiv Citizen”, the events of the Ukrainian revolution of 1917–1921 were counterfeited in order to illustrate to the audience the Soviet version of the history of Ukraine and the events related to the seizure of power by the Bolsheviks. In such a way, the Soviet propaganda tried to form in the viewer a type of psychological perception of reality loyal to the “Soviet empire”. In particular, the facts related to the Bolsheviks' attempt to seize power in Kyiv in October 1917, the battles for the Arsenal plant in January 1918, and the conclusion of a peace treaty between the Ukrainian People's Republic and Germany were falsified.

2021 ◽  
pp. 136-151
Author(s):  
Oleksandr Khomenko ◽  
Bohdan Skopnenko

Cinematography is one of those unique cultural phenomena, whose history has always attracted historians’ interest. In the 20th century, this phenomenon did not only determine the direction of cultural transformations development but also impacted the formation of ideologies and political regimes. Today this topic is especially relevant considering the fact that the propaganda methods, intrinsic of dictatorship systems, namely the Soviet totalitarian regime, are actively used by the antidemocratic Russian power for achieving its political goals. The special interest in the context of the “hybrid warfare” which is currently going on between Russia and Ukraine, causes the construction in the Soviet period cinematography of the image of a “Ukrainian bourgeois nationalist” as the instrumental technologies of ideological manipulations used in such movies proved their effectiveness for shaping the outlook of a “new Russian citizen”. Such phenomenon, especially in the 20th century, determined not only the direction of aesthetic transformations of cultural development but also had an impact on the formation of ideologies and strengthening of political regimes. This topic is relevant because the methods of propaganda that were actively used by totalitarian regimes (including the Soviet totalitarian one) are now actively applied by the undemocratic Russian regime to achieve political goals. The construction of the image of the "Ukrainian bourgeois nationalist" in the Soviet cinema constitutes special interest in the context of today’s Russia’s "hybrid warfare" against Ukraine. The instrumental technologies of ideological manipulation used in the creation of films have shown their effectiveness in shaping the worldview of the “new Soviet man.” Forms of this type of consciousness still continue to influence the political choices of many citizens of our state. The film “Kiev Citizen”, studied in the article, was created in 1958 by Ukrainian Soviet film director T. Levchuk at Kyiv O. Dovzhenko Studio. This film is a classic example of ideologically biased film production. Using this movie, we can observe technological principles and constructive models of falsification of the 20th–century history of Ukraine by the Soviet regime, in particular the events of the Ukrainian revolution of 1917–1921. In the film “Kiev Citizen”, the events of the Ukrainian revolution of 1917–1921 were falsified in order to illustrate the audience the Soviet version of the history of Ukraine and the events connected with the seizure of power by the Bolsheviks. Soviet propaganda tried to form in this way the audience loyal to the “Soviet empire” type of psychological perception of reality. In particular, the facts related to the Bolsheviks’ attempt to seize power in Kyiv in October 1917, the battles for the Arsenal plant in January 1918, and the conclusion of a peace treaty between the Ukrainian People’s Republic and Germany were falsified.


1998 ◽  
Vol 9 (1) ◽  
pp. 167-182 ◽  
Author(s):  
Charles Suhler ◽  
Traci Ardren ◽  
David Johnstone

AbstractResearch at the ancient Maya city of Yaxuna, located in the heart of the Yucatan Peninsula, has provided sufficient data to suggest a preliminary chronological framework for the cultural development of this large polity. Primary ceramic and stratigraphie data are presented to support a five-phase scheme of cultural history, encompassing the Middle Formative through Postclassic periods (500 b.c.–a.d. 1250). In addition to chronological significance, the political ramifications of a pan-lowland ceramic trade are addressed. Yaxuna experienced an early florescence in the Late Formative–Early Classic periods, when it was the largest urban center in the central peninsula. A second renaissance in the Terminal Classic period was the result of Yaxuna's role in an alliance between the Puuc and Coba, in opposition to growing Itza militancy. This paper proposes a chronological framework for the cultural development of one northern Maya region in order to facilitate an understanding of this area as part of the overall history of polity interaction and competition in the Maya lowlands.


2009 ◽  
Vol 49 ◽  
Author(s):  
Ciska Raventós Vorst

RESUMEN: Este artículo analiza el proceso de cambio político que se inició en Costa Rica en 1998 y que aún no concluye, ubicándolo en el contexto de la historia política de la segunda mitad del siglo XX. Revisa luego las explicaciones que se han dado para el brusco quiebre en el comportamiento electoral de 1998, analiza la relación entre abstención y declive de los dos partidos tradicionales en el período 1998-2006 y se detiene a estudiar algunos rasgos del comportamiento electoral de los ciudadanos en el 2006. Concluye planteando una interpretación preliminar sobre el momento político en que se encuentra el país.ABSTRACT: This article analyzes the process of ongoing political change that has taken place in Costa Rica since 1998. It is analyzed in the context of the political history of the second half of the 20th century. This article reviews the explanations of the sudden shift in electoral behaviour in 1998, analyzes the relationship between electoral abstention and the decline of the two traditional parties between 1998 and 2006, and it studies some characteristics of voting behaviour in 2006. The paper concludes with a preliminary interpretation of the current political situation.


Globus ◽  
2020 ◽  
Author(s):  
M. Bayramov

The history of the Seljuk state, which played a significant role in the political, economic and cultural life of the Near and Middle East in the Middle Ages, is one of the most actual problems in Azerbaijani historiography. As it is known, after the establishment of the Seljuk state by the Turks, their main policy was to advance to the west, to seize Anatolia, to turn Anatolia into Turkish lands. The Caucasus region was the gateway to Anatolia. That is why the Caucasus, as well as Azerbaijan was of great military-strategic importance for the Seljuks. After the Dandanekan victory, it was decided at the Congress in Merv to launch new military operations to the East and West. The main target of the attack was Iran, Byzantium and the South Caucasus, because these countries were in political disarray and unable to resist them. Seljuk troops advancing on the Caucasus soon subjugated the local feudal states. The people of Azerbaijan, who have been under the rule of the Seljuk state for more than a century, have played a special role in the political and cultural development of the Seljuk state. However, this problem in national historiography has been a separate research topic only in the second half of the 20th century, which has long been out of sight. The present article is devoted to the study of Seljuk state in Azerbaijani historiography. The article studies the works of prominent Azerbaijani historians Z. Bunyadov, R. Huseynov, N. Akhundova, N.Aliyeva, Sh.Mustafayev, I.Hajiyev, T.Dostiyev and others, who have done research in this area since the second half of the twentieth to the first decade of the twenty-first century and their role in the study of the history of the great state in the medieval Muslim East, the Seljuk State, has been defined


Author(s):  
Benjamin Isaac

The city of Joppe/Jaffa/Yafo on the eastern shore of the Mediterranean, immediately south of modern Tel Aviv, has a long history of importance as an urban centre, from the Middle Bronze Age onward until the 20th century. It was one of the few sites along the Palestinian coast that had a usable anchorage. The present article focuses on the Hellenistic, Roman, and late Roman periods, giving a brief survey of the major events, the political, social, and administrative history, and the major sources of information.


2011 ◽  
Vol 3 (1) ◽  
pp. 124-133
Author(s):  
Sergei Nikolayevich Ilchenko

The article analyses the political confrontations in Russian history of the 20th century as reflected in domestic audiovisual productions. The problem of the relationship between "the Reds" and "the Whites" is investigated by the author through films and TV shows in terms of the value systems of the belligerent social forces.


2014 ◽  
Vol 66 (1-2) ◽  
pp. 137-159
Author(s):  
Zoran Krstic

The subject of the analysis in this paper is the study of the emergence and evolution of the phenomenon of Peronism as the most important political movement and ideology in Argentina and perhaps in Latin America throughout the 20th century. The basic aim of this paper is to present Peronism as a political movement and model of development which emerged during the rule of Juan Domingo Peron in the mid-20th century. This movement continued to exist and last after Peron?s demission from the political scene. In recent history Peronism became something more significant than a political movement or a social development model. Because of that, Peronism can be characterized as a myth. Nowadays, Perosnism is one of the crucial factors in the socio-economic and cultural development in Argentina. The focus of research in this paper is on the presentation and explication of the notions/topics concerning Peron, his movement and rule. These ones are populism, presidentialism and personalisation of power. Also, this paper will analyse the conditions, facts and circumstances under which Peronism emerged and survived in spite of many critics and disputes in the scientific literature as well in the Argentinian politics and society.


2020 ◽  
Vol 2020 (10_3) ◽  
pp. 211-215
Author(s):  
Petr Iskenderov

The article focuses on the two key currents of political thought in Albania in the twentieth century - “Nolism” and “Zogism”. The author traces their influence on the modern history of Albania. Special attention is paid to the problems of Albanian nationalism.


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