scholarly journals FASHIONGRAPHICS AND COSTUME DESIGN IN UKRAINE IN THE 1920s

2021 ◽  
pp. 63-72
Author(s):  
H. V. Kokorina ◽  
N. I. Kudriavtseva ◽  
A. I. Baranova ◽  
I. L. Haiova ◽  
S. I. Prasol
Keyword(s):  
Twentieth Century ◽  
Soviet Union ◽  
Visual Information ◽  
Figurative Language ◽  
Fine Arts ◽  
Costume Design ◽  
Practical Significance ◽  
Women's Clothing ◽  
Early Twentieth Century ◽  
Fashion Magazine

The purposeof the paperis to study the fashion peculiarities in Ukraine based on the analysis of fashion graphics of “Fashion Magazine”, which was published in Kyiv and Kharkiv in the 1920s. The events of fashion life in Ukraine are considered in the context of current world fashion trends. Methodology. The methods of historical-chronological and comparative analysis, methods of visual information systematization have been used in the paper. Results. The social conditions for the first specialized fashion publication in Ukraine have been identified.The description of fashion trends of the 1920s has been given based on the analysis of women’s clothing models presented on the pages of “Fashion magazine”.The analysis of changes in Western fashion during the twenties in the Soviet Union has been carried out.Featured artistic expression means of fashion graphics, compositional solutions of magazine centerfolds have been considered. The connection between popular fashion images and events in the Ukrainian republic has been shown, namely: changes in the women’s role in society, the spread of sports, new formats of leisure. The reasons for the transformation of the figurative language of fashion graphics of the early twentieth century have been generalized, the connection of the magazine fashion graphics evolution with the general changes in the world fine arts has been analyzed.The scientific novelty is that there have been introduced the facts of publishing the first domestic magazines on fashion, analyzed the specifics of fashion in Ukraine in the 1920s on the basis of fashion graphics samples from Ukrainian magazines for the first time in the context of Ukrainian fashion history. The practical significance lies in the fact that the information offered in the article fills certain gaps in the Ukrainian fashion history.The practical works of artists who created relevant fashion images in the early twentieth century by means of graphics can be used today both in the process of designing new clothes and in order to promote new costume design ideas.

Fractional organization of Ukrainian ambassadors of the Galician Sejm

2021 ◽  
pp. 23-31
Author(s):  
Ivan Krykhovetskyi
Keyword(s):  
Twentieth Century ◽  
Central Government ◽  
Practical Significance ◽  
Social Affiliation ◽  
Early Twentieth Century ◽  
The Status ◽  
Minimum Number ◽  
General Scientific ◽  
The One ◽  
Historical Methods

Purpose. The aim of the study is to identify the legal basis for the organization and establishment of the status of the Ukrainian Seimas factions of the second half of the nineteenth - early twentieth century. Methods. The methodological basis of the study was a set of general scientific, special scientific and historical methods, as well as the principles of historicism and objectivity. Results. It was established that the faction is defined as a natural institution of association of Sejm ambassadors, which allowed to carry out effective legislative activity, as the minimum number of deputies who could submit a bill or block the one under consideration was 15. Emphasis is placed on the leadership of the Ukrainian faction. in particular their social affiliation and political beliefs of leaders. The legal bases of the faction's activity are considered separately. Emphasis is placed on how the activities of the Sejm influenced the state and legal thought of Galicia in the late nineteenth - early twentieth century. The peculiarities of the Polish-Ukrainian political confrontation within the walls of the Sejm, including in the process of factional organization, are studied. It was established that social affiliation had a significant influence on the political opinion of Galician Ukrainians, including the process of their factional organization. Thus, until the 1870s, the Ukrainian Sejm ambassadors were dominated by representatives of the clergy, and only at the turn of the nineteenth and twentieth centuries. political leadership passes to the secular intelligentsia - lawyers, lawyers. Scientific novelty. It has been established that for more than 50 years of the Seimas' activity, no normative acts regulating the process of formation of the Seimas factions have been issued either by the central government or by the Seimas itself. The creation of Sejm factions was the competence of the deputies themselves or political groups, which were represented in the highest representative body of the region. Practical significance. The results of the study can be used in further historical and legal research, preparation of special courses.

Conclusion

2020 ◽  
pp. 255-268
Author(s):  
Andy Byford
Keyword(s):  
Twentieth Century ◽  
Soviet Union ◽  
Transnational History ◽  
Scientific Study ◽  
Childhood Studies ◽  
Complex Field ◽  
Soviet History ◽  
Early Twentieth Century ◽  
History Of ◽  
Soviet Russia

The book’s conclusion discusses ways in which pedology and its legacies have been framed in late Soviet and post-Soviet Russia, while at the same time providing an overview of this book’s core contributions to the historiography and conceptualization of Russo-Soviet child science. The chapter begins with a summary of how pedology’s ‘ghost’ was treated in the late Soviet Union and how some of its strands ended up ‘haunting’ other institutional, disciplinary, or occupational frameworks. This is followed by a discussion of post-Soviet narratives about pedology and its fateful demise, especially constructions of pedology as a ‘repressed science’ (repressirovanaia nauka). The chapter critiques the rhetorical reification of pedology as a science that has developed in this context. It also considers the emergence in contemporary Russia of a number of movements focused on the scientific study of the child, which, in one way or another, make reference to the legacies of early twentieth-century Russo-Soviet child science (childhood studies, pedagogical anthropology, psycho-pedagogical diagnostics). The chapter ends with a summary of the book’s main conclusions, tying together key analytical points made across the preceding chapters. This section emphasizes the interest and importance that the history of child science presents for Russo-Soviet history more generally and revisits the question of where and how Russo-Soviet child science fits into a transnational history of this complex field.

scholarly journals Historiographic tradition in covering the development of the bourgeoisie in the Dnipro Ukraine of the second half of the 19th – early 20th century

2020 ◽  
Vol 2 (1) ◽  
pp. 164
Author(s):  
Andrii G. Peretokin
Keyword(s):  
Twentieth Century ◽  
Network Analysis ◽  
Industrial Development ◽  
Mining Industry ◽  
Practical Significance ◽  
Intellectual Community ◽  
Teaching History ◽  
Early Twentieth Century ◽  
Historical Comparative ◽  
The Individual

The purpose of the article is to define the stages of the study of historiography of the problem of the bourgeoisie formation in the Dnieper region of Ukraine of the second half of the nineteenth and early twentieth century. Research methods: general historical methods (historical-comparative, historical-typological, historical-systematic) and special-historical (periodization, chronological, problem-chronological). Classification, historical-biographical methods and network analysis method are used. Main results: The article highlights three periods of historiography of the study of the problem of the bourgeoisie formation in the Dnieper region of Ukraine in the second half of the nineteenth and early twentieth century: pre-revolutionary, Soviet and modern. Concise conclusions: at the first stage of the research the studies were pragmatic, they were not complex historical works. The authors focused on the process of monopolization of industry and the role of foreign capital in the development of the region. They were specialists well-informed in their business, therefore, in their works, we can find valuable information about the economic situation, statistical data, coverage of the work of the congresses of the southern mining industry. During the second period, Ukrainian and Russian scientists worked a lot and fruitfully, exploring the problems of economic and industrial development of the Dnieper region of Ukraine. The works of the scientists became not narrowly pragmatic and more scientifically substantiated and more fundamental. However, these works were ideologized by the Marxist-Leninist methodology. During the third stage of the study of the problem in independent Ukraine, opportunities for conducting complex and systematic studies have improved. Practical significance: The research is recommended for use in teaching history of Ukraine of the second half of the nineteenth and early twentieth century. Originality: the generalization of the experience of historiography research of the problem of the bourgeoisie development is used. Scientific novelty: for the first time the method of network analysis is proposed. It allows to determine the role and place of the individual representatives of the bourgeoisie of the Dnieper region in the Ukrainian intellectual community. Article type: overview description.

scholarly journals To the problem of "polyphony of consciousness" in the context of the aesthetics of constructivism

2021 ◽  
pp. 229-233
Author(s):  
Katerina Ishchenko
Keyword(s):  
Twentieth Century ◽  
Fine Arts ◽  
Theoretical Method ◽  
Avant Garde ◽  
Early Twentieth Century ◽  
Music Literature ◽  
Important Means ◽  
The Individual ◽  
First Time

The purpose of the article is to trace the peculiarities of the phenomenon of "polyphony of consciousness" as one of the main patterns of artistic thinking of the early twentieth century, which became widespread in various arts and reflected artistic and aesthetic trends of such a bright movement of the first avant-garde as constructivism. On the examples of music, literature, theater, cinema, fine art to reveal this phenomenon as an important manifestation of the aesthetics of constructivism. In selected works of art, to identify and consider characteristics of the musical text polyphonic techniques, which in turn have been widely used and reflected the individual stylistic features of representatives of different spheres of creativity of the period. The methodological basis of this study is a comprehensive approach, which contains historical and cultural, stylistic, and holistic methods of analysis. The theoretical method acquires special significance among them, as it is aimed at identifying the principles of writing in various fields of art. The scientific novelty of this work is based on the originality of the generalized study of the phenomenon of "polyphony of consciousness". This phenomenon is being considered as an important manifestation of the aesthetics of constructivism, based on the examples of music, literature, theater, cinema, and fine arts. Such an understanding of the implementation of the polyphonic principles of writing in the context of such an artistic movement as constructivism is undertaken for the first time in Ukrainian musicology. Conclusions. Experiments and searches of the artists of the early twentieth century in the fields of expression, content, composition, and language that "provoked" the development of stylistic pluralism in all spheres of art, strengthened the role of polyphonic principles of writing, and, more broadly, artistic thinking. Polyphonic techniques find their place in the trends of the aesthetics of constructivism, going beyond the musical texture and penetrating into all kinds of art. Polyphony and its principle of combining self-developing lines, voices, and layers, was perhaps the most important means of artistic reflection of the contradictions of the world, as well as the direction of the search in the field of content and means of expression.

scholarly journals Research of Ancient Ukrainian Sculpture in the Works of Kyiv Circles of the Early XX Century

2021 ◽  
Vol 4 (2) ◽  
pp. 299-313
Author(s):  
Iryna Udris
Keyword(s):  
Twentieth Century ◽  
Fine Arts ◽  
Scientific Concept ◽  
Semantic Features ◽  
Distinctive Features ◽  
Early Twentieth Century ◽  
National Differences ◽  
Self Sufficiency ◽  
Time Period ◽  
Ancient Times

Purpose of research. The need for a thorough scientific and theoretical consideration and generalization of the formation of systematic knowledge about the national forms of our art at the leading stages of historical development, is gaining relevance in modern domestic science of art. Among other things, it requires the study of the achievements of scientists in the study of national creative heritage in the field of sculpture of Kievan Rus and the Cossack times during the formation of scientific art history. The article is devoted to the process of formation of the concept of evolution of forms of sculpture of the old princely years and the Cossack era in the works of specialists of the early twentieth century. The research methodology is based on a comprehensive historical and cultural approach, a systematic method, synchronous analysis of publications of one time period, structural analysis. This methodology allows us to consider the gradual formation of scientific views on the characteristic national differences and the direction of evolution of Ukrainian art of this period in the broader international context of artistic development. The scientific novelty of the results is to determine the process of formation of objective ideas about the formal and semantic features, distinctive features and high artistic level of monuments of Ukrainian sculpture from ancient times to the end of the Cossack era based on analysis of publications of various trends of leading experts of the late XIX – XX centuries .: D. Ainalova, E. Redina, E. Kuzmina, F. Ernst, M. Makarenko, K. Shirotsky, S. Yaremich, V. Modzalevsky, F. Schmidt, devoted to the study of this branch of ancient Ukrainian art and in the context of the characteristics of the general development of fine arts, and as an independent subject of research. Conclusions. Ukrainian science of art of the early twentieth century. has achieved undeniable success in the study of national forms of domestic sculpture of ancient Slavic times, Kievan Rus and the seventeenth – eighteenth centuries. as the period of the highest prosperity. The considered material testifies to the high professional level of formation of the substantiated scientific concept of national self-sufficiency of ancient Ukrainian sculpture as an important component of the general art process at various stages of its development.

scholarly journals Charismatic Christianity and Pentecostal churches in Estonia from a historical perspective

2015 ◽  
Vol 5 (1) ◽  
pp. 57-66
Author(s):  
Ringo Ringvee
Keyword(s):  
Twentieth Century ◽  
Soviet Union ◽  
Charismatic Movement ◽  
Christian Churches ◽  
Pentecostal Movement ◽  
Early Twentieth Century ◽  
The Soviet Union ◽  
Early Twenty ◽  
Religious Revivals ◽  
Charismatic Christianity

This article focuses on the history of Pentecostal and charismatic Christianity in Estonia from the early twentieth century to the early twenty-first century. From the 1870s onwards a series of religious revivals in Estonia created the context for the emergence of the Pentecostal movement in the early twentieth century. Proto-Pentecostalism at the beginning of the century transformed into a fully-fledged Pentecostalism in the 1920s with the involvement of foreign missionaries from Sweden as well as from Finland. The Finnish connection became important in the late 1960s with the emergence of a charismatic Pentecostal revival in the evangelical Christian churches, as well as amongst the Baptists in Tallinn. By the late 1970s the prayer revival had transformed into a healing ministry and this had an impact on the charismatic movement in the Soviet Union. The foreign impact on Pentecostal and charismatic movements in Estonia has also been important from the late 1980s onwards. There has been considerable diversification of the charismatic and Pentecostal traditions in Estonia since the 1990s, and the trends have reflected general changes in charismatic Christianity. Although internally diverse the charismatic Christianity (including the Pentecostals) may well be by now the second largest Protestant tradition in Estonia.

scholarly journals The Lidov-Kozai oscillation and Hugo von Zeipel

2020 ◽  
Author(s):  
Takashi Ito ◽  
Katsuhito Ohtsuka
Keyword(s):  
Twentieth Century ◽  
Soviet Union ◽  
Theoretical Framework ◽  
Early Twentieth Century ◽  
Original Works ◽  
Late Nineteenth

<p>It is widely accepted that the theoretical framework of the so-called Lidov-Kozai oscillation was established independently in the early 1960s by a Soviet Union dynamicist (Michail L'vovich Lidov) and by a Japanese celestial mechanist (Yoshihide Kozai). A large variety of studies has stemmed from the original works by Lidov and Kozai, now having the prefix of "Lidov-Kozai" or "Kozai-Lidov." However, from a survey of past literature published in late nineteenth to early twentieth century, we have confirmed that there already existed a pioneering work using a similar analysis of this subject established in that period. This was accomplished by a Swedish astronomer, Edvard Hugo von Zeipel. In this presentation we make a brief summary of von Zeipel's work on this subject in contrast to the works of Lidov and Kozai, and show that von Zeipel's achievements in the early twentieth century (written and published in French under the title "<em>Sur l’application des séries de M. Lindstedt à l’étudedu mouvement des comètes périodiques</em>") already comprehended most of the fundamental and necessary formulations that the Lidov-Kozai oscillation requires. By comparing the works of Lidov, Kozai, and von Zeipel along this line of studies, we assert that the prefix "von Zeipel-Lidov-Kozai" should be used for designating this theoretical framework, and not just Lidov-Kozai or Kozai-Lidov. </p>

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