scholarly journals REINVIGORATING CULTURAL LANDSCAPES FOR PLANNING CULTURAL TOURISM IN BALI

2020 ◽  
Vol 33 (4) ◽  
pp. 1462-1469
Author(s):  
I Made ADHIKA ◽  
◽  
I Dewa Gede Agung Diasana PUTRA ◽  

A cultural landscape, a configuration produced by human actions and cultural structures in a physical setting, has a significant role to play as a vital feature of cultural tourism in Bali. However, this configuration has become the most heavily commoditized elements of the development of tourism. Construction of tourist amenities has exploited the notion of a cultural landscape that has been integrated into cultural practices, the environment and agriculture. This development and planning are a paradoxical phenomenon and a challenge for people to retain the identity of their cultural landscape while also seeking economic benefits from tourism. The struggle between the protection of the identity of the cultural landscape translated and manifested in the context of agriculture and its transformation in the context of designing tourist facilities has shaped the fundamental argument for preservation. Since there are different cultural traditions and practices in many Balinese cultural landscapes, the relationship between tourism and the diversity of cultural areas has become a key objective in the development of tourism and planning tourist facilities. This paper explores the current struggles between the concepts of tourism development and planning, and the conservation of Bali's cultural landscape. The paper argues that the focus of Bali's tourism development is to maintain and reinvigorate the integration of natural landscapes and cultural practices that present a persistent link between the agricultural system and religious practices.

2020 ◽  
Vol 4 (1) ◽  
pp. 9
Author(s):  
Shaoyuan Wang

<p>General Secretary Jinping Xi pointed out that "In the process of promoting the reform of cultural system and the prosperity and development of cultural undertakings and industries, the relationship between ideological attributes and industrial attributes, social benefits and economic benefits should be grasped." The basic purpose of the establishment of the Ministry of Culture and Tourism in China is to promote the integration and development of cultural undertakings, cultural industries and tourism, to guide tourism with culture and to promote cultural development with tourism. Based on the current situation of the integration and development of cultural tourism in Chongqing, this paper analyzes its four major institutional obstacles and puts forward specific solutions.</p>


2018 ◽  
Vol 3 (1) ◽  
pp. 112-121
Author(s):  
Balaji Venkatachary ◽  
Vishakha Kawathekar

The widely recognized definition of ‘Cultural Landscape’ in current practice is borrowed from UNESCO as Combined works of Nature and of Man.1 They are complex entities consisting of multiple layering of built-unbuilt components including intangible cultural aspects. These components are interrelated and interdependent. The landscape evolves together through combined natural and cultural processes. In current discourse and practice of heritage management, value-based assessment is a widely accepted approach. Evaluation of cultural landscapes for its Significance and Value is a complex process that requires an understanding of interwoven layers of components and attributes.2 Systematic understanding of such relationships between components and attributes is still in its infancy. Amongst various such identified intangible agencies, this study chooses to explore music. A study of secondary sources was undertaken. Cultural landscapes nominated as World Heritage Sites and identified Indian sites were systematically examined to understand various components and attributes. Using the indicators from this study and the theoretical framework of sociomusicology, a research design was prepared. Recognizing the historical association of music with the sites on the Kaveri river basin in peninsular India, a reconnaissance study was undertaken for onsite validation. Musical associations were spatially mapped for analysis and the findings are presented. Systematic understanding of the relationships between components of a cultural landscape and intangible cultural traditions is still in its infancy. The undertaken study is an exploratory work that focuses on understanding the relationship between components of a cultural landscape and ‘intangible attributes’, especially music. A study of secondary sources was undertaken in two parts. In the first part, concept of cultural landscape has been explored. Cultural landscapes nominated as World Heritage Sites were systematically examined to understand various components and attributes. The knowledge helped in formation of indicators for evaluation of cultural landscapes. In the second part of the study, selected case studies of Indian cultural landscapes were studies with the developed indicators. Musical traditions existing in these sites were theoretically reduced to basic components and mapped for analysis.


1970 ◽  
Vol 16 (1) ◽  
Author(s):  
I Nyoman Wardi ◽  
I Wayan Srijaya

The research aims to uncover the potential and management Cultural Landscape PuraBatukaru (Batukaru Temple)  as the appeal of ecotourism in Tabanan and Bali in general.The study was conducted by the method of data collection and analysis. The data collectionis done by observation, interview (dept-interview), and literature study. The data wereanalyzed descriptively qualitative.The study showed that Pura Batukaru reserve that has been set by UNESCO as part ofthe World Cultural Landscape of Bali can be classified into Associative Cultural Landscape(Associative Cultural Landscapes). More details, namely the associative cultural landscapenuances of local culture (Bali). Cultural landscape nuances of local culture Bali includesthree main components of the environment (human-nature-god) in the relationship andinteraction interdependence known as Tri Hita Karana.Based on the names of palinggih (shrine), namely Pucak Kedaton / Sang HyangTumuwuh, and figures of other gods), stone shrines (natural stone) and communities tomanage these (community Bali Age / Bali Mula and Jero Kubayan), historically likelyHeritage Pura Batukaru already exist on prehistoric times (Neolithic-Megalithik). Then,when the kingdom’s political system (mornachi) introduced by Hindu culture, figures ofkings (royalty) was also honored at the site by building shrines as media for ancestralworship.Cultural Landscape of Pura Batukaru can be classified into Associative CulturalLandscape (Associative Cultural Landscapes), namely the associative cultural landscapenuances of local culture (Bali). Cultural landscape nuances of local culture Bali includesthree main components of the environment (human-nature-god) in the relationship andinteraction interdependence known as Tri Hita Karana.Heritage of Pura Batukaru with its jajar-kumiri network (pecan row) and relationswith Ulun Danu Tamblingan form a sacred area (sacred cultural landscape of Batukaru)and the rituals and myths that exist in it has important value in maintaining and preservingthe natural environment for a variety of purposes and interests of the community andgovernment in development, especially the development of ecotourism in a sustainablemanner in Tabanan and Bali in general.


2016 ◽  
Vol 24 (2) ◽  
pp. 108-118
Author(s):  
Odeta Žukauskienė

Drawing on French anthropologist Marc Augé and his seminal book Non-Places (1995) the author pays attention to the transformation of contemporary urban landscapes. In thinking trough the dialectic of place and non-place, this paper aims to account for the apparent sense of placelesness in our cultural landscapes and in increasingly globalised world. If we want to ask fundamental questions about what has happened to our urban landscape and to the spirit of cities during the last decades then the concepts of place and non-place help us to describe the actual changes. Besides, Augé’s work gives us the methodological tools to address philosophical questions about the nature of supermodernity and the relationship between modernity and postmodernity moving toward new conditions of globality. This article will attempt to apply anthropological and philosophical concepts of place and space to the context of Lithuania, comparing the ways of spreading of non-places (non-lieu) in the Soviet modernity and contemporary global, hyper-visual and liquid cultural landscape.


2018 ◽  
Vol 3 (10) ◽  
pp. 89-98
Author(s):  
Ahmad Zamil Zakaria ◽  
Ismail Hafiz Salleh ◽  
Mohd Sabrizaa Abd Rashid

This study introduces the concept of Malay garden design in the eyes of tourists, particularly from the inside and outside the country. The objectives are to explain the relationship between cultural tourism and cultural landscape and how to produce the concept of landscape design as a new tourism product to become tourist attractions in Malaysia by using the old Malay manuscripts and an observation to the old houses of the Malay community in Peninsular Malaysia. Finally, researchers are ready to offer ideas to the planning and development of new tourism products based on local culture especially the Malays culture. Keywords: Malay Gardens; Malay Landscape; Cultural Tourism; Tourism Products. eISSN 2514-751X © 2018. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open-access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/aje-bs.v3i10.316  


2017 ◽  
pp. 84-87
Author(s):  
O. D. Rykhlytska

The article represents the analysis of the philosophic-culturalaspects of establishment of the culture ecology in the context of various direction. The modern times actualize specific processes of cultural studies ecologization,which in its turn is stipulated first ofall the fact that the traditional sphere of the cultural studies was "human-society", but the inclusion of the nature into the spiritual life sphere envisages the change of the modern societyparadigm, certain correction of world-view values and human consciousness. The methodological basis of the study is the concept, offered by D.Likhachov, which in relation to nature and culture requires general rules of moral awareness of oneself as a part of the nature and as a part of the culture, as well as the analysis of the culture ecology in the context of landscape approach, offered by V. Kaganskyi. Studying the historical-cultural landscapes,a famous cultural specialist D.Likhachovseesthe biosphere as a specific envelope ofthe Earth. He thinks about the cultural sphere as a certain historical "noosphere" of the planet, which has been performing the changing effect on the biosphere, that naturally required specific cultural study instruments. That is why in a very short period the cultural ecology has become a key factor in many biological, philosophical and cultural papers, which is supported by a large number of national and foreign researchers, who offer their own understanding of the cultural ecology. In the context of cultural ecology the landscape exists and is understood by different cultural practices and is a type of an abstract model, which cannot be touched and seen, it needs to be lived and experienced as the unity of space, things and meanings. V.Kaganskyi states that modern popularization of the monuments and culture protection results in a peculiar discarding of landscape, instead of experiencing it. In his analysis of various directions, V. Kaganskyi determines a special approach - geomorphism, which supports the variety of the cultural landscape places, as cultural value (where three components - landscape space, knowledge about it and experiencing it - are united). The main value of which is the value of inter-personal communication. This can be regarded as the creation of a new cultural reality, in which a person is immersed, and the cultural space becomes the landscapespace (this is the unity of natural and cultural components, spatial forms and cultural meanings). Thus, the cultural landscape is seen as a phenomenon, which identifies itself, exists and is understood in different ways - in cultural practices, establishment of landmarks, which in general attracts the attention to the cultural knowledge, cultural ecology in particular, and stresses its importance in the modern culture.


Author(s):  
Angela Ya-Ping Chang ◽  
Cheng-Yi Kuo

Objective – The increasing growth of the Thai tourism market has resulted in international tourists flooding into Thailand and providing significant economic benefits for the country’s tourism development. The purpose of this research is to examine a comprehensive model for Thai tourism. This study aims to investigate how tourists’ trust can enhance their behaviour intentions in travelling to Thailand through perceived authenticity. Methodology/Technique – The research tests a model linking trust to authenticity, and behaviour intention to current Thai tourism. Using a convenience sampling method, a sample of 453 international Asian tourists who travelled to Thailand were surveyed. Findings – The findings show that different levels of trust directly influence tourists’ behavioural intentions, trust influences perceived authenticity, perceived authenticity further affects behaviour intention, and perceived authenticity mediates the relationship between tourists’ trust and their behavioural intention. Moreover, demographic factors moderate the effects of trust on tourists’ perceived authenticity. Novelty – The present research is expected to clarify the potential research topics in the field of Thai tourism development. Type of Paper: Empirical Keywords: Tourists’ Trust; Behaviour Intention; Perceived Authenticity; Thailand. Reference to this paper should be made as follows: Ya-Ping, A; Chang; Cheng-Y; Kuo. 2019. Effects of Tourists’ Trust on Behaviour Intention in the Thai Tourism Market: Mediating Effects of Perceived Authenticity, J. Mgt. Mkt. Review 4(3) 202 – 208 https://doi.org/10.35609/jmmr.2019.4.3(5) JEL Classification: M16, M30, M39.


TEM Journal ◽  
2020 ◽  
pp. 740-749
Author(s):  
Lana Kudumovic

This paper focuses on the linking of heritage preservation policies and tourism development, specifically in relation to the cultural landscapes. For this purpose, historic ensembles Blagaj, Jajce and Travnik, that have emerged from the integration of cultural and natural elements are discussed, in particular, the existing plans and legislation related to heritage preservation and tourism strategies. Also, the extent to which tourism strategies are oriented toward heritage is measured through analyzed promotional materials and touristic offers. In the conclusion, the potential for tourism development ensuring the sustainability of these historic sites is given in a closing suggestions and remarks.


2020 ◽  
Vol 15 (5) ◽  
pp. 621-630
Author(s):  
Esther San Sebastián Poch ◽  
Urtzi Llano Castresana ◽  
Ander de la Fuente Arana

Cultural tourism is a good way to promote and, consequently, safeguard the cultural heritage of sites. Film tourism is an increasingly demanded form of cultural tourism more focused on the fictional rather than on the authenticity of sites, depriving them from their true identity. This article is proposing a system of indicators of sustainable development in order to evaluate and guarantee long-term sustainability in those sites identified with traditional cultural heritage and where films have been shot. The Historic Centre of Peñíscola, which was declared a Historic-Artistic Site in 1972 and has become film scenery in numerous occasions, has been chosen to be evaluated. The union of a series of film sceneries obtained from the cinema productions that best match the local heritage, through the latter has resulted in a final cultural landscape where the degree of conciliation between them is high. Therefore, the welfare of the host society is in balance with the tourist demands, which makes the Historic Centre of Peñíscola an accurate study case that can contribute to improve a methodology we aim to extrapolate to other tourist destinations threatened by a new uncontrolled mass of tourist.


2021 ◽  
Vol 13 (1) ◽  
pp. 1303-1317
Author(s):  
Ying Sun ◽  
Quanfeng Ou

Abstract Using traditional remains and the evolution of cultural landscapes as bases for overall protection and “production-living-ecology spaces” (PLE spaces) as carriers, we have established a regional and holistic research path, “evaluation – zoning – zone evolution – integrated conservation,” to cultural landscape protection. The traditional cultural landscape of more than 97% of all administrative villages in Meicheng was evaluated, and the overall Hakka cultural landscape was divided into three zones of low, medium, and high traditional values. The study found that the different impacts of urbanization on geographical space were leading contributors to the generation of different spatial zones. To accommodate the evolving trends of the zones, three conservation modes and their corresponding protection strategies have been proposed: construction with traditional elements; parallel conservation and development; and authenticity preservation. Meanwhile, the regional artery-tributary pattern has been constructed to foster interconnection across hubs, artery-tributary systems, and different zones. Cultural tourism routes should be established, and regional courier roads and greenways should be linked, to ensure the alignment of traditional landscape networks with modern Hakka cultural landscape networks, featuring traditional elements to facilitate integrated regional conservation of the Hakka cultural landscape.


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