scholarly journals IMAGERY IN SONG LYRICS OF ALICIA KEYS

Author(s):  
Unpris Yastanti ◽  
Dewi Safitri

 The objective of this study is to identify kinds of imagery on songs lyric of Alicia Keys. This study used descriptive method to analyze data.  Recorder songs lyrics of Alicia Keys were served as resources of data and imagery reflected in the lyrics was promoted as data of this study.  The study revealed the following findings: (1) imagery was deserved in three lyrics of Alicia Keys: Girl on Fire, Superwoman, and A Woman’s Worth, (2) Kinds of imagery in the three lyrics songs included: auditory imagery, kinesthetic imagery, visual imagery and organic imagery and the forming is about a woman life, (3)  Message of  songs figured out upon a woman’s life, suggesting a  woman should undertake real struggle and never gave up at whatever occurred in life.  

Author(s):  
Sari Rishita Siallagan ◽  
Sulastri Manurung ◽  
Juwita Boneka Sinaga

The aim of this research is to find out the kinds of figurative language and imagery in the song lyrics of Taylor Swift’s “1989” Album. Furthermore, in this research the researcher used qualitative descriptive method. The result of the study is presented in the form of paragraphs. The researcher analyzed the songs by reading them intensively and giving attention for each line. After that, the researcher examined the figurative language and imagery of the songs lyrics. After investigating the sentence in the songs lyrics, the researcher found eight kinds of figurative languages that are used in the songs lyrics, they are personification, metaphor, hyperbole, simile, oxymoron, allusion, litotes and metonymy. Six kinds of imagery also used in the songs lyrics, they are visual imagery, auditory imagery, organic imagery, kinesthetic imagery, tactile imagery and olfactory imagery. The most dominant of figurative language used is personification and the dominant imagery used is visual imagery. Keywords: figurative language, imagery, lyrics


2020 ◽  
Vol 17 (2) ◽  
pp. 135-156
Author(s):  
Unpris Yastanti ◽  
Susilawati Susilawati

The purposes of this research are to identify the kind of imagery in Taylor Swift song lyrics, how Taylor Swift describes imagery in her song lyrics, and dominant imagery in Taylor Swift song lyrics. This research limited to three songs in the “Reputation” album, those songs are Look What You Made Me Do, Delicate, Gorgeous. This research used a descriptive qualitative method to analyze the data. The results of this research indicate that (1) There are five kinds of imagery, they are visual imagery, auditory imagery, kinesthetic imagery, tactile imagery, and organic imagery in Taylor Swift song lyrics. There are nine visual imagery, one auditory imagery, three kinesthetic imagery, two tactile imagery, 19 organic imagery, and thus the writers found 34 imagery in three song lyrics of Taylor Swift. (2) Taylor Swift prefers to describe feelings, thought, and opinions into song lyrics, therefore the writers found a lot of organic imagery in the song lyrics. (3) There is 19 organic imagery in song lyrics, which is the dominant imagery in the song lyrics of Taylor Swift.      


2021 ◽  
Vol 26 (1) ◽  
Author(s):  
Heni Alghaniy Maulidina

Poetry is one type of literary work that has characteristics and characteristics makes it different from other literary works. Currently there are many poems written using the experience of discrimination as an object due to various conditions appearing in society. Besides that, there are also many female poets who writing poetry using a feminist approach. The purpose of this study is to identify the types of figurative language and images related to Maya Angelou in black feminism in her poetry. It also analyzes the influence of Maya Angelou's black feminist thought reflected in her poetry through figurative words and images. In this qualitative study, the authors use a descriptive method through several steps, preparation, data collection, and data analysis. The focus of this research is the analysis of figurative language, types of images, and black feminism in Maya Angelo's poems. The figurative language and imagination used in the poems are diverse, such as metaphor, personification, paradox, symbol, irony, irony, visual imagery, and auditory imagery.  In this analysis it can be concluded that black feminism movement are courageous, brave and outspoken.


2019 ◽  
Vol 7 (1) ◽  
pp. 43
Author(s):  
Siti Angreini Arbi

This research is qualitative descriptive research that analyzes five selected poems of Maya Angelou “I Know Why the Caged Bird Sing, Still I Rise, Phenomenal Woman, When I Think about My Self and the last is Alone”. The researcher used qualitative method and structural approach to know what kinds of imagery that used in five selected poems by Maya Angelou “I Know Why the Caged Bird Sing, Still I Rise, Phenomenal Woman, When I Think about My Self and the last is Alone”. Then, the data were collected from five poems selected by Maya Angelou. In the process analyzed, the researcher read the poem “I Know Why The Caged Bird Sing, Still I Rise, Phenomenal Woman, When I Think About My Self and the last is Alone” and using five steps based on the technique of analyzing the data by using structural approach to find what kinds of imagery that used in poem “I Know Why the Caged Bird Sing, Still I Rise, Phenomenal Woman, When I Think About My Self and the last is Alone” by Maya Angelou. Then based on the result of this analyzed, the researcher found there are four types of imagery that Maya Angelou used in his poem “I Know Why the Caged Bird Sing, Still I Rise, Phenomenal Woman, When I Think About My Self and the last is Alone” Those are visual imagery, auditory imagery, tactile imagery, gustatory imagery and last is kinesthetic imagery, but the kinds of imagery that very dominant used is auditory imagery. Keywords: Poetry, Imagery, Method and Approach


2018 ◽  
Vol 8 (1) ◽  
pp. 92
Author(s):  
Susiana Herliati

AbstractThe Study of Stylistics in Sang Pemimpi Novel Written by Andrea Hirata. The study of stylists in thenovel of Sang Pemimpi of Andrea Hirata presents an excellent story about young business to achievedreams but still adheres to traditions and religions with all the “juvenile delinquency of the world”, aswell as the hard work of achieving dreams that have been declared. How is the use of figurative languagein the novel Sang Pemimpi by Andrea Hirata which includes: (1) figurative speeches for comparison,(2) figurative speeches for conflicts, (3) figurative speeches for relationships, (4) figurative speeches forrepetition and how the imagery contained in the novel Sang Pemimpi Andrea Hirata which includes: (1)visual imagery, (2) auditory imagery, (3) kinesthetic imagery, (4) motion imagery, (5) olfactory imagery,(6) gustatory imagery, (7) experiences related to nature 8) the souls related to the senses. This research usesdescriptive method. The reason for using this method because based on its characteristics, this methodis oriented to the effort of obtaining information about certain phenomena systematically, factually andaccurately based on the facts obtained from the object of study. Descriptive method is a problem-solvingprocedure that is done by describing or describing the state of the object of research based on existingfacts. Thus, the results of the above research have two topics that have not been achieved because theresults are not there as in figurative language or style of language as in the case of contradictions that iseksimoron or style of language that use the word opposite the word is not found, as well as on the imageryof the novel The Dreamer also did not find the results of the data, while the other data has a number ofdifferent according to the results found in the novel text of the leader of Andrea Hirata’s work.Key words: stylistics, figure of speech, imageryAbstrakKajian Stilistika dalam Novel Sang Pemimpi Karya Andrea Hirata. Kajian stilistika dalam novel SangPemimpi Karya Andrea Hirata memaparkan cerita yang sangat baik tentang usaha muda untuk meraihmimpi tetapi tetap menaati tradisi dan agama dengan segala “kenakalan dunia remaja”, sekaligus kerjakeras meraih mimpi yang telah dicanangkan. Bagaimanakah penggunaan bahasa figuratif dalam novelSang Pemimpi karya Andrea Hirata yang meliputi: (1) majas perbandingan, (2) majas pertentangan, (3)majas pertautan, (4) majas perulangan dan Bagaimanakah citraan (imagery) yang terdapat dalam novelSang Pemimpi karya Andrea Hirata yang meliputi: (1) citraan penglihatan, (2) citraan pendengaran,(3) citraan rabaan, (4) citraan gerak, (5) citraan penciuman, (6) Pencecapan, (7) Pengalaman berkaitandengan alam, dan (8) jiwa berkaitan dengan indera. Penelitian ini menggunakan metode deskriptif.Adapun alasan menggunakan metode ini karena berdasarkan karakteristiknya, metode ini berorientasi93pada upaya pemerolehan informasi tentang fenomena-fenomena tertentu secara sistematis, faktual,dan akurat berdasarkan fakta yang didapat dari objek kajian. Metode deskriptif merupakan prosedurpemecahan masalah yang dilakukan dengan menggambarkan atau mendeskripsikan keadaan objekpenelitian berdasarkan fakta-fakta yang ada. Dengan demikian, hasil penelitian di atas tersebut adadua topik yang belum dicapai karena hasilnya tidak ada seperti pada bahasa figuratif atau gaya bahasaseperti pada majas pertentangan yaitu aksimoron atau gaya bahasa yang mempergunakan kata yangberlawanan kata tidak ditemukan, begitu pula pada pencitraan pencecapan pada novel Sang Pemimpijuga tidak ditemukan hasil data tersebut, sedangkan data yang lainnya memiliki jumlah yang berbedabedasesuai dengan hasil yang ditemukan pada teks novel Sang Pemimpin karya Andrea Hirata tersebut.Kata-kata kunci: stilistika, majas, citraan


2008 ◽  
Vol 29 (4) ◽  
pp. 181-188 ◽  
Author(s):  
John Allbutt ◽  
Jonathan Ling ◽  
Thomas M. Heffernan ◽  
Mohammed Shafiullah

Allbutt, Ling, and Shafiullah (2006) and Allbutt, Shafiullah, and Ling (2006) found that scores on self-report measures of visual imagery experience correlate primarily with the egoistic form of social-desirable responding. Here, three studies are reported which investigated whether this pattern of findings generalized to the ratings of imagery vividness in the auditory modality, a new version of the Vividness of Visual Imagery Questionnaire ( Marks, 1995 ), and reports of visual thinking style. The measure of social-desirable responding used was the Balanced Inventory of Desirable Responding (BIDR; Paulhus, 2002 ). Correlational analysis replicated the pattern seen in our earlier work and of the correlations with the egoistic bias, the correlation with vividness of visual imagery was largest and significant, the correlation with visual thinking style next largest and approached significance, and the correlation with vividness of auditory imagery was the smallest and not significant. The size of these correlations mirrored the extent to which the three aspects of imagery were valued by participants.


Author(s):  
Freya Bailes

Freya Bailes deals with the topic of musical imagery, and she uses embodied cognition as a framework to argue that musical imagery is a multimodal experience. Existing empirical studies of musical imagery are reviewed and Bailes points to future directions for the study of musical imagery as an embodied-cognition phenomenon. Arguing that musical imagery can never be fully disembodied, Bailes moves beyond the idea of auditory imagery as merely a simulation of auditory experience by “the mind’s ear.” Instead, she outlines how imagining sounds involves kinesthetic imagery and she concludes that sound and music are always connected to sensory motor processing.


2020 ◽  
Vol 4 (1) ◽  
pp. 1-12
Author(s):  
Esra Juniati Op.Sunggu ◽  
Afriana Afriana

This research was made based on the number of people making mistakes in communicating in the social environment. Some errors in communication often result in ambiguity, due to the delivery of unclear information. Related to the topic the researcher made the research that analyze the flouting maxims in Wonder Woman movie and find the reason why the characters flouted the maxims by using the theory of Grice (1975).  This research used qualitative descriptive method by Sudaryanto (2015) to analyze data. The results of the research showed that there were 12 data which were flouting maxims namely 1 data flouting maxim of quality, 2 data flouting maxim quantity, 2 data flouting maxim manner and 7 data were flouting maxim relations. The conclusion based on the results of this research is that all the characters in Wonder Woman movie was flouted all of the maxims, it can be seen from the result of analyzed the data, especially in the main character. The most frequently flouting maxim is maxim relation. Keywords: Communication, Cooperative Principle, Flouting Maxim.


1986 ◽  
Vol 3 (4) ◽  
pp. 411-426 ◽  
Author(s):  
Robert J. Weber ◽  
Suellen Brown

An objective indicator of musical imagery is developed that involves tracking the up and down movements of the tonal contour of an imagined musical phrase or tune. In two experiments, college students' imagery of music was examined. In both experiments, subjects learned musical phrases with words (songs) and without words (melodies). They then indicated as rapidly as possibly the tonal contour. In Experiment 1, the primary issue was whether musical imagery (as distinct from kinesthetic or visual imagery) drew on the same representation as overt song. Subjects processed the phrases by using either an imaginal or overtly sung representation. No difference in processing time was found between the imaginal and overt modes of representation, consistent with a common representation. A second issue was "tonal primacy," the priority of tonal coding over verbal or word coding in musical phrases; in fact, songs (with words) were processed as well or better than melodies (without words). No evidence favoring tonal primacy was found. In Experiment 2, the issues examined were possible kinesthetic or visual image coding of pitch representation and possible sharing of tonal and verbal generation processes for musical imagery and auditory imagery. Spoken responses for classifying tonal relations took longer than written responses, indicating that kinesthetic and visual image coding was unlikely and that the pitch generation of musical imagery shared resources with a more general auditory imagery.


HUMANIS ◽  
2018 ◽  
pp. 125
Author(s):  
I Gede Agus Krisna Permana ◽  
I Ketut Wandia ◽  
I Made Rajeg

Figurative language can appear in various types and the meaning may not be determined by its components. This study aims to identify and analyze the meaning of figurative language found in the song lyrics “Passenger's album all the little lights”. There are two theories used in this study. The first is the theory of figurative language proposed by Knickerbocker and Reninger, and the second is the theory of meaning by Leech as the supporting theory. The data in this study were directly taken from Passenger’s fourth album. The album consists of twelve songs. They were collected by documentation method and note taking technique. The collected data were analyzed  using qualitative and descriptive method. This study applied informal method to present the analysis. The result of this study shows that there are nine types of figurative language found in song lyrics. They were allusion, simile, metaphor, irony, personification, hyperbole, dead metaphor, metonymy, and paradox. Most of the figurative expressions found in those songs were similes. Four out of seven types of meaning used in those lyrics in order to understand the figurative meaning in the song lyrics; they were connotative meaning, conceptual meaning, affective meaning, and collocative meaning. All the songs which are analyzed have the main theme about life and love.


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