Resilienz durch Muße? Ethnografische Befunde zu einer ambivalenten Relation

2021 ◽  
Vol 2021 (2) ◽  
pp. 192-213
Author(s):  
Markus Tauschek

Resilience has recently become an expansive concept in political, economic and scientific fields. The normative and ideological dimensions underlying this concept and the resulting cultural effects have hardly been the subject of empirically grounded research in cultural studies so far, although resilience discourses have long been materialising in everyday and living environments. Using the example of courses that promise actors a life with more leisure, this article asks how ideas of resilience are communicated, made plausible and also critically negotiated in this specific field. To what extent is the increased attractiveness of the concept of leisure as a specific form of the qualification of temporal experience related to ideas of a resilient self? How are ideas of a fundamentally deficient self in need of optimisation expressed here and for which social problems are what kind of solutions being sought? The article assumes that both the concept of leisure and the concept of resilience co-create, on a discursive level, the problems, challenges and crises to which they respond.

2020 ◽  
Vol 59 (1) ◽  
pp. 51-66
Author(s):  
Gabriel Proulx

Valérie par Valérie opens new critical paths which are fertile, though difficult to unpack. Published under the enigmatic and collective name La Rédaction, this book – whose main (or only) author seems to be Christophe Hanna – develops what we could call a viral critique, which seeks to occupy dominant ideologies to undermine them from within rather than oppose them with a new ideology. This article aims firstly to define Hanna's viral critique, based on his own theoretical works and Guy Debord's notion of spectacle as a social and economic mechanism. It then analyzes the specific form taken by that critique in Valérie par Valérie, where the author opposes the separation of literary and non-literary forms, as well as contemporary ultracapitalism and its political-economic ramifications. Finally, the ethical implications of this type of implicit critical exercise are explored through semioethics, in order to determine the efficiency of Hanna's project.


2019 ◽  
pp. 74-98
Author(s):  
A.B. Lyubinin

Review of the monograph indicated in the subtitle V.T. Ryazanov. The reviewer is critical of the position of the author of the book, believing that it is possible and even necessary (to increase the effectiveness of General economic theory and bring it closer to practice) substantial (and not just formal-conventional) synthesis of the Marxist system of political economy with its non-Marxist systems. The article emphasizes the difference between the subject and the method of the classical, including Marxist, school of political economy with its characteristic objective perception of the subject from the neoclassical school with its reduction of objective reality to subjective assessments; this excludes their meaningful synthesis as part of a single «modern political economy». V.T. Ryazanov’s interpretation of commodity production in the economic system of «Capital» of K. Marx as a purely mental abstraction, in fact — a fiction, myth is also counter-argued. On the issue of identification of the discipline «national economy», the reviewer, unlike the author of the book, takes the position that it is a concrete economic science that does not have a political economic status.


Author(s):  
Admink Admink ◽  
Тетяна Уварова

Дослідження присвячено розкриттю сутності інтервального методу та введенню його як дослідницького інструменту культурології. Об’єктом дослідження постає методологія культурології, предметом – інтервальний метод, що сформувався у постмодерністській методології. Здійснено спробу експлікації ключових принципів інтервального методу та обґрунтовування необхідності його використання для дослідження культури. Наукова новизна полягає у введенні інтервального методу у методологічний інструментарій культурології. Зроблено висновок щодо можливості введення інтервального методу у методологію культурології як інструменту багатовимірного аналізу культури. The research aims to disclose the essence of an interval method and its introduction as a research tool for the methodology of cultural studies. The object of research is the methodology of culture, the subject of research is the interval method formed in the methodology of post-modernism. In the article, the author attempts to explicate key concepts of the interval method and justifies the necessity of its use in cultural research. Scientific novelty consists in introduction of the interval method into the methodology of cultural studies. The conclusion is made considering the possibility of introduction of the interval method in the methodology of cultural studies as a tool for multidimensional analysis of culture.


2020 ◽  
Vol 72 (2) ◽  
pp. 236-242
Author(s):  
K. Galiyeva ◽  
◽  
S. Isakova ◽  

The article is devoted to the definition of concept in modern linguistics. Various points of view and definitions of the basic concepts are considered: "concept", "conceptual sphere", "content". The aim of the article is to describe and explain such a complex unit as a concept from the point of view of linguistics. The object of research is studied in its various manifestations, the combination of verbal and nonverbal means of information expression in the conceptual sphere is revealed. the relevance of this topic is due to the need for a detailed consideration of the concept of concept based on the works of prominent scientists and linguists. Researchers treat the concept as a cognitive, psycholinguistic, linguocultural, cultural and linguistic phenomenon. The concept is an umbrella term because it "covers" the subject areas of several scientific fields: primarily cognitive psychology and cognitive linguistics.


2021 ◽  
Vol 8 (2) ◽  
pp. 87-94
Author(s):  
Sergey N. Bokov ◽  
Maxim I. Zhdanov

In the article, in connection with the introduction of amendments to the federal legislation, specific issues regarding the conducting of a psychological survey of citizens gun owners and candidates for gun ownership are considered. A battery of psychodiagnostic techniques that can be used in the course of a psychological examination (progressive matrices of J. Raven, a questionnaire of the Level of subjective control, and a method for diagnosing frustration tolerance from Rosenzweig, Minnesota Multidisciplinary Personality Questionnaire) is proposed and justified, as is an algorithm for conducting psychodiagnostic research. Furthermore, a proposal to include in the psychological examination, a psychological analysis of social networks (provided that the subject is a member of their group) has been made. The possible participation in the psychological survey gun owners and candidates for gun ownership psychologists of Rosgvardiya are justified and the specific form of their participation in the survey is indicated.


2021 ◽  
Vol 8 (1) ◽  
pp. 48-67
Author(s):  
Sherwan Hussein Hamad ◽  
Talar Sabah Omer

           Every Friday, articles were presented at mosques, and the subject of  the articles involved all aspects of human life, political, economic, social,…Any phenomenon in the society is mentioned in religious speeches. These articles will be part of religious discourse in Kurdistan, one of the subjects we have chosen for this investigation and we will study it from the perspective of a speech by Mala Araz about condemning the Turkish attack on the kurds. The aim of our study is to analyze religious discourse from a pragmatic perspective to achieve the goal that we have analyzed in the methodology, and we have received an example from the book" Mala Araz", which is in the context of the central Kurdish language kurmanji dialect.


Author(s):  
Mateusz Grabarczyk

Pigs, a 1992 movie directed by Władysław Pasikowski, has become an iconic picture over the years, growing into a source of quotes and becoming a cult classic. The film, while remaining commercially attractive, outlines many problems within transitional justice and opens a discussion regarding the vetting of the SB officers carried out at that time, including the selected model. The plot of the film takes place in 1990, the period of political transformation in Poland after the fall of communism. Before the purely sensational action comes to the fore, the movie is largely about a reform of the MSW and the SB, about vetting of its officers and their fate while trying to find themselves in the new reality. It also shows that it is remarkably difficult to carry out reforms simultaneously in many fields: political, economic and social, and that it may be the source of a crisis. The aim of this article is to present Pasikowski’s Pigs as a film that demonstrates the practical issues related to one of the mechanisms used in the framework of transitional justice, namely the vetting process. The movie as an artistic representation of individuals subjected to vetting opens discourse on transitional justice and the problem of dealing with undemocratic system. The paper concentrates on a general outline of the movie, paying attention to the vetting committees and their function within the framework of transitional justice. While presenting the normative model of officers’ vetting and juxtaposing it with the image shown in the film, the author displays basic moral and social problems related to the vetting.


Author(s):  
Amina Lasfar ◽  
Pierre Leroux

La revendication d’un domaine de la « communication publique » constitue une forme d’aboutissement d’un long processus de valorisation d’un domaine de compétence et d’exercice distinct d’autres professions proches et de reconnaissance d’une spécificité et d’un savoir-faire qui justifierait la revendication d’une labellisation en tant que profession. C’est en effet sous les termes de « communication publique » et de « communicants publics » que l’on désigne aujourd’hui en France un secteur d’activités pour l’essentiel constitué de professionnels rattachés aux institutions politiques et administratives. En combinant démarche compréhensive et objectivation, nous reviendrons, dans ce travail, sur les conditions sociopolitiques qui ont permis de poser progressivement, en France, les bases de reconnaissance de l’existence d’une « nouvelle » profession, pour nous intéresser ensuite aux enjeux de l’institutionnalisation des métiers de la communication publique à travers la contribution de la principale association de « professionnels de la communication publique » (Cap’Com), en mettant l’accent sur la portée et les limites de cette action ainsi que les modèles dont elle s’est inspirée pour son travail de légitimation professionnelle. The identification of a specific field of “Public Communication” marks the end of a long process in which the existence of a set of skills quite distinct from those of other related and/or competing professions has finally been recognised. It also acknowledges the specific area of expertise that justifies its claim to be classed as a “profession”. Indeed, in France today the terms “public communication” and “public communicator” are used to denote a sector of the economy that is composed mainly of professional people working for political and administrative institutions. Approaching the subject comprehensively and objectively, this study examines the socio-political conditions that laid the foundations in France for the gradual recognition of a “new” profession. We then consider the issues surrounding the institutionalisation of public communication professions by looking at the contribution made by the principal association of “public communications professionals” (Cap’Com), while emphasising the extent and limits of its activities and the models that provided the inspiration for its work in placing the profession on a legitimate footing.  


Jurnal Signal ◽  
2020 ◽  
Vol 8 (1) ◽  
pp. 49
Author(s):  
Santi Susanti ◽  
Kokom Komariah

Penelitian ini bertujuan untuk menggambarkan pengalaman berliterasi penulis di Kota Bandung dalam menjalani perannya sebagai penulis Sunda.Pokok bahasan yang digali meliputi aspek pendorong menjadi penulis Sunda, pilihan jenis dan tema tulisan untuk menyampaikan perasaan dan pikiran penulis, serta aspek harapan dalam menjalani peran sebagai penulis Sunda.Metode kualitatif dengan pendekatan fenomenologi digunakan untuk menguraikan pengalaman pada penulis Sunda dalam berliterasi. Wawancara mendalam dan penelusuran literatur digunakan untuk memperoleh data dari 8 penulis yang menjadi informan penelitian ini. Hasil studi menunjukkan, lingkungan dan kebiasaan membaca menjadi faktor utama yang mendorong penulis untuk menulis dalam bahasa Sunda. Tulisan fiksi dan nonfiksi menjadi pilihan penulis untuk menyampaikan pikiran dan perasannya melalui tulisan. Masalah sosial, sejarah klasik Sunda, kearifan lokal, humor, dan peristiwa aktual menjadi pilihan tema dalam tulisan para informan. Adapun yang menjadi aspek harapan sebagai penulis Sunda adalah memelihara keberlangsungan bahasa Sunda, serta berharap dapat membawa budaya Sunda ke peradaban global. Kata kunci: Literasi, Budaya Sunda, Penulis Sunda, Pelestarian Budaya ABSTRACTThis research aims to describe the author's experience in doing literacy as a Sundanese writer in Bandung City. The subject explored includes the driving aspects of being a Sundanese writer, choice of types and themes of writing, as well as aspects of hope in carrying out the role as a Sundanese writer. The qualitative method with a phenomenological approach is used to describe the experience of Sundanese writers in literacy. In-depth interviews and literature were used to obtain data from 8 writers who became informants of this study. The result shows that environment and reading habits are the main factors that encourage writers to write in the Sundanese language. Fiction and nonfiction literature contents are used to convey a writer’s thoughts and feelings through writing. Social problems, Sundanese classical history, local wisdom, humor, and actual events are the themes in the informants' writings. The aspect of hope as a Sundanese writer is to maintain the continuity of Sundanese language, and hope to bring Sundanese culture to global civilization.Keywords: Literacy, Sundanese Culture, Sundanese Writers, Cultural Preservation


Sign in / Sign up

Export Citation Format

Share Document