Tourism Attraction, Facilities, Flow and Assessment of Tourism Product of Manaslu Conservation Area

2020 ◽  
Vol 7 ◽  
pp. 103-112
Author(s):  
Chandra Kanta Baral ◽  
Basanta Kumar Neupane
Keyword(s):  
Cultural Heritage ◽  
Cultural Dimension ◽  
Conservation Area ◽  
Tourist Attractions ◽  
Scenic Beauty ◽  
Tourism Product ◽  
The Social ◽  
Tourism Activity ◽  
Landscape Biodiversity ◽  
Tourist Flow

This study aimed to understand the tourist attractions, major tourism products and their assessment in Manaslu Conservation Area of Nepal MCA). MCA is a place well known both, nationally and internationally, for its scenic beauty, unique ecology, and rich cultural heritage, given by its geographic position and unique topography. The number of tourists visiting this area has been increasing every year. In 2001 the tourist flow was only 798 whereas in 2019 it was 7655. Such tourism growth has several socio-economic and cultural consequences. Along with the increased number of tourists, tourism focused facilities and infrastructures like hotels and tea shops are also increasing in the area. There are 127 hotels with 1328 rooms and 2827 beds (as of 2019) providing food and accommodation services for the visitors. However, even though there are many potential areas for tourism development in the Manaslu Conservation Area, because of less promotional practices, there is very little tourism activity in the region. With the area's diverse physiography, unique landscape, biodiversity and the social-cultural dimension of the villages, the area could provide plenty of attractions for tourism.

THE ROLE OF LOCAL COMMUNITIES IN THE PROCESSES INVOLVING THE INTANGIBLE CULTURAL HERITAGE IN TOURISM (BASED ON THE BOLGAR HISTORICAL AND ARCHAEOLOGICAL COMPLEX, TATARSTAN)

2016 ◽  
Vol 10 (3) ◽  
pp. 131-139
Author(s):  
Наталья Кулягина ◽  
Natalya Kulyagina ◽  
Алсу Матасова ◽  
Alsu Matasova
Keyword(s):  
Cultural Heritage ◽  
Local Population ◽  
Tourism Development ◽  
Intangible Cultural Heritage ◽  
Conservation Areas ◽  
Tourist Attractions ◽  
Market Participants ◽  
Intangible Heritage ◽  
Tourism Product ◽  
Historic Areas

Mobilising the economic potential of the intangible cultural heritage, using it as the tourist attractions is in modern conditions the basis for sustainable development of historical settlements and historic areas. Bolgar Historical and Archaeological complex has passed a period of its formation and now is one of the largest and interesting conservation areas in the Russian Federation. Every year the tourist flow here is growing. Theatrical meeting in national traditions give a unique local flavor and are very popular among tourists. However, museum tourism product experiences a lack of ethnic component; and local population, irritated by mass tourist arrivals, is isolated from its formation. The difficulties, appearing as the result of searching the balance of market participants’ interests, are specific for the culture and tourism development in the whole world. Although the involvement of residents in local cultural projects is less expensive and more sustainable in the long term The problem of introduction of local population to the tourism development and the involvement of the intangible cultural heritage can be solved by the implementation of measures aimed at getting by the local population economic, social, cultural and other benefits. The article deals with the problem of introduction of local population in the processes of tourism development and the involvement of ethnic and cultural intangible heritage in tourist complex. The authors make conclusion about the possibilities of the combination of tangible and intangible components of heritage in Bolgar Historical and Archaeological complex as the prospects of its further development.

THE ROLE OF LOCAL COMMUNITIES IN THE PROCESSES INVOLVING THE INTANGIBLE CULTURAL HERITAGE IN TOURISM (BASED ON THE BOLGAR HISTORICAL AND ARCHAEOLOGICAL COMPLEX, TATARSTAN)

2016 ◽  
Vol 10 (3) ◽  
pp. 124-130
Author(s):  
Татьяна Никонова ◽  
Tatyana Nikonova ◽  
Мария Веслогузова ◽  
Mariya Vesloguzova ◽  
Гульнара Муртазина ◽  
...  
Keyword(s):  
Cultural Heritage ◽  
Local Population ◽  
Tourism Development ◽  
Intangible Cultural Heritage ◽  
Conservation Areas ◽  
Tourist Attractions ◽  
Market Participants ◽  
Intangible Heritage ◽  
Tourism Product ◽  
Historic Areas

Mobilising the economic potential of the intangible cultural heritage, using it as the tourist attractions is in modern con- ditions the basis for sustainable development of historical settlements and historic areas. Bolgar Historical and Archaeo- logical complex has passed a period of its formation and now is one of the largest and interesting conservation areas in the Russian Federation. Every year the tourist flow here is growing. Theatrical meeting in national traditions give a unique local flavor and are very popular among tourists. However, museum tourism product experiences a lack of ethnic component; and local population, irritated by mass tourist arrivals, is isolated from its formation. The difficulties, appearing as the result of searching the balance of market participants’ interests, are specific for the culture and tourism development in the whole world. Although the involvement of residents in local cultural projects is less expensive and more sustainable in the long term The problem of introduction of local population to the tourism development and the involvement of the intangible cultural heritage can be solved by the implementation of measures aimed at getting by the local population economic, social, cultural and other benefits. The article deals with the problem of introduction of local population in the processes of tourism development and the involvement of ethnic and cultural intangible heritage in tourist complex. The authors make conclusion about the possibilities of the combination of tangible and intangible components of heritage in Bolgar Historical and Archaeological complex as the prospects of its further development.

scholarly journals O LABIRINTO SAGRADO DE MÃE ROMANA: TURISMO E LEGADO CULTURAL NO CENTRO BOM JESUS DE NAZARÉ EM NATIVIDADE (TO)

GEOgraphia ◽  
2021 ◽  
Vol 23 (50) ◽  
Author(s):  
Eliseu Pereira de Brito ◽  
Rerbberson Andrade Duarte ◽  
Robbergson Andrade Duarte
Keyword(s):  
Cultural Heritage ◽  
Critical Analysis ◽  
Historical Review ◽  
Initial Step ◽  
Structured Interview ◽  
Sacred Places ◽  
Tourist Attractions ◽  
Cultural Legacy ◽  
Tourism Activity

Os lugares sagrados são espaços delimitados por indivíduos que lhe conferem significado diferenciado. Mesmo assim, esta característica não impede que tais espaços sejam apropriados como atrativos turísticos. O Centro Bom Jesus de Nazaré é um exemplo de como esses dois fenômenos estão relacionados. Localizado no Sítio da Jacuba, em Natividade (TO), o espaço é composto por monumentos escultóricos a céu aberto construídos por Mãe Romana a partir de suas visões místicas. Pela singularidade do seu trabalho, o sítio atrai visitantes ao longo do ano. Este artigo analisou a dinâmica neste lugar que é sagrado e turístico ao mesmo tempo, por meio de uma revisão histórica sobre os seguintes conceitos: sagrado, turismo e legado cultural; partindo também da percepção dos sujeitos que nele habitam. A pesquisa, de caráter qualitativo, foi construída a partir de revisão bibliográfica e entrevista semiestruturada in situ com a entrevistada 01, irmã de Mãe Romana. Por meio delas, foi possível perceber uma relação ambivalente a respeito da prática turística que ali acontece, em que ela contribui para a valorização do lugar e de seus moradores, ao mesmo tempo em que é promotora de instabilidades. Este trabalho se apresenta como um passo inicial na análise da atividade turística como vetor de valorização deste patrimônio, ao mesmo tempo em que propõe uma análise crítica sobre seus impactos.Palavras-chave: Turismo; Legado Cultural; Mãe Romana de Natividade; Sagrado.  MOTHER ROMANA'S SACRED LABYRINTH: TOURISM AND CULTURAL HERITAGE IN BOM JESUS DE NAZARÉ CENTER IN NATIVIDADE, TOCANTINS, BRAZIL Abstract: Sacred places are spaces delimited by certain individuals that give it a differentiated meaning. Even so, this feature does not prevent such spaces from being used as tourist attractions. Bom Jesus de Nazaré Center is an example of how these two phenomena are related. Located on the site of Jacuba, in Natividade (state of Tocantins, Brazil), the space is composed of open air sculptural monuments built by Mãe Romana according to her mystical visions. Due to the unique characteristics of her work and monuments, the site attracts many visitors throughout the year. This article analyzed the dynamics in this place that is sacred and touristic at the same time, through a historical review on the following concepts: sacred, tourism and cultural heritage; and from the perception of the individuals who inhabit it. The research, of an exploratory nature, was built from bibliographic review and semi-structured interview in situ in Natividade. Through them, it was possible to perceive an ambivalent relation regarding the tourist practice that happens there, in which it contributes to the valorization of the place and of its inhabitants, at the same time that tourism can produce conflicts due to the flow of people. This work is presented as an initial step in the analysis of tourism activity as a vector for valuing this heritage, while proposing a critical analysis of its impacts.Keywords: Tourism; Cultural Legacy; Romana Mother of Natividade; Sacred. EL LABERINTO SAGRADO DE LA MADRE ROMANA: TURISMO Y PATRIMONIO CULTURAL EN EL CENTRO BOM JESUS ​​DE NAZARÉ EN NATIVIDADE, TOCANTINS, BRASIL Resumen: Los lugares sagrados son espacios delimitados por un grupo de individuos que les otorgan un sentido distinguido. Aun así, esta característica no impide que se conviertan también en atractivos turísticos. El Centro Bom Jesus de Nazaré es un ejemplo de cómo estos dos fenómenos están relacionados. Ubicado en el sitio Jacuba, en Natividade (estado de Tocantins, Brasil), este espacio se caracteriza por monumentos escultóricos al aire libre, construidos por Madre Romana, desde sus visiones místicas. Debido a su singularidad, este sitio atrae a muchos visitantes a lo largo del año. Este artículo analiza la dinámica de este lugar, a la vez sagrado y turístico, a través de una revisión histórica de los siguientes conceptos: sagrado, turismo y legado cultural; tomando en consideración la percepción de los sujetos que lo habitan. Esta investigación, de carácter cualitativo, se constituyó a partir de un trabajo de revisión bibliográfica y una entrevista semiestructurada in situ. A partir de estos procedimientos, se pudo percibir una relación ambivalente acerca de la práctica turística que allí se desarrolla, que contribuye a la valorización del lugar y a sus habitantes, al mismo tiempo que promueve inestabilidades. Este trabajo se presenta como un paso inicial en el análisis de la actividad turística como una vía de valorización de este patrimonio, al mismo tiempo que propone un análisis crítico acerca de sus respectivos impactos.Palabras Clave: Turismo; Legado cultural; Madre Romana de la Natividade; Sagrado.

scholarly journals Skansen tourist activity in the system of updating the resources of cultural intangible heritage

2020 ◽  
Author(s):  
Stepan Dychkovskyy
Keyword(s):  
Cultural Heritage ◽  
Modern Society ◽  
Creative Industries ◽  
Economic Life ◽  
Industrial Society ◽  
Intangible Cultural Heritage ◽  
Intangible Heritage ◽  
The Social ◽  
Tourism Activity ◽  
Post Industrial

The purpose of the article consists of the study of the activity of skansen in the intangible cultural heritage system. The methodology is the application of historical, bibliographic, and analytical methods. The scientific novelty of the work is to justify the appropriateness and application of the new concept of tourism activity of scans in the system of intangible cultural heritage. Conclusions. Features of the development of tourism in a post-industrial society influenced the conceptual approaches to the museum topes, which first broadcast chronological meaning, but with the proliferation of skansen museums was beyond the phenomenological limits of time and space. The proliferation of scansions as interactive open-air exhibits became a reflection of changes in the cultural and socio-economic life of modern society. The trends in the development of active consumerism in the social and economic spheres, globalization processes, the growth of cultural and creative industries have identified new areas of activity for museums - skansens, which transformed from museums that showed ethnographic collections in the space of the formation of a new cultural being.

Creative Destinations and the Rooster of Barcelos (“Galo de Barcelos”)

2022 ◽  
pp. 228-243
Author(s):  
Francisco Barbosa Gonçalves ◽  
Carlos Costa
Keyword(s):  
Sustainable Development ◽  
Cultural Heritage ◽  
Explanatory Model ◽  
Intangible Cultural Heritage ◽  
The Sustainable Development ◽  
Tourist Attractions ◽  
Camino De Santiago ◽  
Tourism Product ◽  
Traditional Market

This chapter aims at understanding the Rooster of Barcelos (Galo de Barcelos) as local intangible cultural heritage, being the case study of a research leading to the proposal of this explanatory model for developing and implementing tourism creative destinations. The Barcelos Rooster is the result of two ancestral customs of this territory, namely handicrafts and the Jacobin legend of the miracle of the rooster. These two customs, eternalized in time, were associated by the intervention of tourism. In addition, handicrafts, the Camino de Santiago, gastronomy (roast rooster from this legend), wine (vinho verde) and the traditional market, and heritage associated with the Rooster of Barcelos emerge as the main tourist attractions of this territory. It might be concluded that the Rooster of Barcelos, as one of the main symbols of Portuguese tourism, local heritage, and tourism product honey pot has the potential to leverage the sustainable development of this territory as a creative tourist destination.

CULTURAL SPACES FORMED BY THE DESCENDANTS OF THE EASTERN SLAVS ON THE TERRITORY OF CENTRAL PART OF RUSSIA AS THE INTANGIBLE CULTURAL HERITAGE AND TOURIST ATTRACTIONS

2016 ◽  
Vol 10 (3) ◽  
pp. 26-32
Author(s):  
Татьяна Харитонова ◽  
Tatyana Kharitonova
Keyword(s):  
Cultural Heritage ◽  
Performing Arts ◽  
Federal District ◽  
Oral Traditions ◽  
Intangible Cultural Heritage ◽  
Culture Methods ◽  
Cultural Space ◽  
Tourist Attractions ◽  
Tourism Product ◽  
Cultural Spaces

Currently, many states face the threat to lose the national identity, and all progressive mankind should be worried about it. Therefore, the issues related to the preservation of cultural heritage today are quite topical. This primarily applies to intangible cultural heritage, which includes such elements as oral traditions, performing arts, ritual and game culture, methods and technology, in other words the certain cultural spaces. Russia also pays a lot of attention to the identification and preservation of the national intangible cultural heritage. If only two objects are included in the List of UNESCO intangible cultural heritage, so the similar lists of objects of federal importance comprise about a hundred. It’s only the beginning. This article examines the cultural space that is worthy to be included in the List of intangible cultural heritage of humanity. It is based on the culture of the East Slavic tribe of Vyatichi, who settled in the VIII–XII centuries the South-Eastern part of present-day Central Federal District. During the later centuries, this cultural space was developed by the residents of Moscow, Ryazan, Kaluga, Tula, Orel and other Russian provinces (oblasts). To date, cultural space, formed by the descendants of the Vyatichi, represents a unique tourism product that has a sufficiently high attractiveness. The article also discusses the possibility of the implementation of this tourism product in certain entities of the Russian Federation

scholarly journals REVIVING THE ROYAL KINGDOM THROUGH TOURISM (Case Study Of The Puri Anyar Kerambitan, Bali, Indonesia)

2019 ◽  
Vol 2 (1) ◽  
Author(s):  
Hery Sigit Cahyadi
Keyword(s):  
Cultural Heritage ◽  
Positive Impact ◽  
Royal Family ◽  
Cultural Center ◽  
Tourist Attractions ◽  
Tourism Activity ◽  
Ancient Times ◽  
The Republic ◽  
The Government

ABSTRAKIndonesia adalah Negara yang dibentuk oleh banyak kerajaan lokal yang kemudian bergabung menjadi sebuah republik yang sekarang dikenal sebagai Republik Indonesia. Setelah bergabung dengan republik, kerajaan-kerajaan ini kehilangan kekuasaan dan legitimasi mereka terhadap masyarakat dan tanah diberikan kepada pemerintah. Kondisi ini menyebabkan kerajaan tidak lagi memiliki pendapatan untuk mendukung warisan budaya mereka. Beberapa dari kerajaan diambil alih oleh pemerintah untuk dijadikan museum. Meskipun banyak memiliki warisan budaya tetapi kerajaan tidak menarik untuk dikunjungi oleh wisatawan karena banyak warisan budaya yang tidak dipelihara dengan baik dan dilindungi sehingga membuat warisan budaya yang ada mulai dilupakan. Puri Anyar Kerambitan, Bali adalah salah satu dari beberapa kerajaan yang dapat bertahan hidup dengan mengembangkan wisata budaya dan menjual kebiasaan dan warisan keluarga kerajaan seperti makan malam kerajaan, tarian kerajaan dan pernikahan kerajaan. Aktivitas pariwisata tidak hanya menghidupkan kembali kerajaan tetapi juga masyarakat sekitar dan kekaisaran sebagai pusat budaya yang kembali muncul. Penelitian ini menggunakan pendekatan metode deskriptif dan wawancara dilakukan kepada pemangku kepentingan pariwisata untuk mengetahui persepsi mereka terhadap pengembangan wisata kerajaan di Puri Anyar Kerambitan. Hasil dari penelitian yang dilakukan ditemukan bahwa kegiatan pariwisata yang dikembangkan oleh keluarga kerajaan memiliki dampak positif pada kesejahteraan masyarakat dan mendirikan tempat wisata baru yang belum dikenal oleh masyarakat luas, terutama wisatawan karena mereka dapat lebih mengetahui bagaimana kehidupan keluarga kerajaan di zaman kuno. Tujuan dari penelitian ini adalah untuk mengetahui bagaimana suatu kerajaan dapat menghidupkan kembali kekayaan budayanya setelah adanya kegiatan pariwisata sehingga dapat menjadi contoh bagi kerajaan lain yang memiliki masalah yang sama. Kata Kunci: Kerajaan, Pariwisata, Bali  REVIVING THE ROYAL KINGDOM THROUGH TOURISM(Case Study Of The Puri Anyar Kerambitan, Bali, Indonesia) ABSTRACTIndonesia is a State that is  formed by many local kingdoms which later merged into a republic now known as the Republic of Indonesia. After joining the republic these kingdoms lost their power and legitimacy to society and the land as it should be given to the government. These conditions led to the kingdoms no longer have the income to support their cultural heritage. Some of them was taken over by the government to be a museum. Although many have cultural heritage but the kingdoms are not attractive to be visited by tourists because many of the cultural heritage are not well maintained and protected tha make existing cultural heritage began to be forgotten. Puri Anyar Kerambitan, Bali is one of the few kingdoms that can survive by developing cultural tourism and selling the royal family habits and heritage such as royal dinner, royal dance and royal wedding. The tourism activity not only revives the kingdom but also the surrounding community and the empire as a cultural center re-emerges. This study uses descriptive methods approach and interview was conducted to stakeholder tourism to know their perceptions of the development of royal tourism in Puri Anyar Kerambitan. From the results of studies conducted found that the tourism activities developed by the royal family have a positive impact on the welfare of the community and established new tourist attractions that has not been known by the wider community, especially tourists because they can know more how the life of the royal family in the ancient times. The purpose of this study is to find out how a kingdom can revive its cultural treasures after experience through tourism so that it can be an example for other kingdoms that has the same problem. Keyword: Royal Kingdom, Tourism, Bali

Eliciting cultural heritage values: landscape preferences vs representative images of the city

2018 ◽  
Vol 8 (3) ◽  
pp. 257-275 ◽  
Author(s):  
Manal Ginzarly ◽  
Jacques Teller
Keyword(s):  
Cultural Heritage ◽  
Cultural Values ◽  
Urban Landscape ◽  
Survey Method ◽  
Content Type ◽  
Scenic Beauty ◽  
A Value ◽  
The Social ◽  
Unique Identity ◽  
The City

Purpose In 2011, UNESCO recommended the application of a value-based landscape approach to cultural heritage conservation. In this framework, culture in its manifold expressions is considered as an embrace for the social, economic, and environmental pillars of sustainable development. There is a need to unveil the different cultural values generated from the interaction between people and their environment since these values will help cities maintain their unique identity and integrity. Accordingly, the purpose of this paper is to present the results of a survey method intended to assess the range of cultural values attributed by people to the historic urban landscape (HUL). Design/methodology/approach This paper is an experimental enquiry that combines a qualitative and a quantitative approach. It is designed to distinguish the different interpretations and outlooks of people to the HUL. It integrates landscape preference studies with investigation on representative images of the city and assesses these in relation to activities, feelings, and valued aspects of landscapes. Findings The main finding is that the most preferred scenes of the city are not the ones that best represent the city. Results exposed two sides of the HUL and related heritage values. The first is associated with the scenic beauty of the landscape and its aesthetic values, while the second is reflected in ordinary landscapes and everyday practices. Originality/value This paper provides an insight into the different interpretations and meanings of the HUL throughout the city. It provides an empirical evidence that ordinary landscapes are of great heritage value as they surpass all aspects of human environmental interaction to contribute to the image that societies make of themselves.

TELLING THE TALE, TELLING THE NATION: TIV TALES, MODERNITY AND THE (RE)CONSTRUCTION OF NIGERIAN NATIONHOOD

2016 ◽  
Vol 25 (2) ◽  
Author(s):  
James Tsaaior
Keyword(s):  
Cultural Heritage ◽  
Methodological Approach ◽  
Intangible Cultural Heritage ◽  
Cultural Process ◽  
The Social ◽  
Oral Cultures ◽  
High Literature

Scholarship negotiating African folktales and the entire folkloric tradition in Africa has always been constituted as harbouring fundamental lacks. One of these lacks is the supposed incapacity of oral cultures to produce high literature. However, it is true that folktales and other oral forms in Africa can participate actively in the social, political and cultural process. In this paper, we engage folktales told by the Tiv of central Nigeria and situate them within the dynamic of history, culture, modernity and national construction in Nigeria. The paper adopts a historicist and culturalist perspective in its interpretation of the folktales which were collected in particular Tiv communities. This methodological approach helps to crystallize the historical and cultural lineaments embedded in the people’s experiences, values and worldviews. It also constitutes a contextual background for the understanding of the folktales as they offer informed commentaries on social currents and political contingencies in Nigeria. It argues that though folktales belong to a pre-scientific and pre-industrial dispensation, they are part of the people’s intangible cultural heritage and are capable of distilling powerful statements which negotiate Nigerian modernity and postcolonial condition. The paper underscores the dynamism and functionality of folktales even in an increasingly globalised ethos.

Popularitas Tari Piring sebagai Identitas Budaya Minangkabau

Panggung ◽  
2013 ◽  
Vol 23 (3) ◽  
Author(s):  
Indrayuda
Keyword(s):  
Cultural Heritage ◽  
Life Style ◽  
Social Life ◽  
Attitudes And Behaviors ◽  
Cultural Life ◽  
The People ◽  
The Social ◽  
West Sumatra ◽  
And Behaviors ◽  
Origin Area

ABSTRACT This article aims to explain the existence of Tari Piring dance as a culture identity of Minang- kabau people, both the people who live in the origin area and outside the area. Tari Piring dance is a traditional cultural heritage of Minangkabau people which is used and preserved by Minangkabau people in their life so that it becomes culture identity of Minangkabau people. As the identity of Minangkabau people, Piring dance is able to express attitudes and behaviors as well as the charac- teristics of Minangkabau people. The dance can serve as a reflection of social and cultural life style of Minangkabau society. Through Tari Piring performance, the outsider can understand Minangkabau people and their culture. Tari Piring, therefore, is getting more adhere to the social life of Minang- kabau people in West Sumatra and in the regions overseas. In the spirit of togetherness, Minang- kabau society preserves the existence of Piring dance as the identity and cultural heritage up to the present time. Keywords: Piring Dance, Minangkabau culture  ABSTRAK Artikel ini bertujuan untuk menjelaskan keberadaan Tari Piring sebagai identitas bu- daya masyarakat Minangkabau, baik yang berada di daerah asal maupun di daerah peran- tauan. Tari Piring merupakan warisan budaya tradisional masyarakat Minangkabau yang digunakan dan dilestarikan oleh masyarakat Minangkabau dalam kehidupannya sehingga menjadi identitas budaya Minangkabau. Sebagai jati diri masyarakat Minangkabau, Tari Piring mampu mengungkapkan sikap dan prilaku serta karakteristik orang Minangkabau. Tari Piring dapat berperan sebagai cerminan dari corak kehidupan sosial budaya masyara- kat Minangkabau. Melalui pertunjukan Tari Piring, masyarakat luar dapat memahami orang Minangkabau dan budayanya. Oleh karena itu, sampai saat ini Tari Piring semakin melekat dengan kehidupan sosial masyarakat Minangkabau di Sumatera Barat maupun di daerah perantauan. Dengan semangat kebersamaan, masyarakat Minangkabau mampu mempertahankan keberadaan Tari Piring sebagai identitas dan warisan budayanya hingga masa kini. Kata kunci : Tari Piring, budaya Minangkabau

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