scholarly journals Mercy Thompson de Patricia Briggs – une série pour les jeunes féministes ?

2021 ◽  
Vol 19 (1) ◽  
pp. 93-104
Author(s):  
Agnieszka Loska

Nowadays, young adult literature is becoming increasingly popular and occupies an important place in the book market. Among the different genres offered to young readers, urban fantasy has a considerable potential. The aim of the present study is to examine if Patricia Briggs’ series about the adventures of Mercy Thompson can be considered as a literary work for young feminists. The analysis of the protagonist (an urban hunter and a shapeshifter) and some events in her life (relationship with her partner and rape) demonstrates the feminist aspect of the series.

2019 ◽  
Vol 28 (2) ◽  
pp. 156-174
Author(s):  
Vandana Saxena

Young adult fiction has emerged as a crucial pedagogical tool for Holocaust education. According to scholars and writers, it promotes empathy and also encourages the readers to become a part of the process of remembering. However, this field of storytelling also grapples with the dilemma of traumatic subject matter and its suitability for young readers. The humanist conventions of young adult fiction are often in conflict with the bleak and horrifying core of Holocaust literature. Young adult novelists have tried to deal with these problematic aspects by using multiple narrative strategies to integrate the memories of genocide and human rights abuse with the project of growth and socialisation that lies at the heart of young adult literature. This paper examines the narrative strategies that make young adult fiction an apt bearer and preserver of the traumatic past. Specifically, these strategies involve fantastical modes of storytelling, liminality and witness testimonies told to the second- and third-generation listeners. These strategies modify the humanist resolution of young adult narratives by integrating growth with collective responsibility.


Author(s):  
E. Boyarshinova

This paper examines the history and current state of literature for teenagers. In modern criticism young-adult genre stands out in literature for adolescents. An introductory excursion into the history of the concept of “young adults” and literature for this category of readers is given. Criticism of such works is considered by video bloggers who place their clips on Youtube platform. It is analyzed whether these responses affect the book market conditions. According to the most conservative estimates, more than half of the literature published by major publishers is Young-adult books. They are read not only by teenagers, but also by adults who want to immerse themselves in their youth. The theme of Young-adult literature is serious and multifaceted. It attracted both professional authors, whose works become real literary events, and young, non-professional authors. The study of these works is important from the point of view of studying the sociology of teenage life, to understand what young people live, what problems are reflected in such works, albeit in a crooked mirror.


2019 ◽  
Vol 13 (2) ◽  
pp. 87
Author(s):  
Ida Farida ◽  
Yudi Permadi ◽  
Trisha Adelia ◽  
Nolly Liviani

This article elucidates the perspective of The Lithia Trilogy, written by Blair Richmond, towards environment. This research is executed based on ecocriticism, a literary approach which focuses on the exploration of environmental issues in literary works. The theory is taken from Laurence Buell on the meaning of ecocriticism. From the analysis of the structure of the novels, it is found that the trilogy presents the idea of biocentrism, an assumption that the earth and all of the living things on it have the right to fulfill their needs without any molestation from the other, especially from humans. Biocentrism is the opposing concept of Anthropocentrism, both of which are studied in environmental ethics. Two issues of conflicts are presented in this trilogy: herbivores versus omnivores and environ-mentalists versus capitalists. The result of the research reveals that the novels suggest not to eat animals to save fauna and socialize Gaia hypothesis to save all living and non-living things on the earth. As one work of young adult literature, this trilogy explicitly teaches those suggestions to young readers.


Author(s):  
Agnes Bidmon

Artikelbeginn:[English title and abstract below] Lange Zeit herrschte im Forschungsdiskurs die Meinung vor, dass Kinder- und Jugendliteratur »aus sich selbst heraus verständlich sei und keiner literaturwissenschaftlichen Interpretationskunst bedürfe« (Gansel / Korte 2009, S. 7). Aus diesem Grund standen Fragen nach der Machart der Texte im Verhältnis zu Fragen nach ihren »Inhalte[n], Themen, pädagogische[n] Strategien und so genannte[n] ›Botschaften‹« (ebd.) häufig im Hintergrund. Diese Vorstellung hat sich mittlerweile jedoch gewandelt, was nicht zuletzt auf eine grundlegende Veränderung in der literarischen Landschaft seit Ende des 20. Jahrhunderts zurückzuführen ist. Historical Tales between Fact and FictionForms and Functions of Docufictional Narration in the Young Adult Novels Edelweißpiraten and Train Kids by Dirk ReinhardtThis article focusses on a recent trend in contemporary literature: docufictional storytelling. It argues, in a first step, that this trend can be understood as a reflected way of dealing with the concept of reality in a highly virtual and digital world. Docufictional novels rely on documentary as well as fictional strategies, and interweave them via intramedial, intermedial and transmedial approaches. By doing so, the texts reconstruct a real reality to which their readers have no direct temporal or spatial access. At the same time, they show that reality can be only a construction, even if authentic material is included. Providing access to reality can be seen as one of the main goals in the literary production addressing young readers. In a second step, this article analyses contemporary German young adult literature and examines the forms and functions of docufictional storytelling, which can be found in those texts. It focusses especially on two novels by Dirk Reinhardt, Edelweißpiraten (2012) and Train Kids (2015), and concludes that this mode of narration between entertainment and information offers young readers the opportunity to develop their media and discourse competencies.


Author(s):  
Iris Schäfer

Artikelbeginn:[English title and abstract below] Die Phänomene des Traums und Träumens als allnächtliche Konfrontation mit dem Fremden und Anderen des wachen (Er-)Lebens (vgl. Engel 2003, S. 153) wie auch der wachen Persönlichkeit üben eine nachhaltige Faszination aus, die maßgeblich auf ihre ambivalente Charakteristik zurückzuführen ist. Der/die Träumende befindet sich in einem Stadium jenseits der Realität, in einem Dazwischen von Leben und Tod, und ist »mit einer Erlebenswelt und einer Erlebensweise konfrontiert, die [Manfred Engel zufolge] auf ebenso evidente wie rätselhafte Weise anders sind als die des wachen Lebens« (ebd.).   From Predictive Dreaming to Pathological DeliriumNew Interpretations of Seldom-Addressed Types of Dreams in Children’s and Young Adult Literature All major categories of dreams identified in psychoanalysis occur as literary dreams in children’s and young adult literature. However, there are some categories, such as predictive dreams and pathological delirium, which have rarely been addressed in the academic discussion. Using a transdisciplinary approach, this article analyses the characteristics and functions of both types of literary dreams in texts for young readers, in each case looking at a historical and a contemporary text in order to be able to trace its specific development. The article begins with an introduction of the characteristics and historical sources of literary dreams of both types. Then, with passing references to other texts that influenced the tradition of each type of literary dream, an analysis of Lou Andreas-Salomé’s novella Wolga (1902) and Siobhan Dowd/Patrick Ness’s young adult novel A Monster Calls (2011) addresses the predictive dream, while an analysis of E.T.A. Hoffmann’s literary fairy tale Nußknacker und Mausekönig (1816) and Libba Bray’s young adult novel Going Bovine (2009) addresses pathological delirium. The conclusion draws attention to the fundamental similarities between these two types of literary dreams and their functions.


Author(s):  
Ni Ketut Mirahayuni ◽  
Susie Chrismalia Garnida

Abstract. Studies on young adult literature has been flourised since late 20th century and early 21st century and have been interested in identifying defining characteristics of those literary works aimed for young or teen readers. Those studies have focused on the themes, conflicts and characters reflecting the interests of young readers in their search for self identity, adventures, dreams and life problems (Brown and Stephens, 1995; Tri Pramesti, 2016). Other studies examines the language features in young adult literature (Bushman and Haas, 2002; Tri Pramesti, 2015) and language style (Dwi Noverini Djenar, 2008). This article reports a study on the use of evaluative adjectives, a specific language aspect in young adult literature that seems to be employed by the author to express characters’ evaluation toward self and others. The study is conducted within the theoretical framework of systemic functional linguistics analysis of appraisal, particularly the aspects of affect whose realisations involves the use of evaluative adjectives expressing the senses of happiness, security and satisfaction (Halliday and Matthiessen, 2014; Martin and White, 2005). The data were 388 lexical items collected from Mandy Hubbard’s Prada and Prejudice, focusing on the main character’s evaluation of herself and other characters in the novel. The result of the study shows that Prada and Prejudice employs a variety of evaluative adjectives expressing the main character’s evaluation that are related to the sense of happiness, security and satisfaction. This study contributes to better understanding some aspects of language style in literature aiming at young readerships. Keywords: young adult literature, evaluative adjectives, Prada and Prejudice


2020 ◽  
Vol 26 (47) ◽  
pp. 139-164
Author(s):  
Agata M. Balińska

The paper reviews instances of intralingual translation between British and American English. Its main focus is the translation of literary texts aimed and children and young readers which were written in Britain and then altered before being released on the American market. Examples of cases where originally American texts were altered for British readers, a less common trend, are also provided. The text explores typical differences between British and American English, the position of children’s literature and the motivations behind the changes, examples of alteration to titles of books, changes that trigger changes of larger portions of texts, alterations to the style of the books, and areas where the authors of the translations corrected authors’ mistakes. Most of the examples are based on previously published works which analyzed intralingual translation between British and American English in children’s literature, with some taken from unpublished research by the author. The paper was written with the hope that it will help create more awareness of the existence of such translations, especially since in most cases no information that such changes were made is provided within or outside the literary texts discussed in this paper.


Wielogłos ◽  
2021 ◽  
pp. 123-149
Author(s):  
Weronika Kostecka

[What is Multicultural Children’s and Young Adult Literature and How to Study it? Methodological Proposals from a Literary Studies Perspective in the Polish Context] The aim of the article is to present several methodological proposals based on literary studies in reference to Polish multicultural literature for young readers. The author discusses foreign theoretical concepts regarding multicultural works and their components and explains the key terminology. She discusses difficulties that arise when trying to apply these concepts and terms in research on Polish multicultural children’s and young adult literature and presents her own definition of this phenomenon. Finally, the author proposes four methods for researching this type of literary works.


2015 ◽  
Vol 5 (1) ◽  
Author(s):  
Gail De Vos

News and AnnouncementsAs we move into the so-called “summer reading” mode (although reading is obviously not a seasonal thing for many people), here is a “summery” (pardon the pun) of some recent Canadian book awards and shortlists.To see the plethora of Forest of Reading ® tree awards from the Ontario Library Association, go to https://www.accessola.org/WEB/OLAWEB/Forest_of_Reading/About_the_Forest.aspx. IBBY Canada (the Canadian national section of the International Board on Books for Young People) announced that the Claude Aubry Award for distinguished service in the field of children’s literature will be presented to Judith Saltman and Jacques Payette. Both winners will receive their awards in conjunction with a special event for children's literature in the coming year. http://www.ibby-canada.org/ibby-canadas-aubry-award-presented-2015/IBBY Canada also awarded the 2015 Elizabeth Mrazik-Cleaver Picture Book Award to Pierre Pratt, illustrator of Stop, Thief!. http://www.ibby-canada.org/awards/elizabeth-mrazik-cleaver-award/The annual reading programme known as First Nation Communities Read (FNCR) and the Periodical Marketers of Canada (PMC) jointly announced Peace Pipe Dreams: The Truth about Lies about Indians by Darrell Dennis (Douglas & McIntyre) as the FNCR 2015-2016 title as well as winner of PMC’s $5000 Aboriginal Literature Award. A jury of librarians from First Nations public libraries in Ontario, with coordination support from Southern Ontario Library Service, selected Peace Pipe Dreams from more than 19 titles submitted by Canadian publishers. “In arriving at its selection decision, the jury agreed that the book is an important one that dispels myths and untruths about Aboriginal people in Canada today and sets the record straight. The author tackles such complicated issues such as religion, treaties, and residential schools with knowledge, tact and humour, leaving readers with a greater understanding of our complex Canadian history.” http://www.sols.org/index.php/links/fn-communities-readCharis Cotter, author of The Swallow: A Ghost Story, has been awarded The National Chapter of Canada IODE Violet Downey Book Award for 2015. Published by Tundra Books, the novel is suggested for children ages nine to 12. http://www.iode.ca/2015-iode-violet-downey-book-award.htmlThe 2015 winners of the Ruth and Sylvia Schwartz Children’s Book Awards were selected by two juries of young readers from Toronto’s Alexander Muir / Gladstone Avenue Junior and Senior Public School. A jury of grade 3 and 4 students selected the recipient of the Children’s Picture Book Award, and a jury of grade 7 and 8 students selected the recipient of the Young Adult / Middle Reader Award. Each student read the books individually and then worked together with their group to reach consensus and decide on a winner. This process makes it a unique literary award in Canada.The Magician of Auschwitz by Kathy Kacer and illustrated by Gillian Newland (Second Story Press) won the Children’s Picture Book Category.The winner for the Young Adult/Middle Reader Category was The Boundless by Kenneth Oppel (HarperCollins Publishers).http://www.ontarioartsfoundation.on.ca/pages/ruth-sylvia-schwartz-awardsFrom the Canadian Library Association:The Night Gardener by Jonathan Auxier (Penguin Canada) was awarded CLA’s 2015 Book of the Year for Children Award.Any Questions?, written and illustrated by Marie-Louise Gay (Groundwood Books) won the 2015 Amelia Frances Howard-Gibbon Award.This One Summer by Mariko & Jillian Tamaki (Groundwood) was awarded the 2015 Young Adult Book Award.http://www.cla.ca/AM/Template.cfm?Section=Book_Awards&Template=/CM/HTMLDisplay.cfm&ContentID=16132The 2015 Winner of the Crime Writers of Canada’s Arthur Ellis Awards for Best Juvenile/YA Book was Sigmund Brouwer’s Dead Man's Switch (Harvest House). http://crimewriterscanada.com/Regional awards:Alberta’s Ross Annett Award for Children’s Literature 2015:Little You by Richard Van Camp (Orca Book Publishers) http://www.bookcentre.ca/awards/r_ross_annett_award_childrens_literatureRocky Mountain Book Award 2015:Last Train: A Holocaust Story by Rona Arato. (Owl Kids, 2013) http://www.rmba.info/last-train-holocaust-storyAtlantic Book Awards 2015 from the Atlantic Book Awards SocietyAnn Connor Brimer Award for Children’s Literature: The End of the Line by Sharon E. McKay (Annick Press).Lillian Shepherd Award for Excellence in Illustration: Music is for Everyone illustrated by Sydney Smith and written by Jill Barber (Nimbus Publishing) http://atlanticbookawards.ca/awards/Hackmatack Children’s Choice Book Award 2015:English fiction: Scare Scape by Sam Fisher.English non-fiction: WeirdZone: Sports by Maria Birmingham.French fiction: Toxique by Amy Lachapelle.French non-fiction: Au labo, les Débrouillards! by Yannick Bergeron. http://hackmatack.ca/en/index.htmlFrom the 2015 BC Book Prizes for authors and/or illustrators living in British Columbia or the Yukon:The Christie Harris Illustrated Children's Literature Prize was awarded to Dolphin SOS by Roy Miki and Slavia Miki with illustrations by Julie Flett (Tradewind).The Sheila A. Egoff Children's Literature Prize for “novels, including chapter books, and non-fiction books, including biography, aimed at juveniles and young adults, which have not been highly illustrated” went to Maggie de Vries for Rabbit Ears (HarperCollins). http://www.bcbookprizes.ca/winners/2015The 2015 Manitoba Young Readers’ Choice Award (MYRCA) was awarded to Ultra by David Carroll. http://www.myrca.ca/Camp Outlook by Brenda Baker (Second Story Press) was the 2015 winner of the SaskEnergy Young Adult Literature Award. http://www.bookawards.sk.ca/awards/awards-nominees/2015-awards-and-nominees/category/saskenergy-young-adult-literature-awardFor more information on Canadian children’s book awards check out http://www.canadianauthors.net/awards/. Please note that not all regional awards are included in this list; if you are so inclined, perhaps send their webmaster a note regarding an award that you think should be included.Happy reading and exploring.Yours in stories (in all seasons and shapes and sizes)Gail de VosGail de Vos is an adjunct professor who teaches courses on Canadian children's literature, young adult literature, and commic books and graphic novels at the School of Library and Information Studies (SLIS) at the University of Alberta and is the author of nine books on storytelling and folklore. She is a professional storyteller and has taught the storytelling course at SLIS for over two decades. 


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