scholarly journals Integrasi Kegiatan Masyarakat Budaya Lokal dan Lembaga dalam Pendidikan Toleransi

Author(s):  
Jazuli Mukhtar ◽  
Yunus Yunus ◽  
Ichwan Nugroho

The research explains the form of local wisdom of Bugis culture as a cultural value that characterizes the Palopo people. The local wisdom developed in Palopo City is in line with the pluralistic Palopo culture developing in Indonesia. Palopo people has local wisdom values such as humanizing. These values are always preserved so that they become the glue of religious harmony in Palopo City. The type of this research is ethnography. The research findings show that knowledge and understanding of the cultural traditions of society that contain pluralism allow students to suspend suspicion or even wholly disappear negative things that students have understood about other religions. The concept of pluralism is seen from implementing the cultural philosophy in Palopo, namely Sipakatau, Sipakalebbi, and Sipakaingge. Two universities, IAIN Palopo and Andi Djemma University practice the local wisdom values. The results shows that personally, students who were actively involved in the implementation of local wisdom education felt that they had experienced significant changes. In the aspect of faith, they are increasingly convinced of their religion while still providing adequate space for a good and correct assessment of the truth of the teachings of other religious and cultural beliefs.

2008 ◽  
Vol 7 (1) ◽  
pp. 101-124 ◽  
Author(s):  
Ali Akbar Taghvaee ◽  
Mojtaba Ansari ◽  
Hadi Mahmoudi Nejad

AbstractIn different cultures people may have different perceptions of and attitudes to some natural phenomena such as wind, water, fire, trees, sun, moon and examples of these sorts. Respect and reverence for water and trees have been institutionalized in many ancient civilizations due to their various socio-cultural traditions, values and beliefs. In Iranian societies respect for water has been a well known cultural value before and after Islam. The important role of water in the various aspects of human life has been emphasized in the holy books particularly in Avesta and Holy Quran. In these books, water has been introduced as the essence of life; without which life is not possible. According to the description of Paradise or Heaven in the Holy Quran, Muslim architects; with special attention on this description, have built gardens in this mortal world with the intention of the goal that the Persian Gardens in the appearance of eternal and futurity will be a metaphor of the Heaven or Paradise Gardens. This article is trying to study about the attitude of Iranian towards myth of water and trees. There will be also a glance on a number of other civilizations such as China, India and Egypt in this regard. Then the important role and status of water and trees in the environmental enhancement and designing of Persian Gardens will be discussed. And so, considerations about water and trees policies and management addressing the broader array of human perceptions, meanings and values related to cultural aspects of water and trees are needed in Asian countries, especially in Iran.


2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Gwen Bouvier ◽  
Zhonghua Wu

Abstract The past few decades have seen a plethora of interest in heritage studies in international law, as the legitimization of cultural heritage is a significant aspect of protecting the legacy of humanity’s collective memory, which is fully reflected in a series of international instruments on culture. This paper examines the meaning-making process of UNESCO legal documents on cultural heritage from a sociosemiotic perspective. The data for the corpus-based study were analyzed quantitatively and qualitatively by applying the securitization theory to heritage studies. Research findings reveal three significant shifts in cultural heritage, i.e., from property to heritage, from tangible to intangible, and from material-centered to human-centered, which embodies the harmonious coexistence of humanity and nature, a philosophical idea embedded in traditional Chinese culture. As noted, terms targeting cultural heritage in UNESCO international instruments are the sign vehicle, generally mediated and shaped by social values, cultural beliefs, and conventional wisdom, etc. as a part of the interpretant, making different categories of heritage meaningful and interpretable. Characterized by temporality and spatiality, cultural heritage is subject to multiple interpretations. The meaning-making of international instruments for consideration is a sociosemiotic operation that can be construed through contextual factors and a process of social negotiation. This paper argues that a sociosemiotic approach to heritage studies is conducive to explicating the construction and deconstruction of heritage as discursive practices while offering some implications for future research.


2016 ◽  
Vol 1 (1) ◽  
pp. 92
Author(s):  
SARWINAH SARWINAH

AbstrakPenelitian ini bertujuan untuk menemukan jawaban atas fokus permasalahan yang telah dirumuskan yakni mendeskripsikan nilai sastra hideonik, nilai artistik, nilai kultural, nilai etis,moral, dan agama, serta nilai praktis yang terdapat pada lirik lagu Ridwan Sau, kondisi sosial budaya kota Makassar, ditinjau dari makna lagu Ridwan Saud dan relevansi nilai sastra pada lirik lagu Ridwan Sau dengan kondisi sosial budaya masyarakat Kota Makassar. Penelitian ini sebagai penelitian kualitatif, dengan pendekatan struktural genetik yang mempergunakan strategi berpikir fenomenologis yang lentur dan terbuka dari pencipta lagu daerah Makassar. Adapun lirik-lirik lagu yang digunakan sebagai objek penelitian ini adalah Julei Rikau, Tea Tonja, Burakne Tonja, Panngukrangi, Sarengku, Kakde Kapang Na Suruga, Harangmi, Larokong Tojengma Kapang, Naloko Nakku, I Kattemi Antu, Tea Lapanra Pinruang, dan Kere Tekneku. Pengumpulan data dengan teknik kaji dokumen. Analisis data dilakukan sejak awal peneliti mengumpulkan data, lalu mereduksi data kemudian menyajikan data, dan melakukan penelitian data dan penarikan kesimpulan. Selanjutnya diadakan teknik pemeriksaan keabsahan data. Hasil penelitian ini mendeskripsikan relevansi nilai sastra pada lirik lagu Ridwan Sau dengan kondisi sosial budaya masyarakat Kota Makassar. Yaitu antara nilai hideonik, nilai artistik, nilai cultural, nilai etis, dan nilai praktis dengan kondisi sosial budaya kota Makassar yang antara lain masih menganut ketat budaya Tau, budaya Sirik, budaya Pacce, budaya Panngalik, budaya Panngadakkang, dan budaya Agama (Batara). Budaya-budaya tersebut masih dianut sampai sekarang dan sudah menjadi kebiasaan dalam keseharian masyarakat Kota Makassar yang semuanya tercantum dan tergambar dalam lagu-lagu ciptaan Ridwan Sau. Kata Kunci: nilai sastra, lirik lagu Ridwan Sau, sosial budaya Makassar AbstractThis research aims to find answers to focus the issues that have been formulated to describe the value hideonik literary, artistic value, cultural values, ethical values, morals, and religion, as well as practical value contained in the lyrics of the song Ridwan Sau, socio-cultural city of Makassar, reviewed of the meaning of the song Ridwan Saud and the value relevance literature Ridwan Sau lyrics with social and cultural conditions of Makassar. This research was qualitative research with the genetic structural approach that used the phenomenology strategy openly from the outhor of Makassar song. The lyrics was used by the researcher was Julei Rikau, Tea Tonja, Burakne Tonja, Panngukrangi, Sarengku, Kakde Kapang Nasuruga, Harangmi, Larokong Tojengma Kapang, Naloko Nakku, I Kattemi Antu, Tea Lapanra Pinruang, and Kere Tekneku. The technique in collected, then taking reduction and presenting the data, and concluding. The next technique was validation. The research findings described The Relevance of Literature Value Toward the Lyrics of Ridwan Sau song with the condition of Social Culture of Makassar. It was the hedonic value, art value, cultural value, ethic value, and practical value with the social culture condition of Makassar community that submitted the Tau culture, Sirik culture, Pacce culture, Panngalik culture, Panngadakkang culture, and Religious (Batara) culture. Those culture still submit until now and became a habit in daily life of Makassar Community that quoted in Ridwan Sau song. Key words: literature value, Lyrics of Ridwan Sau Song, Makassar Social Culture


2009 ◽  
Vol 51 (6) ◽  
pp. 1-17 ◽  
Author(s):  
Yasmin Kaur Sekhon ◽  
Isabelle Szmigin

Marketing to ethnic communities is fraught with problems of understanding the cultural contexts and value systems of others. Within Britain, this is in many ways exacerbated by the prevalence of a multicultural society that spans generations. Second-generation ethnic consumers live in the world of their parents and their community, but often work and socialise in a very different cultural and social context. Inevitably these influences impact upon decision making. In this study we seek to unravel some of the factors that impact upon ethnic decision making, with a particular focus on one group: second-generation Punjabi Indians. We examine research that has sought to identify factors that impact upon their consumption behaviour, in particular acculturation, identity and ethnicity. We then present research findings that reveal some of the key issues that need to be considered in developing a research approach to understanding ethnic communities.


Author(s):  
Hyesoo Yoo

The inclusion of musics from varied cultural traditions in school music curricula has become increasingly important. Research findings indicate that providing students with opportunities to learn musics from diverse cultures can increase acceptance and appreciation of different cultures, enrich music and cultural experiences, and nurture intercultural competence. The following research-to-resource article provides eight instructional strategies for integrating culturally diverse musics into music classes more effectively. These eight strategies can help expose students to culturally diverse musics in more traditional ways and deepen their knowledge of music styles.


2017 ◽  
Vol 7 (5) ◽  
pp. 8
Author(s):  
Inayat Ullah ◽  
Iman Aib

Colonialism has been such a multifaceted and complicated phenomenon that it often juxtaposed the culture of the colonized in simultaneous assimilation of, and resistance to, the culture of the colonizers. Embedded in the theory of Post colonialism, this research aims at carrying out a qualitative analysis of discursive strategies used in Saadat Hassan Manto’s literary work Letters to Uncle Sam from a neo-colonial perspective. It seeks to highlight the issues of globalization and the effects that it engendered upon the then newly-established independent state of Pakistan. The research findings conclude that globalization has resulted in putting an end to the so-called purity of culture. Manto, therefore, explicitly satirizes the super power (read the United States of America) for its hidden agendas of manipulating and exploiting the economic system as well as the cultural beliefs of Pakistan under the mask of prospering nations by building a global market to create a new means of dominance that works through consent.


Author(s):  
N. Astrakhan

The article considers a literary work in the context of the problem of preservation and development of cultural traditions, in particular the traditions of an author's literary and artistic creativity and reader`s co-creation. These traditions are characterized as fundamental to culture as a whole in the context of Yu. Lotman's ideas about the semiosphere as a semiotic space, which is both a prerequisite and a result of the functioning of culture. The intersection of dialogical-communicative, aesthetic-receptive, and ontological-hermeneutic understanding of a literary work presupposes a productive going beyond the narrow literary perspective on this phenomenon, requires the expansion of the theoretical scope of its subject. It is about realizing the special role of literature and, in particular, literary works representing it in the process of dialogical self-disclosure of creative individuals who need artistic expression to reconstruct the position of the other, necessary in the course of artistic cognition and self-knowing. Understanding and self-understanding, achieved in the process of dialogical interaction with the other in the space of a literary work, become a prerequisite for the fullness of life meeting the spiritual needs of personal development. Moreover, a literary work, potentially open to any person, becomes a crossroads of different cultures and eras, a mechanism for the formation and manifestation of the integrity of culture, the unity of mankind, the continuity of culture genesis. The need to return to the position of the author, to restore the idea of ​​the semantic center of the work outlined by the author is stated. By analogy with the concept of "Text", developed by R. Bart, it is proposed to use the concept of "Author", meaning a set of personal dialogic relationships of the author of a literary work with other authors and readers, open into the infinity of time perspective. This understanding of the author's position is aimed to prevent the simularization of a literary work, contribute to the preservation of it as a cultural value, an important tool of culture genesis.


2021 ◽  
Vol 80 (2) ◽  
pp. 128-139
Author(s):  
Coleen Carrigan ◽  
Noah Krigel ◽  
Mira Banerjee Brown ◽  
Michelle Bardini

Articulating a Succinct Description uses ethnographic data to create case study interventions facilitated with people who belong to the culture with whom the ethnographer is engaged. We do so in order to disseminate research findings, address problems presented in the case, and collect additional data for further collective analysis. Further, Articulating a Succinct Description is designed as a means of intervention for underrepresented group members to be heard and gain support and promote equity engagement among majority members in efforts to create more inclusive cultures. In this paper, we validate this method using findings from its application with engineering students at a public university. This method allowed us to view engineering culture not as monolithic, but rather as one with multiple sets of cultural beliefs, values, and behaviors. In particular, we noted a behavior among students we’ve called Swing Staters, who expressed meritocratic beliefs, yet, who we argue, may be critical to reducing bias in engineering education. These findings, analyzed along interwoven threads of race and gender, demonstrate the efficacy of the Articulating a Succinct Description method and contribute to efforts in engineering education to advance pedagogical tools to reduce bias and exclusions in these fields.


2021 ◽  
Vol 4 (1) ◽  
pp. 310-320
Author(s):  
Rahel Widiawati Kimbal ◽  
Jaqueline E.M Tangkau

This research aims at revealing various practices of social capital values to strengthen rural small industry. The practices which emerge from the interaction among farmers, big vendor, tibo, roasted nut business owner and consumers lead to different forms of social capital values. This research uses qualitative research method which involves a study case. The data are analyzed using forward stepwise model from Spradley, which formulates the findings from the empirical research. The research findings reveal various social capital values embedded in local tradition of Minahasa known as Mapalus. It refers to a form of cooperation which grow and develop among the Minahasans. Mapalus includes various social activities as follows (1) Mendu impero’ongan, a community service performed by the villagers; (2) Berantang, providing help for the bereaved family; (3) Sumakey, celebrating certain occasions together. Mapalus also exists in economic and financial activities such as: (1) Ma’endo. It refers to communal activities to cultivate the field or to renovate houses; and (2) Pa’ando. It is a financial activity in a form social gathering known as ‘arisan’. This cultural value is an important social capital for rural society to support their economic activities and to strengthen the rural small industry.


2014 ◽  
Vol 64 (Supplement-2) ◽  
pp. 151-164
Author(s):  
Shang-Ping Lin ◽  
Chuan-Chung Wang ◽  
Pi-Yun Huang

The impact of financial crisis has resulted in the global economic depression. It is merely cultural industry that acts in a diametrically opposite way so businesses related to cultural industry are still growing. For this reason, this study tends to explore the innovation activities in cultural parks in Taiwan, from the aspect of cultural value. Nevertheless, research on cultural parks in Taiwan still focuses on architecture design and reuse of space; studies on Service Innovation are rather few. This study therefore aims to discuss Service Innovation in cultural parks themselves. With questionnaire survey, the data are further analyzed and discussed. The research findings show 1. significantly positive correlations between Service Innovation and Product Price in Customer Satisfaction, 2. partially positive correlations between Service Innovation and Service Efficiency in Customer Satisfaction, 3. remarkably positive correlations between Service Innovation and Perceived Value in Customer Satisfaction, and 4. notable effects of Customer Characteristics on the correlations between Service Innovation and Customer Satisfaction. The research results are expected to be the reference and contribution to cultural park managers.


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