scholarly journals LITERARY WORK IN THE SYSTEM OF CULTURE

2021 ◽  
pp. 56-66
Author(s):  
N. Astrakhan
Keyword(s):  
Personal Development ◽  
Time Perspective ◽  
Literary Work ◽  
The Other ◽  
Cultural Value ◽  
Spiritual Needs ◽  
Special Role ◽  
Self Disclosure ◽  
Cultural Traditions ◽  
Dialogic Relationships

The article considers a literary work in the context of the problem of preservation and development of cultural traditions, in particular the traditions of an author's literary and artistic creativity and reader`s co-creation. These traditions are characterized as fundamental to culture as a whole in the context of Yu. Lotman's ideas about the semiosphere as a semiotic space, which is both a prerequisite and a result of the functioning of culture. The intersection of dialogical-communicative, aesthetic-receptive, and ontological-hermeneutic understanding of a literary work presupposes a productive going beyond the narrow literary perspective on this phenomenon, requires the expansion of the theoretical scope of its subject. It is about realizing the special role of literature and, in particular, literary works representing it in the process of dialogical self-disclosure of creative individuals who need artistic expression to reconstruct the position of the other, necessary in the course of artistic cognition and self-knowing. Understanding and self-understanding, achieved in the process of dialogical interaction with the other in the space of a literary work, become a prerequisite for the fullness of life meeting the spiritual needs of personal development. Moreover, a literary work, potentially open to any person, becomes a crossroads of different cultures and eras, a mechanism for the formation and manifestation of the integrity of culture, the unity of mankind, the continuity of culture genesis. The need to return to the position of the author, to restore the idea of ​​the semantic center of the work outlined by the author is stated. By analogy with the concept of "Text", developed by R. Bart, it is proposed to use the concept of "Author", meaning a set of personal dialogic relationships of the author of a literary work with other authors and readers, open into the infinity of time perspective. This understanding of the author's position is aimed to prevent the simularization of a literary work, contribute to the preservation of it as a cultural value, an important tool of culture genesis.

The foundations and prerequisites of imagology

2021 ◽  
pp. 65-74
Author(s):  
Valerii P. Trykov ◽  
Keyword(s):  
Social Engineering ◽  
Dominant Strategy ◽  
The Other ◽  
Special Role ◽  
The West ◽  
European Culture ◽  
Post War ◽  
The 1960S ◽  
The One ◽  
Eu Project

The article examines the conceptual foundations and scientific, sociocultural and philosophical prerequisites of imagology, the field of interdisciplinary research in humanitaristics, the subject of which is the image of the “Other” (foreign country, people, culture, etc.). It is shown that the imagology appeared as a response to the crisis of comparatives of the mid-20th century, with a special role in the formation of its methodology played by the German comparatist scientist H. Dyserinck and his Aachen School. The article analyzes the influence on the formation of the imagology of post-structuralist and constructivist ideological-thematic complex (auto-reference of language, discursive history, construction of social reality, etc.), linguistic and cultural turn in the West in the 1960s. Shown is that, extrapolated to national issues, this set of ideas and approaches has led to a transition from the essentialist concept of the nation to the concept of a nation as an “imaginary community” or an intellectual construct. A fundamental difference in approaches to the study of an image of the “Other” in traditional comparativism and imagology, which arises from a different understanding of the nation, has been distinguished. It is concluded that the imagology studies the image of the “Other” primarily in its manipulative, socio-ideological function, i.e., as an important tool for the formation and transformation of national and cultural identity. The article identifies ideological, socio-political factors that prepared the birth of the imagology and ensured its development in western Humanities (fear of possible recurrences of extreme nationalism and fascism in post-war Europe, the EU project, which set the task of forming a pan-European identity). It is concluded that the imagology, on the one hand, has actualized an important field of scientific research — the study of the image of the “Other”, but, on the other hand, in the broader cultural and historical perspective, marked a departure not only from the traditions of comparativism and historical poetics, but also from the humanist tradition of the European culture, becoming part of a manipulative dominant strategy in the West. To the culture of “incorporation” into a “foreign word” in order to understand it, preserve it and to ensure a genuine dialogue of cultures, the imagology has contrasted the social engineering and the technology of active “designing” a new identity.

scholarly journals CONCEPT OF THE STUDY OF ART BY R.J. COLLINGWOOD AS AN OBJECT OF THEORETICAL ANALYSIS

2020 ◽  
pp. 36-40
Author(s):  
M. V. Ternova
Keyword(s):  
Theoretical Analysis ◽  
Art History ◽  
Art Criticism ◽  
The Other ◽  
Historical Period ◽  
Rudyard Kipling ◽  
Cultural Traditions ◽  
Avant Garde ◽  
History Analysis ◽  
The One

The article analyzed concept of the study of art by Robin George Collingwood (1889-1943), a well-known English neo-hegelian philosopher. His significant part of the theoretical heritage is connected with the explanation of the nature of art and with the consideration of its condition during the period of the changing Oscar Wilde era to the era of Rudyard Kipling. The circle of problem such as content and form, character, image, mimesis, reflection, emotion, art and "street man" identified. All of them in Collingwood's presentation and interpretation significantly expanded the space of research not only English, but also European art criticism. The concept of study of art is "built" on the basis of an active understanding of historical and cultural traditions accented. The concept of art criticism of R.G. Collingwood – a famous English philosopher of the XIX-XX centuries, on the one hand, has self-importance, and on the other, although based on the traditions of contemporary humanities, still expands art history analysis of aesthetics through aesthetics and psychology. Recognizing the exhaustion of the English model of romanticism, R.G. Collingwood tries to outline the prospects for the development of art in the logic of the movement "romanticism – realism – avant-garde", which leads to the actualization of the problem of "mimesis – reflection". At the same time, the theorist's attention is consciously concentrated around the concept of "subject", the understanding of which is radically changing at the turn of the XIX-XX centuries. Theoretical material in the presentation of R.G. Collingwood is based on the work of Shakespeare, Reynolds, Turner, Cezanne, whose experience allows us to focus on the problem of "artist and audience". It is emphasized that Collingwood's position is ahead of its time, stimulating scientific research in the European humanities. The existence of indicative tendencies, which are distinguished in the logic of European cultural creation of the historical period, is emphasized.

scholarly journals «Маґнат» Г. Погутяк художній роман чи квазібіографія Яна Щасного Гербурта?

2016 ◽  
Vol 7 ◽  
pp. 31-42
Author(s):  
Олександр Андрійович Галич
Keyword(s):  
Literary Work ◽  
The Other

The character in H. Pohutiak’s novel Severyn Nyklovs’ky is represented as a person who does his best to be incarnated in the image of real historical person Yan Shchasny Herburt changing into his look-alike for some time. Literary work «Magnate» («Magnat») in that part, which deals directly with the life and activity of the lordly man, is documental. The other plot line, which is connected to the life and activity of look-alike, is totally based on fiction and wild fantasy of H. Pohutiak. Here we can definitely speak about the imitation of biography or about quasi biography.

scholarly journals LINGUISTIC ASPECTS OF UNDERSTATEMENT IN MODERN ENGLISH

2013 ◽  
pp. 252-260
Author(s):  
V. G. Ivanova
Keyword(s):  
National Character ◽  
Special Role ◽  
Anglo Saxon ◽  
Connotative Meaning ◽  
Double Negation ◽  
Social Differences ◽  
Modal Verbs ◽  
Cultural Traditions ◽  
The Impact ◽  
Negative Factors

The article focuses on the concept of Understatement as a lingua-cultural category and analyses the main linguistic means of realization of this phenomenon. Besides, some stylistic and pragmalinguistic aspects of Understatement are analyzed from the perspective of a distancing strategy. The researcher is primarily interested in Understatement as a lingua-cultural category relying on historically stipulated cultural traditions of Anglo-Saxon society which gave rise to the forming of the British national character, and which reflect age, gender and social differences of the English. The author does not use the Russian variants of the translation of Understatement in the article, as they do not fully convey all the aspects of denotative and connotative meaning of this concept. Further on it is emphasized that the structure of Understatement is complex, diverse and can be expressed by a variety of lexical as well as grammatical means, among which double negation, modal verbs, the adverbs of degree and particles can often be encountered which are in most cases dependent on the context. From the pragmatic angle Understatement can be used to conceal embarrassment, anxiety or offence. Moreover, Understatement is used while singling out the positive aspects of the communicative situation. The understatement of the positive characteristics of the speaker is reflected in the so called «effect of modesty », which finally boils down to such a strategy as «fishing for compliments», that is an intentional understatement of one’s positive qualities in order to «fish for compliments». Understatement used to and continues to play a special role in the English speech behavior. Its aim is to minimize the impact of the negative factors on the message addressee, to lower the categoricity of the utterance and to take the interlocutor’s interests into account.

scholarly journals Traditions of franciscanism and pilgrimage in the life and work of A. Dobrolyubov

2021 ◽  
Vol 2 (25) ◽  
pp. 19-30
Author(s):  
Ekaterina V. Kuznetsova ◽  
Keyword(s):  
Literary Work ◽  
The Other ◽  
Early 20Th Century ◽  
Religious Literature ◽  
Silver Age ◽  
The Poor ◽  
The Gift ◽  
Artistic Interpretation ◽  
Historical Phenomenon ◽  
The Individual

The fate and personality of Alexander Dobrolyubov gave rise to a kind of Dobrolyubov myth about the eternal wanderer in the culture of the Russian Silver Age and in many ways unfairly obscured his literary work. The article traces the influence of Francis of Assisi on Dobrolyubov's own life-creating strategy and his contemporaries' perception of him as a «Russian Francis. The author considers the peculiarities of artistic interpretation of the whole complex of motifs associated with the fate and personality of the Italian saint in the last collection of Dobrolyubov's works, From the Book Invisible (1905). The author analyzes the image of the pilgrim, glorification (preaching) of the poor, hermit’s life and the unity of man and wildlife, plants and the elements of nature in the context of teachings of St. Francis and the Russian franciscanism of the modernist era; the features of their modernist reception are traced in Dobrolyubov’s works written after his «departure». On the other hand, the author reveals evidence that the poet implements the individual author's interpretation of the characteristic Russian cultural and historical phenomenon of pilgrimage (real, metaphysical and spiritual), which was reflected, for example, in N. S. Leskov’s works, and philosophically interpreted in science and criticism of the early 20th century (V. Rozanov, N. Berdyaev, etc.). The author suggests that the poet was influenced by an anonymous work of Russian religious literature «A Pilgrim's Confessional Stories to his Spiritual Father». As a result, the author concludes that the poet creates a modern variation of the Franciscan image of the «simple man» and the divine man, possessing the gift of communication with nature, who combines the features of an Italian ascetic preacher with the type of a Russian pilgrim-god-seeker.

DISCUSSION ON “AYKOL MANAS” IN THE CONTEXT OF THE HISTORICAL RELATIONSHIP BETWEEN SHAMANISM AND STORYTELLING AMONG THE KYRGYZ PEOPLE

2020 ◽  
Vol 3 (4) ◽  
pp. 12-34
Author(s):  
Nestor A. Manichkin ◽  
Keyword(s):  
Literary Work ◽  
The Other ◽  
Islamic Culture ◽  
Social Field ◽  
Public Discussion ◽  
The Public ◽  
The World ◽  
Historical Relationship ◽  
Characteristic Features ◽  
The One

The article dwells upon connection between the two most important Kyrgyz traditions: shamanism ( bakshylyk ) and storytelling ( zhomokchuluk ). It considers the general cultural and social field that forms some features that are characteristic of both shamans and storytellers, as well as the traces of pre-Islamic culture that can be found in the world of the Kyrgyz epic. Special attention is paid to the post-folklor version of the epic “Manas” – the dastan “Aykol Manas” and the public discussion around that literary work. The discussion reflects, on the one hand, specific aspects of the understanding of the Kyrgyz epic tradition, and on the other hand, a number of characteristic features that accompany modern transformations of Kyrgyz shamanism.

The Role of Customer Engagement in the COVID-19 Era

2021 ◽  
pp. 91-116
Author(s):  
Sara Santos ◽  
Pedro Espírito Santo ◽  
Luísa Augusto
Keyword(s):  
Social Media ◽  
The Other ◽  
Customer Engagement ◽  
Special Role ◽  
Brand Attachment ◽  
Brand Engagement ◽  
Brand Relationship ◽  
The Relationship ◽  
Multidimensional Concept

Costumer engagement is a multidimensional concept which develops over the time and is widely studied in the literature of marketing. Consumers attached to the brand tend to be more involved in behaviors that support the brand. On the other side, brand-self connection is an important element in consumer-brand relationship being part of brand attachment, where social media have a special role. Playfulness and informativeness of video have a significant impact on the value of social media ads, and the authors present the relationship between these two variables and customer engagement. The study will present an investigation with 235 Portuguese individuals during the months of confinement justified by the pandemic COVID-19. The results show that customer engagement depends on informativeness, playfulness, and brand-self connection. Throughout this empirical study, they show that social media brand engagement is explained by these variables. This chapter enhances knowledge on costumer engagement, brand-self connection, and video informativeness and playfulness, supporting new researches in this topic.

al-Razi, Abu Bakr Muhammad ibn Zakariyya’ (d. 925)

2018 ◽  
Author(s):  
Paul E. Walker
Keyword(s):  
The Other ◽  
Special Role ◽  
Medieval Period

Perhaps the most famous and widely respected Islamic authority on medicine in the medieval period, al-Razi also aspired to a comparable achievement in philosophy and the other sciences such as alchemy. His success in these other subjects, however, was seldom recognized either in his own time or later; in philosophy, for example, more writers cite him for purposes of rejection and refutation than for admiration and emulation. However, his ideas were and are important. Chief among his positive contributions is his advocacy of a doctrine of equal aptitude in all humans, which grants no special role for unique and divinely favoured prophets and which recognizes the possibility of future progress in the advancement of knowledge. Philosophically, al-Razi was by his own admission a disciple of Socrates and Plato, much of whose teaching he knew on the basis of the latter’s Timaeus. Accordingly, he was noted for upholding the eternity of five primary principles, God, soul, time, matter and space, and for a concept of pleasure that sees it as the return to a normal harmony following a serious deviation or disruption which is itself pain.

9. An introduction to copyright

2019 ◽  
pp. 173-176
Author(s):  
Paul Torremans
Keyword(s):  
Literary Work ◽  
The Other ◽  
Printing Press ◽  
Other Hand ◽  
Key Concepts ◽  
The One ◽  
Exclusive Right ◽  
First Time

This chapter first discusses the two roots of copyright. On the one hand, copyright began as an exclusive right to make copies—that is, to reproduce the work of an author. This entrepreneurial side of copyright is linked in with the invention of the printing press, which made it much easier to copy a literary work and, for the first time, permitted the entrepreneur to make multiple identical copies. On the other hand, it became vital to protect the author now that his or her work could be copied much more easily and in much higher numbers. The chapter then outlines the key concepts on which copyright is based.

Some Remarks on Konrad Bayer: Dark Romanticism and Surrealism in Postwar Vienna

October ◽  
2019 ◽  
Vol 170 ◽  
pp. 61-68
Author(s):  
Oswald Wiener
Keyword(s):  
Literary Work ◽  
The Other

In “Some Remarks on Konrad Bayer” Oswald Wiener reflects on his deceased friend and collaborator. Arguing that Bayer's personal presence was more influential than his literary work, Wiener focuses on experiments Bayer conducted in his milieu, which aimed at predicting and manipulating the behavior of others. If the other proved hard enough to predict, according to Wiener, such experiments could complicate the participants' representations of the situation to such an extent that they would induce ecstatic states. Wiener connects these experiments to epistemological questions and relates them to different literary and artistic traditions including Dark Romanticism, Surrealism, and dandyism.

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