scholarly journals RELEVANSI NILAI SASTRA PADA LIRIK LAGU RIDWAN SAU DENGAN KONDISI SOSIAL BUDAYA MASYARAKAT KOTA MAKASSAR (SUATU PENDEKATAN STRUKTURAL GENETIK)

2016 ◽  
Vol 1 (1) ◽  
pp. 92
Author(s):  
SARWINAH SARWINAH

AbstrakPenelitian ini bertujuan untuk menemukan jawaban atas fokus permasalahan yang telah dirumuskan yakni mendeskripsikan nilai sastra hideonik, nilai artistik, nilai kultural, nilai etis,moral, dan agama, serta nilai praktis yang terdapat pada lirik lagu Ridwan Sau, kondisi sosial budaya kota Makassar, ditinjau dari makna lagu Ridwan Saud dan relevansi nilai sastra pada lirik lagu Ridwan Sau dengan kondisi sosial budaya masyarakat Kota Makassar. Penelitian ini sebagai penelitian kualitatif, dengan pendekatan struktural genetik yang mempergunakan strategi berpikir fenomenologis yang lentur dan terbuka dari pencipta lagu daerah Makassar. Adapun lirik-lirik lagu yang digunakan sebagai objek penelitian ini adalah Julei Rikau, Tea Tonja, Burakne Tonja, Panngukrangi, Sarengku, Kakde Kapang Na Suruga, Harangmi, Larokong Tojengma Kapang, Naloko Nakku, I Kattemi Antu, Tea Lapanra Pinruang, dan Kere Tekneku. Pengumpulan data dengan teknik kaji dokumen. Analisis data dilakukan sejak awal peneliti mengumpulkan data, lalu mereduksi data kemudian menyajikan data, dan melakukan penelitian data dan penarikan kesimpulan. Selanjutnya diadakan teknik pemeriksaan keabsahan data. Hasil penelitian ini mendeskripsikan relevansi nilai sastra pada lirik lagu Ridwan Sau dengan kondisi sosial budaya masyarakat Kota Makassar. Yaitu antara nilai hideonik, nilai artistik, nilai cultural, nilai etis, dan nilai praktis dengan kondisi sosial budaya kota Makassar yang antara lain masih menganut ketat budaya Tau, budaya Sirik, budaya Pacce, budaya Panngalik, budaya Panngadakkang, dan budaya Agama (Batara). Budaya-budaya tersebut masih dianut sampai sekarang dan sudah menjadi kebiasaan dalam keseharian masyarakat Kota Makassar yang semuanya tercantum dan tergambar dalam lagu-lagu ciptaan Ridwan Sau. Kata Kunci: nilai sastra, lirik lagu Ridwan Sau, sosial budaya Makassar AbstractThis research aims to find answers to focus the issues that have been formulated to describe the value hideonik literary, artistic value, cultural values, ethical values, morals, and religion, as well as practical value contained in the lyrics of the song Ridwan Sau, socio-cultural city of Makassar, reviewed of the meaning of the song Ridwan Saud and the value relevance literature Ridwan Sau lyrics with social and cultural conditions of Makassar. This research was qualitative research with the genetic structural approach that used the phenomenology strategy openly from the outhor of Makassar song. The lyrics was used by the researcher was Julei Rikau, Tea Tonja, Burakne Tonja, Panngukrangi, Sarengku, Kakde Kapang Nasuruga, Harangmi, Larokong Tojengma Kapang, Naloko Nakku, I Kattemi Antu, Tea Lapanra Pinruang, and Kere Tekneku. The technique in collected, then taking reduction and presenting the data, and concluding. The next technique was validation. The research findings described The Relevance of Literature Value Toward the Lyrics of Ridwan Sau song with the condition of Social Culture of Makassar. It was the hedonic value, art value, cultural value, ethic value, and practical value with the social culture condition of Makassar community that submitted the Tau culture, Sirik culture, Pacce culture, Panngalik culture, Panngadakkang culture, and Religious (Batara) culture. Those culture still submit until now and became a habit in daily life of Makassar Community that quoted in Ridwan Sau song. Key words: literature value, Lyrics of Ridwan Sau Song, Makassar Social Culture

2019 ◽  
Vol 125 ◽  
pp. 09011
Author(s):  
M. Suryadi ◽  
Sri Puji Astuti ◽  
Mujid F Amin

This study is aimed to develop and enhance the roots of Javanese culture which are oriented towards the activities of eating in the social culture of coastal Javanese communities. Social culture contains the pillars of harmony and politeness. The harmony derives from noble values and politeness derived from the principle of cooperation in the context of speech acts. The research location was in Semarang city, especially in the rural area. This type of research is qualitative. The methods of data collection were observation, in-depth interviews, and focus group discussions (FGD). The methods of data analysis were semantic component reconstruction, lexicon mapping, and the settlement of lexicon elements in Javanese culture. The result of the research is the development of methods in the form of semantic component reconstruction. Reconstruction of semantic components involves four pillars of analysis: value-referent-concept words. Another finding, in the form of the design of the development of cultural values of eating activities, can be done through the hierarchy of speech acts. The enrichment of lexicon eating activities can be done through word alignment or paraphrasing.


2019 ◽  
Vol 2 (1) ◽  
pp. 30-36
Author(s):  
Mila Anggar Wati ◽  
Sumarwati Sumarwati ◽  
Kundharu Saddhono

This article is one of wide studies that analyze literature and cultural values and prosesion in traditional ceremony of Dhukutan at Nglurah Village Tawangmangu Regency. Those traditional ceremony become tourist attractions. This study uses qualititive method inludes collection of primary an secondary sources such as literature study, observation, structured and in-depth interviews. Traditional ceremony have been existed during the ancestor period, it is always accompanied by the presence of ubarampe that has philosophical and historical significance among them. There are five Javanese literature and culture values in Dhukutan; 1) hedonic value, 2) artistic value, 3) cultural value, 4) ethical, moral, religious value, 5) practical value. There are three steps in Dhukutan , 1) preparation, 2) core ceremony, 3) closing . All sesaji in this traditional ceremony using material of corn. The purpose of this study is to knowing Javanese Literature and Culture Value and prosesion of Dhukutan ceremony and oral regulations of Dhukutan.


2020 ◽  
Vol 19 (1) ◽  
pp. 1-12
Author(s):  
Sura Kassim Ameen ◽  
Ibrahim Jawad Al-yusif ◽  
Ali Musa Hussein

Abstraction is used in architectural and interior design and is based on abstraction with formal values, taking into account the functional aspect of architecture. Architectural heritage represents the cultural value that directly affects successive generations, and embodies cultural values to reflect the social, economic and political aspect that contributes to the advancement of human civilization, and architectural heritage is the basis of architectural thought in societies that have unity. Cultural. He found that the concept of the philosophy of abstraction has multiple views, whether Western and local and dependent on the nature of cultural, social and environmental thought, and for this the aim of the research was to activate the role of the philosophy of abstraction in the formal formations of both the vocabulary of heritage architecture and contemporary architecture by architectural elements, Analysis of international, Arab and local architectural productions, to reach a conscious understanding of the philosophy and thought of abstraction in contemporary heritage architecture, and its spiritual values to reach the essence of things. The practical study was the analysis of Western and Arab and local projects with heritage architectural values and a practical study compared to them to see which architectural outputs were able to generate heritage values stable from its past in abstract geometric forms reflecting different ideas


2017 ◽  
Vol 10 (3) ◽  
pp. 86-96
Author(s):  
A.N. Lebedev

The article discusses the possibility of experimental modeling of mass culture phenomena while studying for small social groups. This strategy is defined on the base of the subject-active approach. In accordance with this approach the author claims by the following. As well as a person, small group, large social group and even society at large are subjects of the creative activity; therefore in many situations they are similar. The purpose of this study was to examine the emergence of the new group norms and cultural values in conditions of experimental simulation. The analysis of this phenomenon is based on the social and cultural dynamics theory, which was offered by A. Mole’s. The author believes that there are grounds to assert that meaningless objects can become the values of mass culture following the principle: an accidental phenomenon — the group norm — socio-cultural value. The study was conducted by the laboratory experiment in three stages. It showed that an object (a word) randomly selected by the participants in the experiment can become sensible in the framework of group decision-making. It gains «value» for the participants so as they try to keep it on while a discussion with opponents.


2019 ◽  
Vol 5 (1) ◽  
pp. 44-49
Author(s):  
Hidayah Quraisy ◽  
Sitti Asnaeni

Research on the existence of socio-cultural value a'dengkapada in the marriage event Kelara people Jeneponto Regency. This study aims to determine the existence and cultural values a'dengkapada in the marriage. The type of this research is descriptive qualitative method, data collection is used by observation, in-depth interview, documentation technique from result of photo and archives of local government. The results showed that, the existence of A'dengkap culture in marriage event still survive until now in Kelara society of Jeneponto Regency. The social values contained in the A'dengkapada culture are (1) As a tradition passed down from generation to generation, (2) Gratitude to the creator after the rice harvest and as a plea to be given safety in marriage and appeal (3) Entertainment for families and relatives in the afternoon (4) distant family gatherings (5) containers improve mutual cooperation and togetherness among families and relatives before carrying out the A'dengkapada event.Keywords: Existence, Social Value, Culture, A'dengkapada


2017 ◽  
Vol 12 (1) ◽  
pp. 31
Author(s):  
Miftahur Rohman ◽  
Mukhibat Mukhibat

INTERNALIZATION OF SOCIO-CULTURAL VALUE BASED ON ETHNO-RELIGIOUS IN MAN YOGYAKARTA III<strong>. </strong><em>The phenomenon of violence in the name of religion, ethnicity, and culture has shown that humans have failed to understand heterogeneity, diversity, and plurality as main characteristics of the Islamic educational institutions, such as Madrasa. For responding that phenomenon, MAN Yogyakarta III (Mayoga) believes that they will create the humanist and inclusive education. This research with phenomenological approach and qualitative descriptive method was focused on best practice done by Mayoga, humanist and inclusive education. The results showed that the values of diversity in Mayoga were internalized in learning activities by integrating the values of religion, culture, and diversity. The integration generates socio-cultural values, such as appreciating ‘mazhab’ differences in religious practices, cultural assimilation and regional languages, tolerance and human rights, and social coherence among the school communities. Thus, the social values that grow in Mayoga can keep the values of social cohesion among people in Madrasa.</em>


Author(s):  
Suhadi

Krisis multidimensional yang termasuk di antaranya adalah pertumbuhan penduduk yang tidak terkontrol, polusi udara, krisis air, pemanasan global, tekanan hidup merupakan simbol masalah sosial dari proses pembangunan. Kita perlu merefleksikan secara kritis tentang tujuan dan nilai dalam pembangunan yang menghambat pembangunan. Dalam penelitian ini, penulis menggali nilai-nilai etika masyarakat pedalaman yang dapat digunakan sebagai inspirasi untuk menerapkan nilai-nilai dalam pembangunan sehingga dapat meminimalisir masalah-masalah yang muncul dari proses pembangunan. Penelitian ini menggunakan pendekatan kualitatif. Hasil penelitian menunjukkan bahwa pengelompokan masyarakat pedalaman secara etika dapat digunakan sebagai alat untuk mengukur mentalitas pembangunan di Indonesia. Sebagai contoh etika Baduy, mencerminkan karakter sosial untuk mengembangkan pilar-pilar nilai budaya nasional, skenario pembangunan teknologi, keamanan pangan, kemerdekaan, gaya hidup, mengangkat ketertarikan masyarakat, fokus pada  program prioritas dan bangkit dari politik transaksi ekonomi dan kekuatan dalam pembangunan. Di sisi lain ada hal-hal yang bersifat merusak bagi etika masyarakat pedalaman di bawah tekanan atas lingkungan yang nyaman dan itu datang dari dalam maupun luar. The multi-dimentional crisis which includes the uncontrolled population explosion, the more dense settlement, the amount of pollutants in the earth, water crisis, global warming, and a lot of life pressure / stress are signs of the social problems of the development process. That is why, we need to reflect critically on the goals of development and values that discourage development. In this article, the author seeks to explore ethical values in traditional Baduy society which can be used as inspiration in applying development values that can minimize the problem raised by development. This research used qualitative approach. Research results show that community grouping in isolated community can be used ethically as a means to measure mentality of Indonesian development. For example the ethics of Baduy reflects social character to develop the pillars for national cultural values, technological development scenario, food security, independence, lifestyle, promoting the interests of society, focus on running projects, and away from the politics of economic transactions and power in development. On the other hand there are symptoms of the destruction of isolated communities ethics under the pretext of environmentally friendly development that comes from inside and outside.


2016 ◽  
Vol 5 (1) ◽  
pp. 1
Author(s):  
Asep Supriadi

Nilai-nilai kearifan lokal sebagai pancaran kultural yang dimiliki bangsa Indonesia telah lama dikenal dalam kekayaan budaya dan peradaban yang bermartabat. Nilai-nilai kearifan lokal dalam cerita rakyat nusantara  perlu terus digali, dilestarikan, dan dikembangkan lebih lanjut, misalnya dalam cerita Sangkuriang. Cerita Sangkuriang  merupakan cerita rakyat Sunda yang sudah dikenal masyarakat luas di Indonesia. Cerita ini pernah diangkat ke dalam film layar lebar, film kartun, sinetron, drama, dan buku. Cerita rakyat Sangkuriang mengandung beberapa nilai budaya, di antaranya (1) nilai hedonisme, yaitu nilai yang memberikan kesenangan; (2) nilai artistik, yaitu nilai yang memanifestasikan suatu seni; (3) nilai kultural, yaitu nilai yang berhubungan dengan kemasyarakatan, peradaban, dan kebudayaan; (4) nilai etika, moral, dan agama; (5) nilai praktis.Abstract:Values of local wisdom as cultural reflection of Indonesia have been long known for its cultural richness and dignified civilization.  The values in Indonesian  folklore need to be ex- tracted, preserved, developed further, like Sungkariang story. The story is one of Indonesia Sundanese folklore that has been already known in Indonesia. The story has been made into films, cartoons, TV serial, plays, and books. Sangkuriang folklore has several cultural values, includ- ing, (1) the hedonism value,  the value of giving  pleasure, (2) artistic value, the value of manifest- ing  the art, (3) cultural value,  associated with social values, civilization, and culture,(4)  ethics, morals and religion value, and (5) practical value.


2020 ◽  
Vol 19 (1) ◽  
pp. 1-12
Author(s):  
Sura Kassim Ameen ◽  
Ibrahim Jawad Al-yusif ◽  
Ali Musa Hussein

Abstraction is used in architectural and interior design and is based on abstraction with formal values, taking into account the functional aspect of architecture. Architectural heritage represents the cultural value that directly affects successive generations, and embodies cultural values to reflect the social, economic and political aspect that contributes to the advancement of human civilization, and architectural heritage is the basis of architectural thought in societies that have unity. Cultural. He found that the concept of the philosophy of abstraction has multiple views, whether Western and local and dependent on the nature of cultural, social and environmental thought, and for this the aim of the research was to activate the role of the philosophy of abstraction in the formal formations of both the vocabulary of heritage architecture and contemporary architecture by architectural elements, Analysis of international, Arab and local architectural productions, to reach a conscious understanding of the philosophy and thought of abstraction in contemporary heritage architecture, and its spiritual values to reach the essence of things. The practical study was the analysis of Western and Arab and local projects with heritage architectural values and a practical study compared to them to see which architectural outputs were able to generate heritage values stable from its past in abstract geometric forms reflecting different ideas


2016 ◽  
Vol 7 (2) ◽  
pp. 347
Author(s):  
Aida Fouad Elnabalawi

This study aims to provide an anthropological reading of some Omani folk tales and discusses them within their context and by their methodological dimensions. The study is also an attempt to classify folk tales. The research paper argues that folk tales have significant social and cultural semantics disclosed by the contents of their events. Folk tales have an important role in supporting the system of social values and cultural norms. Methodologically, this study is a descriptive research from an anthropological approach and uses its tools in the field study. The population study is located in the District of Bahla in the Governorate of Dakhlia. The results conclude that the content of the folk tales reveal the scope of the inherited norms and traditions and their vital role in supporting the social and cultural system, and in maintaining the folklore standards. Despite the threats to cultural values, new forms of folk tales representations in the cultural and artistic scene are taking place in the modern societal trends scene. 


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