The Writing and the Bronze: Commemoration as Historiography
Historic monuments are the most public and recognized forms of commemoration. In Canada, as around the world, many monuments have come under fire recently for celebrating a vision of the past that is no longer palatable to large segments of the population. The heroes and events they enshrine have been denounced by many as tributes to racism, yet they are valued by others as aspects of our collective history and a celebration of our national heritage. Both these positions gloss over the complexity of the historical act of raising monuments and interpreting their historical meanings. Monuments in Canada, like all forms of commemoration, are reflections of the historiographical and methodological trends contemporary to the discipline of history at the time of their creation. Changes in methods and interpretations have thus also affected their meaning over time. Thus, monuments are not straightforward representations of history but, instead, layered expressions of historiography in physical form. Ascribing to them singular meanings obscures the complexity of the societies that constructed them and simplifies their connections to public life.