The Everyday Life of Cultural Studies

1996 ◽  
Vol 65 (2) ◽  
pp. 393-403
Author(s):  
David Cuthbert
2019 ◽  
Vol 22 (4) ◽  
pp. 481-498 ◽  
Author(s):  
Jonathan Corpus Ong

This article takes stock of the insights and approaches advanced by the last 15 years of critical research in humanitarian communication and distant suffering while arguing for a new agenda for ethnography. Ethnography lays bare the messy and fertile terrains of human experience and disrupts idealized figures of witness and sufferer, aid worker and aid recipient, event and the everyday. Bringing into dialogue the anthropology of aid literature and media and cultural studies, this article proposes three important shifts for future research: (1) a focus on processes rather than principles in production studies of humanitarian communication, (2) a focus on ethics arising from everyday life rather than from events of distant suffering, and (3) and a focus on the lifeworlds of the poor and vulnerable rather than those of witnesses.


2020 ◽  
pp. 136754942091986
Author(s):  
Shaun Moores

In this article, I have three key aims. Firstly, I want to offer a particular definition and a bold defence of ‘non-representational theories’, indicating the importance of their anti-rationalist and anti-structuralist tendencies, and also pointing to their positive assertion of the primacy of practices or movement. Although a non-representational theoretical approach is closely associated today with contemporary geographic thought, I make a case here for an understanding of non-representational theories as a far broader cross-disciplinary project. Secondly, in the light of non-representational theories, I will be revisiting an old debate between culturalists and structuralists on matters of experience and representation. I consider, in a spirit of re-evaluation, Stuart Hall’s now classic essay on two paradigms in the development of cultural studies, as well as a selection of related interventions made by Hall. Thirdly, I will look to potential future directions for empirical research that is informed by a non-representational theoretical approach, in an area which I call ‘quotidian cultural studies’. My recommendations are for work that might explore, for example, acquired habits or ways of the hand in the uses of new media technologies (among other skills of tool use), and paths that are trodden along the ground on foot and through narrative or other media settings. A critical appropriation of Tim Ingold’s writings in anthropology leads me to describe such work as ‘linealogical’ investigations of everyday life.


2018 ◽  
pp. 123-130
Author(s):  
Nataliia Naumenko

The article represents the results of the culturological analysis of Ukrainian baroque poetry with ‘wine’ for the prominent image. Just as the conceit of wine was never researched profoundly by culturologists and linguists, this article is an attempt to conceptualize the imagery of wine and culture of its consumption in Ukrainian literary criticism and cultural studies. Upon researching Ukrainian baroque poetry, the author of this article revealed some new connotations of the image of wine. First of them is a symbol of reproach declared to the authorities of either sacral or secular power (the conceptual pattern of it are the writings by Ukrainian polemist Ivan Vyshensky). However, even the strongest judgements sounded hopefully thanks to stylization in the mood of Christian liturgy. Secondly, wine was a reflection of joy of life, love, or friendship in Epicurean style. Thirdly, it was set up as a philosophical image of the human self as the most precious thing in the world. This idea was also supported staunchly by H. Skovoroda. Henceforth, wine in baroque poetry is not only an image of something material within the framework of the everyday life and rituals; it is a factor of reconciliation of Christian and Pantheistic worldview in the Ukrainians. Further researches of ‘wine’ conceit in Ukrainian poetry (and Ukrainian culture as a whole) would allow confirming anew the vision of a human-within-the-world as the world-within-a-human.


Author(s):  
Khaled Hassan

To identify changes in the everyday life of hepatitis subjects, we conducted a descriptive, exploratory, and qualitative analysis. Data from 12 hepatitis B and/or C patients were collected in October 2011 through a semi-structured interview and subjected to thematic content review. Most subjects have been diagnosed with hepatitis B. The diagnosis period ranged from less than 6 months to 12 years, and the diagnosis was made predominantly through the donation of blood. Interferon was used in only two patients. The findings were divided into two groups that define the interviewees' feelings and responses, as well as some lifestyle changes. It was concluded that the magnitude of phenomena about the disease process and life with hepatitis must be understood to health professionals. Keywords: Hepatitis; Nursing; Communicable diseases; Diagnosis; Life change events; Nursing care.


2006 ◽  
Vol 2 (1) ◽  
pp. 70-79 ◽  
Author(s):  
Ben Highmore

From a remarkably innovative point of departure, Ben Highmore (University of Sussex) suggests that modernist literature and art were not the only cultural practices concerned with reclaiming the everyday and imbuing it with significance. At the same time, Roger Caillois was studying the spontaneous interactions involved in games such as hopscotch, while other small scale institutions such as the Pioneer Health Centre in Peckham, London attempted to reconcile systematic study and knowledge with the non-systematic exchanges in games and play. Highmore suggests that such experiments comprise a less-often recognised ‘modernist heritage’, and argues powerfully for their importance within early-twentieth century anthropology and the newly-emerged field of cultural studies.


2019 ◽  
Vol 146 (2) ◽  
pp. 472-480
Author(s):  
Oksana Hodovanska
Keyword(s):  

Author(s):  
Aleksei S. Gulin ◽  

The article deals with actually little studied questions about the ways and methods of transporting political exiles to Siberia by rail, about the everyday life of that category of exiles in the new conditions of deporting in the 60–70s of the 19th century.


Author(s):  
Arto Penttinen ◽  
Dimitra Mylona

The section below contains reports on bioarchaeological remains recovered in the excavations in Areas D and C in the Sanctuary of Poseidon at Kalaureia, Poros, between 2003 and 2005. The excavations were directed by the late Berit Wells within a research project named Physical Environment and Daily Life in the Sanctuary of Poseidon at Kalaureia (Poros). The main objective of the project was to study what changed and what remained constant over time in the everyday life and in both the built and physical environment in an important sanctuary of the ancient Greeks. The bioarchaeological remains, of a crucial importance for this type of study, were collected both by means of traditional archaeological excavation and by processing extensively collected soil samples. This text aims to providing the theoretical and archaeological background for the analyses that follow.


Author(s):  
Admink Admink

Прослідковуються урбанізаційні та дезурбанізаційні процеси в моді ХХ ст. Звернено увагу на недостатню вивченість питань естетичних та культурологічних аспектів формування моди як видовища в контексті образного простору культури повсякдення. Визначено видовищні виміри модної діяльності як комунікативної сцени. Наголошено на необхідності актуалізації народних мотивів свята, творчості в гурті, певної стилізації у митців та дизайнерів моди мистецтва ностальгійного, втраченого світу з метою осягнення фольклорної, глибинної стихії моди як екомунікативного простору культури повсякдення. Ключові слова: міф, мода, етнокультура, етнос, свято, площа Ключові слова: міф, мода, етнокультура, етнос, свято, площа. According to E. Moren ethnic cultural influences take place in urbanized environment and turn it into "island ontology".Everyday life ethnic culture is differentiated, specified as a certain type of spectacle. However, all that powerful cosmologism, which used to exist as an open-air theater in settlements, near rivers, grasslands, roads, is disappearing. The everyday life culture loses imperatives, patterns, and cosmological designs, where, for example, the “plahta” contains rhombuses, squares, and rectangles - images of the earth, and the top of the costume symbolizes the sky. Yes, the symbolic marriage of earth and sky was a prerequisite for marrying young people. The article deals with traces of the urbanization and deurbanization processes in the twentieth century fashion.Key words: ethnic culture, culture of everyday life, ethnics, holidays, variety show, knockabout comedy, square.


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